#it’s important to note that the pictures demonstrate that over the course of this show the jacket came off and then the tie came off

[russellmaelofficial]

this short-lived yet extremely important hair moment…

#yes four of these photos are from the same show #i didn’t have much to work with #nonetheless. awooga etc etc #it’s important to note that the pictures demonstrate that over the course of this show the jacket came off and then the tie came off #and then THE SHIRT GOT UNBUTTONED (didn’t include any of those here sorry) #can you imagine watching that happen in real time #i’d die simply #russell mael #sparks #my stuff

[hihimissamericanbi]

#5

Have I written academically on 19th-century medical demonstrations as performance? Yes, I have.

Drarry, because that's shared our thing.

Bonus points if you can work in the phrase: "cries out for the sex baton in words devoid of any metaphor."

(That is an actual description from one of Charcot's medical demonstrations. Yep.)

(Also thank you to @wolfpadx for tagging me in the original version of this. I'm only capable of focusing on one story at a time so I don't have any WIPs either.)

Sigh. Only for you, babe. Everyone else: proceed with caution. This is the Exhibition Kink to end all Exhibition Kinks. I truly have nothing to say for myself, except turn your trauma into kink ig.

(from this prompt) 5. Medical examiner/surgery theater viewing thingie but at a kink club.

I present to you, Harry Potter and the Sex Baton:

Okay so Draco and Harry run into each other at a magical kink club and reconnect. They begin playing together, lots of chemistry, find that they are really into this one idea no one has quite done so they give it a go. They do some smaller test scenes with just friends/trusted people from the club first, and then they are ready for the Big Performance. They are being featured at the club that weekend, there's been lots of publicity around it.

"The Chosen Hole. Savior of the Wizarding Wank. The Boy Who Lived to Fuck" (EDITOR'S NOTE someone please come up with something better than this i beg you). The invite list is strict and requires vetting by both Harry and Draco. It's important the only people attending truly want to see this and are sex-positive, kink-educated. No one there to actually mock or be cruel.

And here is the scene:

Harry is on some sort of observational stage with 360 views. Theater in the round, if you will. I'd love for it to be like an amphitheater so it feel more like a lecture or a demonstration, where the audience is situated higher than the performers.

Harry is there, on his knees, naked, waiting, tied up and blindfolded, hard, leaking, flushed. Clearly desperate. Behind him is a table spread out with various intimidating looking magical objects and tools. As people file in, they are encouraged to take pictures, make observations and notes as they get settled, discuss with one another what they are seeing. Sounds of low murmuring, gentle, sultry music, a few quiet whistles of disbelief, the general ~vibe~ where you know people are leering. Staring.

Then the house lights dim, the spotlight comes on, and the demonstration begins. Draco enters wearing (insert your preferred fantasy outfit here. Daddy leather? A clean white lab coat? Casual, sexy muggle attire-- a suit no tie, perhaps?). Draco welcomes everyone and is pleased to demonstrate Just What a Desperate Slutty Whore Harry James Potter is. Harry wants to show everyone so badly, "Don't you, baby?"

"Yes sir, please let me show them."

So Draco proceeds to tease and edge and do all manners of filthy things to Harry Potter in front of this audience. The tone from Draco is very calm, in charge, a little neutral/removed, like he isn't being affected at all while Harry is getting messier and messier. Use your imagination here:

We can start with just letting Harry touch himself. Draco unties just his wrists, directs him to wank himself off in front of all these people who are here to see just how badly he wants it. Obviously lots of praise talk, dirty talk, orgasm control.

At some point, of course, there will be instructions to turn around, bend over, spread yourself, stick your fingers inside, show everyone how good your hole takes your own fucking fingers. We can start getting some tools and toys involved, like a dildo that magically increases in size incrementally on every thrust so everyone can see his hole getting more and more stretched. Lots of magical lube/oil, so everything is wet and glistening.

Just because Draco isn't all hot and bothered and slutty like Harry, doesn't mean he doesn't get to have any fun. There will be plenty demonstrations of how good Harry takes it: how good he takes cock in every hole, how he drinks and licks every drop of come spent like it's fucking ice cream and begs for more, bends to every one of Draco's commands, performs every requested sex act with such enthusiasm, takes everything Draco gives him, one bit at a time, as Draco is talking it all through to the audience. He's telling them how harry feels around him, how his arse tastes, what sounds he makes when Draco touches him here vs. there, etc. etc. Turning Harry this way and that, showing off parts of his body, making Harry expose himself to an entire room full of people who want to see it, all at Draco's will.

For the grand finale, Draco has a special tool he made just for Harry. He makes a big show of taking it out, showing it to the audience, really hyping it up. Harry is still blindfolded, has no idea what it is, until suddenly something cool and buzzing touches him and he explodes, immediately, come shooting out of him and his arse spasming in an orgasm that hits from both parts of him. He's gasping, dazed, wondering what just happened, and then he's poked again---

and he orgasms again.

"Forgive the crude phrasing, but I simply call it the sex baton. A single touch forces the subject to climax immediately. The really interesting thing, here, though---" and he gently strokes the tool down harry's flank, watches as harry screams and comes and comes and comes as long at the tool is in contact with his skin---"is that it completely bypasses any refractory period the human body usually needs." Draco pulls the sex baton away. "As you can see demonstrated here, if it touches skin---" he pokes harry again, setting off a fresh round of screaming and convulsing---"the subject will be helpless not to orgasm."

Harry is panting and half-slumped over and exhausted and covered in come.

"Shall we see what happens when we insert the sex baton into our subject's greedy little hole... and leave it there?"

A murmur of agreement from the audience.

"Harry? What do you think?"

Only then, Harry cries out for the sex baton in words devoid of any metaphor. (HA I DID IT EMERY!!)

So Draco calmly directs Harry until he is face down, arse up, legs spread, and without warning plunges the sex baton into his arse. Harry is left on stage gasping, voice too far gone to scream, and drenching himself in come, the magic of the baton replenishing his supply of seed endlessly. He's left there spurting over and over into this puddle he is laying in, as Draco takes his bow and the lights fade. The audience erupts into wild, enthusiastic applause.

They love it.

The love him.

BONUS: backstage pass where you can interact directly with the Whore Who Lived following the demonstration. Draco will guide observers through one-on-one interactions in small groups, encouraging touches and feels where he knows Harry will like, allowing them to masturbate to/on Harry, lets them discuss him and ask questions about him to Draco.

Okay i need to stop. There is more where this came from (and came and came and came...)

Please don't break up with me.

#wip tag game #smut game #celine's smut #exhibitionist drarry #exhibitionism kink #drarry smut #emery tag #harry x draco #sub harry potter #sex positive drarry

[doom-dreaming]

Blue Team Beach House: Entry, Kitchen, Laundry

Now that we've looked at some of the design considerations from the outside, we're ready to head indoors! I feel like I'm on an HGTV show.

Right inside the front door (which, like most of the doors in this house, is tall and has a window feature - again, sight lines are important), we have the entryway. It's wide enough that it doesn't feel cramped, but still has plenty of storage space for things like keys, books, jackets, shoes, and exercise equipment (including but not limited to: Kelly's running kit and Linda's yoga mat). Which brings us to this post's first Design Consideration: Efficient Storage.

There's a place for mail and a mirror to double-check that they look sufficiently rugged and intimidating before they go out in public. Eventually there will be pictures in those frames. The holo-panel by the front door is the manual control hub for the dumb AI that runs the house's utility systems. (I'm still undecided on a name for it. I'd take suggestions.)

The color palette of the entryway more or less informs the theme for the whole house; various shades of blue and natural wood. Light floors and ceilings contrast with the dark blue walls and keep things from feeling too closed-in.

Directly in front of the entry is the kitchen and it's a straight shot through to the laundry area (but we'll get there in a second). Also, remember what I said about edible plants?

An indoor herb garden! Right around the corner from the entry, and just a few steps away from the kitchen (it's all open-plan anyway) there's fresh basil, sage, parsley, grapes, mushrooms, and garlic. Linda has assigned herself to plant care, she likes the routine of checking in on them every morning. (Quick shoutout to the moveobjects cheat for allowing me to sink those huge clunky vertical planters into the wall a bit, they look so much better that way.) Behind that door is a little shotgun bathroom, but that's for a different post.

The kitchen is spacious (as it needs to be when you have up to four huge people in it at once) with plenty of room to move around. Again, the coloring is light, mostly blond wood and white (easy to clean, as Kelly is so helpfully demonstrating) with the exception of the appliances, which add a balance of dark and/or colorful accents.

Utensils, knives, and pans are wall-mounted to free up counter space and there are so many cabinets and drawers for storage.

The decor throughout the house focuses mostly on wood and glass as its main elements, but there are industrial touches, seen here in the hanging lamps over the bar island and the brushed metal backsplash. (Player note: I added the blue floor light strips 1) because Halo is sci-fi and this house needed at least a little of that and 2) because the abrupt switch from wood to tile looked weird without a border.)

Instead of a traditional dining table, there is a long bar with additional storage under the countertop. Again, the seating is sturdy and stable and matches the muted dusty blue of the walls and framing of the overhead lamps, adding some color to an otherwise very earthy palette. The hallway behind the kitchen wall provides a way to access the two downstairs suites (Fred's and Kelly's) in a way that doesn't involve cutting through the kitchen. Neither of those doors are in the hallway, and as such can be seen from multiple angles on the ground floor, reducing blind spots to points of entry and egress.

Tucked under the stairs, next to Kelly's room, is the laundry area. As is par for the course, the washer and dryer are stacked to save space and nearly everything else is wall-mounted or stored on shelves.

The second Design Consideration I hope this post has demonstrated is: Unobstructed Space To Move. This will continue to be apparent throughout the rest of the house, but I feel like it's especially applicable on the ground floor where the walkways are wide and nothing is closed off from anything else in such a way that makes it difficult to access quickly.

#blue team beach house #i really do feel like i'm writing an article for better homes and gardens or whatever #a really WEIRD article #fuckin. HGTV clickbait #Supersoldiers Build Custom Beach House: You'll Never Believe What It Looks Like #except it's actually pretty vanilla #anyway. living room's next #i hope you guys are enjoying this #the whole three of you who are interested #shoutout to you

[digitalkorbaxllc]

Benefits Of 3D Logo Design For Your Brand Management Plans

if you're trying to find a way to enhance a specific type of business, you'll need to be inventive with your Logo Design. Otherwise, getting customers to recognize your services will be difficult with so much competition. So, how about a 3D Logo Design? Convert primitive shapes into 3D acrylic in no time with professionals' incredible tools and see the variation for yourself.

3D Logo Design

Developing a strong brand image in the marketplace is one of any company's top priorities. It is also well known that a company's logo significantly contributes to brand identification. However, in today's market, the market is incredibly competitive, and companies must exploit any gaps they can find. Using a 3D Logo Design for your brand to invite the ideal attention of the viewer and brand appeal is one such helpful method for developing a unique company image. A 3D logo has a beneficial effect on the product while also replacing all conventional business logos similar to other companies. In today's post, we'll go over some important aspects and how they can help your company's brand awareness.

Attractive And Engaging

The first and most significant benefit of utilizing a unique 3D Logo Design for your business is its attraction. Buyers will be drawn in by the 3D logo, which will increase the duration of their interaction. A 3d model can also be quite a profession in that the fairly normal attention span is 7-8 seconds. To keep customers involved, make sure the logo is the right color and size and has a statement that they can recognize. Such logos would pique the interest of potential purchasers. Take note of the effect of light on your icon, as it can make it more appealing, particularly when used on a social channel. Also, remember that 3D logos are effective at retaining viewers' attention for longer periods, and you can increase your revenue with the help of this.

Improve The Growth Of The Company

What we see with our eyes has a significant influence on our thoughts and how we consider visuals. It's no shock, then, that if you have an eye-catching 3D Logo Design, people will look at your company logo even if they didn't intend to. Of course, every company wants its potential customers to remember its brand for good reasons. You can achieve this goal significantly with a well-designed custom 3D logo. The 3D logo should be designed in such a way that your brand has a high Top-Of-Mind-Recall worth. The 3D emblem ought to be created to symbolize the services or items you offer to your clients. According to digital marketers, if your company wants to grow gradually, you should look into getting an advanced and powerful 3D logo right away.

Stand Out From The Crowd

When multiple companies are working on the same item, the competition for more and more targeted customers is more challenging than ever. As a result, if you're trying to find a way to enhance a specific type of business, you'll need to be inventive with your Logo Design. Otherwise, getting customers to recognize your services will be difficult with so much competition. So, how about a 3D Logo Design? Convert primitive shapes into 3D acrylic in no time with professionals' incredible tools and see the variation for yourself. Logo Design has organized things to allow you to go to a specific section and discover the relevant Logo Design. Have you checked the 3D section of the Logo Design? So hurry up because this is your opportunity to show your targeted audience, viewers, and fans that you'll be as creative and innovative with your services as you are with your Logo Design choices. Demonstrate that you are completely committed to the industry and the ideal platform to use!

Contact The Professionals Right Now

If you want to add a clear picture to your company, there are many Logo Design alternatives available to you, but a 3D Logo Design holds up with distinctive attributes that no other style has! You can turn your values and opinions into a three-dimensional frame and tell your intended audience what you think. Logo Design professionals create these designs with high-quality design performance, ensuring that you receive an accurate 3D model that meets your expectations. So, improve your coordination with the right type of Logo Design, and visit our website to know more about your choices.

Reference

#3D Logo Design #Initial Logo Design #Best Logo Design Ideas #Real Estate Logo Maker #Monogram Design Online #Graphic Design Services In USA #Custom Logo Design Services #Custom Business Logo Design

[functionaxes]

the best explanation of Ni i’ve ever given up to this point

if you want to really understand Ni look no further than this post. i can’t believe i managed to finally put it so well LOL.... i hope it helps you understand it better because we REALLY gotta demystify it. this comes from my firsthand experience with highly conscious/differentiated Ni, that and a Lot of reading on theory to make sure what i experience is indeed Ni.

you can see potently how Se/Ni works (at least when Ni is dominant) in what i wrote here on a profile:

“i should note that i analyzed one clip in depth here but i used it because it’s so representative of sadie’s character as a WHOLE. my vote comes from my general impression of her personality over the course of the entire show, not any one single clip—i actually just used the first clip i came across on youtube and that was enough to demonstrate my point about her being ISFJ! so i’m not cherrypicking evidence. (also right here perfect example you can actually see that “all the top 3 functions need to justify Ne use” in me too but with Se instead lol)”

that “i actually just used the first clip i came across on youtube and that was enough to demonstrate my point about her being ISFJ” is so Se/Ni. it’s so.... “detached” from the particularity one’s own concrete experience, like Se is something to be utilized where experiences are easily exchangeable with any other. because the main point is that overall impression with Ni (like an ant colony), and using any clip you can find merely as a demonstration of it because you have no choice to if you want to objectively point to it (a single ant).

but Se/Ni finds that a single clip is still only a slice of the full picture and shouldn’t be taken by itself as its own self-contained argument without paying mind to all the other concrete examples out there. this single example is simply an epitomization of Ni’s impressions in an Se form that i can actually point to and others can objectively see. i have to keep it simple, because even though i think it would be more well-rounded for giving people that evidence to support Ni, putting together multiple clips to make a point isn’t always energetically sustainable and wastes my time, and i doubt other people have the time to sit through it either. i’ve done it before and it takes hours, not worth it. but that’s the ideal cognizing of Se/Ni.

just to put into perspective how much lack of justice a single clip—a single concrete example (Se)—does to communicate the depth of an Ni impression, understand that to communicate an Ni impression in its entirety i’d have to have the other person watch the entire series. or at least every scene and episode with this character in it. because that’s what i did, and that’s where my Ni impression is derived from. every single raw experience is important and adds nuance to Ni's impression until it’s so well molded that it genuinely takes on a character that feels “realer” than any one example it was derived from. because that impression IS the culmination of the entire thing, compressed into a well-established impression, but removed from any specific concrete representation.

and i trust that other people have context besides this single clip because they watched the show. that is Se’s ontological prejudice: assuming that concrete experience is in the public domain and is available to anyone that cared to look. and this single clip is just one arbitrary pick in a sea of equally compelling examples to choose from to demonstrate Ni’s impression and the user’s reasoning in a way that can be objectively pointed to.

i love the ant colony-ant metaphor for Ni and Se respectively. like the concept of an “ant colony” being something that you can’t easily point to yet it exists. so the only thing you can do is point to any single ant at a time, since they are the basis upon which the whole ant colony exists in the first place. but it would be a mistake to assume that any single ant you point to is all that there is to the entire ant colony. that's EXACTLY Ni and Se. it’s easy to understand because it’s at such a microscopic level that anyone, including Ne/Si users, can know what you mean.

but Se/Ni takes this to a MUCH larger scale, where not all “ants” (or Se examples/experiences) are visible and working together all at once in the same time and place, but rather are broken up and stretched across a period of time and space that aren’t going to be visible in its entirety at any given moment.

it’s like in edwin abbott’s flatland, where the 3-dimensional sphere passes through the 2-dimensional plane and the flatlanders only see it as a line that grows and shrinks in width, unable to make sense of the entire thing at once. if each slice of that sphere through the 2-D plane is an individual Se experience, then Ni is tracking them all, and mentally piecing them all together into something greater than what was ever objectively manifest at any individual point. no one else saw the sphere, because the image of a sphere on its own was never objectively there at any point (unlike the ant colony, since all the ants contributing to the entirety of the ant colony exist in one contained place and time).

the flatlanders just can't see it as a whole thing at any given time because Se only works with what is objectively manifest without extrapolating. Ni tracks all these individual raw experiences and fuses them together, tossing aside whatever was concretely there at any point (the individual Se slices) because it perceives the whole thing in its accumulated entirety in a way that takes on a new qualia, distinct from the pieces that made it up. if you’re interested or want more examples, this phenomenon actually has a name—it’s called “emergence”. it’s exactly the kind of stuff Ni extrapolates out of Se.

for the purposes of providing a fuller picture of the reality of Ni, i would also like to add that when there isn’t really any objective truth or “source” underlying multiple pieces of data (though there usually almost always is), Ni will still perceive it as if there is; a mental illusion of sorts. the 3-D sphere needn’t even actually exist in the first place; it can be a 2-D object that somehow grows and shrinks in diameter. Ni will still piece it together and perceive it as a 3-D sphere. this can be either ultimately harmless or dangerously delusional, but that is why the judgment functions exist to counter it, to check for soundness by applying reason and getting objective feedback from the outside. this is why Ni doms seek to know first and foremost if their intuitions have any “meaning” in the first place before wanting to hear what people think or feel about them.

INTP friend: “It must be hard knowing you usually can't give people the whole picture easily. I see why you're inclined to mainly interact with people as the same interests as you: way less explaining and providing context”

this is exactly why i use spongebob so much for analogies and as a concrete basis for communicating or exemplifying trans-contextual Ni constructs that exist in my mind. because people know the context, they know the characters, i can trust pretty much anyone i talk to to have seen every season 1-3 episode. so spongebob is a rare example of the ant colony analogy at the macroscopic level, the level at which Se/Ni functions at.

Si is pickier about what concrete information it chooses to store, and tends to miss the forest for the trees when it comes to concrete perception. however, it makes up for this by maintaining that original fidelity and detail.

Ni doesn’t have the concrete fidelity that Si does, but you had better believe it is taking in the entire palette of Se without filtering those concrete experiences against an internal concrete representation. just as Ne takes in the wide palette of intuitive possibilities and doesn’t identify any extrapolation that is more prevailing than another, which is something that Ni users cannot do.

the weak part of Ni is that it has trouble hanging on to all this detail because it’s simply so much. so instead what it does is perceptually summarize possibly years’ worth of Se information as a single impression. it cuts corners on the detail because the details are ultimately irrelevant and would be impossible to remember, so what remains are the prevailing constants (see how it’s similar to Si?), but regardless of detail (hence, making it an extrapolative/intuitive function since it deviates from what was literally there). so most of the time this ends up being perceived by Ni as archetypes, tropes, “vibes”, a potent particular atmosphere about a thing, all very hard things to convey in words. they need to be refined with the judging functions to be deciphered in any meaningful way, yet the raw experience of that impression is already lost the moment you try to make sense of it by rationalizing it. it’s simply not possible to convey the extent of it.

Ni is vague, yet still perceived as strong and unshakeable.

if i could describe it visually, it’s like a circle made with the airbrush tool in an art program. fuzzy and ill-defined around the edges, except the opacity is 100% and the value is dark in the center, like it was gone over and reinforced multiple times. if it was on paper the ink would’ve easily bleed through. like this:

INTP friend: “That in mind, is there anything I could do that'd make communication more comfortable /easier for you? You've talked about putting in effort to understand others only to not get it in return, and I want to be considerate of that experience.”

see thats the thing. even if someone does everything right it’s impossible to communicate the depth of an Ni insight unless the person has experienced the exact same things as you have and can innately understand that depth. and in that case i wouldn't have to bother elaborating much in the first place.

you’re doing everything right. you’re engaging with my ideas; letting me know that they have meaning (by identifying that you also see examples that my intuition applies to, implying to me that this is evident outside of my own perception, like “OH THANK GOD SOMEONE ELSE NOTICES THIS”). i don't expect the depth of the insight to be shared because that’s an impossible order; someone would basically have to live my entire life the way i lived it because Ni intuitions utilize cross-contextual experiences, usually in the form of other intuitions, all ultimately derived from the entire palette of Se data i've gathered over a lifetime.

and i think that’s why Ni seems so powerful and why we just “know” things, because it’s like an entire life’s worth of the entire spectrum of raw experience but HIGHLY compressed (and of course has to lose some concrete fidelity because of that). it’s like taking a 1080p 20GB movie and compressing it to 45MB. the picture is fuzzy, but the same amount of info is there and takes up less space on your hard drive.

or like how a star can be really small in diameter yet have a super high density from compressing all the mass that once made it hundreds of times larger. Ni is like that. it’s all that information packed into a small space. it doesn’t seem like much, especially to an Ne/Si user who sees Ni intuitions as just another possibility among many.

Ne is only quickly glancing over stars’ diameters, giving it a broad, general picture. since it is an objective function, it can’t know the density of any given star, because the density of experience is on the inside of the star and is not objectively observable to the outside world. it’s quite alienating when it’s your dominant function!

(the analogy falls apart with the fact that we can know the density of stars. however, the analogy still applies in a sense since we can only know a star’s mass, and thus its density, by observing the effect it has on space around it, not unlike the way extraverted functions comprehend stuff.)

#introverted intuition #Ni #cognitive functions #mbti

[oh-hush-its-perfect]

Alex Fierro's Introduction Full Breakdown

Okokok so. This is going to go full English-professor mode, where I'm drawing conclusions that are gonna seem a little far-fetched. That's what's fun about media analysis! I can say something is a symbol, and even if I don't have enough faith in RR's competency to know if he meant for it to be a symbol, it's still true! That being said, a lot of these choices I'm sure are intentional, either at a literal or subliminal level. Page numbers are going to be used not to assert a kind of authority or whatever— this is a Tumblr post, not an essay— but to help readers find the pages I'm referencing in case they'd like to do some digging of their own. Also, this is going to be really long. Really sorry to anyone with ADHD; I might make an audiofile of this so you can get the information without having to read the whole thing. With all that, let's get into it!

To kick off, let's talk about Alex being in the form of a cheetah when she first meets Magnus. Of course, there's the obvious impact of him seeing her but only so breifly, as well as introducing the conflict between her and the rest of Hall 19. But that could have easily been accomplished by almost any animal. The choice of a cheetah being implicated implies two qualities of Alex that will be recurrent throughout the two books she's in: 1. She has a tendency to run away, as we'll later learn when she describes how she became homeless, and 2. To Magnus, she's elusive. She can't be caught or held down. The event that shows this so transparently is how Alex refuses to define their relationship at the end of the series, despite it clearly surpassing the normal bounds of friendship.

But the cheetah isn't the animal Alex is in the form of when Magnus first gets a good look at her; she's a weasel. Weasel's bring up all kinds of connotations: ferocity, slickness, a lack of charm. When we want to describe someone as an untrustworthy person, we call them a weasel. RR had Alex take this form to play up her comrades' feeling of distrust towards her. She could be a double-crosser. But paradoxically, the up-front and vicious mannerisms of a weasel also have a transperency. She does not try appealing to her Hallmate's sense of goodwill because she doesn't have anything to gain from it. So even though there is the implication that she might be an antagonist, there's also evidence from her actions and mannerisms that she isn't. The weasel's long and skinny frame also allow for a smooth transition into Alex's actual body, which is convenient.

As Alex transforms into her usual human form, Magnus describes her as "a regular human teen, long and lanky, with a swirl of dyed green hair, black at the roots, like a plug of weeds pulled out of a lawn" (pg. 50). That simile at the end is of particular interest. Let's compare it to another time Magnus describes Alex's hair, in Ship of the Dead: "Her hair had started to grow out, the black roots making her look even more imposing, like a lion with a healthy mane" (pg. 136). By contrasting these two different examples, we can see the development of Magnus and Alex's relationship. The first time he sees her, he thinks of her hair as something nasty— note the word choice "weeds." Later on, though, he becomes more affectionate towards her, more complentary. The immedient negative reaction is less his actual impression, though, and more the reaction he expected to have based on everyone else's reaction to Alex.

Her clothes are equally as interesting; as Magnus describes it, Alex wears "battered rose high-tops, skinny lime green corduroy pants, a pink-and-green argyle sweater-vest over a white tee, and another pink cashmere sweather wrapped around the waist like a kilt" (pg. 50). Aside from the obvious fact that this outfit is a) bizzare, b) fire, and c) Alex's signature colors, which add a layer of style to what can otherwise be a somewhat boring series fashion-wise (excuse me, Blitz), the outfit reveals a crucial facet of Alex's backstory in a kind of subtle way. These are expensive clothes, like the Stella McCartney dress in Alex's room. Note the mention of fabrics (corduroy, cashmere) and patterns (argyle). These indicate wealth and status. Even the high-tops; shoes like that don't come cheap. But I'd like to return to the very first word of the section: "battered." Alex's wardrobe show-cases a proximity to wealth, but also shows that that proximity has been strained and lengthened, maybe for an extended period of time. Alex dresses like a rich person, but she isn't one. Least, not anymore.

The last word of that outfit-introduction is also of interest: "kilt." At the current moment, Magnus thinks that Alex is male. No one has indicated otherwise to him. Everyone has been referring to Alex with he/him pronouns. Samirah called Alex her "brother" (pg. 29). His first thought in seeing what he at first perceives as a guy with a jacket wrapped around the waist is That looks like a kilt. This thought tells us about Magnus: despite being open and accepting, he still has some lingering notions of gender conformity from his years in wider American society.

Magnus also indicates that the outfit "reminded me of a jester's motley, or the coloration of a venomous animal warning the whole world" (pg. 50). This is rather self-explanatory, but it's still worth noting that Magnus sees the outfit as something bizzare, strange, and even perhaps comical. This places Alex at odds with the other people Magnus has met. It also reveals that Magnus has zero fashion sense. But we already knew that.

After finishing up staring at the ensemble, Magnus finally gets around to actually looking Alex in the face. First Magnus says that he "forgot how to breathe" (pg. 50), which, yeah, relatable. This is justifed by saying that Alex has the same face as Loki, but the very same sentence that asserts that that's the case also suggests an alternative reason: Alex has "the same unearthly beauty" as her father. Here we can see the beginnings of Magnus's attraction to Alex, though at this point, he still has a lot of internalized homophobia. Though there's certainly some truth in that Magnus was unnerved by Alex's resemblance to Loki, the idea that Magnus pointed out that Alex was pretty without elaborating on that thought until about a chapter later— after he was informed that Alex was presently a girl— can tell us a lot about how Magnus perceives sex and beauty.

Of course, Alex's eyes are given special attention. She has cool eyes; what can I say? But I'd like to focus in on how Magnus here depicts Alex's heterochromia as "completely unnerving" (pg. 50). Again, let's contrast this with how he describes them after getting to know Alex a little better in Ship of the Dead. In Chapter 3, Magnus describes "[Alex's] dark brown eye and his amber eye like mismatched moons cresting the horizon" (pg. 25). Once again, this shows the development of their relationship— but this time, it's in a much more personal way. Eyes are the windows to the soul; they are culturally important and biologically important in inter-personal connections. In you look into someone's eyes, you're giving them your full attention, and you're implying a kind of closeness. The way that Magnus describes Alex's eyes in the second passage is downright intimate. At this point, he is in love with Alex, and it is clear when contrasting the two descriptions.

As my last point, I'd like to discuss Alex's first words on page: "'Point that rifle somewhere else, or I will wrap it around your neck like a bow tie'" (pg. 51). First of all, Alex saying this with a "perfect white smile" (pg. 51) on his face implies that she is used to being threatened. She is not afraid of being shot; she counters the promise of an attack with a promise of her own. This pleads the question: why is Alex accustomed to violence? What events of her past or qualities of her life have brought her to this point? The threat itself reveals Alex's trauma from being genderfluid in a society with rigid gender norms, as well as her antagonistic relationship with her father. Magnus makes a comment that Alex "might actually know how to tie a bow tie, which was kind scary arcane knowledge" (pg. 51). Like Alex's wardrobe, the idea that she may have experience in high-class fashion also implies her former status as a rich kid.

I could go on. I could break apart Alex saying "'Pleased to meet you all, I guess'" (pg. 51). There is a wealth of information in this short page span that tells us things about Alex Fierro in the present moment, quietly demonstrates things about her past, and characterizes the narrator Magnus Chase. This passage is also effective in hindsight in marking the progress of Magnus and Alex's relationship.

But I'd like to take a step back and look at not the pieces, but the whole picture. Alex Fierro gets a full page of pure description— her outfit, her face— and about a chapter of introduction. This comes after several chapters of build-up. Alex Fierro is an important character you need to keep your eyes on. Alex Fierro is emotionally significant to the main character, Magnus Chase. Alex Fierro is one of the most developed and well-rounded characters that Rick Riordan has ever written— heck, she's one of the best characters in middle-grade books period. The extended emphasis on her and her alone tells us exactly what role she's going to play in this story: she's the star.

#she IS the moment #I'm sure I missed a few things too #alex fierro #mcga #magnus chase #magnus chase and the gods of asgard #fierrochase #magnus chase/alex fierro #mcatgoa

[itsclydebitches]

A great example of “RWBY+ can do no wrong” is the whole “Let Penny make her own choices” thing. They keep doing it over and over, yet while watching I never got the idea RWBY+ doing it was bad. They’re never called out, they never regret it, or anything. Ruby takes the scroll from Penny’s hand and answers Ironwood for her, and makes her human without her consent. I get the not killing Penny thing, BUT THAT’S THE ONLY THING THEY DO FOR HER. WTF?!

Yes let's take a hot second to unpack all this.

Now, I'm going to be focusing on late Volume 7 and Volume 8, but in reality this problem started way back during Penny's introduction. Namely, presenting her as a literal tool of the military who has to break the rules set down (go out, have friends, etc.) in order to be her own person. There's a small problem here in the form of making Pietro the shadowy scientist and then changing him into the doting father with no acknowledgement that he a) built Penny with the purpose of being Atlas' tool and b) went along with dictating her actions through that whole run. However, given that Pietro is a minor character we may never even see again, we have a much larger problem in the form of Ruby being entirely disinterested in Penny's plight. Ruby cares about making sure Penny feels real, not that Penny has all the freedoms a real person innately deserves. Admittedly, this is less of an issue back in Volumes 1-3 because RWBY was a less serious show then, Penny was a new friend, and Ruby was the teenager student. But come Volume 7 when our show is questioning the characters' morals, Ruby is an adult now, Ruby has her huntsmen license, and she supposedly has this incredibly strong bond with Penny, it's now a problem that she hears things like "Ironwood doesn't want me to have friends" and just... doesn't seem to care. Or do anything. Or suggest that Penny do something. It's a non-topic. Ruby only becomes interested in Penny's autonomy when that autonomy threatens Ruby's own goals. When Ruby is working for Ironwood, it's totally fine if Penny works for Ironwood too, no matter how she might be being treated. (Though, frankly, I think the show did a terrible job of establishing Ironwood's supposed mistreatment. The no friends rule makes zero sense when Penny is being sent to celebratory parties organized by Ironwood. So that's a whole other issue.) But when Ruby is against Ironwood... well, then Penny needs to be on their side. Of course she'd be on their side. It's presented as inevitable, despite the fact that it very much should not be. But the point is that Ruby cares about keeping Penny away from Ironwood and giving her an illusion of choice only once she is breaking away. Otherwise, Penny's autonomy is not her concern.

So that's where we're starting out which is pretty bad. Already Ruby's status as the contrast to Ironwood is falling flat, but the show admittedly helps smooth things over by giving us such an extreme. Meaning, we learn fairly early on that Ironwood want to hack Penny and take that autonomy away, full stop. Ruby doesn't. Ergo, Ruby is the lesser of two evils here. I can see why so many fans dismiss the scroll scene given its seemingly, comparative insignificance, but it definitely rubbed me the wrong way. Part of that is because Penny never gets to express her own opinions to Ruby. She gets to do it with Winter and, notably, Penny comes to a sort of, 'We can manage both' stance. The dilemma of going after Cinder or saving Winter and fighting Salem or saving the people of Atlas/the Relics are meant to mirror one another and Penny manages to achieve both. She saves Winter and keeps the power out of Cinder's hands too. Then, she's given the one key that controls the latter dilemma: the Maiden powers. So what will Penny decide? How does she view the situation to leave or stay? How will her decision regarding Cinder and Winter impact her decision about Atlas and Mantle?

It doesn't. We have no idea what Penny thinks outside of a 'I'm sad when friends fight' line (which, again, puts a huge damper on the idea that Penny was always Ironwood/the Ace Ops' puppet and should be glad to be rid of them). Penny is brought into Ruby's group and her opinions disappear because Ruby makes all the decisions. Whatever Ruby says goes and THAT'S why the scroll scene is so horrible. Because we just watched Penny deciding for herself what to do about Winter. We just watched Penny deciding to take on the Maiden powers, making herself the most important person in the Kingdom right now. And then Ruby picks her up and all that goes away. Penny is given the chance to decide things again when Ironwood calls and Ruby takes the scroll away, speaking on her behalf. It does not matter whether Penny actually agrees with Ruby's decisions here, the act of not allowing her to make those decisions for herself speaks volumes.

From then on Penny just stops making choices. Ruby is the one who talks her into forgetting about Ironwood and the Ace Ops. Jaune is the one who decides to split the team and Ruby decided they need to get Amity up. Pietro literally takes control of Penny's body to hack into the system. Penny gets cut off from the group due to the Ace Ops and Nora is the one who decides to help. Prior to literally being hacked, she was more of a puppet in their hands than she was with Ironwood because it's in Ironwood's employ that we actually see Penny pushing back: She's going to be friends with Ruby no matter what, she's going to challenge Winter on her views, she's going to take the powers because that's what needs to be done, etc. But that lack of agency is completely overshadowed by Ironwood's hack Penny plan. Everything looks better compared to that, even if what we're left with is pretty awful on its own. Remember, this is the point in the story where Ironwood is fully evil, post-shooting Oscar and the Councilman. The group can do whatever they want at this point and come off looking "heroic," simply by means of not being Ironwood.

The next time Penny makes a decision is when she stands up to Pietro. Note that prior to this everyone talked her into doing something she says she does not want to do: leaving the group to stay on Amity. Pietro suggests it, Ruby justifies it, Weiss says it might be for the best and Blake ends the conversation by saying they need to leave. Penny goes, "I guess we all have to do some things we would rather not." They all make that decision for her. So she goes, fights Cinder, and then Amity starts to fall. Pietro says, "You’re in no condition to do something like this. Even just the temperature out there could--" and Penny counters "It is our only option."

No, it's not. This is Ruby's option. You can very much not send the totally useless message out, supposedly risking your life in the process ("supposedly" because, again, why this is such a danger for Penny when she was just flying outside with Cinder remains a mystery). Penny treats Ruby's plan as something inevitable. They can't fall back after Penny hacked into the Atlas systems, Penny fought off the Ace Ops, Penny defended Amity from another Maiden. She has to go one step further and risk another death because the concept of saying, "Hey, Ruby's plan isn't feasible anymore" is just never on the table. Ruby is in the mansion sitting around while Penny does all the dangerous work to put her plan into action.

So she pushes back against Pietro in a way she NEVER has with Ruby, insisting that this is how she's going to live her life. Even Maria chimes in with a "we need to remember the big picture." (Wait, the potential death of a Maiden and the loss of the key to the vault isn't a part of the big picture?) Pietro is supposedly in the wrong because he cares about Penny, not the war, but if that's such a bad thing... then what does that make this?

We have a whole scene where Penny wants the group to destroy her to (again, supposedly) help them in the war - take her out as a threat - and they give a resounding, 'Fuck that.' Ruby doesn't want to see her friend dead for the sake of this war. Pietro doesn't want to see his daughter dead for the sake of this war. Yet Pietro is the one who is framed as too narrowminded. Penny standing up to Pietro is meant to be celebratory, but Penny giving in to Ruby is meant to be celebratory too.

And then, of course, once it's Jaune with a sword to her throat, Penny's desire to die is honored.

Then, finally, we have the Ambrosius fiasco. I've spoken at length about this already, but suffice to say we never got a scene where Penny expressed a desire to be turned human. As the above scene demonstrates, her desire to risk her life/die is ignored only when it's Ruby making that call. Otherwise, with Pietro and Jaune, Penny's agency is upheld (however horrible the circumstances). Does she want live a life with a flesh body? Does she have any other ideas how they might eradicate the hack? Would she prefer Ruby try to put her into a new android body first? We have no idea! We never see Ruby ask. We never see that Ruby cares beyond what she wants for Penny. They clearly had the time to hash out all these loophole wishes, but we couldn't have gotten a ten second scene where Penny goes, 'I'm cool with this'? Assuming that Penny knows what they plan to do and that she has no reservations prior to waking up with flesh hands doesn't work, not when her character largely revolves around agency and Ruby has not been showing her that particularly well.

Ruby decides that Penny is on their team (scroll scene). Then she decides that Penny will not die (contrast to Jaune and Pietro). Then she decides that Penny will be saved by stripping away a core part of her identity. Penny goes from being hacked to watching that part of herself actually die, glitching out while her friends smile about it. Ruby spent Penny's entire run insisting that she was a person just as she was, but then Ruby is the one to turn around and take that away from Penny, prior to leading her into a battle where she died again, likely because she was now a fragile flesh girl. Ironwood was given the extreme of trying to take Penny over completely, once he went full Bad Guy, but Ruby is the one who made decisions for Penny throughout this run, with Penny given no chance to speak up for herself. Penny, once at Ruby's side, subscribed to the overarching belief that Ruby is always right (fitting in nicely with Ren's arc of learning to stop questioning things). The story didn't even consider giving Penny different opinions, hesitations, anger, or anything that would truly jeopardizes what Ruby wants, because what Ruby wants is, consistently, treated as the only way to go.

#rwde #rwby #mymetas #death tw #suicide tw #violence tw

[vaalthus]

Remthalas Theory/Sort of Analysis: The All-Seeing Idiot God, The Dreaming Chaos, The Path of Omniscience. Oh and like potential Lore Spoilers maybe.

With the conclusion of the Reckoning War, and having bared witnessed to Remthalas’ actions, I believe we have a better idea of what our aquatic Dreamfarer desires and intends not only for themselves but for the inhabitants of Lore as well.

We already know that Remthalas believes that the only way to achieve freedom, to dream, is to not be shackled. To not live out the dreams or whims of others. Unfortunately, this boils down to the lesson Remthalas got out of the idea is that people should not tie themselves down by basic laws or morals people tend to follow. Otherwise, the endless possibilities provided by true freedom are not possible.

This a concept that he has clearly taken to his very core given how angrily or impulsively he’ll react should he feel someone is ordering him around or someone else shirking their freedom in his point of view as demonstrated when he rebuked Notha twice for commanding him and when he killed Mr. Nameless/Twinkles.

So that’s it then, right? Remthalas is just an anarchist drunk on freedom? Wanting all of Lore to break their shackles and live out their own dreams never minding once of those around them, right? Well yes, but there is I think a bit more going on here.

I found a few things concerning about Remthalas in our fight with either Notha or Uaanta. One, is that he found the Avatars more interesting in their reduced orb state. Secondly, he didn’t appear to want to destroy them. Thirdly, is that regardless of who we chose to side with, Rem finds us interesting either way. Fourth, and most concerning is that he only found Uaanta truly fascinating if she merged with the Avatars. Lastly, and most revealing was his desire to see all the events unfold regardless of what the outcome was and then simply bounce when a conclusion was reached.

The reason why I find him being able to see Uaanta as a truly fascinating player in this conflict is to be some cause for concern is that being ‘interesting’ to Remthalas seems to, at first, amount to being someone that can bring about his idea of freedom, freedom from the balance the Avatars imposed. Characters like the Hero and I imagine Notha when he first met her and was introduced to her ideology. However, if this is the case, why find Uaanta interesting? She after all plans to shepherd away the very entities responsible for the very concept that resulted in his abandonment and have shackled so many others and their dreams. Why find someone who still intends to be devoted to the Avatars to be a person of interest then? Are they not still choosing to wear their shackles? To ignore their own dreams in the favor of the dreams of others.

 The answer I think is simple. In the end, it was just less about Remthalas serving his ultimate plan and Remthalas wanting a show. Remthalas has always long been aware of our capacity to come out on top over our opponents, including his own fellow members. Why would he suspect there was any possibility we would lose to our dear friend or even Notha? He didn’t because he knew we would win, but how can he enjoy the play if all the actors aren’t putting in effort for their roles. After all, are you satisfied by the just the ending of a movie or the passionate performances that it took to get there?

You see I believe Remthalas revealed what he plans for us and Lore all the way back when we first met in the Ex Somniis Fabula or The Story of Dreams quest. In his introduction, Remthalas posits the question of whether he’d be able to alter reality if the entities only referred to as “They” dreamed instead of just slumbering. With quite the determined, if not a bit demented, expression on his face I might add. There’s also one other feature to this and it’s the fact that Remthalas points out that we’re in his dream, or perhaps more accurately his dream space, and that it’s basically just a blank white box. (There are also the blue glowing circles on his robes that could symbolize having multiple eyes to see which are only visible when he’s in his dream form, but it could also just represent Kathool’s eyes so who knows) This is ultimately his domain and by the looks of it he can bring anyone into it and determine what is experienced within this tiny space. What the viewer sees could amount to anything but what they ultimately stand is just the box, the blank canvas. Here, Remthalas controls reality, what goes on in the ‘bigger picture’ so to speak. Here, Remthalas is as close to a god as anyone else that can control their own dreams.

 What I’m getting at here is that Remthalas doesn’t just want freedom he wants to see possibilities and the process it takes to getting to an outcome. What he wants is to dream and for everyone else to be the actors in his never-ending play of entertainment. To see the big picture change from one point to the other. These are details that I think were touched on when he mentioned that he enjoyed the dreams of children because of their ability to imagine possibilities to fill in gaps left behind by a world they are still very new to. Or when he appeared genuinely disheartened at the idea that he was not at rest. Or when he finds dreams to be not interesting enough when pointing out that Voyna can only ever dream of dragons due to her trauma with them. Or even when we fought him in the dream to save Sally and he noted that our dream was “Fierce, but one dimensional” Or the rather basic nature, in comparison to whatever else he wanted to show us, of Notha’s backstory and memories.

 What he wants is for Lore to be his dream. To fit all of existence in that little box of his and to watch things go wild. Which is why I called him ‘Idiot God’ because if true then Remthalas is basically trying to become Azathoth, the Blind-Idiot God from the Lovecraftian Mythos who created the entire universe in that series by simply dreaming, and who will kill it if he ever wakes up. A character/concept I still believe was being referenced when Remthalas asked what would happen if “they” woke up and questioned if the world would stop existing if “they” did. However, unlike Azathoth, Remthalas intends to be aware of all that happens when he finally dreams.

Azathoth is not the only eldritch god that Rem appears to share similarities with and to be honest it the one that makes him perhaps the most untrustworthy. The god I’m referring to of course is Nyarlathotep: The Crawling Chaos, The Dweller in Darkness, The Haunter of the Dark. These are just a few titles of Nyarlathotep, but I believe they would fit Remthalas for the similarities they share with the Outer God. For one thing is how both Remthalas and Nyarlathotep communicate through dreams to any of their unaware victims and pass on information that might shatter their world view. Furthermore, much like Nyarlathotep, Remthalas seems take more enjoyment in the dreams of others being messed with in a way that is typically nightmarish in nature. The most important similarity here of course is that both entities are more driven by spreading chaos and madness through people as opposed to their utter annihilation like other eldritch gods such as Cthulu. The reason for this is because in the case of both characters, I believe in Rem’s case anyway, their enemies isn’t so much other people but rather boredom, in addition to their own stagnation.

An interesting contrast I just thought about between them however is how Nyarlathotep and Remthalas spread chaos. As mentioned, Nyarlathotep does so through dreams by revealing, in typical Lovecraftian cosmic horror fashion, how utterly pointless the lives of his victims are in the face of the sheer overwhelming forces at play in the infinite and unknown universe and how they should just succumb to madness and/or become one of his followers, to amuse himself. Remthalas kind of does something similar when he suggests that morals and the lives people are currently living don’t hold much weight in the face of the grander schemes and roles of the Avatars. 

However, unlike Nyarla, Remthalas would do this so that others cast off their rules, still to amuse himself with the chaos that would thrive from that but in his view, they’d be getting something out of it. A sort of “You and everything you’ve known don’t matter so succumb to despair and madness and entertain me” vs “You and everything you’ve known don’t really matter so do what you want and entertain me” Chaos vs Chaos but different philosophies on how to get it.

The connections that can be drawn to other well known eldritch entities does make me wonder if when we see Remthalas next he might be trying to elevate his power on the material plane to that of the Primordials (Kathool, Uthuluc (probably not Uthuluc out of all of them to be honest), The Witness, Sciuridaehotep, the latter of which is just a Nyarlathotep reference) or is somehow going to get them involved in some way when his plans really start to get under way. If he does somehow involve Kathool in what he intends to pull off I imagine we might see Aquella again given that she’s supposed to overwatch his bedtime and I think it would fit to have a water take on another that was devoted to Kathool. I’d suspect she, or potentially another water elf, could reveal more of in-depth info on Remthalas’ servitude to the Avatars and later Kathool.

This brings us to the question of course of how exactly Rem plans to pull this all off. Obviously, we fit into those plans. However, with what just happened with the Avatars now being out of the picture and Myalos also being out of commission, what’s the next step? Where does he take us from there? The answer goes back to those “They” entities being referenced. Remthalas has brought them up, but he wasn’t the only one I believe. Celeritas mentioned them once when Sinnoncence made his move. I believe, I’m certain, that our dear Big Daddy named dropped them for us a long time ago. 

The one and only Aequilibria, the true gods of existence who are said to be slumbering even now. How Remthalas intends on exerting power over these beings is unknowable, but it would appear the best time to do so before they awake once more.

Which brings us to the Hero and the interest Rem has taken in them. It is clear the main reason that Remthalas has taken an interest in us is because of how capable we were in comparison to Uaanta at the time he was scouting us both out. We are an invested tool…and yet. I cannot help but wonder if Remthalas continued engrossment of us isn’t just because he knows we’ll be useful to his plans but also because Remthalas is straight up looking for a plus one when his plan would be theoretically completed. He did offer us to see where the currents of existence could take us.

  After all, why look at and enjoy multiple paintings in a vacuum or go to the movies by yourself when you can have someone watch it all with you. Then again, as I mentioned earlier, he could simply be viewing us as just another tool to pull off his plans and that is join the others later once everything falls in place

All of what I stated is more speculation than anything but if any of it’s true then we are in for a ride.

#dragonfable #Remthalas #primordials #Aequilibria #Watch everything I just said be uber wrong #Blind idiot God #Crawling Chaos #Lovecraft parallels #Was MrNameless trapping everyone in a tiny dimension he controlled foreshadowing to what Remthalas plans? #Dreamfarer #The never ending dream #If Remthalas does attempt to use the Aequilibria then perhaps we won't even see him again for awhile. #The eyes Mason what do they mean!?!?!?!? #It's made of fear and nightmares y'all #What if Remthalas tries to do his thing and Sciuridaehotep straight up tells him No #Boom crisis averted #Remthalas is our villian #But he couldn't care at all about using Draco #What forces are at work here #More to a prophecy #He refuses to respect Lock and Key because they can not entertain his dreams #Tools can only follow a patter in his eyes #And that's boring #Same thing with Myalos #Uaanta did something new #Aquella return? #The dreams were dark #df lore #df spoilers #I am now imagining Remthalas sitting on a couch and watching people run around screaming through a window because he moved a stone

[mintchocohip]

sub!bts as househusbands

╺ requested | the ot7 as househusbands!

╺ note | sub!bts x domme!reader. see each member for any notes!

TAEHYUNG ➜

note | roleplay

Visiting friends, putting on his errand boy hat, or wandering town with a camera, an empty stomach, and a pocketful of cash occupy chunks of Taehyung’s weekdays. He isn’t allowed to open his sub journal until three hours past noon—that’s the hour when he misses you the most. At the sanctioned time Taehyung opens the journal to today’s date and picks out a handwritten note delicately tucked into the pages. Today, he’s Maestra’s best student—recording himself practicing the new song you chose on his violin. “'I’ll do anything for Maestra. I would be her Cinderella,’” you’re finally home, and you’re sitting next to Taehyung on the couch reading aloud the journal entry he scribbled after sending you the recording, “'cleaning on hands and knees.’” Taehyung’s sheepishness at hearing you voice his fantasies is cured by a fluff of his hair and a fond kiss on his rosy ear. As you wash dishes with Taehyung later this evening you’ll contemplate tomorrow. Choosing these secret tasks is your prerogative. Still. Your husband always has amazing ideas. 

YOONGI ➜

notes | naked apron kink, mentions of pegging

Yoongi is the ideal house husband. He’s vigilant, hardworking, and resourceful. A need for time and space alone is never questioned. When your sleepy-eyed husband emerges from the solitude of his home studio, though, Yoongi needs tangible proof he’s making you happy. “An apron?” Yoongi glances down at the white sheath. He wandered into the kitchen to find you home from work with a shopping bag on your elbow. You’re holding the apron’s straps against his shoulders to judge the fit. “Cooking naked. Flying oil. Makes me nervous... I thought my little chef could use an apron.” Yoongi blinks. He knows he’s blushing. Usually, he doesn’t pull on clothes before waking up early to cook you breakfast and pack your lunch for work. Cooking for you is basic, respectful routine. It would be easier to toss on a baggy shirt than tie an apron. This gift mostly appears to benefit the person who strolls into the kitchen most mornings acting like you’re already hopped up on two espressos and daydreaming about giving him the strap tonight while you wake yourself up knowing full well the effect your naughty backhugs and whispered “good morning, baby”s have on his attempts to focus on stirring veggies in the frying pan, of course; but, Yoongi has a feeling he might enjoy it more than you do.

JUNGKOOK ➜

notes | mdlb, little!jk

Jungkook waited for the right moment expectantly. He sensed it in your aura. He felt it in the way you looked at him, listened to him, and held him in the weeks before. Something changed. It was a comfortable, gentle change. Jungkook cried when he proposed. He cried at the wedding. He cried when you said it would be better to stop renting dungeon space and instead find an apartment with a suitable extra room. Marriage was about romance, symbolism, and becoming yours. Jungkook knew his lifestyle of playing games and going to the gym all day wouldn’t change. You’re two self-sufficient people who fix up chores as they appear. Most days, Jungkook feels that vocally supporting your ambitions and treating the apartment like a laundrette are the most important things he can do. When you text him to say you’re coming home early and wondering if he could take out all of his littlespace things and set up the playroom before you’re through the door—shocks run up Jungkook’s spine. He gloats like your friend when he steals your snacks, and he thinks like a roommate when he asks if he can dedicate more closet space to his growing shoe collection. Right now, you need your partner. That special knowledge relaxes Jungkook with peaceful—dry-eyed—certainty.  

HOSEOK ➜

note | mommy kink

You didn’t know housework channels existed until Hoseok started one. The ‘mommy’ in his social media handle is cutesy but sincere. In the past Hoseok has always felt tingly and whole when you gave him a sarcastic “sorry, mom” after he scolded you for putting drain cleaner in the wrong cupboard or failing to tap down a coaster for a glass of water. Now, it’s what a legion of fans call the faceless, apron-clad man posting soothing clips of himself cleaning through every room of this gorgeous sunny apartment and, occasionally, grooming the puppies. You’ve never really looked at any of it. Hoseok appreciates that you have him so wholly you don’t need to. “Soft,” you mutter while laying in bed with him at night. You’re playing with his hair to make him smile. Hoseok knows a certain bedside drawer is off-limits from his urge to tidy and rearrange. When you roll over to open it he curls up inside. At some point this house gained two mommies. Only one Mommy is dignified with a capital M in texts through fluxes of dirty talk and reminders to buy new air filters. Only one of them decides when and how Hoseok gets off. Your husband enjoys organizing his days. For your sake, he’s even happier to surrender his nights. 

JIMIN ➜

note | lifestyle d/s

Watered plants, vacuumed cat hair, spotless surfaces, empty recycling, lines in praise of Mistress. Jimin sends you photos of today’s completed chores at the scheduled times and gets cute emojis in return. If he lived alone Jimin might spend all day playing with the foster cats and downing wine at brunch. As it is, he carefully considers a new color scheme for the bathroom. He needs this space to be pretty for you. Shopping with a wide open budget usually distracts Jimin into sending you pictures of a giant teddy bear and asking if you would be angry to find it in the living room when you come home. Although he flutters from amusement to amusement, Jimin is always home, relaxed, and wearing the clothes you like when he needs to be. Hanging up your backpack and taking off your shoes, following you into the bedroom, and kneeling at the edge of the bed to massage your legs and eat your cunt is ritualistic. Jimin makes amazing coffee. You lounge in bed, sip the mug he brings, and tell him what to order for dinner. Discipline earns its rewards. The reason you bicker with smiles on your faces about Jimin’s definition of “spotless surfaces” is absolute comfort. You know what you want from each other, and you want the same things.  

NAMJOON ➜

Lounging in the garden is a fine way to spend a weekend afternoon. Cool shade inside the wisteria tunnel is dappling Namjoon with light and shadow. You lean over the picnic tatami and clink lemonade cans with the man who created this masterpiece. He smiles shyly when he realizes you’re staring. You’re giving him that look. Once upon a time, discovering that you don’t care too much about your surroundings excited Namjoon. It’s a form of power he never thought he would have in a marriage. Perusing local furniture galleries and commissioning artists to furnish a home that suits his aesthetic sparked Namjoon’s creativity. Tempering compost, monitoring seedlings in the garden, and flecking walkways with wildflowers and willows brims him with encompassing adoration for life. Beauty is created in the wake of his passionate work. “Unbutton your shirt halfway.” You're taking a sip of lemonade, leaning back, and watching Namjoon follow your instruction. Buttons open somewhat shakily. He rests his hands and waits to hear your next idle thought on what he should do for you. The outlines of these moments cross your mind slowly and meander to your imagination. You don’t have the patience for gardening. You do have the patience to capture some of Namjoon’s beauty for yourself.  

SEOKJIN ➜

note | blindfolds

Your coworkers have met him at parties. Seokjin is a friendly, handsome man with savoir faire. A creative list of salacious reasons a man like that would drop his career forms behind your back. Seokjin scoffs when you relay gossip to him. He’s especially fond of the idea he’s a criminal witness skirting discovery. Trying the hobbies he never had time for, taking his little cousins to the aquarium, fishing weekends, signing up for classes at the local university, streaming liveplays out of his gaming room or cooking tutorials out of the fancy kitchen you funded—Seokjin savors it all with fresh-faced enthusiasm. Some days he just takes out the trash, folds laundry, edges himself, gets bored, catnaps, and checks his phone to see if you can call because he’s lonely today and nothing he could do compares to hearing his wife tell him what’s on her mind. There is an unwieldy desire inside Seokjin, despite it all. He needs to demonstrate the ways he cherishes, protects, and provides for you. Sometimes, it’s being the person you need to tell about your day. It’s being the person who cooks your comfort foods, provides warm hugs, queues your shows, and takes you on dates. Most often, it’s your kiss on his forehead as you adjust the blindfold and praise him sweetly. “You’re the reason,” you remind him with another kiss, “that I’m always smiling when I think about home.”

#sub!bts #domme!reader #member x reader #ot7 post #sub!taehyung #sub!yoongi #sub!jungkook #sub!hoseok #sub!jimin #sub!namjoon #sub!seokjin #mch #scenario #not feeling this post #but it's been in the drafts for almost a year

[dressageworkingstudent]

In the continuation of my series on watching the freestyles, here is an example of how different moments in the same gait, on the same horse, can look drastically different. This is Jessica Von Bredow-Werndl and Dalera for the freestyle.

You’ll note that the first photo shows the horse appearing disjointed, behind the vertical, and hollow. The second photo shows parallel angles, and clearly rounded back, and nearly on the vertical.

What I want to stress here and what everyone needs to understand is basic biomechanics. Allow to explain:

In the first photo, we have the moment where gravity does us all dirty, when the spine of the horse is absorbing impact, and the hip is dropping to engage the inside hind. In this moment, of course the horse appears hollow, because the trot in particular is a circular gait that has both a moment of suspension, and a moment without suspension. Again, thanks gravity.

In comparison, you have the second photo, four off the floor, super round over the back, lovely parallel pairs etc. The different is what point in the gait the horse is at, not the training of the horse. More often than not, we see photos of dressage horses critiqued for not having these parallel pairs and missing the suspension (images that make it look like the hind leg will land at a different time than the front etc) but in reality, we have to assess what point in the gait they are at. The second photo demonstrates the horse is truly round and in self carriage, even though if you only looked at the first, you’d get the the opposite interpretation.

So, why is the important? Because when we critique high level riders for specific, intentionally picked moments in the gait, gently distracted by orange coats, we are missing the whole picture. I would hazard to guess that Jessica doesn’t practice rolkur, although she did train with Isabel Werth for 10 years so who really knows. Certainly none of us.

#still petty #still right #dressage

[damerondala]

🍒 Okay tub time with Kix? 😗👌🏻 Exquisite. So good. Where do i find such a caring man ugh and a clean bathtub chores suck

New Cherry Thot of the Week… This one’s hella self-indulgent but don’t worry bestie, i’m dragging you along for the ride too… Picture it: The Marauder, 19 BBY (did i spend 3 minutes looking that up for this dumb joke? yeah…) Somehow, you and I have joined up with the Bad Batch on some kind of mission. Details don’t matter because the important thing is we’re sharing a tiny spaceship with 5 hunks. 🥰 But obvs we have our favorites… I’m going with Wrecker for you (i know you love Hunter too, but just hear me out, this thot has a purpose) and Crosshair for me.

But here’s the thing. We somehow figure out they like us back (maybe Tech spills the beans), AND they have a bet going… Who can win us over first? Because these 2 are always competing over something with each other right?

And like hot damn, but also ohh there’s so much we can do with this info 😈 We both start teasing our respective guys, leading them on a little, not giving in to their flirting or anything so they can’t say they’ve won the bet for a while. They get more frustrated. More… pent up… And… well… so do we…

Uh oh. Maybe we can’t play this much longer. Maybe one day it’s too much, and one of us races to our crush prepared to just kiss them silly, only to find they had the same idea. And then afterward we try to find the other, and discover they couldn’t hold out with their guy either 🙈 And maybe it’s awkward, maybe Wrecker and Crosshair argue over who actually won forever, but it was kinda weirdly fun anyway. We’re happy, and happy for each other. /EndofSappyStory 🍒

cherry. my love. my life.

this might be the best thing that you have ever gifted me holy fuck the way i BLUSHED while reading this??? whooooooo jesus i love this so much!!! 😭 okay lots to unpack here:

1. excellent golden girls reference again. made me giggle and i appreciate the research tech would be proud of u hehe

2. you and i being bffs in this thot made me so happy aw

3. EXCELLENT CHARACTER CHOICE FOR US OMFG i couldn't stop thinking about the "don't worry wrecker you'll top him next time" "no he wOnT" while reading bc omfg those lines applied to this kind of bet????? AAAAHHHHH IM HAVING A CRISIS

i'm gonna write this in sections, actual encounters with the boys happen in sections 3 and 4 with our sexy murder toothpick man being up first! also this is gonna be pre-omega but post-echo joining the batch 

self indulgent filth and fluff in the form of some reader insert thots below ;) 

18+ as always kiddies. i really hope you enjoy! this was so fun to write 

section 1: the bet 

so i imagine this happening right after you guys joined the squad

and it certainly didn't take long for crosshair and wrecker to realize their feelings for you two beautiful women, although one was more brazen about his feelings than the other

one day when hunter had sent you and your friend into a market to pick up a short list of supplies, they got to talking 

crosshair made an offhand remark about his girls’ ass which made wrecker fidget, he never was very composed when it came to pretty girls and this caused all the other members of the batch share knowing looks and smirks

“wrecker if you’re trying to be discreet about your feelings for ___ you’re going to have to do stop fidgeting.” tech noted, rolling his eyes when wrecker started stuttering out excuses but he was cut off by echo

“give ‘im a break. at least he isn't as vulgar as crosshair” 

“you’re just jealous she doesn't flirt with you, mir'osik” (i had to search up insults in mando’a and this one means shit for brains and when i tell you i died laughing okay anyways sorry)

this made echo roll his eyes, deciding it wasn't worth it to fight over whatever stupid insult the sniper threw at him

wanting to stir the pot juuust a bit, hunter proposed a challenge for his vod. he should be the good influence on his brothers, but he couldn't help but want to see where these crushes would take them

he could hear the girls’ heartbeats intensify around their respective crushes anyways, so he had a pretty good feeling that they felt the same about his batch mates

“don’t know about the rest of you, but i want to see who can win his girl over first” this was met with a smirk from crosshair, a blush from wrecker, and side glances shared between echo and tech

“easy.” crosshair drawled, he knew he had this in the bag

he may be quieter than the others but boy was he was observant, taking note of the way her words had a hard time flowing out of her pretty mouth when he was in close proximity of his girl

wrecker on the other hand didn’t want to make her uncomfortable, in his eyes she was just so sweet. innocent, really. she wouldn’t want the same treatment he knew crosshair had in mind for his girl

the peering eyes of his squad made the large man cave with a sigh, “fine.”

section 2: the slip up

weeks had gone by since the boys established their little competition and you, your friend, and tech were working on some small repairs around the ship

you and your friend had noticed some increased...flirting from your respective guys

crosshair paid more compliments and lingering touches that seemed genuine

and wrecker flirted the best way he knew how; lifting too heavy objects and reaching for items in the tall cargo holds, handing them down with a gentle smile

tech, being the most blunt member of the squad, commented on the whispers you exchanged, dropping a surprising truth on both of your ears:

“well of course they are trying to flatter you. how else do you settle a bet to win each of you over the fastest?” 

tech watched the two women freeze before him, sharing shocked looks before turning their attention to him, realization hit his gut like a crate of durasteel, and he swallowed under your stern gazes

“what do you mean, goggles?” 

“they...like us?”

tech’s cheeks burned red hot, was his brow beginning to sweat? maker, it felt like it 

this was the one time he didn’t feel like explaining himself, instead choosing to coyly excuse himself from the two pairs of watchful eyes

he left you and your friend to stare at each other before both rolling your eyes, “well now we know who spills secrets the easiest” your friend chuckled, shaking her head 

after a few moments of silence you both spoke up, deciding there wasn’t that much harm in playing along with the two members of the batch. you were fond of them, after all

you both continued chuckling about the situation, mostly out of disbelief that the flirting and teasing wasn’t just a hopeful facade your minds made up

once the repairs were completed, you both retired to opposite ends of the ship, minds full of deliberation of how you would handle this new information 

section 3: the gunport 

you were sat in the gunport, musing the situation you found yourself in, hands picking at your fingernails in an effort to curb your nerves 

on one hand you didn’t want to ruin the bond you had with the marksman

what if he was just flirting out of pure boredom? there isn’t much to do in a confined ship like this anyways, he might as well pass the time flirting with a woman in his general vicinity 

but it just had to mean something

no way the whispered compliments - most of them accompanied with a wink, no less - meant absolutely nothing to him 

you decided that you had enough, this was going to eat you alive if you didn't get to the bottom of what was going on in that head of his

with a huff, you stood straight and turned around to exit the space

but you were met with a silver haired man climbing up the ladder

you both froze, both internally freaking out at the basically forced confrontation

oh gods what is he doing up here? did he read my mind??

...shit what do i do i forgot everything i was going to say to her 

you nervously chuckled, figuring that you were going to go talk to him anyways so might as well get this over with

“crosshair... um i need to ask you something”

“no, i need to tell you something cyar’ika. i’m tired of sitting here and watching you walk around all day, not being able to show you how i feel.”

now that left you speechless, mouth slightly hanging open in shock to which he deeply chuckled at, “hope this isn't the first time i leave you speechless.” 

there it was, that smug attitude that made you roll your eyes but also ignited a heat in your lower abdomen

with a smirk, you decided to play it back to him. two can play at this game, lanky

“well it’d be pretty rude to not demonstrate what you had in mind, trooper”

this was the green light crosshair needed, quickly heaving himself up the last few rungs of the ladder, his hands immediately finding your waist and snatching you close, pressing a firm kiss to your lips

your hands flung up to catch the sides of his sharp cheeks, humming at the feel of his scruff under your palms as you coyly push your tongue through his lips, hoping he’ll welcome your tongue into his mouth

he does, and you are exploring each other in the most delicious way, causing soft moans and sighs to leave both of you

while you were entranced by crosshair’s mouth on yours, you didn't realize he was pushing you back onto the chair of the gunport until you were sat down and he was kneeling in between your legs, his nimble fingers clutching your thighs and hips

in a matter of minutes crosshair had managed to get your bottoms completely off, your slick panties hooked on one ankle, and your thighs over his shoulders

for a man who could run his mouth, he sure proved it 

expert fingers entered your weeping cunt while his tongue prodded your bundle of nerves with sharp, quick strokes

he’s beaming at the way you’re trying to support yourself on shaky arms and trapping his head to your cunt with the backs of your calves, the sight of your head thrown back and the whimpers coming out of your mouth making him harder than he had been in a looong time

his fingers and mouth brought to your orgasm quick and hard, nearly screaming his name as your toes curled in bliss 

he took his time in working you through it, making sure he could draw it out. he could get used to this.

when you can finally open your eyes and look him in the eye, you’re kissing him again, enjoying the moan he lets out at the feel of your tongue tasting yourself on him 

you decide it’s his turn, and you’re pushing him into your previous spot, smiling at the way his eyes slightly widen at the way you took charge 

crosshair wants to say some sexy remark, something that he knows will get you to sheepishly smile and look away but he can’t, not with the sight of you sinking down to your knees and slowly pulling down his blacks, keeping eye contact and granting him a playful glint in your eye

you can't help but want to tease him just a bit, running your tongue over the bulge in his blacks

he tries his hardest to not be loud but maker, is he loud when you finally take him into your mouth and down your throat 

you’ve quickly found that he enjoys eye contact while in this vulnerable state, nearly shaking when he sees your eyes brimming with tears trying not to choke on his length 

one hand sneaking down to alternate cupping his balls is what pulls him over the edge, crying out with your name living on his tongue 

you swallow his release, again utilizing eye contact to your benefit and drawing out another prolonged moan from him 

it makes you smile in pride, loving how this hard, unyielding man turned into such a mess while you had your way with him 

crosshair pats his lap and expectantly looks at you, waiting for you to perch up onto his lap, straddling him 

despite being a skinnier guy, crosshair wraps you up in the warmest, most secure-feeling snuggle you have honestly ever experienced 

after sharing such an intimate moment with you, he began whispering sweet nothings into your ear, about how gorgeous he thinks you are, how much he cares for you 

it’s honestly kind of shocking but welcome nonetheless, cross can be kind when he wants to and you are very glad that this was the outcome of your dancing around each other for months 

section 4: the interruption 

you retreated back to your room, honestly just wanting to sleep and get your mind off the day

it was becoming harder and harder to not just pounce on wrecker, but you didn't want to just give it up so quickly 

and to be honest, you had a bad feeling that tech was full of it

you struggled with self esteem issues for as long as you could remember, so it was difficult to believe the 'genious’ of the batch when he said that wrecker had feelings for you 

despite your trepidations, your mind couldn't stop thinking about him, his broad shoulders, toned arms, huge thighs...

your hand slithered down your torso, slipping underneath the waist band of your bottoms and slowly circling your clit as images of wrecker effortlessly lifting anything that crossed his path filled your mind, honestly wishing it was you he was lifting

perhaps lifting you to brush your pussy on his nose, his tongue exploring your womanhood enough to make you shout his name

but apparently that last part was not all in your head

although you didn't shout it, wrecker definitely heard the way you whispered out his name in a moan in the dark room

he really hadn’t meant to barge in, but after a few knocks with no answer  he began to worry

he came by to tell you how he felt with absolutely no expectation of sleeping with you. truthfully, he gave up on trying to get into your pants, he was willing to lose the bet with crosshair, he knew he wasn’t as smooth as his brother anyways 

while he obviously would never be opposed to making love with you, he figured that you deserved to be courted beforehand, and he thought there was no way you’d want to share your body in such an intimate way with somebody like him 

but the sight he was greeted with was enough to prove himself wrong

you, spread out on your bed with your hand moving diligently under your thin lounge shorts and you moaning his name made him subconsciously let out a loud gasp 

that you absolutely heard, eyes snapping open and hand coming to an abrupt halt, ripping out from under your bottoms

“wr-wrecker! what are you doing here?!”

“i- uhhh- i didn’t see anything! erm, i'm sorry, mesh’la”

by now you had your blankets covering you, despite being fully clothed, and were looking at him with mortified eyes

wrecker still stood in the doorway, unsure if he should let this opportunity pass him by

if you had told him to leave he would, he’d do anything you said, but the fact that you made no move to force him into leaving made him linger

“i'm...sorry if im overstepping mesh’la but i just- i can't stop thinking about you. and well,” he gestured to your form, still cradling the blankets to your heaving chest, “i think you think about me too”

of course you couldn't deny it, he had just seen you pleasuring yourself and moaning his name, what the hell kind of excuse could you come up with? none, that's what 

his sheepishness made your heart soar, realizing he probably was just as nervous as you

deciding to cut him some slack, you slowly rose up, blanket falling to the ground as you sauntered over to his frozen frame

whispering, “you're right. do- do you want to stay?” 

you had the poor man at a loss for words, eagerly nodding at your proposition and allowing you to take his hand and lead him to your bed, pushing him down so you could straddle his lap

his large cock bulging through the thin fabric of his blacks and pushing against your already hot cunt made you cry out

pure adrenaline coursed through both of you, hushed moans leaving your mouths as you steadily ground down onto him, his hand tangled in your hair and the other kneading your breast

your lips broke away from his mouth and you smirked at the look on his face, absolutely fucking giddy that this was finally happening, he had been dreaming about this moment since he first saw you

the sounds he made while you sucked on the sensitive skin of his neck encouraged you to slip a small hand down the front of his blacks and pull his thick cock out, heat flooding your body at the hiss he let out when you started slowly jacking him off 

your legs were in the perfect position for him to push your shorts down and over your ass, fingers picking up where you left off and circling your clit, working you open to take one of his massive fingers

the more you squeezed his throbbing shaft, the louder wrecker became 

and not wanting anybody to hear you two fooling around, you glued your mouth to his, tongues mingling in heat

the excitement of the entire situation made it not last very long overall, but you both had intense orgasms regardless

wrecker curled his - now two - fingers inside you just right, and your continued squeezes and strokes of his cock made him finish, his cum coating your palm 

both of you were shaking, muffled groans and gasps filled the room until you were coming down from your simultaneous orgasms

after coming back down to the moment, wrecker chuckled and flopped down on his back, bringing you with him to crash onto his chest

you both giggled like a couple of smitten teenagers who were experiencing their first love, relishing in the butterflies in your stomachs, we just did that

“been waiting a long time to do that, doll” wrecker’s big hands rubbed up and down your curves, closing his eyes and smiling at your laugh, “i know”

his head shot up at that, “you know?” the way his eyebrows furrowed up made your chest tighten with admiration, smiling cheekily down at him, “of course i do. tech told us gals.” you leaned down to place a peck on his chin, “you think you won the bet?”

“dunno. but I feel like i just won the entire galaxy.” 

it honestly didn't make much sense in your post-orgasm daze, but the endearing tone made you smile and kiss him once again

section 5: the hallway 

after your respective encounters with your boys, you ran to your friend, bumping into her in the hallway, the tight space echoing your giggles and shrieks of excitement throughout the entire ship

you both were so flustered and giddy that you were talking over each other, just needing to tell her about what just happened 

“i just sucked-”

“you will not believe-” 

you both stopped and laughed even harder, holding onto each other for support, then your friend took a deep breath and smiled, “you first.”

the sounds emitted from you two not only made your boys smile and their chests swell with pride but also coerced some chuckles from the other members of the batch 

they all knew how long these...events were in the making and how eager cross and wrecker were becoming 

and in all honesty they were glad their brothers had found happiness in two girls like yourselves 

nice, funny, and obviously in love with their brothers

they really could’t have asked for better women to take care of their family 

~

taglist! (fill out this if you’d like to be added): 

@djarrex, @pastelpanda19, @rebelpitstop, @sageislostinspring, @shiny-mando

#ily babycakes hope you liked this #thank you for giving me such incredible thots #you're the best #🍒 anon

[dweemeister]

Oklahoma! (1955)

Composer Richard Rodgers was in search of a new songwriting partner in the early 1940s. His previous partner, the lyricist Lorenz Hart, was devolving into an alcoholism that would soon claim his life. Wanting to transform Lynn Riggs’ rustic play Green Grow the Lilacs into a musical, Rodgers would find a new lyricist in Oscar Hammerstein II, who had not been involved in any Broadway successes for some time. Rodgers and Hammerstein’s 1943 adaptation of Rigg’s play was Oklahoma! and – despite widespread predictions that Broadway audiences would only flock to modern, urbane works – it became the longest-running Broadway musical for another dozen or so years. It began one of the most fruitful, important, and accomplished musical theater partnerships in the medium’s history.

Interest in a cinematic treatment from Hollywood’s major studios for the first Rodgers and Hammerstein musical came almost immediately after the initial reviews for Oklahoma!, but the rights went not to a movie studio, but a film equipment start-up known as the Magna Theatre Corporation. Magna’s owners intended Oklahoma! as a test for the Todd-AO widescreen process (a rival to Cinerama), but more on that and the film’s unique distribution history – which involves RKO and 20th Century Fox – later. Most importantly, the lack of studio executives to appease meant that Rodgers and Hammerstein could have full control over the film’s structure and musical/narrative changes for this adaptation. Directed by Fred Zinnemann (1952’s High Noon, 1953’s From Here to Eternity) – an unorthodox choice, given his expertise for morally complex dramas and no musical experience – 1955’s Oklahoma! is a harbinger for the Rodgers and Hammerstein musical films to come, and an inextricable part of the duo’s legacy.

Somewhere in the Oklahoman countryside, amid corn as high as an elephant’s eye, is the clean-cut cowboy Curly McLain (Gordon MacRae). Curly is en route to the farmstead of his crush, Laurey Williams (Shirley Jones in her cinematic debut), and Laurey’s aunt, Aunt Eller (Charlotte Greenwood). There, Curly invites Laurey to the box social scheduled for later that evening. Annoyed that it took him this long to ask her out, Laurey decides instead to go the box social with the Williams’ antisocial and intimidating farmhand, Jud Fry (Rod Steiger). Elsewhere at the train station, another cowboy, Will Parker (Gene Nelson) might be singing about how much he was entranced by Kansas City, but he is searching for his sweetheart, Ado Annie (Gloria Grahame) – herself entranced by traveling salesman Ali Hakim (Eddie Albert in brownface).

No members of the original Broadway cast reprised their roles for this film, which also stars Barbara Lawrence and character actors James Whitmore, Jay C. Flippen, and Roy Barcroft.

As Curly, MacRae is like a Broadway stage version of the characters Gene Autry or Roy Rogers might have played in another decade. MacRae, who started his career as a Broadway and radio singer, had just run down the end of his contract with Warner Bros. (signed in 1947) when he appeared in Oklahoma!. At Warners, he starred in a number of musicals including Look for the Silver Lining (1949) and opposite Doris Day in On Moonlight Bay (1951), but he had only starred in a film adaptation of stage musical once before. MacRae, despite a long hiatus from the Broadway stage, is a natural here: charming and exuding a natural chemistry with co-star Shirley Jones. This exterior, however, is not without malice – as seen in the scene where Curly tries to influence Jud to commit self-harm. Cut from the same baritone cloth like contemporary Howard Keel (Frank Butler in 1950’s Annie Get Your Gun, Adam Pontipee in 1954’s Seven Brides for Seven Brothers), MacRae never achieved the popularity that other stage-to-screen musical stars of the ‘30s and ‘40s did (and, of course, Julie Andrews much later on).

The film’s surprise package for audiences in 1955 was in Shirley Jones. Jones, rather than subjecting herself to a vetting process by a director, casting director, or studio executives, was hand-picked by Rodgers and Hammerstein. Stunned by her 1953 audition for the premiere of South Pacific but wanting more experience for the then-nineteen-year-old, the songwriting duo kept Jones in mind for future productions and signed her on a contract (Jones was the first and only singer to be contracted to Rodgers and Hammerstein). With a few years of Broadway productions under her belt, Jones still came to Oklahoma! lacking an understanding on how to tailor sharper emotions to a film camera. With Fred Zinnemann’s assistance, she navigates Laurey’s light romantic comedy scenes and tumultuous friendship (if one can call it that) with Jud maturely – one could scarcely believe this is her cinematic debut. For Laurey, she accentuates the character’s naïveté, especially in respect to how she acts around men and romantic idealizations, without feeling grating or overacting (a common problem when approaching characters without much life experience) the part. Jones’ excellence in Oklahoma! would land her the lead in Carousel (1956), with other Hollywood hits in Elmer Gantry (1960) and The Music Man (1962) to follow.

As their artistic collaboration progressed, Rodgers and Hammerstein did not shy away from asking heavier questions in their musicals. Their first two projects, Oklahoma! and the musical film State Fair (1945) are relatively airy, flighty compared to their successors – the darkness of morality in Carousel, the racist beliefs of the lead character in South Pacific. Foreshadowing that later drama in successive musicals is the misanthropic (not just misogynistic) character of Jud Fry. Played by Rod Steiger, Jud is a villain without any redeeming qualities in the original musical. Steiger’s Jud remains a reprehensible character, but Steiger – as have most other actors who have played Jud in on stage in the decades since – positions Jud as more of a loner whose social ineptitude results in an unchecked covetousness over Laurey. To some reading that last sentence, that distinction between portrayals of Jud may not make any meaningful difference in one’s negative opinions about the character and his actions. Yet, Steiger’s portrayal of Jud – as sloppy, maladjusted, knowing little else about life other than farm work – is nevertheless a refinement on the character Rodgers and Hammerstein originally did not give much thought to.

Zinnemann’s dramatic tendencies needed moderation, as they sometimes threated to overshadow the musical features. Although, to Zinnemann’s credit, as a dramatist first, he imbues Oklahoma! with a dramatic fervor that came to define all Rodgers and Hammerstein musical film versions after it – something that one never received from the somewhat assembly line-like musical from Metro-Goldwyn-Mayer (MGM) and Fox. Oklahoma! was Zinnemann’s first widescreen film, as well as the first time he shot in color.  The emotional intensity of his earlier movies would be antithetical to the sweeping rural cinematography that he and cinematographer Robert Surtees (1959’s Ben-Hur, 1971’s The Last Picture Show) and Floyd Crosby (1931’s Tabu: A Story of the South Seas, 1960’s House of Usher) needed to capture. Zinnemann, Surtees, and Crosby offer sumptuous images of the Arizona countryside (Oklahoma’s oil wells proved too plentiful and distracting for the production) and the inviting blue sky that overhangs the cornfields sweeping across the land. With widescreen cameras rather new around 1955, the cameras wisely stay further back in interior scenes (shot at MGM’s studios in Culver City, California) with numerous people, directing our gaze centrally with brilliant blocking from the actors. The staging nevertheless feels like a stagebound musical during some interior scenes, like a lower-budget MGM musical with a trivial plot.

The widescreen cinematography, of course, was purposefully a showcase – see the shots of Gene Nelson spinning his rope directly towards the camera in “Kansas City” and the shot of an overly-excited auctioneer hammering their gavel and having the gavel nearly break the camera in another. Magna Theatre Corporation intended Oklahoma! to be a demonstration of their new Todd-AO 70mm process, in hopes of competing against Cinerama (which used three synchronized projectors at once on a curved screen). Because some theaters could not support the widescreen prints, two different versions of Oklahoma! exist: one in Todd-AO and another in CinemaScope (the latter a 20th Century Fox invention). This review is based on the Todd-AO print – which I recommend over the CinemaScope print – that currently is streaming on Disney+. Another note about the Todd-AO print: the first two films shot on Todd-AO 70mm – Oklahoma! and Around the World in Eighty Days (1956) – were shot in 30 frames per second (FPS) rather than the standard twenty-four. Thus, the Todd-AO print will appear slightly smoother in motion than most all other films, including modern ones.

Why 30 FPS for film screenings in 1955? Higher frames per second result in less noticeable light flickering and more dynamic colors (these effects for movies shot at higher FPS rates only apply to films shot on film stock, not digital). However, film projectors with a Todd-AO print would run hotter, requiring simultaneous cooling of the film while it ran through the projector. All subsequent films shot on Todd-AO reverted to the standard twenty-four frames per second.

Diehard musical fans often consider Fred Zinnemann’s Oklahoma! the most faithful – narratively, musically – of all the Rodgers and Hammerstein film adaptations. Deleted from Oklahoma! are two songs: Ali Hakim’s chauvinistic “It’s a Scandal, It’s a Outrage! [sic]” and Jud’s brooding “Lonely Room”. The former has among the least musical interest in the entire musical, but “Lonely Room” might have been a helpful source of characterization of Steiger’s Jud (the limited vocal range required for the song would suit Steiger). Otherwise, some of Rodgers and Hammerstein’s most iconic songs are present, starting with “Oh, What a Beautiful Mornin’”. Sung solo by MacRae on horseback (as opposed to being sung completely offstage in the original stage version), it serves the same purpose as the title song from The Sound of Music (1965) does. It establishes Curly’s character (mostly), and establishing the vast environs where the film takes place. The atmospheric opening shot of the camera moving through the corn and opening up into a grassy landscape might seem corny inane, but what a visual message it sends for one of the early widescreen American movies. Curly’s solo leads into “The Surrey with the Fringe on Top”, as he attempts to woo Laurey into accompanying him to the box social. A brief visual aside to allow viewers who do not know what a surrey looks like is a touch that a stage musical cannot provide, but this song – along with my choice of the best song in the musical, “People Will Say We’re in Love” (which gives MacRae and Jones a lovely duet with the production’s most romantic melodies) – exemplifies the rapport between MacRae and Jones and their two characters.

There remains charm aplenty across the musical score. Gene Nelson’s rendition of “Kansas City” is by no means essential to the plot of Oklahoma!, but it is a diverting number with some fancy footwork by not only Nelson (essentially the film’s comic relief and using a perfect, non-jarring voice for such a role), but Charlotte Greenwood and the scene’s extras as well. And then, arriving late, there is also the lively title song, delivered by MacRae with a similar energy as he employs for “Oh, What a Beautiful Mornin’”. “Oklahoma” became the official state song for Oklahoma in 1953, replacing a lesser-known song, “Oklahoma – A Toast”. Credit must also go to the extras and chorus for spearheading the song for its second half, as well as Robert Russell Bennett for his gorgeous (and definitive) vocal arrangement.

As its theatrical release drew near, details of the distribution of Oklahoma! would depend on which print a theater received. If a movie theater screened the Todd-AO 70mm print, Magna handled the distribution; if they showed the anamorphic CinemaScope 35mm print, the responsibility fell to RKO. RKO – the studio that gave audiences King Kong (1933), Citizen Kane (1942), and distributed all Disney movies until Rob Roy: The Highland Rogue (1954) – had fallen into turmoil by the mid-1950s and, by decade’s end, would be the first of the Big Five Hollywood studios to cease operations. The studio’s tyrannical owner, the eccentric Howard Hughes, disemboweled the studio from the inside out, and is a story for another day. Due to Hughes’ mismanagement, RKO withdrew from distribution and, in their place, came 20th Century Fox. Todd-AO and Fox shared theatrical and home media rights until Fox’s purchase by Disney in 2019; Todd-AO and Disney retain the split-ownership arrangement over Oklahoma!.

Though Oklahoma! is not usually part of most cinephiles’ and musical nerds’ pantheons of great Hollywood musicals, its contributions to the subsequent Rodgers and Hammerstein film adaptations are unmistakable. The duo’s closeness to numerous parts of the film’s production, the stunning widescreen cinematography, and the casting of actors with proven musical ability are hallmarks to be replicated, even in lesser adaptation such as South Pacific (1958) and Flower Drum Song (1961). For Rodgers and Hammerstein, they were so pleased from working with Fox that they continued to provide the rights to their musicals for all of their works’ adaptations with the exception of Flower Drum Song (which went to Universal). Like their work on Broadway, their best music and best movie adaptations of their musicals was yet to arrive. Oklahoma! marks a solid, healthy start to that run of adaptations, a hallmark of mid-century American moviemaking.

My rating: 7.5/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

#Oklahoma! #Rodgers and Hammerstein #Fred Zinnemann #Gordon MacRae #Shirley Jones #Gene Nelson #Gloria Grahame #Charlotte Greenwood #Rod Steiger #James Whitmore #Richard Rodgers #Eddie Albert #Oscar Hammerstein II #Robert Surtees #Floyd Crosby #My Movie Odyssey

[cheri-translates]

[CN] Love Carnival - Part 4 (Eng Translation)

🍒 Warning: This post contains detailed spoilers for an event which has not been released in English servers! 🍒

There are five parts in total! Brace yourself for tons of fluff :>

Part 3: here

[ LUCIEN ]

Looking around the adorably and warmly decorated cafeteria, and then the little gift that came along with the meal, I’m a little confused.

A few minutes ago, we were thinking about what to have for dinner, and we walked into this warm and adorably decorated small shop.

But we didn’t expect...

MC: I really didn't think it’d be so “hardcore”.

I hold up the little gift, placing it in between Lucien and I.

It’s different from the small ornaments and objects with a feminine aura from my memories.

This cafeteria gives a heart-shaped Burr puzzle to patrons who order the couple set.

MC: The dishes are so delicious that they’re comparable to top-grade restaurants. Even the gifts they provide are just as hardcore. It’s amazing.

Lucien is tickled by my dead serious expression.

Lucien: Looks like the organiser has put in much effort, wanting to leave every visitor with unforgettable and happy memories.

MC: But giving visitors a heart which can’t be unlocked - what’s the owner of the shop thinking...

Without a proper strategy, I play with the Burr puzzle, and can’t help but grumble.

Lucien chuckles, taking this “heart” from my hand.

Lucien: With a little technique, it can be opened easily.

He sits slightly closer to me. Slowing down, he gives me a demonstration while explaining the technique of how to unlock the Burr puzzle.

With the movement of his fingertips and a gentle tug, the wooden lock, which was linked for a very long time, opens, revealing a tiny empty space in the heart which can be used to store things.

MC: Even though you’re already sick of this phrase, I still have to say - Lucien, you’re truly incredible.

Lucien: If I say that I haven’t gotten sick of this phrase, would you be willing to say it to me even more times?

Lucien turns his head over slightly to look at me. In his eyes are the familiar smile and slyness I’m most familiar with.

MC: If I say it, will I get a special prize from Professor Lucien?

After hearing this, Lucien actually ponders over it.

He narrows his eyes slightly, as though he’s facing the most complex, important, and difficult question.

Lucien: If it’s a prize...

All of a sudden, he leans over to my ear. Every gentle word brushes against my outer ear, trickling into my heart.

Lucien: Would an especially happy Lucien be enough?

MC: ...Professor Lucien, that’s called being unreasonable.

Lucien: Is that so? I even thought you’d be very satisfied with it.

Lucien blinks, pretending to be taken aback.

Just when I think of how to best turn the tables, he places the wooden mortise of the Burr puzzle, which is used to store items, in my hand.

Lucien: Want to think of what to put in here? Given its structure, I’m thinking this is a safer place to store tiny keepsakes.

MC: Yes.

I turn towards the staff at the side, asking for a few sheets of post-its and pens, and also to allowing the temperature on my face to dissipate.

After we write on our respective notes for a while, Lucien and I exchange them.

On mine, there’s a simple drawing of a man opening a lock, a handsome smile on his face.

What Lucien hands over is a sketch.

In the simple composition, in the midst of light and shadow, he impressively draws me.

The me in the picture has her head lowered, writing on the post-it note, smiling very sweetly.

MC: Now, we’re doubly satisfied!

-

[ VICTOR ]

We walk and pause, finally ending up before the Pendulum ride.

Pointing at the attraction, where shrill cries can be heard constantly, I think of that children’s day when he had taken the “Time Traveler” ride with me.

And how time had stopped for a few seconds during the descent.

[Note] This is a reference to Fairytale Date!

MC: Want to give this a try?

I turn my head, looking at Victor expectantly.

Victor: No.

As I expected, Victor rejects me.

MC: Victor, could you be scared?

Victor: Of course not.

His expression is stern, and he looks forward.

MC: In that case, ride it with me!

While saying this, I pull him along with me and we sit down.

There’s still some time before the ride begins. The chatter and laughter from people in the queue before us continuously drift over.

Enthusiastic visitor: A friend of mine took the Pendulum before. When it was over, he calmly said that it wasn’t much. In the end, he started puking after taking a few steps.

Happy visitor: Hahahaha, the same thing happened to my colleague. He sat for the ride in another place once, and screamed until his voice was hoarse at work the next day. He had to drink chinese medicine for the entire day.

I’m somewhat tickled by the conversations.

MC: They’re speaking so exaggeratedly. How could that be possible? What do you think?

The criticism I expected doesn’t arrive.

Finding this a little odd, I look at Victor, realising that he’s strapping on his seatbelt seriously, his expression stern.

Oh...?

I really wish I could take out my phone and snap a picture of this Victor before me.

The Pendulum truly lives up to its name.

At first, I even thought it’d be so-so.

But when the Pendulum’s amplitude grows increasingly larger, till it feels like I’m being tossed around, I can’t help but scream.

MC: Ahhhhh--

This! Is! Too! Scary!

Just when I’m forced to sit through these parabolic motions, my left hand is gently held onto by someone.

Bracing against the violent wind, I open my eyes. Victor is sitting straight and quietly in his seat. His posture is tense, yet he looks as though he’s very calm.

Amid the shrill screams, I can vaguely hear his voice.

Victor: Don’t be afraid.

-

Stepping off the Pendulum, I immediately grasp for the railing at the side.

However, when I see Victor’s crooked tie and slightly unkempt hair, I can’t help but burst into laughter.

This time, I don’t let this chance slip by, and keep this dishevelled Victor in my phone.

I make a decision to have this picture printed out to be placed at the bedside.

Victor: ...what are you doing this time?

MC: Nothing, nothing! Oh yes, what do you think of this attraction?

Victor: ...so-so.

MC: If you’re afraid, you can just say so. It’s a normal human reaction, and I won’t laugh at you.

Victor: I’m not afraid.

MC: In that case...

I look at Victor, my smile growing wider.

MC: Let’s ride it again!

Victor: ...

MC: You aren’t going to prove that you aren’t afraid?

Victor: Let’s go then.

MC: Eh?

Victor: Since you’re so enthusiastic about this ride, you’ll definitely experience it together with me. Am I wrong?

Seeing Victor arch his brows slightly, and turning my game against me, I respond with certainty--

MC: I’m sorry! We’ll head to another attraction right now!

-

[ KIRO ]

The cafeterias in the Love Carnival must have gone through a lot of designing in order for moe flowers to appear easily for couples.

Every single themed cafe is packed to the brim. I hurriedly pull Kiro, who is wearing a wig, away from these “danger zones”.

There aren’t many people in the forest right now, leaving only the rustling of leaves.

MC: It’s a good thing I thought of this scenario beforehand.

Kiro: Deng deng deng deng!

When we speak in unison yet again, we retrieve picnic mats from our individual bags, and look at each other blankly. 

MC: ...I made enough for two. Did you also buy two sets?

Kiro: I was worried the cafeterias would be too crowded and we’d be hungry. 

Kiro: But...

His voice grows soft, and I don’t know what he’s struggling with.

In the end, he purses his lips, turning his eyes to me.

Kiro: I didn’t buy them.

MC: ...hm?

He chuckles in embarrassment, spreading the picnic mat smoothly on the ground, and taking out food boxes from the bag.

Seeing these food boxes, I’m left slightly stunned. Based on my memory of how long I’ve known Kiro, it seems that I've never had a taste of his cooking. 

Kiro: I was thinking that since today is such a special day, even if we couldn’t sit in a cafeteria to have a couple set meal, we should at least have something special. I don’t want you to be left with any regrets today, so I was wondering how to make things different for you. 

Kiro: And then... [laughs sheepishly] what you see in front of you happened.

I lift up Kiro’s food box. The rice has been scooped up in a crooked manner. Although the carrots could be said to be in heart-shapes, they look more like the heads of an arrow.

In the messy omelette, the ham seems to have sneaked out secretly. Perhaps it wanted to have a breath of air after being in such an enclosed space.

The octopus sausages are like blooming fireworks, hiding in the gigantic rice ball, too shy to see anyone. Meanwhile, the sandwich looks incredibly full, and it seems to have chicken drumsticks in it.

This looks like a far from perfect bento - shoddy and clumsy.

Kiro: ...what’s in front of you is already the best attempt.

MC: How many times did you make this?!

Kiro: I’ll let it remain an undisclosed secret forever.

He places his palm on his chest, closing his eyes and saying this quietly.

Chuckling, I hand the bento that I've prepared to him. In exchange, he gives me a few minutes’ worth of praises.

MC: This seems to be the first time I’m eating what you made.

Kiro: There shouldn’t be a problem.

He looks at me with certainty. His expression is exceptionally serious, causing me to laugh aloud.

MC: Why didn’t you show this to me before?

Kiro: They weren’t good enough.

MC: Have you met your standards now?

Kiro: Of course not! I just felt... that you’d be happy with this.

His eyes are bright, akin to a sun being hidden by soft clouds which are unable to shroud the light.

This perfectionist is slowly, bit by bit, willing to display the areas he isn’t perfect in before me.

Like the tender belly of a kitten.

MC: I’m especially happy. But if something does happen, you’ll have to take responsibility.

Kiro: Of course I’ll take responsibility! Even if nothing happens, I’ll also take responsibility! [laughs] I’ll take responsibility after eating.

The afternoon sunlight is just right. The quiet forest is reminiscent of a small world, embracing us.

MC: I’ll be digging in now!

-

[ SHAW ]

Ghost masks on sale are hung on the dark red wall. The masks have a sense of antiquity to them, and their bewitching and bizarre appearances look utterly terrifying.

Simply standing at the entrance of the haunted house makes one feel deeply frightened. And the rule of “Only one person can enter at one time” causes several people to shrink away.

Shaw and MC: ...

Shaw: Got the guts?

MC: What’s there to be afraid of?

Shaw: You first, or me?

MC: ...I’ll go first.

With a solemn expression, I prepare to enter. However, my wrist is suddenly gripped by Shaw, and he pulls me back.

Shaw: Wait. I’ll give you something.

I can feel him stuffing something into my hand.

Unfurling my hand, I see a string of Buddhist prayer beads laying quietly in my palm.

MC: ...

Shaw: Have a pleasant journey.

In the pitch-black and narrow pathway, I bite the bullet and move forward at a tortoise’s pace. My hands continuously twist the prayer beads, muttering to myself.

MC: Whether you're a monster, demon, or ghost, don’t come and scare me, don’t come and scare me...

Thud--

Footsteps sound from behind me, and the hair on my body immediately stands on end.

I’m rooted to the spot. After a few seconds, when I muster the courage to turn around, a hand plops onto my left shoulder.

MC: !!!

At this moment, my blood seems to freeze.

I quietly wait for two seconds, but nothing happens. Suddenly, there’s a twinge of hope in my heart--

Maybe it’s Shaw!

Thinking of how he usually likes to play tricks on me, I become even more certain of my guess.

With a deep breath, I give myself some courage and turn my head.

MC: Shaw--

??: Fuu.......

MC: ...

MC: IT’S A GHOST AHHHH--

With a speed which human eyes can’t capture, I huddle and curl into a corner, using my hand to cover my left ear, sensing goosebumps spreading across my entire body.

Along with my heartrending exclamation, a stream of chuckles resound at the same time.

??: It’s me.

Silvery white electricity appears in the darkness.

The person who’s speaking walks over to me. He squats down, a smile hanging on his lips, looking as though his prank has succeeded.

Shaw: Who was the one who made a solemn vow that she wouldn’t be scared?

I glare angrily at the person before me.

MC: I knew it was you! When you deliberately scare someone, of course they’d be scared! It’s an instinctive reaction. Also, you can scare someone to death, you know!

Weakly and helplessly, I hug myself tight. My voice is also trembling slightly.

He seems to be at a slight loss. After a while, he speaks. 

Shaw: ...fine, I was wrong this time.

Perhaps genuinely feeling apologetic, Shaw pauses, his voice also a little more gentle.

Shaw: Hey, want to know a way so you wouldn't be scared?

MC: ...what is it?

I lift my head from my knees in curiosity. 

He offers me a hand, his eyes crinkling slightly, filled with a wilful light. 

Shaw: Follow me and they won’t scare you.

Shaw and I hold hands as we continue down this cramped pathway.

Because he’s by my side, I feel much more composed.

Female ghost: I’m~ Filled~ With~ Hatred...

All of a sudden, a hand plops onto my shoulder. Shaw and I pause in our footsteps.

I subconsciously tighten my grip on Shaw’s hand. In the next moment, I feel him returning the gesture with a squeeze.

Courage fills my heart. With this, Shaw and I turn around together...

??: IT’S A GHOST AHHHH--

Another shrill cry fills the pathway.

This time, however, the cry doesn’t belong to me, but to the “female ghost” with dishevelled hair.

Shaw extinguishes the electricity in his hand. He removes the ghost masks we saw at the entrance earlier, and laughs.

Shaw: If you want to scare me, you’ve got to put in more practise.

-

[ GAVIN ]

MC: What should we go for next?

Gavin and I are walking along the street, searching for our next target. A row of vending machines attract my attention.

The line of vending machines contain all sorts of toy capsules. From keychains to ornaments, there’s everything one could wish for.

Especially that one containing couple keychains. The furry keychains look exceptionally adorable.

I notice that Gavin has paused in front of one vending machine.

It’s a vending machine containing robots.

I vaguely recall watching a cartoon related to it when I was young. However, I wasn’t very interested in it, and never really understood it.

However, this looks like something Gavin would like.

MC: Gavin, there’s one vending machine I’d like to try. Could you wait here for me?

Gavin: Coincidentally, I do too.

I grin, nodding at him.

MC: Let’s split up and get the toy capsules we want, and we’ll meet back here later?

-

When we meet up again, I place the toy capsule in Gavin’s hand with satisfaction.

MC: Open it and take a look? Do you like it?

Gavin twists the toy capsule open, and surprise flashes across his eyes.

Gavin: I like it.

While he speaks, he pieces it together simply, letting the small, monochrome robot stand in his palm.

The little robot is holding a gun in one hand, and a shield in the other. Behind it is a structure resembling a one-sided wing.

On top of its circular head is a yellow antenna. Along with its four short limbs, it looks extremely cute.

Gavin: This is my favourite model.

MC: I got it randomly, and didn’t expect to get the right one.

Gavin: I was lucky too.

Gavin smiles, takes out a toy capsule, and opens it.

It happens to be the furry couple keychains I saw earlier.

One of them has soft and long ears, while the other has straight, sharp ears.

Gavin keeps the one with sharp ears, then carefully attaches the doll with the long ears on my bag. Pleased, he nods.

Gavin: Mm, it suits you.

Gavin keeps the little robot in his pocket, and the keychain swings next to me.

Seeing the gifts we’ve exchanged, sweetness brims from the depths of my heart.

MC: Having been with you for such a long time, I feel that my knowledge has been expanded.

Gavin: I've learnt quite a lot too.

Gavin pauses, then continues confidently.

Gavin: For instance, that the lipstick you're wearing today is the colour of red bean paste. And that you’ve curled your fringe slightly. 

Pleasantly surprised, I blink and want to give him a round of applause for his perfect answer.

MC: What else?

Gavin: Also, that I have to separate the white from the yolk when making fried rice. And that succulents don’t need that much watering.

MC: Then... what are the steps to preparing sliced fish boiled in chilli oil?

Probably not expecting that I’d suddenly pose a question, he ponders it carefully before responding in an exceptionally solemn manner.

Gavin: I can’t explain it right now, but I noted it down in my notes.

After he finishes speaking, we look at each other, then laugh in unison.

MC: Gavin, tell me more about this robot. And about basketball, motorcycles, planes and all the things you like.

Gavin: Okay. I’m hoping that you’d give me more cooking classes too.

The corners of his lips curl upwards slightly, and fragments of sunlight flash in his eyes.

Gavin: I want to have an even better understanding of everything to do with you.

-

Part 5: here

#mlqc #mlqc cn #mlqc spoilers

[tomyo]

A Vague Soul Eater Timeline Estimate:

TyI feel confused a lot when I see the characters listed as being 13 since a lot of elements don’t line up. Things like Soul riding a Harley (which are notoriously large and likely hard for a boy at the start of puberty to ride), Tsumugi (canonically 14) calling Maka senpai, and of course, the likelihood that the soul eater characters aren’t the same age. I saw a half finished draft pointing out some of these things but it began to become just a lengthy timeline. So as someone who’s obsessively documented this series for over 10 years, I thought I’d just explain the general time frames in Soul Eater. 

Warning: Long and full of spoilers.

First off, I always pictured the characters to start the series around 15 for various reasons I’ll get into later but in doing some extra fact checking, the wiki even cited Ohkubo saying Soul is 13-15. My viewing of their age is proto Maka and Soul in the pilot chapter look significantly younger than their standard design. While I doubt years passed between the Blair incident and Meeting Tsumugi on the stairs, I view their proto designs as 13 and their standard look as them at 15. Although admittedly there is a lot of information that can be contradictory as we will see.

Black Star is often headcanoned as the youngest but he is actually roughly a year older than Maka. He was brought to DWMA on the day she was born. The wiki says he was one year old but seeing as he was still unable to walk or talk, I’d guess it was closer between 6-10 months. 

Liz supposedly said in chapter 74 that she is two or three years older than BS making her around 17-19 at the beginning. I’m going to estimate low and put her at 17 for reasons. At some point I hope to find the original japanese text to see for myself just to verify if that’s what she said or if it was an embellished translation. Since Tsubaki has a similar figure to her, I would put her at the same age.

Patty is a little confusing. She’s called a Twin gun along with her sister and Japan still uses Onee/imouto even for twins based on who was born first, however Twin seems to more mean matching that literal twins in this use. Patty is probably anywhere between 14-16 but I’m going to stick with 16 because her doppleganger from B.ichi, Mana is 16 (Patty is also a bit taller than Maka which could suggest she is older.)

Death the Kidd has also been confirmed by Ohkubo to be 13-15 (which again I’m gonna place as 15).

So final thoughts before timeline listing, Soul Eater not is one of the most reliable pieces of info on the early Soul Eater timeline. Death City is in a monoseasonal climate which made it hard to identify how much time was passing but Tsumugi’s arrival fills in a LOT of details. She is 14 (a japanese middle schooler), arrives in Spring (Most likely April), Soul is still wearing a Gakuran(Boy’s middle school uniform) ONLY in the first episode (suggesting he was at the end of being middle school aged), Sid is still alive and Medusa is still around at the start but Stein shows up midway through the series, and her series ends on Halloween. I will push back the main kids’ ages back slightly for SEN. To also note, DWMA seems to most commonly take in students middle school aged an above unless there is a unique circumstance in cases like Black Star, PoT, PoF, and Angela. And finally, becoming a Death Weapon is rare and the info of Soul and Maka’s second time collecting 100 souls will suggest the minimum time progression from their first meeting to the Blair incident. 

So without further ado:

At 12/13 years old, Maka and Soul meet and pair up as a Meister Weapon pair. Both regularly wore a gakuran and the same sailor suit as tsumugi. Maka introduces Soul to Black Star who is a childhood friend and both meet his new partner Tsubaki.

Roughly one year before Tsumugi arrives, Spirit and Maka’s Mother (Who we will call Kami; her fan name from a misinterpretation) decide to get divorced. US divorces take about a year to go through and theirs finalized at the start of the first SE arc.

It was likely at this point Maka moved into an apartment with Soul since her mum left and the two seemed to have lived together for a while by SE not.

During the winter, Death offers Liz and Patty to become his weapons. Liz accepts wanting to provide Patty a better life.

Soul and Maka begin to to transition out of their middle school style uniforms as by a japanese standard, they would be considered high school aged now.

Soul Eater Not Starts

Age Estimates(Young-Oldest): SEN trio 14, Maka: 14 3/4, Soul 15, Dtk 15, BS 15.5, Patty 15.5, Liz 17, Tsubaki 17

Tsumugi discovers she is a weapon and moves to Death City in April. She meets her senpai Maka who is in the advanced class and who later gives a demonstration with Soul who is still wearing a Gakuran. Neither seem upset as they would have if they had recently encountered Blair. 

Between April and May, they loose the 100 souls they collected and Blair moves into their apartment. (SEN 4 references SE 4) A few days later, Black Star fights Mifune for the first time (Based on the Anime’s Prologues which better connect the stories).

Late April: Kim and Jackie become a Meister Weapon pair after Jackie learns Kim is a witch; they are possibly younger than the other main cast as they still wear sailor suits in the main series.

Mid-May: Eternal Feather is possessed by Shaula and is nearly killed but Stein stiches her back up. The main SE cast are likely not aware of Stein as Sid is still alive.

October: Shaula kills Sid.

October 31: Shaula attack Death City but SEN Trio kills her. 

Timeline Inconsistency: There is a timeskip at the end of SEN showing DtK, Liz and Patty becoming partners in Spring however they should already be a working team before the other’s remedial lesson. Specifically in the 2008 anime, Black Star and Soul notice someone (DTK) took a high level mission and ask a still alive Sid for information.

Kim and Jackie are moved up to EAT class.

Soul Eater Starts (Post prologues)

Age changes: Maka: 15; BS, Patty: 16. 6 months have elapsed since SEN.

November: Stein reanimates Stein. Soul, Maka, BS, and Tsubaki meet Stein during their remedial test who thereafter becomes their class teacher. BS and Soul attempt to fight DTK who is starting classes at DWMA. 

Maka and Soul fight Crona. Soul gets badly wounded and infected with Black Blood. Medusa who is unknowingly the witch creating black blood watches his progress in secret. While Soul is recovering Dtk and BS find Excalibur.

Winter: Tsubaki defeats her brother giving her a new power that BS needs to train to use leading to Maka wanting to also become stronger for Soul. Medusa briefly battles Eruka who becomes her unwilling servant. She sends Eruka to Free....Free. Maka, Soul, BS, and Tsubaki battle Free and defeat him after Maka and Soul overcome their issues and slightly awaken the black blood. Maka now is also infected with BB.

March: Year end exams more or less. Given the importance of the exam, it matches up with Japan’s placement exams.

Kid fights Crona while suspicion grows on Medusa.

March 31st: Shibusen founders party. Medusa ambushes them with only our 4 meister weapon pairs escaping. Crona is willingly captured after Maka befriends them and Medusa is ‘killed’, but the Kishin is ultimately revived and Stein is infected with Medusa??. Due to some confusing wording, a lot of people including myself mistake Shibusen’s foundation being around xmas. Realizing the actual date is the end of March, the timeline since Nov is a became a little more vague.

Age Changes: Soul, Dtk: 16; Liz Tsubaki; 18; 12mo since SEN; 6mo since SE

April: The death weapons convene in Death City. Crona starts school at DWMA.

Crona joins Maka and Soul on a mission to the Czech Republic where Arachne is reformed after 800 years. Giriko is also there and apparently just kept body stealing his kids for all that time.

Maka comes back temporarily paralyzed and BS fights Mifune a second time while seeking revenge. (We will diverge from the Anime now)

Joe comes to Death City for internal investigation.

A girl is possessed by Medusa. Crona becomes used to DWMA and Dtk puts on a part for them. Midway through the party, they are called on a mission. Kid is conflicted at finding Death’s name alongside the wizard Brew’s and Crona gets a visit from Medusa after leaving the party. Medusa tells Crona to spy and further worsen Stein’s condition. The Wiki points out that it’s May 21st based on a comment by Azusa. 

May 22nd: DtK fails to find the Book of Eibon.

May 23rd: Crona poisins Marie.

June: The 3 meister renaissance is formed.

The battle for Brew Occurs.

Maka finds out Crona is working with Medusa but doesn’t know what to do, Black Star fights Kid, and Justin Law, the shibusen traitor, kills Joe.

Stein and Marie leave to track Joe’s Killer, BS and Tsubaki take a break from shibusen to go to Tsubaki’s home, and Crona leave Death City for good.

Maka, Soul, DtK, Liz, Patty, and Blair fight some of the Kishin’s clown agents in Russia.

Medusa returns and bargains with Shibusen with her child host as hostage and giving the names of witches in Death City, including Kim who runs away to join Arachnaphobia. Arachnaphobia uses a brew tool to manipulate them.

An alliance between Medusa and Shibusen is formed to fight Arachnaphobia.

I want to make the guess that summer has passed and it is August/September by the Baba Yaga fight. 1. Because it seems like enough events have happened that 3months would have passed and 2. this would make the time skip start in spring which fits thematically (new arc, new team, etc).

The battle against Arachne occurs. Kim and Jackie are saved. BS kills Mifune in their final battle. Arachne is killed by Soul and Maka becoming their witch soul to make Soul a death scythe. Medusa transfers herself to her sister’s corpse and flees leaving behind a free Rachel. Death is captured by Noah.

Angela is taken in by Shibusen who plan to try and guide her away from the sway of destruction natural in witches.

 6 month timeskip, the main cast heals, Spartoi is formed, Justin is formally know as the traitor acquitting Stein of the murder, and Soul and Maka recollect 100 kishin souls thus officially turning Soul into a death scythe. 

Spartoi Arc Starts

Time Passed since SEN: 2 years; Since SE: 1year 5 months

Ages: Maka 16 3/4, Soul/DtK 17, BS/Patty 17 1/2, Liz/Tsubaki:19

Maka and Soul train with Kim and Jackie to utilize Maka’s grigori soul properties for flying. At the same time, Gopher, Noah’s devot peon, attacks intending to assassinate Maka. Maka ofc wins. 

Killik is sent to do reconnaissance on Medusa with Liz and Patty in addition to his Shamanic weapons. There he faces off against Medusa’s madness experimentations.

At the same time, BS and Tsubaki’s recon leads them to a memory erased Crona who they battle with. Eruka and Mizune come to retrieve Crona but Eruka is caught by BS in the end.

Also at the same time, Medusa who was overseeing both events through a crystal ball ends up in a three way battle with Justin and Tezca, the South American death scythe.

Maka and Soul who are still at school discuss how Soul has been getting even more partner requests lately. Only Maka seems aware that an underclassmen has been following them as well.

Soul and Maka witness Blair and the Chupa witches make their way to meet with Shinigami-sama about rescuing Kid followed by BS breaking in behind them to show off the captured Eruka.

Spartoi and Blair enter the book intending to save Kid. While I won’t go over it in its entirety, it’s worthwhile to point out that Giriko describes Maka as looking 15 or so (Something the fandom used often as Maka’s age). However, when he also believed she was new henchman, he said she was 7/10 years too young to be working there suggesting he perceives her as younger than she is. 

DtK gets consumed by madness and has a duel with BS. 

Crona starts spreading madness zones in Russia. Maka and Soul journey with Stein, Kim and Jackie but Soul is briefly taken over by madness.

Kid starts pursuing for answers on Eibon.

Crona kills Medusa.

Spartoi is given the order to kill Crona if found. Maka does a soul perception search but instead comes across the kishin on the moon.

Shibusen prepares for the battle on the moon while Maka and Soul continue to look for Crona. Very little time passes during the kid salvage arc and it seems to be summer when preparations are finished. I would presume since an airship was needed to be built, the final battle takes place around August. 

As Kid and the Death Scythes begin the battle on the moon, Spartoi joins Maka in finding Crona in Italy. Maka fails to talk Crona down who then heads to the moon with the intent to consume the Kishin.

Having no interest in killing Crona, the kids somewhat defect from Spartoi and head to the moon to aid in the fight. However, some of the fighters from the moon, including kid, return after struggling in their mission. Kid decides to gather allies with the witches in order to defeat Asura. 

Crona consumes the kishin and battles Maka while stripping her friends and partner. Maka uses Spirit instead and Crona becomes frustrated at being unable to disharmonize the two. Spirit explains their parent/child connection is too strong to be unsynced causes them to freak out and be overtaken by the kishin.

The meister weapon pair trio battles Asura, Kid reaches godhood, Maka and Soul go inside the Kishin to find Crona, work with them, and kill the Kishin as they rip through him. The witches protect the humans from the flood of madness that spills out and a new era of Shibusen/Witch alliance forms.

Chrona deadass infects the world with boob madness.

A funeral for Shinigami-sama is held the following week.

Kid’s coronation occurs where he announces the end to the war between Shibusen and Witches. We know enough time has passed that people became used to the black moon and BS has decently healed despite literally breaking every bone in his body but Marie hasn’t gotten her baby bump yet which comes in during the third month of pregnancy meaning probably only 2 months at most have passed. October makes sense for where the story ends.

Final main 7 ages (vague ideas): 

Maka: 17

Soul: 17.5

Black Star: 18

Tsubaki: 19-20

Death the Kid: 17.5

Liz:19-20

Patty:18

Total time since SEN started: 2.5 years

Total time since post prologue SE: ~2 years

Final thoughts:

Well, that took two long nights to write down. I tried not to give a tedious play by play and only put down the most essential of story details to help give an idea on time passage. It got progressively harder to detail time as sources started to dwindle from the manga timeline. I love the Spartoi arc so at some point I might go through that part again to reexamine some details. Japanese high school is only three years long so the idea of their story starting at Japan’s freshman age and ending around HS graduation seems fitting. One of the things that also occurred to me with the timeline write up was that Justin in concretely 17 when Crona briefly joins Shibusen, giving us someone to contrast against our cast. In this lovely breakdown we can see the growth spurt the main 3 guys go through but if you also look at their artwork in the later chapters, they also share similar slimmed features to Justin’s design. I will say, early on I was surprised how many time frame details I was able to pull out from the material. Soul Eater was always vague with the fine details but clearly some of us managed to pull out a lot from it. 

In terms of the soul collection, the second 100 souls required 2 years to get(1 soul/mission a week). Soul collection would theoretically get easier over time and experience but its hard to figure out with all the variables we saw like a major injury, an attack on the city, and the kishin revival. Then there’s also questioning how long it took Maka and Soul to sync up. While Tsumugi’s case is unusual, it took her 6 months to even partner up (though then they also flawlessly killed a witch sooo). Going by the middle + high school model for Shibusen, Maka’s efficiency and a less big world issues could possibly validate the idea they could get that far in 3 years. Applying that much time for the idea Maka/Soul are 13 would mean they started their partnership at around 9-10 years old which seems unlikely to me. Then again, Justin became a death scythe AT 13 so who knows. 

My last little thought is completely inconsequential but I see Maka as having an end of August birthday. The 23rd game to mind but I didn’t realize that was the switchover date from Leo to Virgo. Based on what google searches say about those signs, it feels fitting imo.

Well, congrats for making it all the way and thanks for hearing out my ramblings!

#soul eater #soul eater theorizing #soul eater ages

[beneaththetangles]

Reader’s Corner: Alice in Borderland, Fly Me to the Moon, and The Most Heretical Last Boss Queen

Kunoichi Bunny

This charming picture book shows the adventures of a young toddler, her dad, and a stuffed bunny as they make a visit to the park. And yes, “adventure” is the appropriate word—at least for the bunny, who finds herself tossed, thrown, stomped on, and knocked around as the girl uses her stuffed friend to prevent accidents, save a duckling, and cheer up an elderly traveler. Only one word is spoken through, “kunoichi,” which all anime fans know refers to a female ninja, adding a sense of humor to the short children’s tale as the bunny does indeed flip and flop like a ninja would. But more than humor, the pervasive theme expressed in the book is one of caring, giving, and empathy. Writer Sara Cassidy and illustrator Brayden Sato have develop a lovely story for parents to read to their young children, demonstrating those important facets, featuring a diverse set of characters (including the apparently ethnically Asian leads), and imbued with a sense of nostalgia which, together with the colorful illustrations, will engage parents, too, as they do their duty of caring for little kids. I certainly wish I could have owned Kunoichi Bunny when my children were small—it would have been an engaging addition to our night time routines, for them and me both. ~ Twwk

Kunoichi Bunny is published by Orca Book Publishers.

Medaka Kuroiwa is Impervious to My Charms, Vol. 1

Kodansha has launched a number of compelling romance manga one after another lately, including Falling Drowning, Tying the Knot with an Amagami Sister, Lovesick Ellie, and My Idol Sits the Next Desk Over! All are basically mix and match in terms of genres, character types, and plotlines, with Medaka Kuroiwa is Impervious to My Charms taking the beautiful fake girl (who actually is really sweet) and having her tease the boy to get him to like her. Of course, some sort of new element need be added, which in this case is the reason that Medaka Kuroiwa is impervious to Mona Kawai’s charms—he took a vow to become a monk, and wants to stay pure. Let that one sink in. While I’m not at all opposed to the storyline, it’s just too kitschy in this context and a bit brain dead as Medaka tries her hardest to get Mona to fall for her while he does his best to resist (“Empty your mind! Rid yourself of worldly desires!”), often leading to high fan service situations where she goes a little too far and he’s tempted a little too much. Still, Mona is often funny (I really like the translation work here where we get lines like “What the heckity heck?”) and the series is meant to have a sweet core, but it’s one-note: cute, fun, nice for a laugh, but not enticing enough for me to read any further. ~ Twwk

Medaka Kuroiwa is Impervious to My Charms is published by Kodansha.

Fly Me to the Moon, Vol. 10

Yo! We’re back for round ten of this charming romantic comedy. There are a couple plot threads tying this volume together. One is that Nasa discovers a hidden danger of marriage: weight gain due to eating so much of his wife’s yummy cooking. This leads to various physical fitness / workout / exercise-related scenarios. The other thread is that Tsukasa’s adoptive grandmother Tokiko decides to go camping, and half the cast gets roped into it. There’s a lot of silliness and flirting, as well as an awesome shout-out to Laid-Back Camp! There are also several more random episodes. Yanagi, Nasa’s former middle school teacher, drops by to ask for some relationship advice involving…pickled ginger? The incorrigible Kaname recruits a nude model to paint for an art club competition. Mechanic-girl Nakiri gets a chapter to admit she’s clueless about romance and demonstrate that she’s even more clueless than she realizes. She also asks whether kissing is hygienic, thereby raising an issue that mystifies me: how is kissing not self-evidently dangerous and disgusting? Like, you smoosh your face against another person’s (with great risk of headbutting each other and knocking someone’s teeth out or breaking their nose or something), all so you can…touch tongues and exchange saliva? Nakiri, I’m right there with you wondering why kissing isn’t considered gross. Perhaps most intriguing of all in this volume, there’s a rather cryptic (and ominous) flashback to sometime in Tsukasa’s past, set in what looks like a disaster site or war zone. This manga is going as strong as ever. ~ jeskaiangel

Fly Me to the Moon is published by Viz.

Orange: Future, Vol. 6

I may have been extremely nervous to read the final volume of Orange (Orange: Future) due to mixed reviews, but it turned out to be a truly a perfect way to wrap up this series. The mangaka’s very touching note at the end led me to break down in tears and gain a new sense of thankfulness and appreciation for my friendships today. However, what was most interesting about this volume is that it is was from Suwa’s POV! He has been my favorite character throughout the series, and while I would love to say I was delighted to see things from his perspective, it was so very hard watching him beat himself up and call himself a scumbag. As a reader, I do not see him as such and truly admired his strength in the decisions he made (or did not make). Much of this volume was more emotional for me for this reason, but it also reminded me of kintsugi, the Japanese art of piecing broken pottery back together using gold to create a new kind of beauty. I think that analogy would fit really well for this ending as Naho was once again relatable and Suwa remained such an amazing character who continued to give his all the best way he knew how. I highly recommend reading this final volume in the series because it is just so very good: a great and heartfelt conclusion! ~ Laura A. Grace

Orange: Future is published by Seven Seas Entertainment

Alice in Borderland, Vol. 1

The recent success of Squid Game invited many viewers into the world of survival game television series, movies, and anime for the first time. Of course, those of us entrenched in Asian media have known about this genre for many years, though we have that Korean series to thank, perhaps, for a recent revival in its popularity. This includes audiences who are now streaming Alice in Borderland on Netflix and the issuing of the manga series on which the show is based. The manga traces the journey of the titular Arisu into a mysterious world where other wanderers, including his two good pals and a woman they befriend, must complete games successfully or perish. Alice in Borderland creates a disconcerting tone typical to the genre by dropping readers (and the characters) right into the middle of the action. Like Gantz and other such series, the violence is high (though not quite so graphic as some) and social commentary is present, but the inherent coldness needed to develop an unsettling tone doesn’t overwhelm. Instead, Alice in Borderland features surprising warmth by imbuing its main characters with gutsy spirit and kindness, graciousness and a love for one another that may grab ahold of readers’ hearts. Though this may all be simply setting the stage for brokenness should we become too attached to characters who may not live very long. This double-sized opening volume makes us keenly aware of those dangers, while effectively building the mystery of the “wonderland”—features that are enough to keep me interested, though it’s Arisu and the rest that are more likely to lead me to check out volume two and discover just what happens next. ~ Twwk

Alice in Borderland is published by Viz. Volume one releases on March 15th.

The Most Heretical Last Boss Queen: From Villainess to Savior, Vol. 1

One day, Princess Pride realizes that she has reincarnated as the gratuitously malevolent villain of her favorite otome game from her previous life. Subsequently, she encounters the game’s heroine (her younger sister) and two of the five love interests, as the story hits many of the beats you would expect from an entry in the reincarnated-as-a-villainess genre. An interesting aspect of the book is how Pride doesn’t seek to avoid doom. Instead, she believes it’s inevitable that she will become evil and deserve to die, so her goal is to minimize the harm she causes before that time and prepare others to kill her after she turns into an evil queen. Foresight plays a major part in the story, as Pride uses her game knowledge and precognitive abilities to change others’ futures for the better, but ironically sees no prospect of changing her own. The dangers of a self-fulfilling prophecy also appear in connection with Pride’s mother, the queen. The story skews more toward drama than comedy, but does have its funny moments. At one point, Pride discovers that she has freakish combat instincts that make her seriously OP for a young girl, and I loved how she applied video game logic to rationalize this strange fact. I look forward to the next volume. ~ jeskaiangel

The Most Heretical Last Boss Queen: From Villainess to Savior is published by Seven Seas Entertainment.

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Reader’s Corner is our way of embracing the wonderful world of manga, light novels, and visual novels, creative works intimately related to anime but with a magic all their own. Each week, our writers provide their thoughts on the works their reading—both those recently released as we keep you informed of newly published works and older titles that you might find as magical (or in some cases, reprehensible) as we do.

#Manga #Light Novels #Picture Books #Kunoichi Bunny #Medaka Kuroiwa is Impervious to My Charms #Kuroiwa Medaka ni Watashi no Kawaii ga Tsuujinai #Fly Me to the Moon #Tonikaku Cawaii #orange #orange: future #Alice in Borderland #Imawa no Kuni no Alice #The Most Heretical Last Boss Queen: From Villainess to Savior #Higeki no Genkyou to naru Saikyou Gedou Rasubosu Joou wa Min no tame ni Tsukushimasu. #Reader's Corner #Articles #Author: TWWK #Author: Laura A. Grace #Author: Jeskai Angel

[quentyl]

What does ATLA tell us about Ursa?

For context, originally this started as a response to an ask. I felt like I couldn’t answer properly without going over Ursa’s portrayal in the show first, ergo this very long post. I’ll answer the actual question later.

Ursa only appears in one episode of the show (not counting Azula’s hallucination), has about a dozen lines, and apart from that is mentioned just a very few times. That’s not much, but there’s still a lot we can infer from that limited screen time.

Without further ado, let’s talk about Ursa as a mother first:

In her first scene, she’s sitting with Zuko on the ground and feeding turtle-ducks, giving off an aura of tranquility, relaxation and effortless grace. Even contentment. This is how the show chose to introduce her to the viewer: as someone who can laugh with her kid, be affectionate, and enjoy a peaceful moment.

Of course, she’s not just affectionate and sweet in this scene, she’s also protective. She says it plainly: “Zuko, that's what moms are like. If you mess with their babies, they're gonna bite you back.” At that moment, she was just joking with Zuko, but it foreshadows what she’s going to do a few days later, when the Fire Lord himself tries to mess with her baby: she bites back like a true mother. Ozai said that she did “vicious, treasonous things” that night. She herself, just before her disappearance, basically admits to having done terrible things, and she can’t leave without telling Zuko why, she needs him to know: “Everything I've done, I've done to protect you.” It’s interesting to note the plural here (“vicious things”, “everything”). So, though we aren’t shown anything directly, the show still seems to insist on the fact that Ursa got her hands dirty to save Zuko, that she killed Azulon herself and actually might have had to do other unpleasant things to accomplish that. So in spite of the lightness that seems to emanate from her at first, there is a dark side to Ursa.

Wrt Azulon and Ursa’s personality, there is another moment that is telling: when Zuko fails his demonstration before the Fire Lord, she does not hesitate to go over to comfort him, acting as if they are alone in the room. As if the most powerful man in the world isn’t watching, as if this isn’t a formal audience, as if she isn’t wasting the time of the Fire Lord. She tells Zuko that she loved watching him, as if it wasn’t Azulon’s opinion that mattered. She just throws propriety and caution through the window, Zuko’s hurt feelings eclipsing everything else in her mind, and forgets to give a fuck about her lord’s opinion (or her husband’s for that matter).

Ursa is also presented as her children’s primary authority figure, the one who’s charged with watching over them, giving them news, and preparing them for surprise meetings. But more than just an authority figure, she’s presented as the main good influence in their life, the one who teaches them about right and wrong. She makes Zuko play with Azula because she thinks they should bond as siblings (from the way Azula manipulates her using this, we can assume it’s a point Ursa has stressed as important in the past). She teaches Zuko to see things from others’ point of views (the mom turtleduck), she admonishes Azula without losing patience when her daughter shows lack of consideration for her uncle’s life, she reprimands her more strongly when she’s being deliberately insolent.

To summarize the above points: Ursa in the flashbacks is (almost) portrayed as the ideal parent: gracious, affectionate, playful, comforting, fiercely protective, authoritative, respectable, and the person who provides moral guidance to her children.

Ok but what about “our mom liked Zuko more than me” and “my own mother thought I was a monster” and “even you fear me”? Well, first things first, these are Azula’s thoughts, years after her mother abandoned her in order to protect her brother. While we have to respect her feelings, they do not necessarily match who the real Ursa was and thought. In particular, I think the Ursa we saw in the flashbacks didn’t seem to think of her daughter as a monster, or to be afraid of her at all - or she wouldn’t have forced Zuko to play with her (she does wonder “what is wrong with that child” but that’s in reaction to Azula making a deliberately provocative and ominous comment: she’d been acting borderline treasonous and kinda worryingly obsessed with the succession). Personally, I think that it’s more likely Azula who sees herself as a monster, not Ursa, and she projected that unto her mother because Ursa was the one who taught her how to distinguish between right and wrong and she believes that her mother wouldn’t have approved of the person she chose (and keeps choosing) to be.

That said, Zuko absolutely may have been Ursa’s favorite (studies found that most parents have one). Zuko himself doesn’t argue the point with his sister, and Ursa’s character description on the old Avatar website supports this (Zuko is flat-out described as “her favorite child”). Note that this doesn’t necessarily translate into Azula being treated unfairly by her mother. All we know for sure is that 14 years old Azula feels her mother liked Zuko more and that this thought hurts her deeply (personally, I tend to think that it hurts Azula more as a teenager than as a child, because it ties into her teenage self's deep well of anxiety about being unlovable in general - a “monster”).

The rest under the cut.

Now that I’ve gone over how she was portrayed as a mother, I think it’s time to delve into her and her husband’s dynamic, and how it fits into her relationship with their kids:

(Disclaimer: note that Ozai and Ursa never interact during the flashbacks, so to know more about their relationship we have to read the subtext - and since it is subtext and not text, basically everything below is technically just my interpretation, and at best I can only argue that it is the most fitting interpretation.)

Let’s go back a moment to “What is wrong with that child?”: Ursa sounds genuinely puzzled here. But she shouldn’t be puzzled, she should be alarmed. “Fire Lord Azulon. Can't you just call him ‘Grandfather’? He's not exactly the powerful Fire Lord he used to be. Someone will probably end up taking his place soon.” - this isn’t just Azula being insolent and stanning her dad, like her earlier comments. Ursa should have taken the second part, “someone will probably end up taking his place soon”, as a warning. But she doesn’t (at least not at that moment). She just silences Azula and doesn’t immediately think “oh shit my husband is planning something” or even “what kind of fuckery has my husband been discussing in our daughter’s earshot”. Instead her reaction shows that she is kinda clueless about what’s going on. She seems to think the issue is just Azula being a weird child, and doesn’t immediately link her words to Ozai. So what we can infer from that is that Ursa, before that day, wasn’t very... aware of Ozai’s ambitions. At best, she knew he’d like to be Fire Lord without realizing that he actually does intend to do something about it - sorta like just because you know someone is jealous of their sibling’s sport car you don’t suspect they’re gonna kill them to steal it. The idea of Ozai attempting to take the throne is just not on her mind like it is for us, the viewers, when we’re listening to Azula talk about how her dad’s glory days are coming.

Note that Ursa is not the only one who didn’t expect such a move from Ozai. Azulon is furious and surprised at Ozai’s impudent request.

This disconnect between Ozai’s ambitions and Ursa’s simple enjoyment of life is also shown through her relationship with his older brother: it’s clear from the little we see of them that Ursa and Iroh get along very well. Ursa seems very fond of him: she’s happy to read his letter, laughs at his joke, admonishes Azula for her callousness regarding him (“it would be awful if Uncle Iroh didn’t return”), and is genuinely heartbroken for him when she learns of Lu Ten’s death (”Iroh has lost his son”). These scenes are telling us that Ursa isn’t in on Ozai’s plans, and wouldn’t support him if she knew of them.

But Azula supports him, wholeheartedly. Azula wants her dad to be Fire Lord because clearly he deserves it. There’s something a little unsettling about the fact that Ozai’s little girl knows what’s in Ozai’s heart and what’s on his mind, his dark designs, but his own wife doesn’t. Was she spying on him (we see her do just that at least once) or did he just take her into his confidence (also very likely, it looks like they do spend time together without their other family members)? Whichever way she came by her information, it immediately creates a chasm between mother and daughter - because suddenly they’re not on the same side anymore, politically. And the worst thing is, Ursa isn’t even aware of that chasm - or at least, she doesn’t seem to understand its importance yet (even though Azula tries to tell her).

To go back to Ozai and Ursa, by the time of the flashbacks not only are they not on the same page politically, they’re also not aligned on the matter of parenting. Ursa admonishes Azula for words that could have come directly from Ozai’s mouth, were he honest. They also don’t react in the same way at all to Zuko’s fumblings: while Ursa is just sorry that he feels bad and is proud of his tenacity, Ozai is unhappy about him even attempting a demonstration. So however their arranged marriage started, they failed to become a unit on the two most important fronts of that contract.

But note that while Ursa makes a show of comforting Zuko, Ozai’s disapproval is actually subtle - the viewers see it because the camera makes a point to focus on it. I don’t think Ozai was full-on abusive toward Zuko yet at this point, when Ursa was still in the picture. Copy-pasting from a previous meta: “In these flashbacks, Zuko didn’t seem scared of his father yet. He wasn’t afraid to perform before him, to cry and lament his failures before him, or to be comforted by Ursa before him. He didn’t seem overly worried to have embarrassed him in front of Azulon himself. He wasn’t afraid to demand answers from him after Ursa’s disappearance.” So it is very possible that Ursa wasn’t very aware of the depth of his disdain for their son, just like she wasn’t very aware of how intensely (terribly) he desired his father’s throne. Before that fateful day, it seems Ozai kept the monster inside himself hidden.

So what happened between them the night of Ursa’s disappearance? One thing that is really important to note, I think, is that Ozai was ready for a takeover before Ursa decided to do anything. Not only does Azula basically spell it out before Ozai even makes his request to Azulon (he did not intend to wait patiently for his father to die of old age, he intended to replace him “soon”), we see after the fact that he has at least the head Fire sage in his pocket (“As was your dying wish you are now succeeded by your second son” - that was most certainly not Azulon’s dying wish). When telling the story to Zuko, Ozai rejects the whole thing on Ursa, saying she was the one to propose a plan - but the flashbacks imply he had one himself beforehand whether it involved her or not.

Ursa somehow found a way to get to Azulon in the middle of the night. How did she even have access to his chambers? Did she kill the guards too? Is she a secret ninja or did she somehow trick them?

Even though Ozai was in on Ursa’s plan (by his own admission), he still banished her for it. Now he didn’t do that to save face, since the official story is that Azulon died of natural causes (it’s actually less suspicious if his wife doesn’t disappear on the same day). It could be a weird thing like Ozai actually did feel some love/attachment for his father, or respect for his position as Fire Lord, and felt he was somehow duty-bound to punish her for his murder even if he himself incited her to commit it (maybe he let her do the dirty work so that he can still feel like he himself is clean?). Or he banished her to silence her or keep her from assassinating him next (the justification he gave in the comics).

But then, whatever his reasons for banishing her, the question becomes why didn’t he kill her instead? He did not spare her to avoid bad press or some form of retribution, since as far as the public eye is concerned him killing her and then making her body disappear would look exactly the same as what he eventually did. Ultimately, she’s much less of a hazard dead than alive somewhere out of his control. At the very least, he could have kept her prisoner. So, unless there’s some other variables we’re not aware of, I can think of two explanations. The first is that after she left Zuko’s room that night, Ozai did actually kill her (or attempted to and she somehow managed to escape) and just lied to Zuko during the Eclipse - though I’m not sure why he would lie in that particular context. The second explanation - brace yourselves! - is that Ozai let her go because back then he still had ~feelings~ and couldn’t quite bring himself to kill her.

Subtext does, in fact, support the idea that Ozai did once feel something for Ursa, whether this is the reason he spared her or not. In animation everything is a choice. The people who made Zuko Alone decided that on the morning of his triumph - his father’s death and his impending ascension to the throne - Ozai wasn’t celebrating or plotting. He was brooding while thinking of his wife, just standing still at a spot where we know she used to spend some time (she’s sitting there when she receives news of Lu Ten’s death). Even if he wasn’t sad, at the very least he was contemplating what he lost in order to get what he wanted. Which means that there was something to lose there, that he could have chosen another life, but did not. The writers could have elected to show him pretending to be mourning his late father, or plotting, or preparing for his coronation, or not to show him at all, but they didn’t. This is a characterization choice.

So I know this is controversial but I do believe Ozai chose power over love (the opposite of Aang in The Guru). It’s also hinted at via Zuko’s idyllic memories of his childhood - of their family vacations on Ember Island. At one point, Ozai was willing to devote some effort to being a husband and a father, enough to take his family to his summer house and give Zuko a few happy memories with his father - the memories that he desperately clings to years later.

It could also maybe tie back to “what is wrong with that child?” i.e. Ursa not immediately recognizing that her husband was the problem. Maybe Ursa was unable to see how far he’d fallen because she remembered the person he used to be at the beginning of their marriage, and maybe this is also why she accepted to leave her children in his power and didn’t even warn Zuko about him or anything. The last thing she ever says to Zuko before leaving forever is “no matter how things may seem to change, never forget who you are” - she might be telling her son not to turn out like his father, if she feels like Ozai forgot who he was. These are all just possibilities though.

So I think that’s about it: what I can infer from the show about Ursa’s relationship with her husband and children. Before I conclude this post though, I also want to talk a little about Ursa’s family before her marriage, because I find this fascinating:

Ursa supports the war effort. I don’t think you can find a joke about burning Ba Sing Se to the ground funny unless you’re fully on-board with the Fire Nation’s imperialism. The writers didn’t have to show us this tidbit - it’s irrelevant to the rest of the episode - but they made a point of including it. It becomes even more interesting after we learn that Ursa descends from Roku and that Zuko didn’t know it. You don’t just forget to mention to your kids that they’re the Avatar’s great-grandchildren - this information was deliberately kept a secret. So there can be several possibilities:

Ursa wasn’t raised by Roku’s family i.e. she was raised by her other parent’s family, or she grew up in an orphanage, or she was adopted by some other folks. In this case, she might not feel any connection to Roku, if she even knows he’s her grandfather (Iroh knew but I don’t think this means we can irrevocably assume Ursa did too).

Ursa was raised by her family to support the war in spite of Roku’s position: this means that either Roku’s entire family basically disowned him and sided with Sozin, at least in appearance, or the family was divided in two with only one part rebelling against the throne.

Ursa was raised to support Roku, but she made up her own mind and decided she didn’t like being taught to hate her nation and Sozin was right, in spite of her family’s opinion.

Whatever the case, Ursa eventually just disappeared and no one seems to have made a fuss. So she either didn’t have any family left at that point, or she did but they were so alienated that they didn’t care, or she did but they were too utterly powerless to even demand an explanation.

#ursa #azula #zuko #ozai #atla #the fire nation royals #azulon #roku #iroh #this is long even for me I think #if anon is reading this: #sorry for not replying to your ask #I felt I had to write down my thoughts on her show appearances first #also i'm late but yk real life #if anyone wants to discuss any of this i'm very open #idk if anyone has the energy to read this #there isn't even a particular point #mp