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princessamericachavez · 1 year

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okay so i’ve been thinking nonstop about this post by @anxieteandbiscuits pointing out how everything about Buck and Eddie’s arcs is eventually tying back up to Buck’s couch because it was stablished in the very first episode this season and the show was telling us where it was taking these characters this time around. Which got me thinking about what we saw stablished in that first ep and how showed us what the last couple eps of the season would give us.

So we got Bobby and Athena, right? And we had a very clear reminder that Bobby struggles with his sobriety every day through his insistence to stay busy at the cruise to avoid temptation at the 11 bars. Which eventually lead to more about his history with AA, Wendell and Bobby’s struggles. We also had that last scene of the episode with Athena’s parents, connecting to her past. If we take ep2 of the season into account, we are also seeing a nod at Athena’s past loss and, through her mother’s own fear of losing her father, her fear of grief and losing another partner like her first fiancé. Which will probably come to a head in the finale after the 6x17 setup.

For Hen? We saw her struggle with her work-life balance. Trying to juggle med school, a job and her family. And we saw, clearly, that what she was neglecting was her interpersonal relationships. We see this when she misses her lunch date with Athena and still accepts more responsibility as interim captain from Bobby. Later, in the second episode (because I really do feel like the first two episodes this season were a single arc setting up the upcoming storylines) we see this further pushed when Karen calls Hen out for forgetting to pick her son up, and Hen breaking down because she failed her tests and feels like a failure after the Happiness Convention death. We saw Hen struggle with balance between all these sides of her life through the rest of 6a and it was solved by the end. (I do wish the show’d let her go on with this throughout the entire season because it feel like they ran out of things for Hen in 6b and recycled the biodad thing, but that’s a complaint for another day)

Then, for Chimney and Maddie, we had the big decision of Maddie moving back in with him, of them being a family again, we had Chim’s fear of being left behind and Maddie being the one to take the necessary steps to reassure him that she’s not going anywhere. All that? Yep, set up for the proposal! We’ve seen a huge advancement on their relationship this season and it was pretty clearly telegraphed in the very first episode!

Now, Eddie’s arc this season has been rather understated, probably because he went through so much in s5. However, rewatching 6x01 I was very curious to see that Eddie mentions Shannon for the first time in a good while that episode! When Chimney is talking about running out on Maddie the morning after their “one night stand”, Eddie recalls that he had Shannon sneak out to avoid Christopher catching her in his bed and he talks about how hhis vere was using Chris as an excuse to protect his heart. It sounds very familiar, right? So curiously enough, while we didn’t see much of his loneliness arc play out in 6a, it was lightly stablished (and probably expanded through him going through so many milestones with Chris this season, with the wanting to do things on his own and his first crush, both signaling that Chris is growing up and Eddie can’t devote himself to his son 100% of the time anymore to avoid getting hurt again).

Which finally leads us to Buck and his very clear pursuit of happiness. Which, curiously, begins with his desire to be considered for interim captain. Which is nothing weird, we know Buck wishes, more than anything, to be seen as worthy (of respect, of love, of a home, of a family). I don’t think we’ve talked enough about how the couch theory connects directly with Buck wanting to be a captain. To the point where twice he asks if not having a couch is an issue for it. Now, keep in mind, Buck drew a very clear correlation between couches and relationships and his fear of making the wrong choice again. The conversation also has some curious nods about having what you want “right under your nose but refusing to see it”. Uh... Anywayyyyy the second ep of the season hammered this down with the Happiness Convention and how clearly it affected Buck, how badly he craves that answer and that peace. When Bobby talks to Buck about being at ease as per AA standards, he does mention that it requires being able to look the world in the eye and being ok alone, but since we already saw Buck in his single chair for a while and ok with that decision until the wrong couch (and likely the wrong relationship) were brought to him by his death experience, I don’t thing his “happy ending” will be solitude.

Now, on a final sidenote, I will say that I could be inclined to deny the correlation between the Diaz’s and Buck’s search for a couch if it wasn’t for 6x12. Because, before that, there was little to no mention of Buck’s lack of couch (as opposed to the constant nods to his search for happiness and meaning and the whole donor plot). But after 6x11 made a BIG point of reminding us about the theory and how Buck sees it, and then 6x12 did THAT with Eddie’s couch, only to later double down on it in 6x15 with Christopher... I think whatever the answer to this theory is HAS to be somehow related to Chris and Eddie. Whether it’ll be in a romantic manner or a familial one or simply just stating that Buck’s found happiness and peace with them... remains to be seen tomorrow. But they’ve definitely set up the story to go there (or clowned me hard with deceptive storytelling which would annoy me to no end).

Anyway, that’s my long winded analysis just to say that I love how this show has stablished so many things since the first episode of the season and I’m really looking forward to see where they take us in the finale.

#911 fox #911 spec #but not really #is mainly analysis #buddie

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mr-president · 1 year

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I think one of my favorite Funtermina things is how it uses characters as narrative foils, specifically in how those characters interact with each other and everyone else.

Karin and Daan’s is the most discussed as it’s probably the most apparent within the text: their volatile opposing viewpoints on life via their upbringings (despite being extremely similar otherwise). When Karin and Daan interact, it’s like a person arguing with themself. They clash like ammonia and bleach, unable to reconcile how similar they are (haha cleaning chemical analogy) yet toxic in their association.

Marina and Levi represent the different realities of Prehevil, what with Marina’s privileged upbringing versus Levi’s absolute shitshow of an existence. And yet, they get along incredibly well and form a cadence with one another because through each other, they can reconcile their upbringings in Prehevil. Levi is the Prehevil Marina tried to escape—Marina is the Prehevil Levi hoped to return to.

Marcoh and Olivia are interesting because—and I will argue this to the death—their relationship is wholly as siblings. And they’re also deeply connected by their relationships with their sisters, specifically how those sisters formulated and defined how they see themselves. Marcoh has done nothing but live to protect his sister, while Olivia has forever lived in her sister’s shadow. Their identities revolve completely around their sisters, and this also colors their relationship with each other as siblings.

I wish it was explored more, but I think there’s a level of disenfranchisement when Marcoh fervently tries to protect Olivia the same way he protected his younger sister (edit: rb for amendment). He clearly sees her in that role, and Olivia’s already got guilt written into her about her disability making her a “charity case.” I say this also because of their different opinions on guns, power, and death: Marcoh has no bloodlust and seems exhausted when he has to hurt others, while Olivia becomes almost jubilant when she receives a gun. And those reactions to enacting violence are directly informed by their relationships with their sisters: a begrudging responsibility vs empowerment.

My favorite is probably Abella and O’saa as foils. As characters they’re probably my favorites, and their foil makes it even better.

Abella easily connects with everyone around her, ensuring that they’re all getting along (or not killing each other) and she tries desperately to help everyone, even at her own detriment. She cares, so much, even too much.

O’saa on the other hand, is the exact opposite. He actively chooses to connect with everyone as little as possible, to the point where you can kill someone in front of him and he won’t give a shit. This is, obviously, to his detriment in terms of his goal towards enlightenment. He cares too little, even if at all.

They perfectly represent the dichotomy between altruism vs selfishness, the mundane vs the macro, democracy vs individualism. Fundamentally, both Abella and O’saa get shit done, and what makes them so compelling as foils is how similar the results of their different processes are.

Both of them are the only two that are capable of saving everyone. Abella does so by interacting with many of the other contestants, while O’saa does this by ignoring everyone and just occam’s razoring that shit. They both get shit done and to the greatest net success, but in both cases, because they operate on extremes, it’s to the detriment of themselves. The game shows this literally because, well, they sacrifice themselves to Logic for the greater good, but the game also implies this detriment via their moonscorches.

Chaugnaur represents how others have reduced Abella to a sexual object for their pleasure or a mindless brute for labor. It is a physical manifestation of how interacting and connecting with others can be to one’s detriment because Abella often cannot control how people see and define her. Mastermind, on the other hand, is O’saa’s brain swelling and overtaking everything else on his head to the point where he is blind (save for the eye) and mute, only able to speak in mumbles. Mastermind is how O’saa values logic, knowledge, comprehension over anything else, becoming blind to other viewpoints save for his own. Additionally, it’s unable to communicate or connect with anyone else, only able to ruminate get never share its thoughts.

Abella is one of the first to Moonscorch; O’saa is one of the last. I love them as foils because even though they’re the most different in terms of anything, they don’t hinder one another at much all. They’re just kinda chill. And this makes sense because their dichotomies aren’t volatile like Karin and Daan’s, nor complementary like the others. Rather, they operate in balance—you cannot be too altruistic without some selfishness. To help everyone and to achieve enlightenment, you must consider both the mundane and the greater picture. Society operates on a shared democracy and on empowering individuals.

Still, the fact that even operating on the extremes has the greatest positive effect (in terms of utilitarianism) really says smth abt whether these values even matter. But I’d argue that they do matter, cause it’s that question of whether it’s worth it to suffer or even sacrifice for the greater good.

As a whole, each foil represents a central theme/motif of Fear & Hunger: internal vs external locus of control (Karin and Daan), environment dictating identity (Marina and Levi), relationships and their impact (Marcoh and Olivia), and the thematic shitshow that is Abella and O’saa.

Tldr; the game is about some girls and their boy best friends.

#fear and hunger termina #i could be stretching all of this and completely delusional but i wanted to do some thematic analysis on funger since i haven’t seen much :#feel free to add on #also for the record i don’t ship abella and o’saa mainly bc abella is a hunky lesbian and o’saa is highkey aro ace to me #they’re like the ‘can u text this for me? oh don’t be too mean tho’ besties if thag makes sense #mr president’s state of the union address #i’ll draw soon trust u gotta hear mh deranged analyses first tho

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the--firevenus · 1 year

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I have a personal hc that HSR MC acting menace a lot is just to avoid having dreadful thoughts of existential crisis, an unconscious mental self defense if you will, that's why the first thing Kafka advice them is "not to worry" as their story had "already been played out to them"

Caelus/Stelle seem to be content despite being literally born yesterday, the way they interact with trashcan and that closet scene seem child like, very imaginative (and fucking funny) thus slowly make you forget the why or what they are in the first place,,

The inner monologue from the dialogue option kinda gave me this energy: "hey haha yeah you have bomb in your body, but it's okay😊😊look shiny trashcan, don't think too much about why you exist, look at these shiny coins in the water fountain woooaahh, hm? What's that? You're questioning why you hear voices in your head?? Nah it's fine, let's hide in the closet and banish hotel demon!!"

Anyway I don't have anywhere to go with this, but I just love the contrast of the trailblazer lore (that heavily allude to be heavy angst) and the funny idiotic moments they did 😭

Head? Empty, Trauma? Repressed, Hotel? Trivago

#Also he keep making reference to memes sending me what the fuck is wrong with them 😭😭#venus rambling #honkai star rail #not analysis #Just my personal observation and hc :)#I love when Caelus being 'dw dw I'm capable' (he just born yesterday and have no idea what he's doing)#Adore his dumb moments <3 #To me he's a bit of both March and Dan Heng but mainly a raccoon with bomb as a heart

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purplecelestial-buddy · 2 months

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It's so funny to me that the fandom has come to see Hirano as a Sasamiya promoter of sorts because while he is, it took him some time to get accustomed to the idea of them together. And while he was never a hater Sasaki's actions towards Miyano certainly used to get on his nerves.

At first he was so worried and probably even felt a little guilty because (as mentioned in the following screenshot) because the only reason why Sasaki knows which class Miya is in, is thanks to him.

But like, that's not the face of a friend that's happy to play cupid and get their two acquaintances together. Not at all, that's the face of someone who puts his sempai-kouhai relationship with Miyano over his (pseudo) friendship with Sasaki.

Hirano from the first chapters would have jailed Sasaki if he were allowed to. (And he has his reasons, Sasaki has been something since the first chapters)

Anyway, the progression of events is really interesting.

He started, quite literally, shielding Miyano from Sasaki.

Then, he came to accept their relationship.

And at the end he really was rooting for them, to the point he ended up outright lying just so Miyano could meet Sasaki and they could talk it out and confess.

#I know the point of Sasaki to Miyano is watching how their relationship develops #but I think Hirano is really important as an spectator of their relationship #everyone thought the pair was and odd couple #him too #so watching him come to terms with their relationship and finally even rooting for them is super sweet #since it shows that he let go of his prejudice (mainly against Sasaki lol)#also I love the message he leaves Sasaki #he really did his everything to give them that last little push that they so needed #and he didn't have to!!!#like two pages before that he curses them both for having never exchanged number #and still he helps them out #idk I just love to ramble about him #he gets angry easily and he lacks patience but he always does his uttermost best to help his friends #even when he isn't particularly close to miya or sasaki #the (pseudo) in pseudofriendship comes from the fact that they are som weirdos that consider each other just classmates #but that's a talk for another day #got sasamiya brainworms again #does this count as a character analysis? (lol)#Hirano might not know of relationships and social dynamics but he really cares about everyone regardless of what those people are to him #both his kohais and his classmates are people he considers precious #and people for whom he would make sacrifices #I'm sorry I just love him very much #sasaki to miyano #if Hirano Taiga has no fans I'm dead #meaning that I'll defend him till my last breath

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dekusleftsock · 3 months

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“You should know more than anyone what a soul can do when they take charge of their own fate”—an analysis/accumulation of how Alastor views choice, redemption, and most importantly, Heaven

This quote I feel has gone… surprisingly unnoticed fandom wise. Hell, I haven’t even seen shippers address it. The reason? It destroys any and all ideas that Alastor doesn’t believe in redemption.

Now, why do I say this? We don’t know how Adam got into heaven in the first place, that is true, however we DO HAVE the context of the biblical story of Adam and Eve.

The story never tells us where they go. The Bible never outright says whether they fell because of the ultimate sin of temptation, nor does it say they repented themselves in their living life. However, because in Hazbin we have the context that Adam is both a winner and the leader of the angelic army, PROVES to me that in some way some how, Adam repented for his crime and the ultimate sin.

Adam, the person who literally made the worst sin in all of creation with the biggest impact, is in heaven. Not only that, but he’s the leader of the Angelic army, he has control. He has influence. He has power.

Fundamentally, repenting in the afterlife and in the living life work the same. They both take steps in betterment, and you can and should be forgiven for crimes that were committed. Because betterment isn’t just some selfish choice to make yourself happy, it’s for everyone. When you improve yourself, the people around you tend to be happier. Regardless of how heaven feels about it, or how YOU feel about it, improvement of any kind helps the world go round.

Alastor isn’t stupid, he isn’t naive, he isn’t even power hungry. He’s intelligent, he can put two and two together. If a winner who made the ultimate sin was somehow able to repent, anyone can. And that is dangerous information.

He sings about how he refuses to be altruistic, how he refuses to care. Not because he never BELIEVED in redemption, oh no, he does. He knows it’s possible, everyone can change—cut from the same fabric, a winner can just as much fall as a sinner can rise.

No, the reason Alastor hates this altruistic behavior or genuine care for others, is that it challenges the belief that he is unfeeling, inhuman. That he can rip himself from his very fundamentals.

Alastor is prideful. Aside from the serial killer aspect, it’s probably why he’s in hell in the first place. There’s a reason he parallels Lucifer so much, a reason his narrative foil is vox. Both of these men suffer from their abilities to look past their own power and reach, to the point one of them is the ruler of the pride ring.

And this prideful problem is what keeps him from accepting change—he has to be special, he has to be different, he has to be the performer, he has to be in control. Why wouldn’t a man so obsessed with control over his status and the people around him NOT BELIEVE in redemption? That’s so unbelievably far from that concept. It’s the polar opposite even.

Alastor is actively choosing not to redeem himself. It’s honestly the main flaw in Charlie’s plan to begin with—the average sinner is far more likely to choose redemption because they have been put in a place of genuine suffering; however, overlords are unique in the ways that overindulgence actively empowers them. They are choosing to bad things, not because of happenstance or even trauma. It’s why characters like Valentino are so easily dislikable, even though other characters or other sinners have or are actively doing as bad or worse things than him. (I trust the fandom on here understands that liking a character vs liking their actions are different and that it makes sense for people to genuinely like Valentino 🙏🙏- signed by someone who isn’t necessarily a Val fan just someone who enjoys his interest and what he brings to the table antagonist wise)

Val, Vox, and Vell all choose to do bad things. They are one of the few sinners within hell who HAVE the choice to make others happier/make themself better without Charlie’s involvement, which is why they ARE such good antagonists. It challenges Charlie’s beliefs in whether every sinner can or should be redeemed, and for that reason alone I find them an interesting concept.

Getting back to Alastor specifically, however, he chooses to carry himself as someone who cares most about the entertainment of himself and the general population. He is untouchable, sadistic, unfeeling, uncaring, and most importantly, he is irredeemable. Charlie cannot and should not touch him with a twelve foot stick of empathy if she wishes to keep her dream alive. <- this is how I think he wants himself to be perceived

This was my thought process of him—at least up until the finale—he doesn’t want anyone to know what’s going on underneath that smile; there’s this post that was made on an Alastor ask blog a while ago, I’ll link it here, but I think it speaks to such an important part of Alastor and his character.

"The clothes I wear—to finally loop back to your original question, terribly sorry for the digression!—they serve two purposes. One, they consistently identify me, like a uniform. Two, they keep your damn eyes off everything but my smile."

It’s an amazing monologue and is apart of a very funny fic based off of the ask blog, which I’ll link here, but I think it articulated something about Alastor that, up until the point where I’d read that fic, had felt unexplainable.

Alastor’s smile has never been “forced” upon by anything. And if it is, well I guess I’ll eat my words and complain about how very uncreative it is, but this is his choice and his alone. Just as Alastor is choosing not to redeem himself, he is also choosing to smile, day in and day out, when he’s stressed out of his mind or having a good ol’ meltdown. It’s not that he physically can’t do so, but that a mental key is unable to be pushed into a misshapen lock.

Alastor, is a performer. At heart he’s a radio host. Why would a radio host have to smile? Why, you can hear it in his voice of course! It promotes a feeling. Studies upon studies have been done about how acting like an emotion you WANT to have can bring you closer to that emotion. Like, say, smiling while performing a radio broadcast after staying up all night killing people can help you stay chipper and professional!

And, as Alastor explains, a smile to him is a tool. The first thing you notice about someone at any given moment is their face.

But, I made a specific bit of wording earlier. I said my perspective was that he is someone who wants to be perceived as irredeemable.

But, given how he chose to reveal that aspect of himself with Charlie, I almost feel unsure now.

Obviously Alastor was never an angel. Viv is so obvious about it visually with vaggie and possibly carmilla, that atp I think I could point out anyone who came along and looked vaguely angelic and be right. He wasn’t. Unclipping his wings meant something like, trying to take control back. Everyone perceived this “thing” he’s describing, as a who.

Who has control over Alastor, who has him on a leash, who makes Alastor feel genuine, unable to hide, overwhelming fear. And this could still be a who.

But it could also be a what. Or a place. Or a noun. Unclipping his wings may even mean… going to heaven.

Do I think he wants to do this the fair and just way? No. No he doesn’t. He’s fucking Alastor. Whenever we think about him being empathetic, I will remind us that he is still Alastor who has killed thousands. He should redeem himself, he should want to, he should try, but he’s not doing that. Not yet.

So, to get back to our boy Adam and Alastor’s little monologue to him, it’s clear to me that Alastor believes anyone can take charge. God, angels, demons, Lucifer, they don’t have power. Not really. Because when it comes down to it, your soul and what you do with it is still yours. That’s power. It’s why I used that monologue and explained my perspective on his smile, just as much as he chooses his fate, chooses his words, chooses his smile—having a choice and control over oneself is power.

“What a soul can do when they take charge of their own fate.” Taking charge of one’s fate is what Alastor perceives to be true power. He tries to enact this through his fight with Adam, yet fails spectacularly when he lacks the true nuance to having control over one’s soul—care. Love. Fighting for something or someone else.

Everyone else in this fight wins a major battle in some way—Angel saves one of the egg boys/protects the hotel(I’m including husker in this example), Charlie saves her dad, Vaggie saves Charlie, Sir pentious by all accounts still wins in the end against Adam because he becomes a winner after fighting for Cherri, so on and so forth—the only one fighting for no one or nothing here is Alastor. Funny how, in the one fight in sir pentious’ life where he fights for someone else or something else, he gets his cake and eats it too. He becomes a winner. Adam still dies. He doesn’t win but he does.

Alastor is choosing to not redeem himself, to not care, because he doesn’t have to as an overlord—but if he wants to prove himself, if he wants control, if he wants to take charge of his fate… he has to let himself. He has to choose to care about something outside of himself. Being in denial that your plan may be inherently altruistic and that you only care to the extent that you have to, isn’t fighting for something.

And this is Adam’s problem too! He’s long since stopped fighting for any real purpose than getting hard on beating people who can’t fight back, and this is WHY he loses! He isn’t fighting for anyone! He isn’t even fighting to protect the institution of heaven. This is why someone like Sera is dangerous, she cares about something outside of being an authority over a place. She cares about Emily.

And I have to say, I’m rooting for Alastor. Regardless of how selfish his plan may be, I’m still rooting for him—because for him to do what he wants done, he has to better himself.

I think remembering the context that Hazbin is inherently about choosing to stand back up after being kicked down, is so so important. It’s about choosing to love yourself, choosing to care, choosing to improve. And I love that Viv is making her message about how no one can be better without choosing to do so. You can’t make someone fix themself, you can’t make someone care, you can’t make someone love themself.

And I know this is a thing said often times to put people with mental health issues down, but it does have some merit to it. You can’t get better unless you try. Nothing will make you, that has been and always will be, your choice.

#hazbin spoilers #hazbin hotel #hazbin charlie #hazbin alastor #I’m only tagging Charlie bc she’s kind of the main contributor here but like. if you’re reading the tags first this is a very general-#analysis of hazbin but mainly about Alastor. hope you still read it though🫶🫶#hazbin hotel analysis #alastor analysis #alastor #literary analysis #hazbin hotel adam #Adam my bbg you will get your own post one day 🙏🙏#also I’m not making a hazbin warning at the top bc you can just block the tag

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angeldeviloshi · 13 days

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The Angel Devil goes so thematically deep throughout csm. I have many thoughts about this.

You think he's just a minor character with little screentime but you don't understand... This twink carries so much that you don't see because he rescinds himself into the background while being a prism to the important characters since part 1 once it kicked into gear after his introduction and that prism's reflection is enhanced throughout part 2 with part 2's major characters.

You gotta see him as the mirror to Makima, the prism bouncing off the projector she operates and how that reflection connects to the rest of the cast and into the fabric of the narrative!!! He's so important in an obscured way and I -screaming-

You don't know how powerful the Angel Devil is in the story as a vehicle of thematic analysis for the core of csm. (Which is why his pairing with Aki sets my neurons on fire due to Aki's curated framing of the world of csm to the audience and Denji, while the Angel Devil simultaneously contrasts and reflects Makima, the figure keeping all of them leashed in the Premise part 1 is established in through her) The ricocheting that would occur if he was still alive would be insane.

The parallels he possesses are so versatile and interesting (understatement) and I like him a normal amount for that, among other things about him that are just very For Me.

And I think it'll be neat if more people could appreciate and understand that about him.

It's like 6AM here which is typically the hours my brain pops off with word vomit like this to feed myself stim and serotonin when I can't sleep so I'm probably not making sense to you. You don't have to understand, these are the brainworms that have infected ME and I'm just showing you what it does to a person on tumblr dot com.

#brainrot #personal rambling #angel devil #csm #chainsaw man #I'm mainly a shitpost and shippost account on here but I have thoughts ok #they're just not for normies thats why I dont do intellectual csm analysis posts because I like what I like for esoteric reasons

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kadextra · 10 months

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yeah the blood room fits q!bad so well actually

like the way he interpreted the book as “the lived experience” is so perfect, this character is a grim reaper associated with death but is way more focused on the living. obsessed with keeping people and eggs alive, and intensely passionate in his love and care

#qsmp #liveblogging #badboyhalo #this speaks so much about his character fr #eggpire refs are fun ofc but there’s a lot to analyze here #let’s try to keep our analysis mainly tied to ordem lore also ^^#qsmp cellbit

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cienie-isengardu · 3 months

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[MK1] Bi-Han & Kuai Liang. Good brother? Evil brother? Nah, just different reactions to trauma, part 3

part 1, part 2

The previous part helped me lay a ground to establish the main difference between Kuai Liang and Bi-Han. Scorpion, as a dedicated follower of father and Liu Kang’s authority is what I had called the Believer. He does not question the nature of Lin Kuei duty, as he built his life around it. Bi-Han on another hand is definitely a Questioner, as he questions and undermines not only the wisdom of Fire God or even his own father but also the reasons why his clan should serve Earthrealm in the first place as he sees such servitude as enslavement. So one brother follows orders of those he considers to be his superiors while the other, the same as all know to us major cryomancers, has a rocky relationship with authority.

Being the sons of Grandmaster definitely influenced their life by how they were raised, because beside the hardship of physical training they, as heirs, needed to be prepared for their future duties to the clan. As the eldest, such additional education was aimed primarily on Bi-Han, and depending on how big is the age gap between brothers, he could be more involved into clan politics - and in result more aware of the inner working of Lin Kuei and the unrest of his people than Kuai Liang or Tomas were. I will expand this thought soon, for now let's talk about the Grandmaster and Mother, as the first authority figures that shaped and influenced both brothers.

FATHER

There is no doubt that their father played a great role in shaping Kuai Liang and he meant a lot to the younger brother. During story mode we had 6 main scenes in which Lin Kuei brothers interacted with each other:

waiting together for Liu Kang

before infiltrating Fortress

after Bi-Han defeated Nitara and Ermac

before brothers separated to carry on their parts of mission

Bi-Han’s betrayal

the second confrontation between brothers that lead to Kuai Liang and Bi-Han fight + Kuai Liang and Tomas talking over unconscious body of Sub-Zero

Out of 6 examples, four was focused on the ideological conflict between Sub-Zero and his brothers - and in all of those scenes, Kuai Liang was talking about father in one way or another

“His teaching did not pass with him. They should still guide us." “We must honor his vision Bi-Han." “Bi-Han!! How could you?! Father would turn in his grave if he saw this!" "We must chart a new course. One that both honors our Father's legacy and serves Earthrealm."

but outside the importance of father and his teaching, had almost nothing meaningful to say in the presented interactions. What is frankly a pretty alarming detail. Not only because Kuai Liang barely interacted with Tomas before he needed his support (6th interaction scene), but also he does not contribute much to the mission - the only one time he does say anything relative to the job at hand is when Smoke is out of the picture.

In contrast, Bi-Han and Smoke talked about how to process the mission on two separate occasions - before and during infiltrating the fortress, even though Tomas is the least battle experienced out of the three brothers (confirmed by his BIO and the falling scene) and the one about whom frustrated Bi-Han said to not have Lin Kuei blood.

And this is very surprising choice of creators, as it was Kuai Liang to whom other characters will look up for leadership during battle to close the portals, so A) he doesn’t lack the skills and self-confidence to lead a mission and B) he was no afraid of Bi-Han nor Tomas as he spoke his mind openly around his brothers.

For the majority of Bi-Han’s chapter, literally all Scorpion has to say was to critique Sub-Zero even for things not worth the scorn[1] or bring father into discussion despite perfectly knowing this will only frustrate his elder brother more.

Again for contrast, during the same chapter Bi-Han spoke of things not related to his father or ambitious plans for Lin Kuei’s future. As in:

discussing mission with Smoke on two different occasions

enjoying the fight for his own personal reasons (glory, testing his skills against worth opponents)

childhood memory - hearing the stories about Nitara’s people as a child

Sub-Zero’s chapter alone gives us a good hint of differences between Bi-Han and Kuai Liang. Scorpion is all about father and tradition to the point he barely interact with Smoke despite his own assurance “We may not share blood, but we are brothers” and has little to nothing nice or supportive to say to his elder brother despite their close bond (as provided by intro dialogues: Kuai Liang believing their bond couldn’t be broken and Bi-Han wishing to rule with Kuai Liang at his side).

In all fairness there is something almost fanatical in the way Scorpion acted at this point in story mode and it would be easy to claim this blind-like dedication to father is what Kuai Liang was at the core. However, like I said in the previous part, the same as Bi-Han’s behavior was influenced by emotion out of his control, the frustration we were told by Scorpion and shown through Sub-Zero’s angry gesticulation, the same assumption should be made for Kuai Liang. The best hint comes from the interaction between brothers before they attempted climbing on the wall.

Sub-Zero: “We must find a less guarded section before attempting an ascent. Finally we face a worthy foe. Victory will bring us glory." Scorpion: “Glory? We fight for duty." Sub-Zero: “Does our Father's ghost possess you? All I hear is his voice."

Saying someone is possessed is a strong way to emphasize how a person is acting differently than usual. By Bi-Han’s frustrated reaction we can assume that the way Kuai Liang behave and speak mimic the behavior of their parent - and if Sub-Zero was constantly rebuked by father the way he is rebuked by his younger brother over everything, whatever big or small matter, it could be the origin of his growing frustration.

However we need to keep in mind that Kuai Liang was deeply affected by the unexpected death of their father, so this event could influence the way he interacted with his brothers, especially with Bi-Han. There is no reason to doubt they were once close, but I think the moment when Kuai Liang lost not just a parent but the most important authority figure, he started treating father’s wisdom not as just a guidance but some sort of Sacred Laws he - and his brothers - needs to follow to the letter.

At first in story mode Kuai Liang only says “His teaching did not pass with him. They should still guide us” to which Bi-Han replies that father’s wisdom can guide them but not “shackle” (limiting). But the more conflict escalates, the more Scorpion insists “We must honor his vision Bi-Han” yet he does not provide any real argument why they must do it actually. Like yes, sons should respect their father and be obedient while tradition is an important part of one’s culture, but Kuai Liang never goes out of his way to provide any example of what is good about that wisdom in the first place.

In contrast, the more tense became their interaction, the more vocal Bi-Han was about why he reject their father’s teaching:

Sub-Zero: "Vision is what he lacked. He was blind to our superiority. We settle for defending Earthrealm when we could help lead it."

and later, at his breaking point,

Sub-Zero:"He was doddering old fool! He did us a favor, having that accident. And I was right to let him die.[...] Father had doomed the Lin Kuei to mediocrity. Now we will achieve greatness."

At the same time, despite the harsh criticism toward father and considering his death as “favor” done to Lin Kuei (brothers) and having no regrets for letting him die, Sub-Zero’s relationship with his parent is not so one sided as it may look at the first glance.

Through intro dialogues, Bi-Han still considers his father a foolish, short sighted man

Scorpion: Father would be ashamed of you. Sub-Zero: Only because he lacked vision.

and

Smoke: Father wanted us to be brothers. Sub-Zero: Yet another of the old man's foolish dreams.

Sub-Zero: My father was a fool to follow you. Liu Kang: He wisely honored Earthrealm with his service.

but at the same time he does not completely reject the notion of the father’s greatness

Sindel: I knew your father. He was a great man. Sub-Zero: Yet he never understood the Lin Kuei's potential.

or that the man’s wisdom had some merit

Sub-Zero: Father was right about one thing: never trust a sorcerer. Quan Chi: Truly, he was a wise man.

nor Sub-Zero's action was motivated by hate or spite

Reiko: Is it true: you let your father die? Sub-Zero: What war's ever been won without losses?

Ashrah: What kind of son betrays his father? Sub-Zero: One who sees his father's time has passed.

(And there is something really weird how Reiko bothers to ask Bi-Han about his father’s death yet Fire Lord, who praised the previous Grandmaster as a wise man to serve Earthrealm, has nothing to say about the matter? No anger, no rebuke, not even a simple comment for what Bi-Han did? When he expressed regret on various occasions for the ill fate of Sindel and her husband? I guess this could add to the pile of reasons why Bi-Han resents Liu Kang’s authority for not treating his Lin Kuei allies with the same or similar level of respect he express toward Outworld Royal Family).

Scorpion in his intro dialogues does not question father’s authority at all. He does speak about him with

Sindel

Scorpion: Your husband's murder haunted my father. Sindel: All those close to Jerrod were devastated.

and

Sindel: Both your parents were excellent fighters. Scorpion: I can only hope to live up to their example.

Geras

Scorpion: I want to see the moment my father died. Geras: You are not ready to receive that knowledge.

and Bi-Han (“Father would be ashamed of you”) however I didn’t find any example he directly mentioned father to Smoke, who, like Sub-Zero, had a more complicated relationship with the man[2].

He also expressed to Johnny and his mirror match burning anger at Bi-Han for father’s death:

Johnny Cage: Bi-Han's got you all fired up, eh? Scorpion: He'll burn for betraying my father.

and

Scorpion: I won't be consumed by vengeance. Scorpion: How can your father's death not burn you?

This fierce reaction to father’s death is understandable, as Scorpion’s Bio said,

Like his cherished father, Scorpion is dedicated to the Lin Kuei and its defense of Earthrealm. When his father died, Scorpion was bereft.

Now, let’s focus on the choice of words. According to Merriam-Webster’s dictionary, bereft means:

suffering the death of a loved one but also being deprived or lacking something needed, wanted, or expected.

Which is why I think the loss of a father is for Kuai Liang something more than just missing a beloved parent. He also lost the guidance that was constant in his life since he was a little kid and he tries to fill the emptiness by honoring and in result, mimicking the authority figure he built his life around.

Kuai Liang’s character theme is HONOR

and as much as it is about his integrity and loyalty to father’s teaching (protecting Earthrealm), I think this is also a keyword to what Scorpion dedicated his life: to honoring the past but only through father’s idea of tradition, duty or his legacy[3].

Story mode: "We must honor his vision Bi-Han."

and

Story mode: "We must chart a new course. One that both honors our Father's legacy and serves Earthrealm."

and

Smoke: With you as grandmaster, our new clan will flourish. Scorpion: Only if we honor tradition.

If we agree that Father was the authority Kuai Liang followed and built his life around, then he did not just lose a parent but also a central part of his world, a source of comfort and security. And Bi-Han, the closest remaining blood-relative, the eldest sibling is NOT PROVIDING THE NEEDED COMFORT and/or STABILITY because Sub-Zero does not follow father’s teaching anymore and slowly is building his life around different values and goals than were accepted by previous Grandmaster.

Which is why I believe Kuai Liang so desperately clings to it, and honors the man’s teaching like it is some sort of sacred code and can’t anymore interact with elder brother the way they used to. Because he is afraid to lose the last connection to cherished father - if Bi-Han casts away their father’s teaching, they will be forgotten with passing time and then lost forever. And the dislike of changes father would not approve and fear of being forced to act against his own brother are part of Scorpion’s BIO:

[...] he took pride in knowing that his brother, Sub-Zero, would succeed their father as the Lin Kuei's grandmaster. But Sub-Zero's unprecedented moves to cast off the Lin Kuei's traditional duties have frozen Scorpion's enthusiasm. He fears that one day he may have to battle his brother for control of the Lin Kuei's legacy.

- even if Bi-Han prior to his betrayal scene did not do anything that cast off the tradition. We could hear him talking about his ambitions to change Lin Kuei, but only between his closest family and never openly questioning or challenging Liu Kang’s authority. Like yes, Bi-Han was frustrated and lacked patience for back talks of Kung Lao who still didn’t figure out Lin Kuei pulled out their punches and acted violently once Johnny grabbed his arm - and how much it was a learned reflex to respond with violence and a simple excuse to hit him is up to debate. But each time Liu Kang got involved in the “conflict” Sub-Zero fell back to his place and obeyed. The same as he did not argue about the mission he and his brother undertook on Fire Lord’s order.

As the story mode provides, the clan was more than ready to reject the past because only Kuai Liang and Tomas refused to follow Sub-Zero’s leadership. Which speaks a lot both about Lin Kuei as a society and Kuai Liang’s dedication for tradition and father. The story mode really made him look to be in the minority in that matter. To the point that he openly admitted to Smoke how small are chances for him to replace Bi-Han as the Grandmaster even though he is the second in line to that title:

Smoke: “What are you doing? Once he's exposed, won't you be made Grandmaster?" Scorpion: "You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute. They'll sooner abet his corruption than follow me."

At his breaking point, Bi-Han explained to brother he lied about father’s death because

"[...] you couldn't, and still can't, face the truth. Father had doomed the Lin Kuei to mediocrity. Now we will achieve greatness."

what is of course a very subjective opinion, but considering how sources presented Kuai Liang and how narrow-minded he can be, especially during mourning father, I’m willing to give Sub-Zero some benefit of doubt. Not if father worsened the Lin Kuei situation or not, but about Scorpion and his inability or lack of will to face the truth. Lin Kuei has changed and Bi-Han alone is not the source of problem, because he is the clan leader for relative short period of time while the whole clan rejected the centuries old traditions honored by Kuai Liang’s father despite knowing it puts them on the collide course against Liu Kang, Earthrealm and Outworld. What is more, just because the previous Grandmaster died, it does not erase all the older members who served Earthrealm longer that Bi-Han or Kuai Liang lived and they too support Bi-Han’s independence streak as far as sources implies. Would they reject Sub-Zero if they knew about his part in Grandmaster’s death? Maybe or maybe not, all depending how long and how deeply the dissatisfaction about the Lin Kuei situation runs. Something that Kuai Liang may not be aware of - or quite the opposite, he was in fact painfully aware about it and this is why he feared Sub-Zero's desire for change, because he knew the clan will gladly support it.

The same as for tradition, brothers have a different approach to their father and what he symbolizes in their life. For Kuai Liang the man was a cherished family member and moral guide, the first and final authority while for Bi-Han a source of frustration and limitation. Understandable then, they have an opposite reaction to his death, one is heartbroken and the other sees it as an opportunity for his own growth and realization of ambitious plans.

The Lin Kuei brothers’ feelings for mother though are drastically different matter and this will be the subject of the next part.

SIDENOTES

[1] The best example happened here:

Sub-Zero: “We must find a less guarded section before attempting an ascent. Finally we face a worthy foe. Victory will bring us glory." Scorpion: “Glory? We fight for duty."

as Bi-Han can’t even express the joy he finds in fighting without Kuai Liang cut in and bring it down again to duty and in the wider perspective what father trained them for. An excitement that in itself is not inherently a bad thing, especially since the Sub-Zero’s quotes after losing the fight against Nitara or Ermac shows how Bi-Han would graciously accept defeat and praise his enemy (“You are a superb adversary. More than worth the wait” and “You are as formidable as promised. Let’s continue.” respectively) thus his attitude is about something different than bloodthirst or fun. Sub-Zero was warned about the danger Nitara and Ermac posed:

childhood stories about Lin Kuei's effort against Nitara’s people: “As a boy I heard tales of battles against your kind.”

Liu Kang’s warning about Ermac: “You are Quan Chi’s creation. Liu Kang warned about you. I had hoped for the chance to battle your dark magic.”

and so Bi-Han hoped to face worthy opponents against whom he could test his skills. And though it may sound selfish, we can’t forget that Sub-Zero was raised as a warrior - only facing strong opponents and overcoming the danger allow a warrior to make progress. Lin Kuei warriors were always striving for perfection, and if this mindset did not change in Liu Kang’s timeline, it is understandable why the prospect of facing danger after years of idleness pleased the Grandmaster.

Bi-Han looking out for a chance to perfect his abilities, wishing to test himself and earning a recognition for fighting skills he dedicated his whole life doesn’t sound as something deserving such a negative reaction. Especially since Bi-Han at this point has never done anything that put the mission or his brothers at risk. And though he was frustrated about his and Lin Kuei's situation, it never stopped him from doing his duty - until the capture and Shang Tsung’s offer scene. An offer he wouldn’t be otherwise interested to listen to, as was seen during his fight with sorcerer

and Sub-Zero’s intention to eliminate the enemy for good (even if Liu Kang clearly said to capture the sorcerer not to kill him).

This leads me to think Kuai Liang’s rebuke was uncalled for but also supports my feeling mentioned in the previous part - Scorpion did not enjoy fighting but was doing it because tradition (father) demanded that from him.

[2] Tomas’ complicated feelings toward Lin Kuei Father are rooted in his trauma - it was Grandmaster’s own people who killed his mother and twin sister. As much as an adult Tomas respect his adoptive parent and maybe even became emotionally close with he man over the years, there is still something in the way he spoke about the past events that indicates it was not always the case - and maybe he still feels some resentment to the man that at least indirectly destroyed his childhood

Kitana: You are Kuai Liang's adopted brother? Smoke: His father's honor demanded that he take me in.

and

Reptile: Lucky for you, Kuai Liang's father took you in. Smoke: It didn't feel that way at the time.

And I guess this is just the nature of intro dialogues, but it feels off to me that when Tomas is talking with non Lin Kuei characters, the father is always connected down solely to Kuai Liang (and not for example to both brothers) and Tomas never corrects them or say anything implying that despite not sharing the same blood, the man became his father too. There is also something to say how Tomas twice brought father in his dialogues with Bi-Han:

Smoke: Father wanted us to be brothers. Sub-Zero: Yet another of the old man's foolish dreams.

and

Sub-Zero: You were never truly one of us. Smoke: Were Father here, he would disagree.

None of the brothers adds “my” or “our” father - and Bi-Han could do so, if he didn’t consider Tomas part of the family. Interestingly Sub-Zero only once said “my father” in his intro dialogues and between the three brothers, Sub-Zero's ones revolve the most around the man (I counted 8 separate, direct intro dialogues), while Kuai Liang does not talk directly about father with Tomas at all in their pre-fighting interactions. Which is quite surprising, considering how important father is to Kuai Liang and how often Smoke brought the man’s authority in story mode and intros.

[3] At this point I think it is not the burning anger that Kuai Liang shares with the original Scorpion that should concern other characters (and us), but his “blind” clinging to the past that brought Hanzo Hasashi a lot of suffering and made him an easy target for manipulations. Now, I know this may sound too harsh, especially at such an early stage of exploring a new timeline and having no clue what is NRS’ final goal for his character development but hear me out. Kuai Liang’s Shirai Ryu is not an improved version of Lin Kuei, but it's replacement. For now Scorpion needs to find and train willing adepts to secure Earthrealm and his new clan’s safety, so it’s understandable his focus is set on the most urgent matters at hand, but if he is not willing to closely examine past and question it - be it father’s teaching or what lead Lin Kuei to follow rebellious Sub-Zero than following their traditional duties, he will recreate the system that objectively speaking is unfair to people born into it. As far as we know, Lin Kuei members weren’t paid for their dutiful service, they lived in isolation and secret, forced their children to endure hardship since childhood to turn them into superb soldiers (tools) so Liu Kang’s Earthrealm could be safe and sound and even in times of peace, the warriors could die for unspecified reasons that aren’t related to natural death out of old age (presumably what happened to mother). There is much more to talk about, so I’m gonna leave this matter for another part. Just signaling that Kuai Liang’s fierce loyalty to father (past) can be as dangerous as Bi-Han rejecting it.

#mortal kombat #bi han #kuai liang #tomas vrbada #sub zero #scorpion #smoke #lin kuei #my analysis #that kinda get out of control #sorry folks as much as i'm dying to talk about lin kuei bros' mother i needed to cut the text here #as it something around 9-10 pages already lol #i won't lie writing about pyromancer kuai liang is so painful and i tried my best to not be harsh on him #for being so narrow minded character that like barely provides any arguments or explaination for his cause #especially in contrast to bi han who though is painted as the “powe hungry brother” he has some good points and at least give me #something to work on and analyze #while kuai is mainly father this tradition that #and it is so weird bi han and tomas have more intro dialogues about father than kuai liang and tomas have #it is not character flaws nor their fault just storyline and how story is structured and so on #but it is so weird sometimes #i'm here for scorpion being affected by grief over father and fear how the world he knows is falling apart to explain why brothers #were so frustrated and bad at communication #the same way i feel bi han's frustration influenced his behaviour

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