#it's the only theory i have now about her powers | Explore Tumblr Posts and Blogs

bestworstcase · 2 days

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I can't remember whether you've answered this before, but. You postulate that everything Salem does in 8.9 after learning Yang's identity is a ruse to justify letting Yang and the others go free; that threatening Emerald is a deliberate attempt to provoke Hazel into attacking her so she has an excuse to turn her attention away from the prisoners.

My question is: Why does she need an excuse? Salem doesn't answer to anyone, and I can't see any particular risk in just saying "I've decided you're free to go, goodbye" and leaving the kids baffled. So what does she have to gain from... making herself seem more dangerous and unreasonable than she is? Not that I think she feels any hope she could convince the heroes she's reasonable -- as you've stated, Oz has done a very good job de-personing her for a very long time -- but I'm not sure why she would go to the effort of constructing an artificial scenario solely to make her enemies think she's more monstrous. What's her motivation here?

in the course of answering the question of her motivation i'm actually going to lay out my argumentation for reading the salem vs hazel fight this way, 'cause i don't think i've ever done so comprehensively before. (on tumblr, anyway.)

the foundational theory isn’t "salem did all this as a ruse to let her hostages go" but rather that this duel with hazel is a performative means to an end. and the reason i think that is the way the fight itself, along with the duel in the lost fable and the brief altercation with the kids preceding the fight, are choreographed.

to preface this discussion, rwby's fight choreography is subordinate to characterization. (this is less true in v1, wherein centerpiece fight scenes put a greater emphasis on style and spectacle, but from v2 onward there’s been an increasing focus on using combat to develop character.) team rwby vs ace-ops is a good example of this: ruby struggles in her matchup with harriet not only because she’s a grimm-fighting specialist whose main advantage (agility) is negated by her opponent being able to match her speed, but also because her heart isn’t in it; she pauses to plead with harriet to stop and think about what she’s doing and never really recovers her footing.

so my first presupposition is that salem isn’t an exception to this principle and her fight with hazel is not meant to just be a dramatic spectacle that Looks Cool but has nothing substantive to say about the characters involved. the writing and fight choreography are reliably cogent and i trust that the same amount of thought was put into this scene. i say this because i think "empty spectacle" is the only other way to parse what happens here.

now on to the most salient piece of context: we know that salem can fight well. because, as ruby puts it, we’ve seen what she’s capable of. the lamp showed us.

in the lost fable, we see:

salem and ozma fighting together, back-to-back, as they escaped her father’s fortress together.

salem stopping a nevermore the size of a commercial plane cold, and then crumpling it up like tissue paper.

salem matching ozma, a skilled, highly-experienced warrior who at the time had the combined might of the four maidens put together at his disposal, exactly blow-for-blow in their last duel.

nevermore crunch gives us a sense of not just the force but also the sheer precision of control that salem has over her magical power. the first fight tells us that even with no formal training, salem had the raw talent (and desperation) to keep up with ozma and hold her own against professional soldiers; the second fight tells us that by the time the ozlem kingdom fell, salem and ozma were equally matched in terms of skill.

the fanon idea that salem can't fight but won their duel by virtue of her invulnerability—whittling ozma down one lucky hit at a time—is a) contradicted by the swift and even back-and-forth volleys shown, and b) plainly at odds with the fanon nonsense that ozma spent most of the duel desperately and futilely on the defensive fighting to shield the girls from her onslaught.

from the tableaux in the second fight, it's hard to determine whether salem bothers with self-defense under normal circumstances (she doesn't, in the tableaux, but nor does ozma). but that in itself isn't a reason to presume a lack of skill in combat because salem has no incentive—other than pain avoidance, which given her extreme tolerance for pain isn't much—to fight defensively.

with all this in mind: we begin with her altercation with the kids.

salem enters the scene by exploding her way out of the whale. notice the kids knocked over like bowling pins on the left: oscar was standing approx. fifty-three feet away from the epicenter of the blast, measured based on salem being six feet tall. (<- with perspective taken into account. from wall to edge, the dock is 48ft wide)

emerald keeps her feet, perhaps because she knows better what to brace for; she's about the same distance away. in any case, salem's next move is to launch herself to the edge of the dock (again, a distance of 48ft—measured based on a different screenshot) and stretch to grab emerald in a fraction of a second.

ok. the women's world record 60m sprint is 6.92 seconds; this works out, rounded, to about 28.4ft/s. at that speed, you can cover forty-eight feet in about 1.7s; salem closes the distance in about half a second, which works out to 96ft/s. from a dead stop.

salem is could-probably-keep-up-with-ruby-rose fast.

next point. these two frames:

are a split second apart. the blast is aimed at ren and when jaune leaps in front of him, hits his shield right in the middle:

had jaune not gotten there in time, this would've hit ren squarely in the chest. in any case it hits with enough force to blast both boys off their feet and slams them into the flesh wall (roughly, eyeballing it based on several shots) 20-30 feet behind them hard enough to visibly strain jaune's aura. keep this timing in your mind for later. salem can fire these things off literally faster than you can blink.

the distance between her and ren at this point is approx. forty-five feet, again using the wide shot from earlier to measure. precise accuracy isn't impressive at this range necessarily but it's worth noting in relation to ren, who fires on her from the same distance, kneeling, with his fully automatics. every bullet goes wide:

& then salem whips around and noscopes him.

similarly, she sticky-hands yang in the face (catching her gauntlets only because yang throws up her arms to shield herself) while upside down with her eyes closed and paste for bones. she's a GOOD shot.

another detail to note here is the difference in salem's reaction to ren's attack versus yang's; ren fires on her, misses, she retaliates with her magical equivalent to his guns, but when yang punches bombs into her chest a second later, salem literally just stands there, even lowering her arm to let yang do it...

...and then after being blown up, rather than firing back with magic, snags yang and pulls her over to look intently at her:

we know that the reason salem grabbed emerald is with the intent to question her about what happened to the lamp, because salem concludes from the available facts that em must have stolen it. we also know that when ren shot at her, salem returned fire immediately, within a fraction of a second—this woman is inhumanly fast, and the time between these two frames:

is exactly equal to the time between these two:

what this tells is that salem did have time to blast yang in the gut with magic. through the whole sequence with yang punching her, salem is looking at yang's face, her gaze tracks down to follow her movement. she sees this coming and she's reacting to it, just making a deliberate choice not to retaliate.

and then she grabs yang.

this is the first weird thing salem does in this scene—every move she makes prior unambiguously follows from salem's belief that emerald stole the lamp and her desire to recapture oscar and take the relic back—and i don't think it's a coincidental that the weirdness begins with salem noticing yang...

...whom she saw like, two days ago rushing forward to comfort ruby after salem your mother-ed her to the ground. i've made this point before but prior to her arrival in atlas salem might at most have seen toddler pictures of these kids; ruby takes after her mother enough to be impossible to mistake for anyone but summer's daughter, but yang isn't even biologically related to summer. so salem wouldn't know her on sight. but this interaction a couple days ago would've given her enough circumstantial context to at least guess that this girl is summer's eldest.

so here, when salem sees yang and instantly flips from slinging bolts of magic around with enough force to break or at least visibly strain jaune's aura to sticky-handing yang to drag her over and grab her, the question is okay, why? why does that shift happen? what is it about this moment that alters salem's motivation? and because the situation hasn't changed whatsoever and there's no other reason for yang to have any significance to salem, the simplest and really only cogent explanation is her relation to summer rose.

onwards. salem isn't expecting oscar to zap her. you can tell because every time salem takes a hit on purpose in this scene, she either tracks her opponent's movements or visibly braces herself and neither of those things happens in the split second between oscar starting to fire and his blast hitting her; and also, she grunts in pain both when it hits her and when she doubles over afterward. given that oscar shouts at her first (so he has her attention) and what oscar and ozma say when they discuss the state of the merge in 7.13 and earlier in 8.9, i think it's pretty likely that salem didn't realize oscar could tap into ozma's magic and thus he caught her off guard.

also i'm not sure oscar realized he could do that until he did it. look at this boy. he's so busy going "wait what?" at himself that he doesn't even notice salem yeeting yang at him until a split second before yang hits him ->

that, or oscar's use of magic jostled oz to the front and neither of them were expecting that to happen.

at this point salem stops fucking around and pins everyone to the floor. and again this is something i want to emphasize because it is effortless for her. when she does this to hazel in 6.4 she makes a gesture with her hands, but here she just decides it's going to happen and it does. (which tells us that the gesturing in 6.4 is for show, just like flipping the table and raising her voice. she's exaggerating her irritation into this over-the-top anger for the sake of intimidating everyone else in the room. it's performative.)

anyway, she hangs emerald on the wall, conjures a ball of magic, and:

SALEM: What did you do with the lamp? EMERALD: ...N-nothing! [Salem leans in to hold the magic close to her face.] SALEM: It's missing. Where is it? EMERALD: I didn't do anything with it! SALEM: Where—[she lowers her hand, turning away]–is it?

ok. salem can tell when people lie. she's also grimm—she can probably sense or perceive emotion the way all other grimm do.

emerald isn't lying to her and salem knows she's telling the truth. the pseudo-repetition of the questions obfuscates this a little, because they're almost but not quite the same, but salem believes both of the truthful answers emerald gives her.

her initial assumption is that emerald stole the lamp and must have done something to hide it ("what did you do with it?"). emerald is startled, confused, and answers "nothing." salem explains why she's asking ("it's missing") and then asks if emerald knows where it is or who took it ("where is it?") because her next guess is that emerald conspired with somebody else who stole the lamp while emerald snuck oscar out.

when the lamp went missing, there were eight people on the whale: salem herself, hazel, emerald, neopolitan, oscar, yang, and these other two children whose names salem probably doesn't know. right before the seers sounded the alarm about intruders, salem encountered emerald and someone she thought was hazel in the corridor. at that point in time, salem expected hazel to still be interrogating oscar, as she's mildly surprised to see him: "ah, hazel. have you gotten what we need yet?"—and 'hazel' behaved oddly enough that salem was side-eyeing him before the alarm distracted her. her reaction to emerald a few minutes later ("you really have been honing that semblance of yours") confirms that she's figured out that 'hazel' was really oscar.

hazel assumes there is an alarm that will go off if they move the lamp, but he's wrong: neo swipes it seconds after they leave the chamber, and salem doesn't know anything is wrong until a) the seers alert her to the presence of intruders, several minutes layer, and b) she goes to personally secure the lamp and finds it already missing.

so salem does not know exactly when the lamp was taken, only that it happened before the seers sounded the alarm. that her suspicion falls first on emerald suggests that salem has—for whatever reason—already considered and ruled out the possibility that the intruders are the thieves (most likely, because the seer alarm calls convey more information than just "stranger danger!" and salem knows the intruders didn't get that far into the whale before being caught). plus by the time she's questioning emerald, salem has a) terrified emerald well past being able to maintain her semblance, which requires active focus, and b) visually confirmed that none of the intruders nor oscar are carrying the lamp with them.

ruling out emerald as the thief therefore leaves her with just two suspects: neopolitan, or hazel. now, salem does not have any reason to trust another of cinder's little pet illusionists, so on the face of it neo might seem to be the obvious suspect.

BUT.

salem expected hazel to be in oscar's cell at the time she unwittingly caught emerald in the act of helping oscar escape. and she knows that hazel is attached to emerald—that's why she punishes him for lying to her in 6.4 by forcing emerald to answer the question hazel tried to dodge, she knows hazel lied to protect emerald.

and emerald could not have freed oscar from his cell without hazel knowing about it.

based on the facts of the situation as salem understands them at the point when she turns away from emerald to ask, rhetorically, where the lamp is, there are only two possible explanations:

hazel stole the lamp while emerald helped oscar escape.

neo stole the lamp while emerald tried to sneak oscar out, either with hazel's assistance or while hazel was somewhere other than where salem expected him to be, doing something he shouldn't.

there is no way—no way—that salem does not realize, at this juncture, that hazel has most likely betrayed her. this woman is a clever strategist who has been running circles around ozpin and his inner circle since the show began and, while she lacks the charisma and social dexterity to be a truly masterful manipulator, she understands human nature and her manipulative tactics are always very shrewd. unless you're willing to assume that the writers just idiot balled her for the sake of the plot—which i'm not; rwby is too well-written—salem's assumption now is that hazel stole the lamp.

(which, she's wrong, but the underlying reasoning in how she handles the situation on the docks up to this point is an application of occam's razor; she begins with the simplest explanation and works upward in complexity from there, so she'd land on hazel stealing the lamp before she got to "neo stole the lamp, emerald freed oscar, hazel was doing something else.")

the shift in her tone as she turns away from emerald and the things she then says to oscar evince this also: her second "where is it?" is rhetorical. she knows that either hazel or neo has it, and hazel is the more likely suspect. since neither of them are here at the moment, but neither of them can leave the whale except through the dock, the question is no longer urgent. she has the situation fully under control. all she needs to do is wait.

so her attention shifts to oscar or ozma. (whether oz is fronting or salem thinks he’s fronting because oscar used ozma's magic is somewhat unclear, but given that she correctly identifies them in both 8.4 and 8.6 i'm inclined to think she’s right this time too, and oz got pulled forward by oscar’s use of his magic)

SALEM: Look how you've diminished. How you've lessened yourself—and for what? These children? This ruined world...? Why—do—you—keep—coming—back? YANG: Why do you?! [Salem glances at her, startled.] YANG: All of this endless death, just because something bad happened to you once upon a time? Nobody gets a fairytale ending! Everything I've lost—every person I've lost!—is because of you! SALEM: And who is it I've taken from you, girl? YANG: Summer Rose. My mom. SALEM: Hm. [amused] Her again?

as i said, salem already has reasonable confidence that this girl is summer rose's eldest daughter, but if she had any doubt or uncertainty prior she now knows for sure. "and who is it i've taken from you, girl?" is salem both engaging with what yang said to her and also fishing for a confirmation that she is who salem thinks she is, which yang obligingly gives to her.

so at this juncture salem now has three goals:

don't severely hurt or kill summer's daughter.

determine who stole the lamp and get it back.

recapture oz/oscar.

with the third being a means to the end of finding out how to access the lamp. this makes #3 the lowest priority, because there are at least six people who know the "password" (ozma, oscar, ruby, yang, and their two teammates) and if salem loses oz/oscar now she can still try to capture one of the other children later.

of the first two, which is more important doesn't really matter yet, because right now they aren't in opposition. she can accomplish the first by not doing anything to harm yang and the second by staying put until the thief—either neo or hazel—tries to get past her.

of course, then hazel IMMEDIATELY shows up. he is, remember, salem's primary suspect at this point and she knows that he, at a minimum, wasn't where she thought he was when emerald snuck oscar out of his cell. even if hazel doesn't have the lamp, salem has to consider him a possible traitor until proven otherwise because there is also this unspoken question of how emerald got oscar out. either hazel was incompetent or he was an accomplice.

salem wants to know which it is.

he walks onto the docks, greets her. salem glances over at him and sees that he does not have the lamp, so either he stashed it somewhere on the whale with the intent to sneak it out later or he isn't the thief. the question of how emerald got oscar past him remains. there is a possibility that hazel wasn't involved in the jailbreak or the theft—he's been in and out of that cell all day—and if salem makes this accusation and she's wrong, she risks losing his loyalty. right. like hazel is already terrified of her and she knows ozma has been feeding him bullshit all day about how she's bent on destroying the world, she walked in on that.

if she takes an aggressive posture here on the basis of an incorrect suspicion that's going to play right into ozma's hands by making her look unreasonable, untrustworthy, dangerous. even if he remains loyal in the moment, he'll have all of this in the back of his mind and he might turn against her at a more crucial juncture in the future.

salem is very risk-averse. she's not going to do that. so now she has a fourth goal: test hazel in a way that will strengthen his commitment to her if he remains loyal, or else force him to definitively prove himself a traitor.

when salem meets emerald and 'hazel' in the corridor earlier in this episode she says "ah, hazel. have you gotten what we need yet?" and then, after the seer alarm, "it seems we have guests [...] find them!"

when hazel arrives at the docks, salem says "ah, hazel. i found our guests." the intonation of "ah, hazel" is the same but exaggerated, and salem's taking "we have guests: find them" and flipping it around; "i found our guests." now, she's aware that the 'hazel' she spoke to in the corridor a few minutes ago was really oscar, so hazel doesn't have context for why this is funny. but she's making a sarcastic little joke at his expense about how she doesn't trust him now.

"ah, hazel" is how she greeted the false 'hazel' whom she did trust and told to find their "guests." she suspects that the real hazel was an accomplice to this scheme so she parodies that greeting and then makes a sardonic jab at him as if the false 'hazel' in the corridor were real and just failed so abysmally at finding the intruders that salem had to do it herself. and then she specifically draws his attention to emerald and goes "this one was helping them."

and this is the test, right.

before she asks emerald "what did you do with the lamp?" salem conjures up a ball of magic and holds it up where emerald can see. very unsubtle threat. she does the exact same thing here.

"this one was helping them," she says, magic crackling in her hand where hazel can see it. there is, again, a very unsubtle threat that she'll hurt emerald. and then she pauses for a solid three seconds, which doesn't sound like a lot but it's the similar in length to her other dramatic pauses like "find the girl that did this to cinder... and bring her to me" (~3.5s) and "before you go, inform tyrian... that i wish to have a word with him" (~2s)

in 6.4, salem asks hazel to give her a specific piece of information about cinder, and he tries to evade by saying "i take full responsibility," so she flips the table, pins him to the ground, and intimidates emerald into telling her instead, because she knows hazel is lying to shield emerald from the imaginary threat of salem's wrathful retribution.

in this scene, salem has emerald pinned to the wall and makes an implicit but extremely clear threat to hurt emerald because, she tells hazel pointedly, this one was helping the intruders sneak oscar, the boy hazel was supposed to be interrogating at the time, off the whale: SIGNIFICANT LOOK. DRAMATIC PAUSE.

this is the test. this is the test. the last time salem put hazel into a situation where he anticipated a punishment falling on emerald's head, he lied to try to redirect that punishment onto himself. if he tries to do the same thing now, he's either going to implicate himself as an accomplice, attack her, or exonerate himself by lying (because salem will know that he's lying if he falsely claims to have been in on it a la "i take full responsibility").

she's not making any accusations but she is giving him the chance to come clean. the last time this happened and he lied to her, she bullied emerald to punish him. the implicit promise she's making this time is that if he was also "helping them" and he tells her the truth now, she won't hurt emerald. if he gives her what she wants, she'll reward him with what he wants.

as. usual. she does not communicate this clearly enough for it to be effective (⭐️ SHE TRIED) and hazel doesn't give her anything to work with, just stands there silently, so... she escalates. "take the boy back to his chamber; i have work to do with this one."

if hazel's silence is because he's upset but still remains loyal, he'll obey and she'll know that she has a much firmer hold on him than she thought. if... he was involved, then his silence is because he's trying to figure out a way to salvage this situation. she still does not have absolute certainty. so she provokes him by raising the stakes and turning her back on him.

um, another noteworthy detail that i think supports reading "i have work to do with this one" as a performative threat salem's making to force hazel to make his loyalties clear:

salem touches emerald's face with this very ominous-looking magic crackling around her hands and nothing happens. the specific threat she's been making in this scene of "answer me or i'll burn your face with this nasty dark magic" is quite literally bluffing. it doesn't hurt emerald upon contact with her skin. emerald just experiences the untold horrors of salem grabbing her face.

HOWEVER. escalating in this manner a) takes the risk of hazel choosing to betray her for emerald’s sake right now even if he wasn’t an accomplice before, and b) insures that if hazel is already a traitor, there will be a violent altercation.

the former is a much less dangerous risk than alienating hazel if he's truly loyal by making open accusations (an immediate betrayal that she provoked and is prepared to handle vs a possible betrayal an unknown amount of time in the future which might catch her with her guard down). the latter is a problem, because there are children glued to the floor who will be in the crossfires of any fight, and one of those children is her general's eldest.

and this is where that second goal of "don't severely harm or kill summer's daughter" comes into play and comes into conflict with salem's need to recapture oscar & oz and recover the stolen relic. it's at this point salem has to make a decision about what to prioritize, and her choice is to—if hazel does what she expects him to do and attacks her—let the children go while she "fights" hazel, then pry information out of hazel once they're gone. so she reveals that her priorities are:

summer's daughter.

the lamp.

hazel's loyalty.

the lamp's "password."

also notice that salem does keep her implicit promise not to harm emerald if hazel gives her what she wants—she releases emerald, too, after hazel punches her. she's thinking ahead to what she'll do once the children are gone and she has hazel alone on the docks. by letting emerald and the rest of the children escape, she removes his motivation for betraying her: he no longer has anyone around whom he could possibly sacrifice himself to protect from salem, because all of them have made it to safety. now salem can pin him to the wall and start asking questions.

either hazel took the lamp and stashed it somewhere on the whale once he realized she'd caught the children, or neopolitan stole it and—if she's still aboard—will need to pass the docks sooner or later. so salem stays put, with hazel, until she has the lamp in hand again or knows where hazel hid it. summer's daughter is safe, hazel has no one to sacrifice himself for (and she has some leverage to counter ozma's lies; letting the children go is her proof that she isn't unreasonable), and salem has everything she needs to get the lamp back. she might have to capture someone again in the future to extract the lamp's password, but there's a chance hazel learnt it from oscar before the jailbreak and theft.

worst case scenario, neo stole it and escaped before salem intercepted the jailbreak on the docks, but at least by questioning hazel she'll be able to determine whether that's the case.

a partial victory is preferable to a loss, and knowing what to sacrifice in pursuit of one's priorities is important. this is salem's basic strategic philosophy and it shows through in her actions throughout this scene; she's making choices about what matters to her most and what she can afford to let go, always with the intent to achieve as many of her goals as possible, in descending order of importance.

with salem it's important to keep in mind that she thinks like this. strategic acumen is her greatest strength and being able to evaluate all of one's objectives in terms of priority, feasibility, and tactical means at once is a critical strategic skill. strategy is about the long term, big picture thinking, where salem excels. so she almost never does anything for just one reason; every decision she makes is a balancing act taking into account all of her important short- and long-term goals.

speaking of which, i've so far limited this discussion to her immediate objectives in this scene, but it's worth remembering that salem has long-term plans that she is working toward and her actions and choices in any given scene are mediated by the big picture; her inner conflict regarding cinder aside, salem is never going to do anything that achieves a short-term goal by harming her strategic ends (and her erratic behavior toward cinder arises from a conflict between her strategic ends and her increasing reluctance to treat cinder like a pawn, i.e. her big-picture wants and needs can no longer be easily reconciled.)

it's much harder to discern salem's long-term objectives because we don't really know what her plan is, except in the broadest strokes. but we can hazard a few guesses:

salem is very circumspect about what happened to summer rose; it may be necessary for her plans to preserve the heroically-martyred idea of summer rose—the most obvious reason would be that "summer was the best, and even she failed" is a very exploitable weakness in her opponents' morale.

if salem intends to confront the brothers face-to-face, using the final judgment as bait, and she fails, the only thing she can do that might prevent the gods from annihilating remnant is ensuring that everyone is rallied against her. forcing the truth of her existence into the open while performing to "monstrous evil witch bent on destruction of all things" expectations is the surest way to do that.

likewise, winnowing her own inner circle such that she is truly and completely alone by the time she has all four relics in hand may be part of the plan.

also worth taking into consideration are the ways salem's trauma circumscribes her decision-making. she is:

terrified of rejection.

terrified to care or admit to caring because the divine mandate is a justification and a threat of genocide strictly to punish her, and she knows it.

convinced that no one will ever truly care about her, hear her, or want to help her without getting something in return.

resigned to being seen as a monster no matter what she does, solely on the basis of her inhuman appearance.

all of these things predispose her to retreat behind her emotional walls and just reflect the expectations of others back to them. she's been viciously, brutally punished every single time she's tried to be authentic and vulnerable with others and it hurts less to shut down and be what she's "supposed" to be than to try and be cut down over and over again. this is a defensive learned response and it informs both her strategic planning and her tactical decisions; even in situations where breaking expectations and being emotionally honest might benefit her if people were to give her a chance, she's not going to do it unless she is really, really certain that she won't be punished for trying again.

now, to wrap this up, let's go over the fight with hazel.

i actually debate with myself a lot as to whether salem did or didn't anticipate hazel punching her, because she a) doesn't brace and b) cries out when his fist makes contact with her face, but i am certain that by this juncture salem did expect and was counting on him to do SOMETHING to stop her. the sequence of events is this:

salem approaches emerald while telling hazel, "take the boy back to his chamber; i have work to do with this one." after a brief pause, hazel answers "yes. of course," and begins to walk over to oscar. at this point, salem puts both of her hands on emerald's face and leans in to emphasize the threat, but still doesn't hurt her.

keep in mind that there is a significant distance between salem and oscar. relative to her position when she entered the scene, salem has moved (roughly, eyeballing) about thirty feet to the left and knocked oscar about the same distance from where he fell when she burst through the side of the whale. so they're still about fifty feet apart.

an able-bodied human walks about 4.2ft/s at a normal pace on average; hazel is quite tall—i believe word of god is eight feet, but he is NOT two feet taller than salem, the top of her head is level with his shoulder line, which if salem is six feet tall exactly would make him about 7'2"—which gives him a much longer than average stride, so we'll presume his normal walking pace is about 4.5ft/s.

when salem walks from emerald over to oscar, it takes her about twelve seconds. if we assume that her pace is the average 4.2ft/s, that would make this distance just about exactly fifty feet. 50ft 5in, to be precise. the consistency here between the visible spatial distance and the temporal distance suggests close attention to detail on the part of the creative team.

(salem returns from oscar to emerald, off screen, in about two seconds, but this is not problematic given her super-fast gliding pace—we can assume that salem slingshot herself across most of the distance and then walked the last couple steps.)

so at a normal pace of 4.5ft/s, it should take hazel about eleven seconds to walk from salem's side to where oscar is... and in fact it takes him exactly that: he begins to walk at 14:35 and stops in front of oscar at 14:46. again, the consistency is telling—particularly because there is no dialogue at all in this span, so how long it took wasn't dictated by the length of a spoken line.

hazel picks oscar up, murmurs "no more gretchens, boy," into his ear, pushes the long memory into his hands, and then drops him again. this takes another ten seconds. hazel turns away from oscar and begins to walk back toward salem at 14:56, punching her at 15:04, so his return is faster but within the range of a brisk walking pace (eight seconds, fifty feet, approx. 6.3ft/s).

the reason i'm belaboring this point is that salem says "i have work to do with this one," and then... stands there without doing anything except holding emerald's face menacingly for a genuinely awkward amount of time. thirty-one seconds, counting the beat before hazel began to move. it's not even clear that salem said anything to emerald—when hazel turns away from oscar and the camera cuts back to emerald and salem, em blurts out "i really don't know!" but whether this is in response to another question salem asked off-screen or just responding to what she assumes salem wants from her is ambiguous.

compare the way salem questioned emerald earlier in this scene: she asked two questions, one after the other, confirming that emerald didn't take or hide the lamp and doesn't know where it is. as soon as it became clear to her that she wouldn't get useful information from emerald—because em truly did not know anything—salem dropped it and moved on to Plan B. she doesn't LIKE emerald and she's ANGRY that em tricked her and helped oscar escape, but what salem CARES about is finding out what happened to the lamp. she's not going to waste her time trying to get blood from a stone.

and compare the way salem conducts herself when she interrogates oscar in 8.4. again, her questioning is guided by practicality, but the more salient point of comparison for this discussion is what salem does when she shifts gears to punishment and torture. namely, she just tortures him. no hesitating, no warnings, no threats, no grandstanding, she just turns around and does it. practical, again.

if what salem intended to do at this point in the scene was torture emerald, either to punish her or for information, she would do so.

instead, salem just...clutches emerald's face. evilly.

for thirty-one seconds.

now, i will remind you that salem has excellent spatial awareness; she sticky-hands yang from at least ten or fifteen feet away while upside-down with her eyes closed. hazel's footsteps are clearly audible. when hazel enters, salem hears him speak and answers him across this fifty-foot span. oscar cries out when hazel picks him up and grunts in pain when hazel drops him, which also makes a quite loud thud. hazel's footsteps would also be audible to her when he returned, although they aren't to the audience.

so she'd be able to sense hazel approaching her again, and if she paid attention—which she must have, because salem's just spent half a minute doing the bare minimum to sell that she's toootally going to start torturing emerald, any second now, and the only reason for her to do that is if this is about intimidating or provoking hazel—then she would have at least heard him dropping oscar, so she knows he isn't "taking the boy back to his chamber" as ordered.

ok.

when the focus shifts back to them, salem's got emerald like this:

this shot is at 15:01.167. hazel will punch her at 15:04 exactly, which at his brisk pace of 6.3ft/s means he's about eighteen feet away. around 15:02.750, when hazel is less than eight feet away from her, salem begins to pull back, lifting her arm as if preparing to strike:

she holds this pose without moving for almost a whole second. remember just how fast salem can be. her release when she fires back at ren, from the moment she begins her 180° spin to the moment the opalescent bolt leaves her hand, is sixteen frames. from the appearance of the black/violet magic bubbles to the release of the opalescent bolt is one frame. ONE.

when she reaches this position, hazel is quite literally right next to her. he cannot be more than three or four feet away, and we can see in both the initial shot and the replay from the opposite angle that he comes at salem directly from the side, not from behind her.

the point is that salem can see him. unless you have vision problems impacting your peripheral sight, even if you're looking straight ahead, as salem is here, you can visually detect motion directly to the left or right within a close radius. and indeed:

salem's gaze flicks to the side before his fist makes contact, and the wider shot from behind shows just how close he is to her before throwing the punch.

and the last detail i want to note regarding the punch is that salem lets go of emerald when hazel hits her, which is something that she does NOT do when yang blows her up:

if salem can remain standing and keep her death grip on this girl's arm while her ENTIRE TORSO IS EXPLODED WITH BOMBS, it... does not matter how strong hazel is or to what degree salem may have been caught off-guard. she had at least a split second recognition before his fist hit her face; that alone is enough to reflexively clamp down on emerald's jaw if she didn't want to let go.

so whether or not salem anticipated that hazel would punch her in the face specifically—and it doesn't seem like she did, given that she yelps—she must have had at least a vague awareness of his presence/approach (because he marched right up to her), and she made the choice to just ragdoll with the hit. the simplest explanation is that once she heard him drop oscar and start power-walking back toward her, salem knew he was going to try something to save emerald and committed to the bit.

she also isn't actually ragdolling; she lets the force of hazel's punch throw her off her feet, but then instead of falling she soars away in this high arc, flips herself around in midair, drops down in a perfectly-controlled landing at the far end of the dock, and rises again:

ok? ok. this sequence, from the end of the slo-mo reaction shot to when salem reaches altitude, runs 15:08 to 15:11—three seconds.

and then she just, erm...hangs out there, not doing anything, until hazel finishes cramming dust into his body and turning his back on salem to give his heartfelt last goodbye to emerald and everything, and faces salem again at 15:41. at which point she says "so, you've decided against vengeance for your sister, after all this time?"

thirty. seconds.

during which the ONLY ACTION salem takes is this... this:

<- make a particular note of how jaune reacts. the tactics guy. while the other kids gasp in shock/relief, jaune is like "wait what?" as he pushes himself up to look at salem—he's confused, because he knows intuitively that Something Weird just happened.

why did she do that?

she didn't need to. it wasn't an accident. salem manifested these sigils with a mere thought, and later in this same scene we'll see her do that again right after hazel smashes her head like an egg. summoning these things also clearly doesn't inhibit any of her other powers, so this is effortless for her and costs her nothing to maintain.

either happened by narrative fiat, because the kids had to escape and the writers just couldn't be bothered to figure out how. the... problem with this explanation, aside from the obvious that rwby is a well-written story that doesn't pull this sort of bullshit, is that the prelude to the big fight makes a HUGE POINT of,

this! oscar is already free and has long memory. if the intention is for the kids to escape while hazel keeps salem distracted, you don't need a narrative contrivance like this; you just slip in a shot or two of oscar snapping these grimm hands or disarming the sigils with his own magic to release his friends instead.

orrr... salem let them go on purpose.

¯\_(ツ)_/¯

wheeze. ok. we're almost done.

remember how salem can go from empty fist to black magic bubble to releasing an opalescent blast in just three frames?

this first shot is at 15:49. the second is at 15:51. in between, salem just kind of sways side-to-side and then waves her arms around for forty-five frames. even if we count only from her conjuring of the Big Bubble at 15:50, it's twenty-two frames—longer than it took her to snap around and fire off a blast that hit her target dead-on and slammed two teenage boys into a wall some 20-30 feet back.

woman's telegraphing harder than a dark souls boss here.

and speaking of aiming...

these are the three bolts salem fires in the wide shot. top row on the left is her first shot in the instant before hazel begins to run up the slope—i've marked the trajectory and the eventual point of impact in green to make it easier to see that this would not have hit him even if he hadn't moved. top row on the right is the real impact, with hazel now running. on the bottom row are her next two shots. one strikes the edge of the dock nowhere even close to him, the other hits the ground about 8-9 feet in front of him (measuring based on hazel being 7'2" tall). and in the next shot:

it's not that she never hits him. hazel is quite a bit farther away from her than ren was and he's also running at a dead sprint while dodging blasts. tricky target. it wouldn't be strange at all if she missed.

but look at where she is aiming.

top row: both bolts strike the ground 1-2ft directly ahead of him—in the shot on the left, he's veering closer to the wall to avoid stepping on the point of impact. bottom left: this is a second bolt aimed just a little bit forward and 1-2ft out from the wall relative to the top right; these two bolts strike eight frames apart and hazel lunges sideways toward the dock's edge as the second one comes into frame, so when salem fired the second one, hazel was still where he is in the top right. and (the clincher) bottom right: this bolt strikes six frames after the one preceding, 1-2ft directly in front of him, and hazel swerves toward the wall to avoid stepping on the point of impact; notice the correction from #3 to #4 when hazel swerved more toward the ledge than salem anticipated.

not a single one of these bolts is actually aimed at hazel. salem is aiming to hit the ground directly in front of hazel, close enough to convince him that she means to hit him but also low enough that if she misjudges his speed she's going to strike his ankles... and when one blast nearly hits him in the head or chest because he jumped further sideways than salem guessed he would, she instantly corrects her aim to ankle-height again.

she is herding him.

up the docks, closer to her, away from the children, all while taking care NOT to hit him without being obvious about it.

this is the same kind of behavior we see from her in 6.4, where she's at worst a little vexed but flips a table and shouts and throws him to the ground as if she's in a terrible fury—and then a minute later hazel tells her something that genuinely infuriates her and we see her freeze while the windows start to crack, before she sends them all out of the room and struggles to press this rage back down.

because there is a huge difference between the loud, explosive "anger" salem performs to intimidate her associates and her real anger, which she tries very hard to contain.

in a similar vein, we get this fleeting glimpse of salem's actual skill in combat when she spins around and blasts the boys into a wall in the time it takes to blink... and then she sees yang, and the key changes. instantly. for the rest of the scene.

onward. hazel vaults over salem's final bolt and launches three fireballs at her. as these spiral up toward her, salem threads herself between them like they're not even there—it's really fast, the whole sequence from when the fireballs form in front of his fist to when she slings past the third one is forty frames and if you count from when the first fireball enters the frame, her evasive maneuver is over within twelve frames. as she continues past the last fireball, salem swings her arms to finish her movement, as if she's going to lash forward and fire off a riposte:

but then instead, she re-centers, pauses, and does... this:

which i'm sure looks very impressive and terrifying for everyone on the ground, but she is... literally just tossing magic around in random directions. this is not an attack. this is a light show. a firework. her big swarm of magic bubbles spits out of of the opalescent bolts and only one hits anywhere close to hazel. she is just fucking around.

from here, hazel sprints to the edge of the dock and launches himself into the air above her, where he dust-conjures a biiiiig spiky boulder to smash her with... and, uh. three things. first:

this shot occurs in slo-mo to really underscore what happens here. note that salem is looking up at him and has a firing bubble ready to go. hazel is approx. twenty-eight feet directly in front of her (measured in salems); a few minutes ago we've seen her be dead accurate at just a bit more than half again that distance, and we know a blast from her has plenty enough force to knock hazel out of the sky. from the beginning to end of this shot her head moves as she tracks his motion.

she has a clear shot lined up here. she chooses not to take it. then:

hazel conjures The Boulder, and we get this shot of salem's reaction—from waiting indifferently to see what he'll do to wry amusement. and then she physically braces herself to take the hit:

after which point salem just Lies There letting him pummel her for a few seconds before evidently deciding that she's done enough fucking around for those children she let out of gay baby jail about sixty seconds ago to have gotten away so she'll just flick her fingers (while her skull is caved in and her brains are splashed all over the floor, mind you) to pull some more grabby hands out of the air and wrap this one up except—

—NO WHOOPS THEY'RE ALL STILL HERE. lol.

like the fight is over, when the camera cuts back to the kids. salem has hazel completely immobilized. jaune is at the other end of the docks, shouting for everyone to hurry. "she'll just come after us," oscar says, but if salem cared to recapture any of them she would've left hazel restrained and dropped down off the dock to scoop them up as they hit the ground.

she's visibly irritated after regrowing her face, yes. but we have seen over and over—there are multiple examples in this scene alone—that salem can and will set irritation aside to focus on what doing what is necessary to advance her practical goals. she's poisonous with emerald but asks her two questions and then turns away as soon as she's confirmed that emerald doesn't know anything. she takes a deep breath and shelves her fury at ozma to listen calmly while yang yells at her. salem just isn't a character ruled by her anger.

so the fact that she a) continues to focus all of her attention on hazel after restraining him, and b) actually hurls him out of the restraints, in the opposite direction from her escaping prisoners, and turns away from them to just bash hazel's face repeatedly into the floor, suggests to me that her annoyance is perhaps more because these children are STILL FUCKING HERE and she needs them to be gone before she can start to properly wring the truth out of hazel.

she pays zero attention to the children until she hears long memory activate, which seems to startle her; after that she straightens up and stares him down for about four seconds.

they're about ninety feet apart here. salem covers a just over half that distance in two seconds... meaning she is gliding at what is for her a downright leisurely 24.5ft/s. that's a little bit more than a QUARTER of her top speed which is, in case you've forgotten whilst reading this very long post, 96ft/s. or 65mph.

(and here i will remind you that the walking speed distance math earlier checks out perfectly with the measurable spatial distance between emerald and oscar. this scene was choreographed and animated with very close attention to time and distance and i think that's because the speed at which salem does certain things at different points is doing a lot of narrative work. it's seldom necessary to be this precise but in this scene it matters.)

the point is that while salem does slingshot herself at oscar pretty fast here, relative to how much faster she CAN go, salem isn't trying especially hard to Get Him. this is like a brisk jog for her.

now granted, if hazel hadn't scraped up the wherewithal to, i assume, yeet himself after salem with all the dust cooking his body from the inside out, oscar would have been toast whether salem zipped along at a normal human sprinting pace or clotheslined him at car-on-a-highway speeds. but it does speak to the intensity of salem's interest in getting oscar in this moment versus when she went for emerald at the top of the scene.

salem had, by this point, already given up recapturing oz/oscar as a loss, accepted sacrificing the opportunity to do that as a price she was willing to pay for the sake of 1. getting summer's daughter safely off the whale and 2. after clarifying hazel's loyalties, removing the children from the equation so she can squeeze him for information about what happened to the lamp. i think the possibility that oz/oscar might have shared the "password" with hazel when hazel decided to help them escape would've at least crossed her mind as soon as she narrowed her list of suspects down to hazel and neo, too.

there's also the factor that with hazel now compromised, the only person around to interrogate oz/oscar is salem herself, and because that would involve being in the same room with and talking to ozma for an indeterminate amount of time, i don't think salem's all that keen anymore.

thennnn hazel sets her on fire and she screams and thrashes because she's having traumatic flashbacks to the moonfall and then oz blows her and her whale the fuck up.

thank you for coming to my tedtalk.

#TOO LONG DIDN'T READ:#she's balancing between two main goals #(get yang off the whale & determine #who took the lamp and where it is)#both of which can be advanced at once by #manipulating hazel in this specific way #for reasons that i discuss at extravagant length because 8.9 lives rent free in my head

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spacingoutforever · 20 hours

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PLOT THEORY FOR S2 - Fallout

**MANY FALLOUT SPOILERS AHEAD - read at your own risk**

i have this weird theory that the juxtaposition we see between Cooper's outwardly grim appearance vs his morals being intact, and then Max's outwardly normal appearance vs his morally neutral choices, might be a way of telling us more about looks being deceiving for future developments.

hear me out.

Max is knocked out as soon as he finds out about Shady Sands, but he was definitely intending to do some damage, revenge had its hooks in him from the beginning. it was always there, whether it be to regain the honor the Brotherhood took away from him, then evolving into being part of the trio that was now after Hank. the man who robbed him of his home, family and hope for the future.

i saw a video essay discussing the moral choices of Lucy and Cooper's characters and i really liked the criteria they created for measuring it - ill link it below.

she says there's 2 main parts:

1. loss of control

2. being unrecognizable after enduring hardship

whether you agree with this criteria or think there's more to be added, i like how simple of a base it provides, when approaching these complex characters.

so if we then apply this to Max, he is the only member of our main cast who exhibits both points.

1. loss of control:

this is distinct to me in the Philly shoot-up, where he isn't able to control the T-60 power armor enough to put up a fair fight against The Ghoul. literally crash-lands it and then gets flung into the atmosphere LIKE PLS

he mistakenly attacks the people of Vault 4, once again losing control of his power.

the chicken-guy .... trying to derail that argument but saving the wrong person ><

Note: it's FASCINATING if you look at his character metaphorically, because the power armor is someone having the means for good but not having the understanding of what true 'good' means to them, yet. the power armor is LITERALLY his OUTWARD POWER like who is he really, underneath it??!!!!

we don't have this problem with Cooper and Lucy right now, their power is shown to be INWARD. the Ghoul's experience/connection to the beginning, and hers is her obvious moral strength and perseverance. they overlap.

i feel that his character is supposed to lean into the apprentice archetype, where he is currently lacking a proper teacher to show him the ropes. at first we expected Lucy to fit this role because of her inexperience on the surface, and yet when given a 'mentor' she not only challenges him but proves she can handle herself. ruling that one out, and leading us to believe the fate-intertwined aspect of ghoulcy has a touch more to it. implicit rather than explicit.

2. being unrecognizable after enduring hardship

Max to me fits this point too, because we still don't get a glimpse into who he truly is, besides knowing his past. from the beginning, his goal is to be a Knight of the Brotherhood, that's how he defines himself currently.

when he fights off the gulper, he reiterates this line to himself: "i am a Knight of the Brotherhood of Steel".

he says it AGAIN in response to Lucy's advances in the vault. which is a clue into how much he relies on it for his moral code, to the point where it crosses into his personal decisions. not just for 'missions' or survival.

this is like foreshadowing a tipping point for me, because without the Brotherhood, what does he want? he's acting in alignment of the code that was pushed on him, but it always feels like he has to remind himself to BE that.

that it doesn't come naturally, the way the other characters' do. we see this at the start where he gets the answer wrong in class, he's bullied, an 'outcast' within his own community (for lack of a better term).

by comparison, the Ghoul isn't even a real 'outcast' in the way cowboys are stereotypically portrayed, because he fits in the wasteland better than anyone.

so point 2. becomes relevant when he gets the armor and is unrecognizable from where he started. this is a point he never thought he'd get to, but he sacrifices his real identity to get there.

SO ALL THIS TO SAYYYY...... that's where i feel his character will be vulnerable to a villain-arc!

in the ending, he gets accepted as a Knight, but his expression betrays him. there is a continuous inner conflict within Maximus that is SO SUBTLE and its written so beautifully. i think we're going to see ghoulcy pushing each other in the right direction. their shared journey seems to be about regaining HOPE.

but for Max, i feel in my bones that something darker is coming for his arc, it feels like revenge. the goofy, lovable boy in the clunky armor, may very well end up having the darkest battle to face. and it's because he's alone in doing it.

this was a lot to digest, so if you made it this far i thank you from the bottom of my heart!!!!!!!

AND if you have anything to add i would love to hear it :) !!!!

youtube

#fallout prime #the ghoul #ghoulcy #cooper howard #lucy maclean #maximus #fallout theory #spoilers #fallout spoilers #vaultghoul #Youtube

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yuriisclumsy · 1 day

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What if there was an AU for [Name] being one of the top ranked mages in twisted wonderland?

╰Description: [Name] is one of the top mage in Twisted Wonderland, right after Malleus Draconia.

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 (You are here)

—May 24, 2024—

This is a continuation on the What if there was an AU for [Name] being one of the top ranked mages in twisted wonderland?

After the dreadful day of the test results, the students in NRC are now begging Crowley to do something about [Name]'s rigorous lessons. Because Crowley was ever gracious–forced–he took it upon himself to make a meeting with [Name] and discuss lighter plans for her classes.

To Crowley’s dismay, [Name] was quite adamant about her methods of teaching; and I quote: “What is the point of teaching such a hard skill to those that are uninterested in it?”

In her defense, you need to have mastered the intermediate level of theory to learn her method of casting spells, it is only natural she puts pressure on that. And so, the once popular professor [Name], is now the feared witch of NRC.

It is impressive how quickly people switch their feelings.

…

“What do you mean you won't change the syllabus?”

“As I stated before, Mr. Crowly, I will not change my lesson plans because a few students are unable to pass my test.”

“That's eighty percent of your students!” Crowly slammed his desk.

“Your point is…?”

This had been going on for an hour already. They had neither progressed nor reached an agreement. He was getting too much pressure as it is from the students, much less from the parents, and now one of his own staff is not listening to him? Oh, woe is upon him.

“Professor [Name] let’s be reasonable here,” Crowly massages his face out of frustration, “you need to lower the difficulty of your lessons. If not, no one will want to take your class! Are you not seeing the problem?”

“I stand to see the issue.” [Name] said not faced by what is happening. “If my students wish to not take my class anymore, then they should be allowed to leave.”

Croly groaned at her obliviousness…that is what he thought anyway. He stood up to grab a stack of papers piling up near the office entrance. Letting them fall in front of [Name] they made a bang sound.

“...what is this?” [Name] asked looking at the mountain in front of her.

“These are all papers of complaint from both parents and students.”

[Name] was still not interested in the dire situation. It is as if she didn’t care. Probably because she did not.

Crowly dropped his elbow onto the desk and leaned in, he began to speak. “Professor [Name], if you continue at this pace, I have no other choice than to fire you.” He warned.

“Then do it.”

“No, you don’t have to worry, if you just change—wait what?” He was left speechless. He had threatened other professors like he threatened [Name]. But none had ever followed through with their ideals. Maybe he heard it wrong. “Do…what exactly?”

“Fire me.”

No, he heard correctly.

“...Professor [Name]...you can’t be serious.”

“Oh, but I am,” [name] stood up, “If you wish to fire me, you are more than welcome to.”

“...”

“If there are no further issues, I will take my leave.” Taking her belongings, she walked toward the door. She had classes to teach after all.

“Wait a second! Please, at least think of lowering the complexity of the class!”

[name] stopped as she opened the door of the office. “...” looking back at the desperation of the Headmage, she turned, “...I’ll think about it.”

Having done everything in his power, Crowly lumberly sat down. He looked out to the last spot where [Name] had been in the doorway and sighed. He hoped she would consider what he said, if not, he would have to start looking for a replacement.

…

Classes continued as usual. The students hung around NRC as it was their lunch break. They talked about ordinary things; tournaments coming up, newly released movies, who would win in a beauty contest: Vil or Neigh; normal conversations.

But a murmur had begun to spread.

It is a rumor. Usually, rumors are few and far in-between in NRC, because the boys would lose interest in a day or two. Ah, but this is not a typical rumor. This rumor had to do with The Witch of NRC. Rumor had spread that she was going to be fired. This was shortly after the meeting [Name] had with Crowly.

A student had seen her walk out of the headmaster's office and produced a happy conclusion. It did not help that in the following days [Name] had to take a few days off sick.

Everyone started to celebrate. They would not have to deal with professor [Name] anymore!

“Can you believe it? Professor [name] was fired!”

“What? No way! I am glad she got fired. I won't have to worry about having her in the future anymore!”

Most of the students cheered. Her method of teaching–although hard to follow–had taught them more about magic theory than any other class. Given this, they were grateful.

So, hearing that their professor was fired, they decided to go to her personally and give her some farewell gifts.

Although, one student was not pleased by any of this.

I wonder what he’ll do….

(finished: 5/26/2024)

𝚃𝚊𝚐𝚜: @scarabiafriend, @sleep-ydragon, @d3sperate-enuf, @elaemae, @lucky-whispers, @kiwiimochi, @emmorphine, @azriel-sama, @amora-ledezma, @writerstrashbin, @marinahavik, @twstwondersforyou, @lunatheroyal, @ririsun, @dyedscarletletter, @kuureii, @otomega, @valacz29, @busy-dadzawa-fish, @sarah22447, @valacz29, @wondering-again, @lucid-stories. Re-blog or Comment if you want to get added into the Tag section for Twisted wonderland. Back to The Mind

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lotsofblabblers · 16 days

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Ah, also with this new chapter "experiment hint", I want to say that something I saw watching the anime again just recently is that it says that Anya was born by accident while they were experimenting.

I always thought that they gave Anya powers while she was a baby, but now I tend to think that it was really an accident that Anya was born, while the experiment was on her mother. Of course, they continued to experiment with baby Anya later, but she was born with that power.

Also when Anya cried about her mother, wasn't just because of the question, but because of the answer she hears when she reads Loid's mind in that moment too, as he thinks that her mother is probably dead.

She probably never saw her own mother, that's why she wasn't thinking about her until Loid gave her that answer.

Anyway, I need answers 😂 I can't live like this, Endo!

#spy x family #spy x family manga #spy x family spoilers #spy x family manga spoilers #sxf spoilers #yes I'm completely slow sometimes 🙃#i really really thought 100% that they surely gave her powers directly #not something like a mutation thing received from her mother #although it's just a theory #it's the only theory i have now about her powers

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willowbirds · 6 months

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Not me thinking about what could happen if Mister gets the shard!

Think about it.

He’s an elemental so the shard likely wouldn’t burn him.

He could gain more fire powers, the flames that make up his body possibly turning white or blue with how hot his temperature has become.

Ashton has an arm made of lava rock which could be a perfect perch for the wielder of the fire shard.

If Ashton and Mister are near each other perhaps it gives them a benefit for their elemental connection.

It would be much easier for them to sneak around since they’re one person and a monkey.

Perhaps Fearne could still gain an ability since she is tethered to Mister.

I dunno, I just think Mister makes the most sense to me.

#Technically random shower thoughts but I think it makes a lot of sense #I’m not sure which other character could take it #Orym could but it’s hard to say #Laudna can’t take it because of Delilah and the anxiety it puts her under #Imogen can’t because of her Ruidus stuff #FCG…. well I’m sure either #Ashton nearly died #and Chetney could die any day now #Fearne is very adamant about not taking it (even though the only person she has told in game has been Ash)#So why not the literal elemental the party has?#I also just think the idea of Mister having more fire power would be hilarious #critical role #fearne calloway #little mister #critical role theory

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tunemyart · 2 years

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also look at my gorgeous bisexual meow meow

#her choosing to be with these two men on conviction are all about how they server HER #it's a selfish impulse #she's making terrible choices with both of them for different reasons #the one she's getting married to bc he's powerful and rich and - she's calculating - valuable to have at her side as she climbs the ladder #i.e. - valuable to the version of alex cabot she's trying to play again now that she's allowed to be alex cabot again #but she's bored to death with him #she doesn't love him #and she explicitly says she's going along with this bc it fits the script of how she thinks she should be acting #whereas with jim it's an outlet for everything she's repressing with her fiance #him she uses for a challenge bc she likes someone who talks back to her - she likes someone she can fight #(see... seasons 2-5 of svu)#and she uses him for the kind of sex she's def not having with her fiance #and as some kind of outlet at least for the other version alex cabot she can't repress being #she's using them and lying to herself!#she's a fucking mess!#anyway i know we like reading her as a lesbian on svu but i'm prepared to headcanon her as bi (as a treat)#show me an actual future alex has with a man where she consents to calling him 'honey' forever #i don't believe you can #which is part of the only reason i'm prepared lolololol #anyway i've come away from this experience with some theories on alex's general sexuality and control so #it's not a total loss #amy watches conviction (and it's a mistake)#losing my mind over alex cabot

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rizsu · 7 months

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he's married ?! nanami kento.

sum. he's easily the top most handsome guy within his job. his relationship status is unknown, so what happens when his co-workers ship him with a female worker?

nanami is well known within his company. tall, insanely fit, and an attractive voice. it's not uncommon for men and women alike to find themselves thinking about him often. what's not common is knowing about his love life. no one knows anything and he would've kept it that way. but when push comes to shove, and you're shipped with someone who's not your beloved, nanami will make it known that he's not only taken but married.

in the coffee-break room there are three guys. now, there's nothing unusual about this — no, no. they're just three guys that are co-workers... except there's a twist. they aren't your regular co-workers, they're your uncommon trio of male gossipers and nanami just so happened to be their newest victim.

"shh, shh! he's here," guy one, tichi, whispers to the others, raising his eyebrows and pointing his chin to nanami's position.

the other two take a quick glance, nodding their heads when they've seen nanami's back faced towards them. it's a perfect moment to strike up a conversation, especially since it's just four men here.

guy two, tacho, shuffles his feet to the empty space near nanami. he pretends to open a sugar packet, fiddling with it as his eyes peep over nanami's shoulder. his heart skips multiple beats when the man himself turns around.

"morning to you, tacho," nanami greets, nodding his head before he turns his attention back to his cup of coffee.

"y-yeah, morning!" he stutters, awkwardly smiling in return. he turns his head to the other two in the background, mouthing the word 'help' to them. unfortunately, they do not give the aid to their friend. instead, tichi fakes a series of coughs and guy three, toeny, gives him a confident double thumbs up. there's no hope, tacho sighs.

it's a silent moment between the men — only the sounds of coffee brewing and a spoon coming into contact with the mug can be heard. tacho's mouth itches him, he happened to remember his group's recent conversation about nanami. he must ask — even if it costs him a mutual co-worker.

"so, nanami," he begins, waiting for nanami to give him the undivided attention.

nanami doesn't face him, but he hums in response. tacho doesn't mind this as an answer, so he continues, "i was wondering if the rumors of you being with the new worker, yeri, are true?"

there is one big lie in that question: there are no such rumors. it's just a theory the trio has been gossiping about every night. nanami's been helping out yeri for quite some time, one can only think that they have a special connection going on.

"that is bullshit," nanami gives a firm answer. nothing more, nothing less.

tacho's stunned, he blinks a few times to recollect himself. "oh — so you're not with her?"

nanami doesn't answer yet, but the two in the back give their unwanted reactions. tichi clicks his tongue three times, shaking his head in disappointment at tacho's second question. it's obvious dumbass, he thinks. toeny, on the other hand, presses his lips in a thin line, pretending to read a magazine that's been on the counter.

nanami reaches into his pocket, whipping out his phone. the trio's confused until nanami speaks.

"i am married man. this is my wife," he educates, pressing the power button to show you as his lockscreen.

he collects three gasps, internally nodding at their shock. that's right, i'm gladly taken.

"all this time you've been... MARRIED?!" tacho's voice heightens, he drops his spoon in shock. it's unbelievable yet somewhat believable.

nanami breathes out a 'yes', raising his arm to show the wristwatch. "she bought this for our five-years anniversary recently. it's quite expensive, going over four-thousand," he brags, emphasizing on key words.

he's been waiting for the precious day where someone indirectly asks for his relationship status. the day has come and he will spend it bragging about his beloved.

nanami doesn't give them a chance to speak, he carries on with his bragging, "she's a very lovely woman. all my bentos are made by her and she writes little notes for each. some may think it's childish but that's bullshit! they just haven't experienced the love of a woman. matter of fact, her most beautiful moments are when she's freshly awake. the smile she gives me is nothing but angelic."

his speech doesn't stop there, but it did for the trio. his words went in one ear and out the next. nanami's blabbering about his wife immediately set a blank face upon tichi, tacho, and toeny. they're jealous and also surprised.

"the way a woman can change a man will never not be amazing," toeny whispers, blankly gazing at nanami's ongoing speech.

#+ rizsu: jujutsu kaisen.#tic tac toe ( tichi tacho toeny )#nanami x reader #nanami kento x reader #jjk x reader #jujutsu kaisen x reader #nanami fluff #nanami kento fluff #nanami drabbles #jjk fluff #jjk drabbles #jjk x fem!reader #nanami x you

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iicarused · 4 months

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##most desired

y!vox x reader // y!alastor x reader // y!adam x reader

synopsis: two overlords and an angel who are insufferably in love with you. // she / her pronouns

beware: DARK THEMES // obsessive behaviour, heavy yandere aspects, stalking,

notes: the most y/n thing i ever made

you were one of the first overlords of hell that remained in the same rank to this day. everyone knew of you and dared not whisper your name in fear that you would come for them. they saw you in the streets or at downtown bars, sometimes at a corner table of ozzie’s. you were a mystery that preferred bringing misery.

little to no people knew of your background. it was swept under the rug to never be looked at again, and maybe lucifer helped with that. you were an angel before, way back when the rules were more strict and heaven was nothing more than a guarded kingdom.

“just one chance, y/n!” adam urged. “one date — that is all i ask for!”

you scoffed at his antics, growing used to his advances of being asked for your hand. “how many times do i have to say i’m not interested? i have work. get going before sera is on my ass.”

sera. your old boss and best friend — everything you worked towards was being at her level — instead came crashing down when you disagreed with the exterminations. adam watched you fall, but sera was the cause.

downstairs, lucifer helped cover it up. it was big talk around hell for quite some time until it was thrown under the rug and you could live in peace. while your power cannot compare to the rulers of hell, it comes close. you’re just careful of not showing that.

the radio demon always shown great interest in you — not that he knew you personally — but enjoyed your story like an old tale. while he isn’t sure which story is the real one, he enjoys the theories that you were just a hellborn that came up.

it was rosie who connected you both. she was a friend of yours, and one of the best cooks you’ve ever known.

“oh my stars! alastor! you have to come meet one of my good friends, you are going to love her!” rosie beckoned. “she is such a pumpkin and the cutest thing! oh, there she is! y/n!, over here sweet pea!” she strides towards your seated area.

you watched your friend gleefully place a hand on the man’s arm, her signature grin tugging at her lips. “this is alastor. alastor, this is y/n.”

it was nice to finally place a face to the name! he had a fondness to you from the start: sat with you at the small of your booth and chatted until nightfall, completely in awe of your welcoming personality.

but why wouldn’t you be welcoming? you are one of the main overlords, what is there to fear when nearly everyone is below you? alastor felt a sort of connection, a relation that you are no different than him.

his admiration only begins to grow from here and continues the more you interact. slowly, he becomes a part of your daily life and starts showing you off to the world that you are an “acquaintance.”

now it was no lie that your name started to spread around hell like a wildfire, especially to know your hiatus is officially over. back to the present of downtown bars and corner table at ozzie’s for dinner — your face was back up to being recognizable — and it was a wonderful change

it would not be until recent years when you would finally meet vox at an overlord meeting: his personality nearly matched yours. if not, then you both had a click that had you both in deep conversation right after.

you could imagine alastors dislike towards that interaction

“so you’re the big talk of hell, huh?” the host approached you with confidence inside and out. “my, what a pretty face! it’s practically made for television, how about we do something about that?” the moment brought your hand to shake his, vox brought you to his side with an arm over your shoulder as he walked you to your seat.

“what do you have in mind?” now, normally you don’t condone this behaviour — but he really piqued your interest. “it’s not like my face isn’t already noticed on the streets, for what reason does it need to be on billboards?”

“stunning features like yours should be shown off, and not just for the streets,” he emphasized. “here’s my card, we could talk more later, dear.”

alastor had a full front view of this interaction and a perfect angle of vox’s smug expression when he watched you tuck the card in your pocket.

now don’t get me wrong, adam has been watching.

he couldn’t let his sweetheart just go to hell like that! littered with sinners and demons and— you get the point. it was hard to recognize him with the mask he now wore, especially since he never made the effort to show himself to you.

what if you were angry at him? he seen your face fall when the topic of exterminating these wretched souls came up. he made a point to his angels that they do not touch a strand of your hair.

he can’t keep himself away from you though, not when there’s no bastards that are getting too cozy with you. his plans of coming back into your life needing to take a charge and fast.

coming down as he pleases to just see you, often keeping his mask on so no demon can see how he looks like. whisking you into the sky so you won’t be able to get away from him

he has your wings on display in heaven, don’t worry about it.

vox and alastor coming to find out someone from the heavens is coming to see you? this is by far the first time in history they will ever come into an agreement of something: no angel hands should ever touch your skin.

alastor makes it a point to constantly whisk you to the hotel, or sometimes his radio station to hide. “they won’t find you here, sweetheart! i’ll keep you safe.”

the way all three of them would become more and more possessive the more time you are with one or the other. you can’t say no, there is denial when wanting to just stay home alone. someone is always at your hip.

there is only so much time where you either kill one of them or they take you and hide forever: but forever isn’t long when adam has his angels searching for you each year.

“c’mon babe! we could go back up to heaven, i’ll pull some strings!” adam often confides.

“we could rule over hell with no one to undermine our power if we took the chance!” vox would persuade.

“we could hide forever and live however you desire if you just take my hand.” alastor chimes.

having these 3 men after you is something you do not want, especially when their obsession levels keep rising. at this rate, murder is an option. it’s only the matter of time.

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i-appear-misssing · 1 year

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towards the end of the relationship i’d started rewatching house md with my ex, and all i can remember is how unpleasant and anxiety inducing it felt to be stressed and sad all the time and still in med school having to study while being stressed and sad and angry all the time. we had to stop watching cause it was giving me so much anxiety

I’m rewatching it now and yeah sure, it still kinda gives me anxiety cause there’s SO MANY things i don’t know and it makes me paranoid about every single patient i see with a stomach ache or dizziness but what’s weird is that i have no memory of the episodes from that last rewatch, but i do remember everything from when i used to be obsessed with it as a kid!!!! Like, i remember what i felt watching it when i was 12, nothing from when i was 26.I remember almost every episode’s twist ending from when i was a literal child and not an adult woman studying medicine.

And it’s so good, being able to revisit those dumb feelings and recontextualise them knowing who i am and what i know now. And my god, the way i used to be OBSESSED with house and cameron and like...........oh poor baby me. You understand so little about yourself. makes me wanna cry from sheer fondness

#and MY GOD how salty i used to be cause i knew she used to watch house with her ex before me #so obviously i had to be like I KNOW EVERYBODY LIKES THIS SHOW BUT ACTUALLY I HATE IT FOR THESE MANY SMART REASONS NONE OF THEM BEING YOUR #LAME ASS EX BOYFRIEND #it was in fact because of the lame ass ex boyfriend but it also was for x-many smart reasons #only now i can watch it and laugh about how dumb it is #AND I LOVE THAT I CAN DO THAT FINALLYYYYYYYYYY #man the 2000s were.......trash truly #but my god is allison cameron the reason i'm gay #like how could i actually believe that i wanted to kiss house when i was a tender child of 12/13 when i so clearly IDENTIFIED with #the egomaniac quippy asshole who somehow every woman on the show ends up pining for #and what does it say that my most gargantuan juvenile crush was on a boy who behaved almost exactly like that??????#my theory as a gender disbelieving adult is that i always actually wanted to BE my boy crushes not so much smooch them #cameron on the other hand i might have wanted to smooch but oh the power of denial and internalised homophobia

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anthurak · 7 months

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As someone who was very curious as to how Mammon was going to be presented in Helluva Boss, you can probably imagine I was looking through the new episode very closely.

And while I may have been off the mark with my theory that Mammon would follow the trend of Asmodeus and Beelzebub and NOT actually be antagonistic, I nonetheless think it is VERY interesting how Vivzie and the team handled and presented him.

Specifically, in just how PETTY Mammon is shown to be in this episode.

Like really think about what you might generally expect from a character like Mammon just from a basic background description: He is one of the seven rulers of Hell, lord of the seven rings and embodiment of GREED. Likely a fallen angel who helped to create hell as it exists today, is matched in power only by his five fellow Sins, and is functionally only truly outranked by Lucifer himself.

And yet, Mammon’s characterization in this episode presents him as this petty, selfish, manipulative asshole interested in little more than money and attention. He acts more like a shitty, full-of-himself asshole celebrity than a demon lord. Just look at how he manipulates Fizzerolli, not through lording power and authority over him but through emotional coercion like an abusive parent, ex-, or boss, which is precisely WHAT he is presented as. fi

What makes this even more interesting is that despite Mammon being characterized as Fizz’s petty, manipulative boss, we nonetheless see him display all the POWER and experience we’d expect from one of the seven rulers of Hell. Asmodeus mentions earlier in the episode that he’s known Mammon ‘since the START of Hell’, confirming they were both involved in its creation, and when the two square off at the end, it’s clear that Mammon is very much Ozzie’s EQUAL in power, and that everyone else present is pretty much an insect in comparison.

This is what I think makes the inclusion of that one creepy, obsessive fan of Fizzerolli’s in this episode so significant; he serves as a point of comparison to Mammon.

For all the power and authority that he might wield, Mammon is characterized as being no different/better than a creepy, manipulative, entitled and obsessive stalker.

I think this might be the true common ‘thru-line’ connecting all of the seven sins through Helluva Boss and possibly even Hazbin Hotel: That despite essentially being ‘God-Emperors’ of Hell and outclassed in power likely only by the most powerful angels of Heaven itself, the seven sins are characterized in a very grounded, down-to-earth and for lack of a better term, ‘human’ way.

All the times we’ve seen them, Ozzie, Bee and Mam haven’t presented themselves as these all-powerful beings lording themselves over their subjects like we might expect or even what we’ve seen of the Goetic nobility. They don’t present themselves as ‘royalty’ but rather more like celebrity performers, which is certainly in keeping with Vivzie’s comments about how Hell is meant to represent a circus.

It really gives this fascinating dichotomy to the Sins as characters, where they’re presented as these big wacky celebrities with big, over-the-top personas which in turn hide very grounded, down-to-earth people underneath. While at the same time still being these monstrously powerful and ancient beings whose dominion over Hell is entirely uncontested.

It also gives them a nice contrast with the Goetic Nobility and the Sinner Overlords. Like those two groups actually do act and present themselves like demonic ‘royalty’ who lord themselves over those considered ‘beneath’ them, while in reality they’re at best the ‘middle-managers’, and instead it’s these wacky characters who are the TRUE masters of Hell.

It may even continue into what we might see in Hazbin Hotel, what with Charlie being this bubbly, happy-go-lucky Disney-esque princess who also may very well have power outclassing literally EVERYONE else in the show apart from her parents.

Overall, I loved this episode and I think we may now have a good idea what we might expect from the other Sins, and possibly even Lucifer himself in Hazbin Hotel.

#helluva boss #helluva boss analysis #mammon #helluva mammon #asmodeus #helluva asmodeus #beelzebub #helluva beelzebub #fizzarolli #helluva fizzarolli #expectation subversion

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onwardintolight · 2 years

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My state’s horrible, racist, corrupt, Trumpian governor just won re-election and I hate it here

#and the opponent actually had a chance this time #I really thought she could win #I know a lot of republicans who were voting for her #she only recently switched parties to democrat and is actually really moderate #a champion of schools and teachers which we desperately need here #already elected to an office #if anyone had a chance it would have been her #but no #mr. modern day andrew jackson remains in power #I love my state #it’s home #but things really aren’t looking great #too many ppl steeped in conspiracy theories and blind to suffering #too many ppl who blindly follow in the name of religion #even when it goes so deeply against what they claim to believe #God save us from your followers #Stephen and I were seriously talking the other day about where we might move if it becomes untenable for us to live here any longer #I hate it I hate it I hate it #I knew I shouldn’t have checked the results before bed but I did and now I feel sick #thoughts #politics #america

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bonny-kookoo · 8 months

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Jungkook

𝙁𝙞𝙣𝙞𝙨𝙝 𝙇𝙞𝙣𝙚 | 🔞 Main Work

He's one of the best, no race too tough to handle, every track a new challenge he takes on- especially when it's you who's waiting at the finish line for him.

Tags/Warnings: Racer!Jungkook, established relationship, romance, suggestive themes, heavy flirting, adult content, mentions of online hate, only minor angst, they're a power couple, this MC is now my spirit animal, smut

Length: ~5k words

There is no taglist for this fic.

-> Masterlist

A/N: I know nothing about actual car racing. Pls don't take it too seriously, thanks haha 💗

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"But be real here-" A fellow driver asks, sitting down at the side now to pick up a water bottle. "-I always wondered, are you like, actually a couple?" He asks, taking a sip of his water, replenishing what he's sweat out during the training session with Jungkook and the other drivers.

Jungkook sighs to himself, before he gets into a sitting position, tapping the timer on his phone to a stop. He gets these questions a lot- whether or not you're in if for the right reasons, how good your pussy must be to have him put up with your annoying attitude all the time, or how someone like him isn't hooking up with models and actresses left and right. He's not sure why it's such an outrageous thing apparently to have a stable relationship, but somehow, if he just went by what magazines and online gossip-blogs report, it's apparently absolutely unthinkable to be in a normal loving relationship in his position.

But he is. And he intends to keep it that way for as long as you'll have him.

He loves you, dearly so. Your 'bad habits' and flaws are just as endearing to him as the rest of you, mainly because you were also there when he was just starting out, bank account almost always empty at every end of the month, rent barely being paid. You stayed even when he was at his lowest, you cheered him on when he won his first major race, and you consistently keep supporting him at every event you can. And to him, you're prettier than any model he could ever come across anyways.

"We're an actual couple indeed." Jungkook affirms, locking his phone before he screws open a plastic bottle of water himself.

"But like, isn't it a bit disappointing sometimes?" Jake asks him. "Like, I heard you never go to afterparties, and if you do it's always with her. You could have anyone, man." He laughs.

"You'll get there too, maybe." Jungkook chuckles simply, when the door opens, and familiar jingles of jewelry make him smile to turn around- and there you are, meeting his eyes with a smile, as he instantly moves to stand up.

"I bought you all your favorite snacks, and there's like, one of those electrolyte drinks there too." You say after pecking his lips with your strawberry flavored lipbalm, putting the white plastic bag into his hands. "You're not overdoing it, right?" You ask, and he grins, shaking his head.

"I'm almost finished anyways. You wanna wait up here? We can go back to the hotel together then." He asks you, gently pulling your hair out of your long earrings where some of it had gotten tangled. You let him, and wait for him to lean back as a sign that he's finished, before you answer.

"If it's not too much of a bother? There's already a bunch of paparazzi outside, I think someone might've leaked your location online.." You tell him, and he grows serious at that.

"Then you'll wait. I don't want you going back to the hotel alone if they're outside." He tells you now, not giving you another option. He remembers the last time you almost got mobbed at the airport, simply because you flew out the country a day after he did- and of course it created rumors and the wildest theories as to why that might've been the case. It's what happens to him constantly due to his status as the 'hottest race driver of his generation'.

One magazine reported that you apparently have been spotted fighting by someone at a restaurant, and that that could explain why you had sunglasses on during the airport walk- because you two probably broke up, and your eyes must've been swollen from crying. In reality, you always wore shades or shielded your eyes, because you're sensitive to the camera lights and the masses of people make you anxious, so you always try and blur them out somewhat.

Another online forum speculated that you two definitely broke up, and that it was long coming, because the hate must've gotten to you finally. That there's just no way you both could've ever worked out, and that it was just pushed by your parents so you'd have the most comfortable life imaginable. Your father allegedly introduced you to Jungkook at a press conference, which made Jungkook laugh.

True, your parents know each other- but only because you're a couple, and obviously became closer over the years of dating. It didn't make sense that you both just became a couple so you'd have it easy, when he's mentioned multiple times that you both have been dating for way longer than the span of his career.

And then, that one gossip site that pushed the narrative that he cheated on you at the last afterparty. That there's images from the event where he can be seen with a woman with long dark hair that's definitely not you, and that you most likely found out and kicked him out- and just flew out to start a new life in a different country.

That one made him angry.

The woman he'd been seen with was Mingyu's mother- his best friend whom he'd helped out the burning wreck of his car after he'd crashed into the side barriers. She'd simply been there to thank him, and he'd hugged her just as a way of reassuring her that he'd always be there for any of his teammates, no matter what. And that specific website constantly stirred up cheating allegations- either at him, or you, it didn't matter. Clearly edited photos, alleged video evidence that didn't even show you both at all, it was stupid, really.

He's lucky that you don't instantly believe anything you see. Up until now, you always confronted him first if there was anything you were concerned about. And you trusted him, just as much as he trusted you.

Finishing up his workout, he takes the towel you offer with a thanks, deciding to ignore Jake's stares at your tits for now, since it doesn't appear to bother you at all. And honestly, he can understand. They do look great.

And they feel even better- but that's only for him to know.

The moment you both exit the gym they're all there- and he instantly moves you slightly behind him to properly shield you from anyone trying to reach out to you, which has happened often enough before to make him now hyperaware of it. But you somehow make it into the car waiting to take him back to the hotel without anything happening- though the questions hurled at you both from every side do annoy him to high heavens.

Jungkook are you still together?

Jungkook did you both talk things out?

Jungkook did you really cheat on her?

Jungkook-

"Jungkook." You ask him, and he moves his head to you now. "I asked you if we wanted to take a bath at the hotel? The tub is huge!" You beam at him, and at the sight of you all genuinely happy and carefree, he smiles, nodding, before he takes your hand to hold.

As long as you're still there, everything's fine.

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"Oh god-" You breath out, hand in his hair while he's gripping your thighs over his shoulders to keep them open.

Your panties are still hanging from one of your ankles, toes curled as he licks and swallows over your core, orgasm rapidly approaching you as he places a teasing kiss to your sensitive pearl. He moves around with ease, slips out of his pants rather quickly before he pushes your legs towards you once more, aligning himself with your entrance after lubing himself up shamelessly with your arousal he's gathered with his hand.

He doesn't need to rid you of any clothes- he's done that already.

You always joke that the secret to your happy relationship is back-breaking sex and good cooking- but sometimes, you actually believe it.

It's his main way of relieving stress- he's told you as much before. And he also enjoys the more romantic and sensual aspects of it, the closeness to you, and the knowledge that it's something special just between the two of you. It's always a little playful, unserious, light and relaxing, especially afterwards- the shared afterglow you both experience always something special where you both reconnect and bond once more. It's like you grow closer every time you're together like this.

Even though, according to him, that's impossible.

"Gonna.. wanna take you to the movies..!" He grits out, leaning back while while he holds your legs by the backs of your knees, thrusting his hips steadily into you. "Ah, fuck.."

"Can I- can I choose?" you giggle in pleasure, hands over your head grabbing the pillows while he watches your chest swing in the rhythm of his pace.

"Hm, I don't know.." He mumbles, leaning over you now after letting go of your legs to peck your cheek. "What do you wanna watch?" He wonders, before mouthing at your neck.

"Right now?" You hum dreamily, closing your eyes at the sensations of it all. "Wanna watch you." You say, and he chuckles against your skin, hands next to your head steadying him as he slows down a bit to a more sensual rhythm, though he presses himself deeper at the same time, making you arch your back as your legs hook together over his back.

"You're so cute." He teases, one of his hands moving to run over your chest, playfully smacking one of them once to earn a squeak from you- and laughter from him.

"Kook-!" You whine, and he mimics your tone a little, before his hand moves over your body between your legs where you're currently connected, fingers toying around with you. "Yes-!" You beg, thighs pressing together against his body, before you reach your high, muscles twitching from the feeling, while he becomes a bit more erratic now with your core clenching around his length.

He cums a little afterwards, pulling out before he spills his seed over your lower abdomen, the sight always doing something to him.

"You know, I really wanna go to that premiere that I was invited to with you." He says after taking a deep breath and running a hand through his hair, getting up after leaning over you to peck your lips twice- because once is never really enough for him.

"Heh, you know I'll always be at your side if you want me there." You sing-song, stretching your limbs while he turns on the water in the bathtub, door open to be able to hear you. "So, if you wanna take me, of course I'll be your arm-candy!" You chirp, and he smiles as he returns with some babywipes in his hands to wipe down your skin.

"I always want you at my side." He tells you gently, careful with the rather cold wipes on your skin. "And I'm glad you're still willing to put up with me and this whole thing." He shrugs, throwing the tissues away in the trashcan.

"Why wouldn't I?" You wonder up at him as he hooks his hands underneath your back and legs to carry you into the bathroom of the hotel room you're staying at, to help you into the tub.

"Why would you?" He sighs, getting into the tub as well, unscrewing the small bottle of soap offered by the hotel to pour it into the water. "I sometimes really wonder how.. strong you must be to just constantly put up with all the things said about you and me." He says, pulling you closer to him as the bubbles form with the water pouring in. "…I was really scared, you know." He mumbles onto your skin before he kisses your shoulder.

"Of what?" You ask, unsure.

"When the rumor spread of me cheating. I always.. get worried you might become doubtful of me when things like these are said." He admits to you, before you turn around in his arms, his hands immediately on your hips.

"I'm not worried though." You simply tell him, running your hands through his hair before they settle around his neck. "I trust you." You shrug, and he moves his hands up to hold your cheeks, pulling you closer to kiss you until you giggle, pushing against his pecks to get him away. "Kook no-" You laugh, but he whines.

"But I want to love my girlfriend!" He complains.

"You just did!" You argue back, and he plays with his lip rings for a second.

"But you deserve more." He purrs, trying a little more.

"And my pussy needs a break!" You respond back, making him laugh. This is why he loves you so much- why he loves your relationship so much. Living with you is easy, it's relaxing, it's light and it takes his mind off of all the worries he has.

Because when he's with you, it's like none of it matters. He can just fall into your arms and trust you to catch him every single time.

And you do. Just like right now, as you kiss him until the water cools down, and the bubbles are all gone.

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Something he's never really told you is the amount of people trying to get to you- through him of all people.

Mainly because everyone still somewhat believes the most common rumor that you're just a sugar baby kind of situation- that you're up for anyone, as long as the numbers fit your standards. It's infuriating really, makes his blood boil because what else does he have to do to make people take you both seriously? It's not even just the fact that they apparently don't take him seriously as your partner- but that they really think you'd be someone to use others for money, just because you're not the quiet sweet person in the background who they can bully around.

But he has a plan. Foolproof, really, and he's wanted to do that this year anyways.

"I need my good-luck-kiss.." He teases, keeping you close to him.

"Well if we had enough time I'd give you the whole good-luck-menu, but you gotta go get ready now." You giggle while he bites at your neck.

"Not yet.." He complains, already in his overalls, helmet on the bench close by. You're hiding behind a corner like schoolkids attempting not to get caught skipping class, and he admits that you both do this a lot. He just can't get enough, and today especially, he just wants to make sure the cameras can see his marks on you, and know that they're his. "Will you watch the race?" He asks, and you giggle.

"Of course. I always do." You promise, and he grins, before he pecks your lips one last time, finally getting ready.

You're standing in the VIP spots, watching closely how he starts the race, seemingly a bit behind. But he's pushy, he always is, competitiveness not letting him lose without a fight. And fighting he does, quickly catching up as he squeezes past several other competitors, making your pulse rise quite a bit. Truth be told, you always worry- especially after his friend's last accident that you witnessed that day. The race had been interrupted because of it, and had been decided to be re-started at a later date once Mingyu had fully recovered.

He only sustained minor injuries, cracked a rib and a minor concussion, but nothing else. But the sight of the car will stay in your head for quite a while.

You have nightmares, sometimes. Of Jungkook being in a wreck like that, flames swallowing his broken body whole, and you can't do anything to save him. That's most likely the biggest reason you're always a little on edge whenever he drives. You know he's a good driver, of course he is- but still. You can't help but worry.

Not that you'll ever tell him. He doesn't need about something stupid like that.

It's not even half an hour in, and a black flag is waved at a blue car lagging behind. There's smoke coming from the back wheels- so he's asked to leave the tracks and drive into his pit box, which he promptly does to get his vehicle inspected. It seems to be a more serious issue however- because the announcer suddenly explains that the racer named Jake Pitcher won't return to the tracks.

Time passes by, and the race goes on without much interruption. Everyone follows the rules, flags are waved left and right to navigate things happening, and your eyes occasionally lose sight of the mainly red and black hyundai Jungkook is driving, though you always find him again at the very top, leading the race. It's after the second pit stop that a driver in a sky-blue Toyota is becoming visibly more aggressive, especially towards Jungkook.

It's alright to be a bit pushy, you've learned that that's the norm- but this guy is putting other drivers in danger with just how close he's pressing himself against Jungkook's back and another's side.

But this is the sport. It's an aggressive one, and the rules about how to race are pretty grey.

Someone crashes, a yellow and green racecar you've seen earlier. The vehicle spins on the ground in donuts a few times before it comes to a stop on the grass, and the team is visibly running around to sort things out. It's announced that the driver is awake and alert, and doesn't seem injured- and the car is towed safely away, one lane closed until everything is cleared once more, caution in place for now causing everyone to slow down a little until the track is cleared again.

Jungkook had crashed before. Multiple times, even. He's cracked ribs, bruised his body, broken bones. Never anything too serious- but enough to remind you every time how dangerous his career is. You hate that side of it, and sometimes you really wish he would just call it quits- but you also understand that he's passionate about this, that this is his dream.

You'll always remember his worst crash- the way his car had flown through the air rolling around like it was nothing but a toy, front wheels almost pulled off entirely- and your fear inside your bones as it took him ages it felt like to climb out of the wreck, surprisingly unscathed, only bruised badly in some spots.

He was on a stretcher that day, a safety precaution even though he turned out mostly fine. You remember not even having the energy to scold him in hospital, crying at his side for hours it felt like until he'd managed to calm you down enough, his laugh teasing as he'd helped you wipe off your ruined makeup before going back to the hotel later to sleep- your body even clingier than ever before.

It's his fourth pit stop. Things are looking good- this time the car seems to be holding up a lot better than last time when he only made the third place, and the commenters seem to recognize that too. Jungkook is the only one bringing a car of his type on the track after all- it's basically the talk of town every time he participates. He went from being a joke to a true competitor nowadays- finally being taken seriously on the tracks, and you know Jungkook relishes in the feeling of it.

He loves to win, after all. Even if it's just the respect of others.

Suddenly, something happens in the front. The toyota pushes too hard, too far to the side, and it breaks the current leader completely into the barriers as the car loses control, dragging several cars with him- And as your eyes search for the familiar red and black car with white font written all over it, you find it.

There's a lot of smoke, several cars unable to continue, a driver exits his own on the grassy spot in the middle, throwing his helmet in frustration. Jungkook's car is scratched, badly, a slight crack in front, but he's still driving- seemingly having escaped with nothing but some minor damage. He's slowed down just like everyone else now, entire track under major caution as the damage to a lot of other car's is being inspected, several people now left out with their cars damaged too hard to compete any longer.

Jungkook seems just a bit out of breath from the shock from what you can see on the screens, now in the pit box where tape is placed over a break in the front over the scratches, car being refueled and inspected just to make sure. He gives a thumbs up when asked if he's alright- a nod given to other questions. According to a commenter, he's asking for any serious injuries in other drivers- but there are none, so he's reassured that everyone's alright and up walking around.

Caution is lifted, green flag waved. The fight is back on, speed increasing as they once more go back full force, pushing and mixing up the order in which they're making their way towards the finish line.

It's the last stretch now, and things are getting clearly heated on the tracks. From clear pushing to forceful passing, scratches and bumps can probably be found on every car after this race is done. There's a fight happening now, and Jungkook is not backing down from anyone- now doubling down, and pressing himself towards the front. He's not as impolite as some other drivers further back, but he still bites, clearly so- currently passing another car, the white flag waved as he presses himself against his competitor.

One round left.

You can practically feel the tension now, pulse racing just as quickly as his car drives as he pushes himself further and further up front. He's in second place. That's most likely the spot he'll make.

Or?

It's almost in the last second it seems like when he manages to outrun the Chevrolet he's been pushing against next to- the black and white checkered flag waved, Jungkook's name being called as everyone cheers.

He made it. His team cheers- but you're frozen in time.

Because this is also a win for you, every singe time. Your prize is the fact that he's unscathed, that he's okay, that nothing happened. Fireworks light up the sky, when suddenly, he turns the car, covers the track in white smoke from his wheels, a full on spin one of his by now signature winning gestures.

His team runs towards him, pulls down the window gate to congratulate him as he climbs out, pulling his gloves off before he takes off his helmet and climbs on the roof of his car, clearly excited over the win. The interview is easy, as he answers questions thanks his team, before he becomes nervous, visibly, shaking his hands a little. "You still seem rather emotional from the race!" The interviewer jokes, and Jungkook nods, before he runs a hand over his face, bracing himself it seems like.

"Yeah that too, but uh- I made myself a little challenge too, you know?" He laughs. "I promised myself if I won this race, I'd.. do something I've been chickening out of for quite a while now." He explains, and you become a bit nervous now, unsure what he's trying to say. You're making your way down now to where his team is too, now closer and in sight as Jungkook grins to himself.. almost shy?

A member of his crew gives him something, and you become suspicious when he walks towards you now, because that stupid grin he has on his face just spells trouble in bold capital letters.

"You put up with so much shit, you know?" Jungkook tells you over the sound of people cheering and the commentator telling the crowd what's happening- everyone now curious. "You really do- and I don't think there's anyone out here in this world that can really love me like you do." He offers, and you laugh to yourself. "Don't laugh! I'm serious!" He complains, making some crewmembers laugh. "Either way, I might've won the race, but do you know what prize I'd really like instead?" He wonders, before he moves to drop to one knee.

"You, as my wife." He tells you, slightly dirty black box containing a ring.

And suddenly, the world seems to quiet down entirely as you nod, watching in fascination as he puts the ring on your finger in front of thousands.

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"Jungkook you're speeding!" You whine as he laughs in the driver's seat, sunglasses shielding his eyes from the weather.

"Babe I'm actually way below the limit, what're you talking about?" He chuckles, always a little amused by the irony of your fear of him driving- him, a professional racecar driver. "It's an RV, not a racecar. Relax a bit." He says, taking your hand to kiss the back of it before he continues to hold it.

He's taking some time off- spending a vacation in europe with you, having rented an RV for some quality camping that he's always wanted to do with you. Now that his relationship status had been officially upgraded so to speak, rumors have died down- the thrill seemingly left now that he's made it more than clear that he's taking it seriously with you, even though he always has.

"Still, can't you drive a bit slower?" You worry, and he shakes his head.

"No can do darling. But we only have half an hour to go anyways, so we're almost there." He tells you.

"Half an hour can feel like a lifetime though.." You pout quietly, and at that, he runs his thumb over the back of your hand.

"Were you scared when they all crashed?" He asks, and you nod.

"I searched for your car right away. You can't believe how I felt when I saw you come through that cloud of smoke and car-parts almost unharmed." You whine. "I hate that I'm always so scared. I don't want you to feel bad when you drive-" You worry, and he laughs.

"You're not making me feel bad, don't worry." He shakes his head. "I can understand how hard that must be to watch though. Just like I said, I'll never understand how you put up with me and my shit." He offers, and you shrug.

"I don't know either." You huff. "You constantly bully me." You complain.

"I don't bully you!" Jungkook argues scandalized.

"You constantly make fun of my height, and you laugh when I'm scared, and you slap my ass in front of everyone no matter who!" You say, and he shrugs.

"It's a nice ass, what can I say?" He defends himself, making you glare at him. "Hey come on, you can't possibly blame me, you slap my ass too!" He argues back to you.

"That's cause you deserve it!" You respond.

"And you don't?" He wonders.

"Absolutely not. I'm an angel!" You state, and he laughs theatrically.

"You might get down on your knees regularly but you're not a saint-" He jokes, making you roll your eyes. "-see? And a brat too.!" He teases.

"Yeah well if you're not nice to me I won't suck your dick for the entire trip." You threaten. "Not even once." You state, making him pout playfully.

"Not even the tip?"

"Won't even touch your balls." You respond, and he whines.

"Oh no! Anything but that!" He complains, finally driving towards the entrance of the camping spot. "What do I have to do to gain back the sacred touch of my soon-to-be-wife?" He asks, having parked the RV now, and taken off his glasses.

"..you can start by giving her a nice kiss." You tell him. "But a good one. With feelings and all- the whole menu." You demand, and at that he leans over the middle, careful not to touch anything and cause an accident, pulling you closer by your neck.

"Well-" He smiles warmly at you. "-that's easy."

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"So how have you always dealt with all the hate and rumors about you both? That must've been pressuring!" A paparazzi asks you as you stand right next to your by now husband, who's just made the second place in his latest race.

"Oh, I just look at him naked to remind myself why it's all worth it in the end!" You beam happily at them, Jungkook laughing loudly next to him.

Yeah- you're really one of a kind.

And he doesn't mind spending the rest of his life with you.

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#bts imagine #bts fanfic #bts fic #jungkook imagine #jeon jungkook x reader #jeon jungkook imagine #bts smut #bts jungkook imagine #jungkook x reader #bts jungkook fanfic #jungkook smut #bts jungkook x reader #jeon jungkook fanfic

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flawseer · 2 months

Text

3000 AS character drawings

(Clearsight, Listener, Thoughtful)

I suppose this might be a new collage? Probably not a complete one, but I would like to draw some of the characters from this time period that I liked or found otherwise notable.

I wanted to include Clearsight's parents in this post, but the prospect of drawing five full-body pictures of dragons in one post filled me with some kind of emotion, so if I do that, it'll likely happen later.

Clearsight

The mother of pantaloons herself. She is described as slender, beautiful, and as having purple eyes. The graphic novels so far have one depiction of a Nightwing using future-sight and it shows her eyes glowing an eerie white while she does it. Clearsight's method of using her clairvoyance is very unorthodox, but I like to imagine she still gets this effect when she looks ahead at future events. Only in her case it looks less ominous and much more casual. I picture her sitting at the dinner table with her eyes lighting up every few minutes, until her mother finally goes "now dear, we've agreed; no future-vision during meal time." So she sighs and silently continues eating her beet salad.

Also, obligatory mention that the silver scale in the center of her forehead is, once again, a reference to my partner @flamebringer0 's theory about Nightwing powers and indicates the presence of prophetic powers, like eye scales would mark a mind reader.

Listener

Clearsight's bestie is described as large, long-necked, and curvy, and seems like a good extroverted foil to someone who spends most of her time cooped up inside her own head. She comes across as a bit of a romance-obsessed airhead, but some of the things she tells Clearsight are actually pretty reasonable, and I like to think Clearsight becomes more appreciative of Listener's ideas and influence once she departs the continent and they are separated.

Apparently she later writes a scroll about Clearsight being the most brilliant prophet who ever lived. I would like to know how that affected her life, considering the Nightwing tribe probably remembers Clearsight as "that lady who was fawning over the crazed warlock we all ran away from". Did Listener catch push-back for publishing a laudatory script about someone like that?

Thoughtful

Here is glass boy. The book describes him as handsome with circular glasses. I accidentally drew him a bit more chubby than I intended, but honestly, I think it suits him. He looks very pleasant and friendly, which seems to be in line with his general character. I am actually very happy with how this drawing turned out.

Also, he is not bipedal in this picture. He is resting his weight on his two hind legs and tail. I think of this as "tripod stance"; it's a body posture a dragon can assume to free up their front legs to do precision work. It is relatively stable, but grows uncomfortable if you stay that way for too long (tail cramp).

Also, you can't really walk like that. To walk on their hind legs with any kind of proficiency, a dragon has to place both of their wings on the ground to substitute their front limbs.

#wings of fire #wof #dragon #digital art #wof art #flawseer art #wof nightwing #wof clearsight #wof listener #wof thoughtful

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liveontelevision · 1 month

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Hi! I wasnt exactly sure if you’re taking request but i was hoping for something with Lucifer and a babysitter reader. Maybe they baby sat Charlie, and they just have a lot of tension. And then maybe them reuniting after him and lilith have split and it all goes down 👀

Love your slowburny Lucifer fics 🙏🙏

!!!

First off, thank you! I'm really glad you enjoy my stuff! I've been struggling with writing recently, so your request was perfectly timed lol

Also Yes! I'm always taking requests!

Plus, it's such a good request.. so good, I had way too many ideas for how it could go. So - this is a 2 parter >:) Suffer

CW: No smut yet, just suggestive fluff for now

Suffer | Lucifer x Reader

It really was a happy day in Hell when the royals introduced an heir to the throne. A darling daughter, who was the first of her kind; A hellborn baby, birthed by a sinner and an archangel. No one really knew what to expect or what kind of powers she held. But they had to be immense. She had to be some kind of beast, based on her genes alone. In theory.

One look at her, all swaddled up in her mother's arms, Lucifer fell in love all over again. Sure, he was ecstatic to hear that he was having a child, but he didn't realize how much of an effect she’d have on him. She was an absolute angel. Mostly. Great powers must be controlled, and that isn't exactly something an infant can comprehend. It was innocent at first, with little fireworks coming from fingertips, toys being lost in portals, and horns and tails emerging during temper tantrums. Nothing a good nanny couldn't fix.

That’s what Lillith’s mindset was, at least. It was a heated debate between the married couple, with Lucifer arguing a child needs to be loved and adored by their parents. He was willing to put in the time, why wasn't she? Of course, Lilith was a busy demon, with the whole empowering demonkind with her voice and songs thing, but too busy to handle her own baby?

“She’s gonna be an adult before we know it. Can’t you spend a few decades seeing her grow up..?” Lillith delicately takes her cutlery to her mouth, picking at the dinner she shared with her husband, who was seated on the other end of their lengthy table.

“Unlike you, my love, I have duties to attend to. Someone has to keep things running smoothly, to keep every demon’s hopes as high as they can be. You remember what it was like falling, being all alone and left in an unfamiliar world? I wouldn't want anyone else to feel that way. Would you?” He hated to agree, but did so anyway. She always knew what to say to make him feel guilty. Either way, she was right. He really didn't do much nowadays. He worked in his shop more, his newborn daughter becoming a great source of inspiration, but Lillith handled most of the publicity. Which, in Hell, is one of the only purposes for royalty. Lucifer didn't need to create life anymore, Hellborn creations were multiplying just fine. Probably a little too much, actually. He had all the free time in the world to shower his daughter with affection.

“ I mean..! I guess not, but they're filthy little demons, and this is your daughter! You want to leave her in the hands of some stranger? It’s just.. not right..! She needs a mother, Lily!” He was clearly passionate about this. Slamming his fists on the table, he sent ripples through the poured wine in front of Lillith’s plate.

“Lucifer. You’re causing a scene.” He hated when she said that, too. And again, he shrunk back in his seat, keeping his mouth shut. They had been drifting apart for a while, the distance not doing them any favors. He had no interest in interacting with demonkind and was fully comfortable with letting Lillith take that on, so they became more distant as she tended to Hell’s growing population.

When she rose from her seat, he finally perked up, hoping to meet her eyes. She was already halfway out of the room. “I’ll do all the work, darling, not to worry. I’ll make sure any candidate is thoroughly interviewed and trained, I promise.” Her voice was reassuring, even with the heartless subject matter. Leaving Lucifer alone in the room with some imps that usually stand along the walls, he spotted her almost untouched plate. pushing away from the table, he nearly knocked his heavy, ornamented chair onto the ground and left through another exit.

—

“Oh, Charlie.. Your mother loves you very much.” He swung the bundled-up baby in his arms, reveling in the sound of her giggles. Pressing a quick kiss to her forehead, he placed her carefully in her golden crib. Standing over her, he leaned onto the railing, watching her large red eyes flutter shut. “And.. I will shelter and adore you, sweetheart. I love you, more than anything.” He wiped a little tear that began to well up in his eye when he spoke and struggled to finally pull himself away. Protecting himself from his intrusive thoughts, he held his arms across his chest and turned to leave her nursery.

“Aww, that was so sweet..” The figure leaning in the doorframe caused him to let out a startled yelp. “Who the Hell.. You have to leave, whoever you are.” He became immediately defensive, holding his hand away from the crib in some form of protection, but he still spoke in a hushed voice. If you were just an imp he wouldn't be as worked up, but you were a sinner. A sinner who suddenly appeared in his daughter’s room. “O-oh! Um, sorry, I thought the queen would’ve.. I’m your new nanny..?” You let out a nervous chuckle, shrugging your tensed shoulders. And now? You’re admitting you're the very demon who’ll be raising his daughter alongside him. He dropped his arms, letting out a scoff, clearly unenthused. Looking you up and down, he stood there staring daggers. After a moment of awkward silence, you held out your hand to shake his, but he didn’t respond to it.

“What are your qualifications? Where did you come from? What makes you think you’re worthy of laying hands on my daughter? The princess of Hell?” He circled you, in an attempt to intimidate you, despite his small stature. “Well, um... When I was alive, I was the oldest kid at the foster house I grew up in. It wasn’t the best facility, so I basically raised most of the girls there.. I’ve seen it all, I guarantee.” You tried to lighten the mood with a quick smile, but it didint do much. “And Lillith approves of you?” You nodded, gripping the hem of your skirt nervously. “Hm. I am not as easily swayed as my wife. She’s my daughter, too. You’ll have to do better than - “ An ear-piercing wale comes from behind him. The commotion must've woken Charlie up. “Oh! No no nono..” His demonic presence faded to reveal what he really was. A father. He scooped her up and cooed, hushing her and swaying her slowly. It did nothing to help. That’s when another fact clicked in your mind; he wasn’t just a father, he was a new father. He lets out a nervous groan, wiping tears away from her heated cheeks.

“Your majesty..?” You slowly approached him, both of you still on edge. “May I?” He was clearly still debating the idea, but another loud wail had him hesitantly passing the swaddled child to your arms. He had such a light hold on her, you noticed his hands trembling when he finally released her into your grasp. You held her close, her front against your chest as you hummed in a low tone a little tune. You picked up a little trick, the vibrations from your chest helped calm her down. The action of swaying the baby and engrossing yourself in the little song running through your head actually calmed the both of you. You still spoke softly, in a low tone, “Thank you, sir. For trusting me with her, i mean. I’ll be here for anything you need. Anything she needs.” You sent him a warm smile. He simply nodded his head slowly, still witnessing the miracle that is someone with experience caring for a child. Maybe this could work out.. What could go wrong?

—

“I’m gonna getcha!” A high-pitched giggle filled the corridors of the manor, Lucifer rounds the corner to follow after his surprisingly speedy toddler. He was mostly having fun with this little game of tag but was also mildly concerned by her growing distance. “Gotcha!” A pair of arms swooped down from around another corner, scooping Charlie up as she let out a playful yelp. You held her in a tight hug, before adjusting your position to hold her up comfortably. Lucifer panted, smiling at the sight of you and his daughter, despite him being out of breath. “G-good catch.. Hoof..!” He stretches his arms upwards, then places them on the small of his back. “Aren’t you the most powerful being in Hell? Why are you acting like a middle-aged dad with a broken back?” you laughed through your words, the sound making Charlie laugh along. He stood up straight and crossed his arms over his chest, a pout on his face. “Uh, It’s for fun? Ever heard of playing pretend?” You bit your lip to prevent yourself from mocking him anymore. “Don’t laugh!” You shook your head, then watched him open his arms out to you. Or, to Charlie, actually, but you stepped back instead of handing her over. “Oh, I forgot to remind you, you actually have to head to the Heaven Embassy in a bit, so I’m gonna put Charlie down for her nap instead.” He dropped his arms and grimaced. “Right..”

This mid-day nap was a sort of tradition for Lucifer and his daughter. It was one of the few moments that Lucifer looked forward to these days. You knew that. As much as you enjoyed your job, it came with the unfortunate privilege of seeing Lucifer in his slumps. You rarely saw Lillith, actually, but that made sense. You were only here for Charlie while Lillith couldnt be. When you did spot her iin passing, you’d hand Charlie over and let the two of them have a sweet interaction, usually a quick hug and peck on the forehead, but that was usually it. You’d always notice Charlie clinging onto your shoulder and looking back in her mother’s direction whenever she handed her daughter back to you. It always crushed your heart to hear her go silent after those moments.

“Actually, I was wondering if you’d want to help get her ready for the gala tonight? You should be back in time and it won't take long. Lilith only wants her to make a quick appearance, so it shouldn't be too much work.. Good bonding moment, too!” His eyes sparkled at your invitation and he was quick to accept it. “Thank you, dear. I’ll find you after that meeting.” As he goes to walk past you, he places a hand on your back. He does this often, but as the years went on, it shifted from your shoulder to your shoulderblade, and now he delicately places his hand on your lower back whenever he can. It made you anxious at first.. Was anxious the right word? Either way, you didn't stop him.

He leaned in to place a kiss on Charlie’s forehead, becoming increasingly close to your own face. It wasn't a quick motion. He pressed a dramatic kiss onto her head, letting out a mwah! sound as he pulled back. But before he did, he looked up to you with half-lidded eyes. The eye contact seemed to last forever. And you ever wanted it to stop. A small hand came up and patted Lucifer’s cheek, a childish giggle breaking the moment between you two. What were you thinking? He’s your employer, he’s a king. He’s kind, and sweet, and tries really hard to be a good dad. Nope! Stop it.

“Right! Meeting! Heaven! Gonna.. Yup, I’ll see you.. Uh..” You finished off his words, “ - tonight?”

“Exactly! You got it! Bye, Darling!” He waved his hand off and walked off in a random direction that you were pretty sure didn't lead to where he was supposed to go. “I-I was talking to Charlie, by the way!” You heard from around the corner. You couldn’t stop your laughter with that one. “I know.” You said it softly, not letting him hear the slight disappointment in your voice.

The Gala wasn't a new event, Lillith held them often. Lucifer made his appearance with Charlie, then usually would make up some excuse to get out of the room. Gathering the leaders of each ring of Hell and some of the more powerful overlords, and demons, it was still a big deal. You dressed up Charlie often, since she would throw a temper tantrum when any of the stylists would try to get her ready. You didn't mind, you actually enjoyed prettying her up. You stalled for as long as you could, before beginning to dress her. You wanted to wait for Lucifer, but you assumed he got caught up in some kingly duties. It wasn’t that big of a deal. Don’t be upset. Stop missing him.

“Sorry - Sorry! I'm here!” The blonde demon rounds the corner, hopping on his one foot to balance himself before stopping firmly in Charlie's room. He was wearing an incredibly elegant suit. A dark purple sash cinches His waist, which was only visible because his jacket was hung over his shoulder. His shirt was speckled in gold, matching his hair when under certain light. “Had to convince them I could finish getting ready on my own! Damn stylists, can't catch a break with them.” He let out an awkward laugh, followed by a hoot. He sees Charlie, in her dark purple dress, with small poofed out sleeves, made of a transparent tool. “Charchar! Look at you, kiddo!” He scooped her up and held her close while he swung around. “You're beautiful, sweetheart.” He knew she wouldn't understand that until she was older, but never stopped him from praising her.

He pressed his forehead against hers, laughing along with her. You hated to break the tender moment, but you cleared your throat, bringing the attention back to you. “She's just about ready, just got her hair left.” He placed her back in the chair as you went for a brush. Working through her hair piece by piece, Lucifer suddenly stopped you. “Um.. can I try?” You nodded eagerly, handing the brush over. He swiped slowly, ebing startled by the crunch of a knot, he froze and pulled it away. “It’s okay, you won't hurt her - “ You didn't need to help him this way. Honestly, if anyone were to come in and witness this you could be fired. Still keeping that in mind, you place your hand over his, and guide the brush indirectly, to carefully work through her hair.

After far too long, you pulled your hand away and went to grab some other accessories. His brain was completely fried by the interaction, if this were some looney cartoon, smoke would be puffing out his ears. You weren't as calm as you were coming off as either. Why did you do that? You’d face a fate worse than a second death if anyone saw that. After letting your face cool down, you turned back and bumped Lucifer over with your hip, to take his spot directly behind Charlie. Placing your hands on her shoulders and kneeling down a bit you smile at her reflection. “What do we think, hun? Ponytail? Pigtails? Buns?”

“Braids!” You look at her with a questioning hum. “Pleease!” Braids it is. You start to section off her hair and quickly wrap one clean braid down her back. It only took you a few minutes to do it, leaving bystander Lucifer to sit in awe. He did that a lot. Whenever you’d do something with Charlie that came as second nature to you, he would watch intently. After you noticed his gaze, you began showing him how to do whatever task you had on hand. He needed those moments with her, you knew that. “Wanna give it a shot?” He jumps, as if you had just caught him doing something he shouldn't be doing. “A-Are you sure? It looks kind of complicated, I don't want to ruin her hair if - “ You interrupted his nervous rambling by calling out his title. “I’ll show you, just come watch.” He nodded, almost too quickly, and rushed to stand near you. Very near you. He stood close enough to let your shoulders touch whenever you would lift your arm a certain way. You unfurled the braid you had already done, making Lucifer let out a little sound of disappointment, that you’d ruined your hard work just for him. After attempting to explain it, he manages to struggle his way through a messy braid. He saw you holding in some kind of laugh and sent you daggers. “No - no! It’s good! Especially for your first time, it’s holding up pretty well! Here - “ You pulled the braid back out, then restarted it, letting him pick it up at an easier place. You took his wrists every so often, to turn his hand in the proper direction before letting him go on.

The focus between the two of you suddenly became intense. He stuck out his tongue a bit, too engrossed in his styling to notice. You stood behind him, your hands pressed on his back, while you stood on your tip toes to observe what he was doing from over his shoulder. Pointing out little pieces of hair that were falling out, you would reach out your pointer finger to gesture towards it, only bringing you a bit closer together.

“Is.. Is that it?” He stepped back slowly, giving you the chance to back away with him. You swung around and examined the braid that he had probably spent too much time on, with an overly dramatic hum. Tapping your chin and squinting your eyes, you researched the braid as if it were some puzzle to solve. “It looks great, Lucifer.” Looking towards him, you were expecting an overly confident grin at the acknowledged accomplishment but instead, was met with a wide-eyed bundle of nerves.

“Sir! I-It looks good, Sir! Well - I’ll let you finish getting ready and take Charlie to -” Reaching out your hands to pick Charlie up, Lucifer stops you by grabbing your arm. “It’s okay! I mean, that’s.. That’s my name! Makes sense for you to call me that, considering its my name, so - “ He lets you go and starts fiddling with the clasps on his sleeves. “It’s okay.. for you to do that..” You smile to yourself, going back to tidying up Charlie’s get-up, doing little things like putting on her darling little shoes and tying a ribbon at the end of her hair.

Lucifer then stood in front of the mirror, brushing off his shirt and slipping on his jacket. It was a dazzling plum-colored suit coat, with golden clasps across his torso, and a golden shoulder plate, that allowed a sheer cape to drape down his left side. He was absolutely stunning. You did your best to avert your eyes, staring at him felt like staring at the sun. You only turned in his direction when he cleared his throat to get your attention. “Sorry.. dear, but uh… If you’re done with Charlie, I just - I’m struggling a little bit here..” You watched him attempt to adjust his lopsided tie, finally drooping his head with a sigh of defeat. “Wow, I thought you wore one of those every day, what’s the problem?” The teasing always helped lighten the mood, you placed your hand on your hip as you leaned your weight onto the vanity. He glared at you again, letting out a huff before mumbling under his breath. “It’s a clip on..”

You let out a breath you had been holding in, partially from keeping in your laughter, but mostly from the nerves. With the combination of you wearing house slippers, and him wearing his particularly taller pair of boots, he managed to look down at you when you approached him. You should've made it a quick motion, you’ve tied bowties dozens of times, so it definitely wasn't a new task for you. But instead, you took your time. You carefully traced your hands up to his neck, tugging on both ends to pull it as far forward as it could go. You stopped to straighten the collar of his shirt, then delicately knotted the tie with ease. Your breath became heavier when you rested your hands on the finally tied bow, feeling his heart pounding against the side of your palm. After he caught you in your act, he stepped back, the image of his wife suddenly popping into his head. “Ahha.. Well, um - Thank you. I’ll take Charlie, it’s about that time anyway!”

"R-Right.." you suddenly felt guilty for your actions, worrying that you overstepped some lines. He didn't seem upset or uncomfortable, he was just silent. As he lifted Charlie from her chair, the vision of the two of them left you breathless. A beautiful pair, with porcelain skin contrasting against a palette of muted purples, and the biggest, brightest eyes. Charlie's braid hung loosely down her back, same golden strands accented in the light off the room. You almost wanted to be in the moment with them.

"Hey, so.. if you think you have time, you're welcome to go down to the ballroom for a drink or.. something... if you want." He really had to consider if that was a good idea. The thought was sitting on his mind while he enjoyed the view of your focused expression on his tie. He watched your eyes light up at the notion, his heart swelling with.. with something. "Oh! I mean - The queen talks about it like it's this big important fancy thing, but.. if you think it'll be okay.. I'll - um - " She thought for a moment, looking around the room. "I don't exactly have anything to wear.. I'll join next time, if the invites still open?" You smiled, but it was strained. And he could tell. "No problem! I'll have her find something for you, then you can slip in whenever you want. No pressure!"

With a wave of his hand, a little imp girl came from a portal he had conjured up. Peeking inside, you saw a vast collection of gowns. The imp took your hand and dragged you in silently. You stumbled, then stammered something out, something that should've been a thank you, or a show of appreciation, but you were too stunned by the situation. He waved, then Charlie waved, then the two were out of the room.

The picture of them together ran through your mind. Not just them in matching outfits, but whenever he would press his forehead against hers, or he would show off his horns when Charlie was prodding at her own. Or when they really seemed like a family. Lillith was never in those pictures. Fuck, don't be jealous. You're getting paid far too much money to feel anything like that. Plus, you're being treated to an elegant evening gown without even asking. You don't get to be jealous.

Luckily, the imp rolled out a rack of dresses, it was stuffed to the brim, but was still a more manageable collection compared to the entire room. You sifted through them, and each one that twisted your face, she took off the hanger and set aside. After narrowing it down, you were stuck on two dresses; a sultry red dress, with an incredibly high slit and a stretched velvet material that hugged you in all the right places. Definitely a head turner. Even if this gala had a V.I.P list, maybe some handsome individual could help you distract yourself.

But the other option was a glistening lavender color, the neckline went across your shoulders, turning to gloves that tapered at your knuckles. A sheer corset held your curves in place, and it was paired with pearl accessories, to go with your sleek white heels. Both were gorgeous of course, but turning your hips and taking in how you looked in that lavender gown.. you could see yourself fitting quite nicely into your mental picture of Lucifer and Charlie. You would never admit that's why you picked it. You were prettied up, your hair pulled to one side with pearl clips scattered within the strands, and a little touch of makeup that you really didnt want, but was convinced without a word by the stylist. You looked like royalty. And that made you feel good in so many ways.

—

Lucifer said you could "sneak in", and you thought it best to take that literally. Waving and greeting all the workers in the kitchen that you knew, you finally slipped through the door where the caterers traveled from. You went straight for the bar, not because you needed a drink - well, I'm sure that's part of it - but because you had no idea what to do. What, were you supposed to walk straight up to Lucifer? Or Lillith? The idea of seeing Lillith suddenly made your stomach churn. You realized that you actually got there in time to see the introductions for most of the more esteemed guests. They went through the sins, who were larger than life, then a flared announcement for the Morningstar family was belted out.

Lucifer stood with a devilish grin, looking handsome as always. Lillith was still stunning, her gown trailing behind her.. but it was black. It wasn’t purple, or plum, or lilac, it was just black. It may not have looked like a contrast to everyone, but it upset you for some reason. Charlie stood between them, looking incredibly calmed considering the intensity of the moment. Lillith was holding her small hand, but the difference in height made her strain to keep their fingers intertwined. You cringed watching her stand on the tip of her toes to keep contact with her own mother.

Quietly, as to not interupt the announcements, you beckoned the bartender to bring you a drink. You sat and sipped, your back arched as you leaned your weight onto your elbows. What were you doing here? Was this all worth it? To have your little Cinderella transformation?

"Hello, darling.. and who might you be?" A sultry voice came from behind, causing you to swivle in the chair to face where it came from. It wasn't Lucifer, which left you mildly disapointed, but you definitely weren't upset at the curvy woman standing in front of you, wearing a dress that left nothing to the imagination. The swishing demonic tail wasn't something you hated either. A real fox.

"Oh, a friend invited me, I didnt want to cramp his style, so here I am." As you spoke, the bartender brings a tall flute of champagne over to the gorgeous demon in front of you. She glides to sit in the seat next to you. "Hm - well, I'd hate to see you all alone tonight, mind if I keep you company, love?" She slid her fingers up your arm and you have no idea how you managed to keep your cool. "Not at all~" maybe it was the confidence of your new appearance, but you had no issue with spending the night with this stranger.

All of a sudden, Charlie was plopped into your seated lap, causing you to look up towards an intimidating Lucifer. Examining the sudden shift in mood, you were relieved to see Lillith talking to some demons on the other side of the room. "Glad you could make it! Charlie here - reeaally missed you, thought I should say hi." He smile was forced, you noticed a slight twitch in his eye. "Ah, I see you've met my nanny! Quite a beauty, wouldn't you agree?" Lucifer came incredibly close to you, leaning in and placing his hand on your back. The only issue was the low cut of the dress, allowing you to feel his warm hands on your skin. You hoped he didn't feel the shiver run up your spine.

Taking a hold of Charlie as she climbed up your lap to hug your neck, you let out a natural laugh, feeling like yourself for the first time tonight. Looking back to your conquest, who was definitely about to ask you to "get out of here", you see a face of absolute disgust. Oh, right. You're just a sinner to these higher ups. And a working class one at that. Nanny wasn't the most flattering occupation apparently. She made a terrible excuse to get out of the conversation and walked away a little faster than she should've.

"Sir! I have no problem watching Charlie tonight, but - I was about to -" your face flushed as you tried to explain how you were just trying to get laid tonight. “Get a drink, right? Make sure you stick to the non-alchoomic stuff, hun, sounds like Charlie gets to stay up late tonight!" With a hefty pat on your back, Lucifer stepped away to talk to another random demon. What the fuck? Lucifer had beckoned the bartender over again, and when you looked back to the counter, you see a sad looking soda water. With a sigh, you guzzle the drink just to wet your dried throat.

As much a you loved Charlie, there was no better chick repellant. And even for the brave souls who decided to approach you and still show interest, Lucifer would suddenly appear, keeping his hand just above your tailbone as he mentioned your hard work as his employee. Maybe it was the word nanny, or the intimidating presence of the king of Hell, but he had to be doing this on purpose. You kind of hoped he was doing this on purpose.. After one too many fleeting suitors, you worked your magic and calmed Charlie until she fell asleep in your arms. You hummed a little tune again, the method was something she became accustomed to after you started taking care of her.

"My my~ what a sweetheart." A broad shouldered demon approached you, his lower voice ringing throughout your chest. "Isn't she? She's exhuasted, I should really get her to bed." You never took your eyes off of Charlie, making it easy for him to slip a hand around your waist." Ah, you’re her caretaker, hm? Well.. what do you have going on after you get her to bed?" His hand trails down to your hips, starting to trace a circle with his thumb. You swung away, a look of disgust on your face." Probably going to bed. By myself." You hissed. You never had a problem handling those kind of advances, and you'd do anything to keep Charlie safe, so you kept your distance. "You don't have to do that, baby~ why don't you show me around the Morningstar manor?" He closed the distance, and as you go to step back, your back hits the bar. "N-No thanks, I'm.. not..." You would have gotten nervous in the moment, if you didnt see a blonde headed angel approaching with horns threatening to burst out.

"Stay away from her." A small puff of flames came from Lucifer's snarl as he reprimanded the thug. He scoffed and stepped away as if nothing had happened. Probably the smartest thing for him to do at this point. Lucifer's suddenly glowing red eyes returned to their normal hue once he turned his attention to you. You froze in place. It felt like you were in trouble too. "You're okay?" He spoke blankly, you couldn't tell what emotion he was trying to convey, let alone how he actually feels. You nodded, keeping a hand on the back of Charlie's head." Get her to bed." With a dramatic turn, his transparent cape flew behind him and he returned to Lillith's side. He placed his hand on the small of her back.

You wanted to cry. To scream and drink until you can't think of anything. Charlie was your main priority, though. You took her to her nursery as soon as you could. Carefully changing her into her pajamas, a cute little onesie with ducks printed all over, then placed the drowsy toddler into her bed. "Oh Charlie.. You are so lucky to be so loved." You spoke geniunely, no matter your feelings, the amount of love Charlie is given and how much she gives in return was always so unbelievable to you. She was made of pure joy. Brushing some hair away from her face, you stepped back, taking your time on returning to your room.

"That is so sweet." You shot your head up, unpleasantly surprised by Lucifer's sorry face. "She's in bed, what do you need from me?" You spoke softly, as to not wake her. "You look beautiful. I just.. didn't get a chance to say that earlier, is all." Your face twisted in digust. "You know, you weren't the only one who thought that tonight. That was the first time I've been hit on in months. Couldn't you let me just enjoy the night..?" You were becoming increasingly frustrated, and it was translating clearly through your words. He flinched at your aggression, suddenly becoming defensive.

"That filfthy demon was feeling you up..! What else did you want me to do?" He started to match your energy, quietly responding in an aggitated state." Not him, the rest! I was about to leave with that lady at the bar, and I'm sure others would've enjoyed my company if I wasn't getting handed a toddler every second." You'd regret that one later, referring to Charlie as just a toddler. "That's your job, dear. Remember why you're here." He puffed out his chest, becoming increasingly close to your figure. You shrunk away, your eyes widened at his words.

"Oh- Oh, no, I didn't mean to - wait, I wasn't - " He stammered, his intimidating stature immediatly dropping as he say your eyes start to glaze over with tears, which only flowed down your cheeks after batting your made-up lashes. "Nonono! Please don't cry I - um.. " his eyes darted around the room, before reaching his arms out and reeling you in to a tightening embrace. Your chin sat on his shoulder, the shock momentarily keeping the water works at bay.

"I got nervous, okay..? I didn't want anything.. bad... to happen. I didn't want to lose you in there." Those words shouldn't tug at your heart strings at much as they did, but that and the low rumble of his voice just slightly hitting your ear made it impossible.

"I-I can handle myself.." You sniffled, your breath becoming heavier as you felt his hands start to explore your back. He rested one hand on the small of your back, sending a familiar warmth to your chest. But then, his fingers traced upwards, holding onto your shoulders for a moment, before lightly clawing down your bare back. He traced over a certain spot that tickled you the wrong way, causing you to force out a little yelp. You both stopped for a moment, the only thing you could hear was the uneven pants coming from your mouths. He pulled away for a moment, keeping his hands on your shoulders. Then eyeing you up and down, he ran his grasp across the length of your arms. "I known you can.. you're wonderful." He somehow spoke as if he was completely unaffected by the intimacy he was just showing you. Your breath only picked up more, instantly regretting what you were about to do.

With a small leap, you pulled him in by his collar and messily met his lips. It couldn't be a quick peck, that's too confusing. You wanted this to last forever. He kept his lips sealed shut at first, but that didn't last long. With a shakey breath against your lips, he pulled you in by your waist suddenly, bringing you as close to him as he could. The motion took the air out of your lungs, forcing you release a vocal sigh. He only held you tighter after that. Your arms trailed up and around his shoulders, combing through the hairs at the nape of his neck. He broke for a moment, his kisses traveling down your lips to your jawline, then down to your neck.

Flicking your hair back, he latched an incredibly wet kiss on the softness of your neck. Lucifer took the invitation of your strapless dress to fully cover you in kisses, occasionally running his tongue up the length of your neck. A panting mess, you pulled him back up by his chin, finally getting a good look at his face. He was falling apart at the seems. He looked desperate to get back to working on your neck, like he hadnt been intimate with anyone in years. You needed his lips against yours again. Holding his jaw, you pressed a kiss on his lips, then squeezed your thumb amd index finger to open his lower jaw and push your tongue into his mouth. He let out a nervous moan, before quickly catching up to you.

This wasn’t right. This part wasn't in your mental picture of a perfect family. And you knew why. Your thoughts were silenced, feeling his mouth trail back down to your collarbone. He thumbed at the top of your long glove, beginning to pull it down. God, never let this moment end.

But you forgot. You're in Hell.

With a frantic patting on his shoulder, you quickly attempted to get his attention. When Lucifer met your eyes again, they had gone wide, and he finally noticed you shaking. "Hey, hey! What is it? Are you okay? Did I do something wrong?"

"Yes." He froze. He slowly turned his head to the door. Lillith.

—

"Darling, please, I'm sorry, you know you're the only one for me - it was a long night, mistakes were made, let's just move on, hm..?" He was begging for this moment to be over, as Lillith moved past him and approached you. You had to crane your neck to look at her, your entire body trembling. You had mascara running down your eyes, and your lipstick had smeared in all directions. Lillith lifted your head up even further, wiping some smudged lipstick from the corner of your mouth. "Lily..?" Lucifer let out softly. She let out a soft sigh. She didn't seem to be angry, which seemed to make you more nervous than if she was. "D-Don’t.. don't hurt her..." It's like he was scared to stick up for you. That, and the fact that he just called this past interaction a mistake, weighed heavily on your heart. "You think that little of me, my love? I would never. It was a mistake, after all, just as you said." She spoke so calmly but knew exactly what to say to make you cower in fear. You let out a pathetic whimper, "P-Please... I'm s-sorry, Your Highness..." She smiled and tightened her grip on your jaw for a moment before letting you go. You didn't realize she was actually lifting you up slightly until you were dropped down. “So.. we can talk and figure this out, right? Lily?" She kept her eyes off of the anxious mess that Lucifer was becoming." Of course, love. We'll talk in the morning. Oh, and obviously - " She turned towards you just before leaving the room.

"You're fired.”

—

Anyway, there is absolutely a part 2 for this don't worry and I'll get to it.. eventually.

!Taglist!

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