Tumgik
#its hard to say that i'm - very optimistic so to speak because it's only one pillar i just jumped over and there will be more later
jils-things · 2 months
Text
Tumblr media Tumblr media Tumblr media
to love someone is to heal someone
27 notes · View notes
reel-fear · 4 days
Text
Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:
The queer people he has actively admitted he will never show any representation of in the games.
Tumblr media
2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]
3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.
4. The fans who critique him. [He blocked me for doing so lol]
Tumblr media
5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]
At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]
6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.
Tumblr media Tumblr media Tumblr media
7. The Bendy fans who can see he is actively lying to them. To their fucking faces.
Tumblr media Tumblr media Tumblr media
He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]
8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!
Tumblr media
So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.
Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?
So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.
I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.
The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.
anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.
As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.
Also the books, the books slap.
#batim#batdr#bendy and the ink machine#bendy and the dark revival#ramblez#bendy and the silent city#bendy the cage#for the record another reason Im making this post is bc some of the only good resources to learn abt why the bendy devs suck are some old#very longer videos and this is a very long post but I thought it was important to document the recent shit theyve been doing alongside some#of the worst past things theyve done bc Mike has been trying to misinform people on what happened but those videos are still great resource#if you want more info n such#long post#mike D#for anyone who doesnt wanna hear abt him since he doesnt go by mood anymore#sorry if this is rambley or emotional Im just so sick of these guys fr dskjhgskdfjghskdjhgkjhsd#I miss when I didnt spend my days stressed about the awful shit mike is gonna say next and how I would have to disprove it in a post later#or explain why its bad to have a cast of nothing but cishet white guys n constantly fight back against any push for diversity in said cast#genuinely its just tiring esp when u see other bendy fans give ignorant or very silly defenses/takes on those things#n then u lose a lot of respect for them bc they are speaking on stuff they dont know much abt so confidently and therefore misinforming#people or even encouraging very bad views on stuff like diversity n its importance#Im not saying people like that are bad people but it is stressful n upsetting when u see someone u thought knew better do that sort of thin#it makes it hard to trust them again on other issues bc u now dont trust they know what they r talking abt!!#like please think twice before telling young artists making norman white was a tough and complicated decision it was fucking not the bendy#devs just think all their humans are white by default and dont wanna change that its been proven time n time again thats all it is#and defending them just bc u like a franchise they made is very very bad!! They are not ur friends!! they suck and we seriously need to#stop pretending they dont!! toxic positivity is only gonna make the fandom an absolute nightmare its not gonna make ANYTHING better#it just means people will be forced to PRETEND they never have negative thoughts abt the franchise n therefore make them burned out#just look at other similar fandoms please lets not make those same mistakes!!#sorry can u tell Ive been having just. A time recently#anyways back to making my queer ass bendy fan game full of so much diversity mike will prolly shit when he sees it DKFJGHKSDJHGKJHSD
31 notes · View notes
astramachina · 3 months
Text
For those of you who've been following me for a while now, there's a good chance you got to experience my journey reading the Remembrance of Earth's Past series last year. I loved Three-Body Problem, but The Dark Forest and Death's End were like pulling teeth. Both books had their very very good moments, but getting through them was a tedious experience I considered giving up on on multiple occasions. I will give it to Cixin Liu tho, I needed to know how the series ended and that alone was the sole reason I pushed towards the finish line. Any author that can make me tough out bad writing for the sake of seeing the end deserves some kind of award (and he won a ton anyway, so).
I approached the Netflix series with zero expectations given their propensity for shitty adaptations (One Piece notwithstanding), but after watching the first episode I was left cautiously optimistic.
Having watched all 8 episode I'm still unsure how to feel about it. I spent most of the series hitting pause to rant at my roommate about it, both positively and negatively.
I had many issues with the books, but some of the more obvious ones came from a writing standpoint. I love hard sci-fi. I could not excuse the sheer length of those final two books. The atrocious treatment of women as objects to romance and use as bartering for the main character. The abysmal MCs (specifically Luo Ji) that made me want to yell to the high heavens due to annoying they were. The lack of human connection between characters.
For books so steeped in sociopolitical and ethical commentaries, the flagrant misogyny and homophobia was eye-rolling. And not even in a "This is Bad" sort of way, just in a "This is So Fucking Boring" kind of way. I cannot speak for the author's biases, because the contents of a book in no way reflects the views of an author or their character.
Where the books shone the brightest were during the battle scenes, the looming dread, genuinely horrific thought experiments.
And, surprisingly? It feels like the people at Netflix thought the same.
I've never watched Game of Thrones but I understood why people were against it from the get-go. That, along with the whole "whitewashing" thing which I consider to be interesting. For starters, you're using whitewashed wrong. Yes, they moved the central story from China to England which was... a fascinating choice, but of the core five (that quickly became the core four), only two of them are white. I'm not saying it was okay for a western adaptation to take a cast and further diversify it, I'm just saying that that's not whitewashing.
That aside, I did like some of the choices that were made from a narrative standpoint. Reshuffling and streamlining events, for one. Removing the whole plot line about Luo Ji hunting down a woman who he invented in his head in order to marry her? I'm not entirely sold on the idea of taking core events and divvying them up between four different people, but I do understand what they're trying to do.
The book series failed at crafting believable and impactful relationships between its human characters, which made the narrative feel hollow and one-dimensional. This adaptation aimed to change this by slapping a band-aid over the issue. Like I said, I'm still unsure of how I feel about this.
A lot of unnecessary stuffing was removed to make a suitable run time, and I say unnecessary because there's really no scenes that are making me go "oh, I wish this had been included". Was some stuff rushed? Yes. The passage of time could have been outlined a little better, but that's a small nitpick on my end.
The scale of things was toned down, and I don't think Netflix has the capability (or budget) to tackle space battles.
Honestly? I don't really see this getting a second season for a variety of reasons, and I'd be okay with that.
It was an "okay" watch, in the end.
Tho, I'm still flabbergasted by the random "gory scary jumpscare" scenes????? Where did those come from??? I don't remember anything like that being in the books but, you know. I've read a lot more books since finishing these, so.
10 notes · View notes
juniperkinglet · 2 years
Text
Okay okay jumping off this great post from @neilsexy about Nicky hate to also talk about my Riko thoughts.
I find the treatment of Riko by the fandom fascinating. Calling it The Azula Effect cuz it's just like how a lot of Zuko fans treated Azula.
Riko is an antagonist, a villain, yes. He's literally there specifically for you to hate, so if you hate him, he's fulfilled his narrative purpose. BUT! There's this weird puritanical pathologizing of Riko and Riko fans that our protagonists don't receive, which I think points to modern fandom's whole "evangelical conservative beliefs with a gay coat of paint" thing.
Riko is a villain, but he's also an abuse victim whose only outlet is abusing others (and he is encouraged to do so by his environment). He holds a terrifying level of power over the protagonists, which masks how little power he has over his own life.
Riko isn't a sadist for just for the fuck of it. There is a meaning to his cruelty. When he abuses people, it's an attempt to keep his delicate social standing and illusion of power--which is all he has--by discouraging his peers from acting against him. There is a meaning to Andrew's cruelty as well, and fandom is totally fine with you sympathizing with that meaning and still loving Andrew despite his violence... but that same fandom will discourage you from having any sympathy for Riko's meaning and treat him as some special case of Inexcusable. Not to say Andrew's actions are on par with Riko's, or to discount all the work Andrew did to grow, but there is hypocrisy there.
Folks will designate Riko as evil from birth rather than circumstance, saying a lot of shit that sounds very "mentally ill people are inhuman monsters" and "sinners can never be forgiven and will burn in hell for eternity." This whole idea of "good person vs bad person" instead of "good actions vs bad actions" is just unhelpfully reductive.
Also, the very force driving Riko is the desire of a traumatized kid to be loved by his family. But because his family are cruel mob bosses, the only means to gaining love he sees are through enacting that same cruelty. And the great tragedy of Riko, and what makes him such a compelling character to me, is that all of that cruelty he used as a shield and a plea couldn't protect him or garner him love in the end.
Riko never had a Wymack (an "Uncle Iroh" so to speak). He never had someone who believed in him, which is what made all the difference in the lives of the Foxes. Because Riko was born a Moriyama, he never had an escape or a second chance, and his life was never going to end in anything but a bullet to the head when he became a nuisance. That's the difference between him and our protagonists. Not some special evil gene that made him incapable of humanity. He was a traumatized and flawed human being just like the protagonists, but unlike them, he never had an opportunity to grow. I know I'm overly optimistic, but I believe that everyone can change if they have the drive and resources to do so. It's come from a hard reworking of my beliefs to move away from punitive justice and towards restorative justice. And it's a theme I found prevalent in AFTG.
So why aren't fans allowed feel sympathy for Riko? It feels like wildly missing the point of the series to insist he is the one exception to its themes. You don't have to excuse any of a character's actions to sympathize with them or believe they deserve a second chance.
62 notes · View notes
beenalark · 2 years
Text
Okay am I actually deranged or does Morrissey's cover of Moon River just speak Marrissey? Yes I know Morrissey did not write the lyrics, he only added some, but then again, he wouldn't cover a song if its lyrics didn't resonate with him. Like please just have a look and hear me out. I'm skipping the first verse cause it's not very specific in terms of Marrissey, but the following ones are really interesting.
Oh, dream maker - Johnny and Moz meeting, dreaming together and Johnny helping Morrissey's dreams come true.
You heartbreaker - this can be about Morrissey meeting Angie and learning to live with the thought that the boy he fell in love with is taken. I don't think this has to do with the breakup of the Smiths, because the song generally suits the beginning of their relationship more.
Wherever you're going/I'm going your way - this reminds me of a moment in Morrissey's interview where he says: "It got to the stage where I was so impressed and infatuated, that even if he couldn’t play, it really didn’t matter…" That's the point where he stops following Johnny just for his musical dreams and instead wants to be with him, wherever he goes and whatever he does. In other words, "everything depends upon how near you stand to me".
Two drifters/Off to see the world - pretty self-explanatory, the start of their career, tours and such.
I'm not so sure the world/Deserves us - that's the lyric that was changed by Morrissey. The original version is more naive and optimistic - "There’s such a lot of world to see", so obviously it had to be changed. Morrissey admired Johnny more than any other musician (or possibly any other human being, for that matter). These lines show his protectiveness and loyalty to what they have, to their connection and Johnny himself. Again, reminds me of a quote, this time from Morrissey's autobiography, about the time Tony Wilson said something unpleasant about Johnny. Morrissey says: "The comment tests me in my new role as Johnny’s comrade, and I fail because I allow meat-fed Wilson to say his piece." Morrissey immediately puts Johnny on a pedestal, and Johnny helps him regard himself in the same way. The two of them are more than the world. Also, Hand in glove again? "If the people stare, then the people stare, I really don't know and I really don't care"? "The good people laugh"? "We've something they'll never have"? "Kiss my shades"? Just saying.
We're after/The same rainbow's end - self-explanatory too, meeting a person whose dreams and ambitions align with yours completely and setting off to fulfill them together.
How come it's just around the bend?/It's always just around the bend? - another change of original lyrics, which are "Waiting ‘round the bend/my huckleberry friend,/Moon River and me". Morrissey could never have all of it, and, although the Smiths were successful, they were never as successful as he envisioned and felt them worthy to be. Issues with the label, no airplay, those are the things that irked him and enraged him. They should be bigger, but they can't be, and it's not their fault. Can also be interpreted as a comment on their relationship with Johnny, all of those almost moments that happened, the thinnest barrier between friends and lovers never being broken. And once more, reminds of Hand in glove - "The good life is out there somewhere".
And just to finish this nicely, have a quote from Morrissey himself about this song, which I discovered only after writing all this mess and deciding to turn to some more reliable sources than my own mind: "The fulfilment promised in the song is always in the future, so it has this never-finding, ever-reaching feel. It's hard to sing only in the sense that you realise you're more familiar with it than you perhaps thought." :)
Well, that's the end of my nonsense! I'm pretty sure I could stuff this with more smiths quotes, but I'll just leave it at that and shut up now, you're welcome. Hope this makes at least some sense, if not, feel free to tell me I'm mad! <3
19 notes · View notes
Text
Top 5 Worst Films of 2019
It's been a while since I gave you something from the vault, so you can have something, as a little treat. Best of 2019 and Best & Worst of 2021 to be interspersed throughout the next few posts.
IMPORTANT: There will more than likely be spoilers, because I do not respect these films enough to calmly articulate my feelings for them. Also there is way more swearing in this post.
5. Glass
Tumblr media
It is a second sequel that shat on the second wind Shyamalan had after Split. David Dunn suffered an undignified death in a puddle and Dr. Staple is a member of an evil organisation that suppresses the existence of superheroes. The latter comes out of fucking NOWHERE and does NOTHING for the film, let alone the trilogy as a whole. Also, the last act is lifeless and I haven't felt this patronised by a film since 2017's Ingrid Goes West.
4. Hellboy
Tumblr media
The 2004 movie is in my all-time top 10. This 2019 disaster of a multi-genre whiplash didn't have a chance from the off. Everyone was wasted in this, actors AND the musicians who contributed to the soundtrack. It was lazy, it was unnecessary, and the post credits scene - namely, them finding Abe Sapien - was so optimistic about having a sequel, it was cute. I'm glad it bombed. Hard.
3. Star Wars: The Rise of Skywalker
Tumblr media
Yep, the one I saw just yesterday. Whilst I wanted Kylo Ren to fucking die, the film also fucking made Reylo canon immediately before, which is the one thing I didn't want them to do. It's soulless, it relies too much on the original trilogy, it's too long for its own good, and oh my fuck is it a elevator plummet in general from TFA. And yeah, I know 'elevator' is American. In this case, it's more effective than 'lift'.
2. The Goldfinch
Tumblr media
Proof that a film being based on a Pulitzer Prize-winning novel does not make it good. Every scene felt disconnected from the previous one, the plot likes to pop in for a cuppa every now and then, and it has more endings than a clitoris, none of which are anywhere near as pleasurable. Also, dear Hollywood: please stop giving Ansel Elgort work. Thanks.
Dishonourable mentions:
The Intruder: not as rage-inducing as the top five entries here, but still pretty crap. The character motivation is weak as hell and is never explained in a reasonable way.
Ma: Tries to be a hybrid of Carrie and Misery, fails at being both, can just wastes Octavia Spencer (and Diana Silvers, coincidentally in Booksmart).
Annabelle Comes Home: Straight up fucking boring. The best characters are only in it for about 9 seconds (proportionally speaking). Not much else I can say on that front.
And finally, the worst film I have seen this year...
1. Burning
Tumblr media
Oh fuck me, where do I begin?This film is based on a short story, and at 2.5hrs is about 45mins-1hr too long for its origins. The protagonist is a gormless moron (GM), the love interest is a wet blanket (WB) and the third party is basically a Korean Gatsby (KG). WB disappears, and the film makes it out to be like KG didn't murder her (which he did, movie). The film treats us like we're stupid, some shots go on for far too long, there is no plot AT FUCKING ALL, and worst of all, I didn't care about the protagonists. GM wanks in WB's empty flat and then pretends to be sad when WB goes missing. GM also stabs the shit out of KG to death at the end of the film, and honestly, I wanted to jump into the film and stab the shit out of GM himself. [REDACTED] put this as their 2nd worst film of the year, and as much as I love them, 2nd place is far too generous. Foreign language films do not get a theatrical release in the UK very often, so this was an insult on multiple levels. I wanted to like this film, I did, and I want to know more about Korean cinema beyond I Saw The Devil, but this burned me in that respect and I do not understand the praise it got from critics. Fuck this film. Fuck it to the depths of hell and back. And fuck you, whoever decided to give this a theatrical release in the UK, for that decision. I hope that you will be forever tormented by mice living in your walls that eat your food and cannot be removed, no matter what. Fuck. You.
Thanks again for reading, and happy New Year, everyone! See you soon! Hopefully for a year that is better for films than this one! ❤
~Mikey
5 notes · View notes
siennadraws · 3 years
Text
OC interview: Terys Lavellan
Tumblr media
Thank you @thatssolavellan for the tag!!!
INTRODUCTION
1. Can you introduce yourself?
I am Terys, a hunter of Clan Lavellan, I go by she, and I'm Mythal's Chosen.
2. What is your gender identity, orientation and relationship status?
Gender identity is something different from elves to shem, but I feel comfortable being called a woman. I'm attracted to all kinds of people and single.
3. Where and when were you born?
I was born on the 7th day of the second month of Spring. The calendar we Elvhen use is different from the shem's Chantry's, but I think the month would be Cloudreach. I was born in my clan's camp, in Ferelden. We used to live there before the Blight.
4. What is your weapon of choice and fighting style?
I use daggers and I prefer finishing the fight before it starts. I try to kill as many of my enemies as I can before they notice me.
5. Lastly, are you happy?
That's a difficult question. I am and am not. There's a moment for every emotion. Just because my life is hard doesn't mean I don't find happiness. But my life has been hard.
The rest of the questions under cut because it gets long.
FAMILY AND FRIENDS
1. What’s your family like? What is your relationship with them?
My family is wonderful, and I love them.
My mother is a very wise woman, she's the more quiet one, listening in on everything before speaking. As the Keeper, she's also a very powerful mage. My mom is wise as well, of course, but she's more adventurous and loud, my uncle still tells stories of all the trouble they got into as children.
My sister is a sweetheart. She loves finding things and learning, a bit like me, but she's more of a open book, despite her shyness. She also loves all kinds of dogs, especially the wolves our clan travels with, especially Arla, the pack's leader.
2. Have you ever ran away from home?
Never, and I've never thought about it or found the need, to be honest.
3. Would you consider marriage or having children?
I'd consider marriage, but having children isn't something I want. I'd rather just help my fellow clan mates with their kids when they need and I can.
4. Do you secretly hate one of your friends?
No. Not at all. But I have hated some of them, and they hated me back. But we have moved on from it. Cass and I only started getting along after Corypheus was defeated. I had that weight off my shoulders and she had started realizing her biases. Awkward talks ensued but we're friends now.
Viv and I started getting along after Haven fell. I realized that she truly cared for her fellow mages and everyone else, just has a different way of thought on how to protect them, and I spoke to her about Dalish mages, and how we didn't actually abandoned them in the wilds. I think my sister joining the Inquisition was also a great help.
5. Which friend knows everything about you?
The one friend whose goals would find him using that knowledge against me. Solas.
ASKED BY FANS
1. Are you literate? Have you been to school?
I can read and write both Elvhen and Trade, my Trade was a bit rusty before joining the Inquisition. I was taught alongside my clan mates my age many different things, trades and history, survival and the ways of nature, religion. And I tried to learn more, and learned much more as life went on.
2. The eeriest prediction you made that later came true?
I may have made a few jokes about Solas being the mastermind behind the Breach.
3. What is something you were embarrassingly late to realize?
That the rumors Mother Giselle warned me about weren't that Dorian was manipulating me, or that we were working together for nefarious ends, but that we were in a relationship. I only realized it when Dorian made a joke about it, when he was saying his goodbyes.
4. Do you have mental health or physical issues?
I obviously have one physical issue, my missing arm. Thankfully I have a prothesis, but it causes problems of its own. And my mental health is... Probably shaky. I'm more paranoid and anxious than I used to be.
5. What is your current main goal?
My current goal is to stop Solas from ending this world. Hopefully finding a way to return it to it's natural state in a peaceful way.
CHOICES
1. Drink or food?
Food.
2. Cats or dogs?  
My sister would kill me for this, but cats. I still love dogs.
3. Optimist or pessimist?
A balance of both. It depends on what I'm thinking about.
4. Sassy or sarcastic?
Sassy.
HAVE YOU EVER
1. Been caught sneaking out?  
Yes. My sister and I used to sneak out to explore ancient Elvhen ruins, after they were cleared by the hunters. We told our mothers we were going to gather blueberries, but they caught on the lie. I suspect they sent some hunters to watch over us without being caught.
Once we got older my sister and I still went to explore the ruins, but this time with authorization, and a couple of my hunter friends as backup.
2. Broken a bone?
A couple, it happens when you're a hunter, or a reckless kid, or when you're trying to repair a big hole in the sky made by a Magister.
3. Received flowers?
Yes. Romantically and platonically. Dalish kids love making flower crowns, it's something that keeps their hands busy and that they can brag about.
4. Ghosted someone?
No. When you're Dalish there aren't many ways to ghost someone, even if it's during an Arlathvenn, so you don't really find the need later in life, even outside the clan.
5. Pretended to laugh at a joke you didn’t get?
Never. This may be the cause of a couple of Josephine's grey hairs.
I'm tagging @dreadfutures @little-lightning-lavellan @vakarians-girl @vvakarians @tireddemigod @vronism (no pressure) and whoever wants to do this (pls tag me!)
19 notes · View notes
Note
Hello! If you don't mind me asking, are you planning on watching House of the Dragon? I'm personally unsure about it. I was cautiously optimistic about it since D&D are not involved, but the recent casting news have been ugh disappointing imo. What do you think?
Hey anon! Sorry to say I kind of mind you asking because my inbox is still closed (to everyone except my secret Santas, which is why the ask page is accessible at all), but then I realized it’s possible if you’re on the mobile app only, you haven’t seen said note in my askbox, or my FAQ, or anything of the sort. And with older metas of mine being reblogged recently, it’s possible you may be confused. (I hope you’re on mobile only and not just ignoring my requests.) So I wanted to inform you of that... but also, y’know, I kind of wanted to make a post about the HotD cast anyway? And this ask is as good a prompt as any... so, you’re lucky, but please don’t push your luck. ;)
So, straight up: I currently have no plans to watch House of the Dragon. HBO is not getting any of my goddamn money, I don’t trust like that. And hunting down illegal livestreaming sites is a pain in the ass and I regret ever doing it for GoT, as well as regretting getting drunk every weekend enough to dampen my senses to ever tolerate that show. Yeah it’s different showrunners and writers, I know. It’s still (mostly) the same executives at HBO and even if the pervert producer is gone (or is he?), you know they still just want to sell sex and violence and dragons to an audience that thinks fantasy is for geeks.
Also, considering that Fire & Blood’s story of Dance of the Dragons has very little actual narrative or dialogue, and the historical record is deliberately untrustworthy, that gives them pretty much full rein to do whatever they like with the story and characterization and words without even being slightly obliged to GRRM at all. Furthermore, since the story is wholly political with virtually none of the magical side of ASOIAF (excepting dragons), and honestly does not have much in the way of themes or depth that main ASOIAF or even D&E has, I think it will be very hard for an adaptation to show even those brief sparks of quality that used to make me wistful GoT couldn’t be that good all the time and eventually just made me frustrated and depressed. Note I do like the history and characters of the Dance despite myself, despite its many many many textual issues, but I don’t need to see an adaptation, I have a very visual imagination. I don’t watch a lot of television to begin with, I don’t see why I should start again with this.
However, I’m not going to avoid spoilers or discussion, and I’ll probably follow the show the tumblr way, through gifsets and video clips and people bitching on their blogs etc. If, somehow, by some miracle of good screenwriting and acting, the show manages to transcend its source material, I’m sure I will be informed. And then, if and only if then, I may try watching. (Without, of course, giving HBO any of my goddamn money.) We shall see.
(Though I certainly don’t know why anyone in Targ standom would ever watch a Dance adaptation considering almost every Targaryen and everyone else in the story is terrible except Helaena and the kids, and considering how the story ends, unless y’all are gluttons for punishment? (I do not comprehend hatewatching, sorry.) It’ll probably be fun at first to see the adventures of those “precious silver douchebags” (to borrow a friend’s tag), but eventually rocks fall, everyone dies, including the girlboss you know you’ll hope the story will be changed enough that she succeeds. Just letting you know now, she won’t.)
That said. I’ve been following the casting news and I think the hate/fear/wild screaming is entirely overblown. Yeah, I know, but wait, just listen. On Friday I officially welcomed @naomimakesart to the “favorite character is now played by an actor who looks nothing like most fanart and is mostly known for wildly different roles” club. I still remember that day in September 2009 when my brother texted me “yarp”... and that right there is the thing. Yeah. Rory McCann looks very little like most pre-GoT Sandor fanart... but many fans grew to love him anyway. (There are some who never did, of course. And yeah the character went off the rails by the end, but truly, who didn’t. Having seen his audition, having spoken to him and heard him wistfully talk about book scenes he loved, I’m convinced if Rory had only been given Sandor’s actual scenes and such, he would’ve killed it. Sigh. Deep, deep sigh.)
And Rory isn’t the only one. Neither of the actors for Jaime and Cersei were considered “beautiful” enough at first. I recall very clearly people bitching about Nikolaj Coster-Waldau (about his nose particularly?) because they had wanted Tarzan-era Travis Fimmel to be Jaime. (Seeing people bitch because current-Fimmel isn’t playing Daemon made me laugh out loud for both BEYONCE?! meme -type “why would you ever cast him omg he doesn’t fit my headcanon Daemon at all”, and amazing amounts of fandom flashbacks.) Lena Headey was “too square-jawed”, “too mean-looking” (since at the beginning you should never be able to guess she’s evil), “too dark-complected”, “too mannish”, not at all attractive enough. (Tricia Helfer was the most common “but I wanted” for Cersei, btw.) And of course “they don’t remotely look like twins, ugh!” Note, there’s receipts for all of this, none of it is made up. (Unfortunately.) Those two actors are just the ones whose casting wank I recall most clearly, particularly because oh how the turn tables.
Also. You know, there’s a post with Matt Smith and Mark Simonetti’s TWOIAF Daemon going around with shrieks of horror... and I’m finding it maddening in a “am I crazy? am I  the crazy one???” way, because Matt looks like the painting. Their features are not that dissimilar.
Tumblr media
Same deepset eyes. Same cheekbones of doom. Same thin lips. Same protruding chin. Same high forehead. Same invsible eyebrows ffs. Matt has a squarer jaw, and a longer more rectangular face, and a wider nose, but considering that Daemon’s features are not described in the text, and this is the only official ASOIAF artwork that shows Daemon’s face straight on, I can for sure see why he was probably shortlisted to begin with. And that’s not even getting into to his role in The Crown, which I’ve heard is very well played with politics and palace intrigue... and if you doubt Smith can play seductive/roguish and/or evil (depending on how you LARP as a Westeros historian), or look good with long hair... well. I do not want to watch the movie, but this trailer is disturbingly enlightening.
And as for Rhaenyra... y’all know this show is starting at the beginning of the story, right? When she’s a teenager? Not a voluptuous MILF? Yeah, Emma D’Arcy doesn’t look like a Magali Villeneueve painting (though who does, good lord), but you know who she does look remarkably like? Harry Lloyd.
Tumblr media
Same jawline. Same nose. Same thin lips. Same sharp cheekbones. Notably, same kind of sharp cheekbones and deep-set eyes as Matt Smith. HBO evidently has a concept of a “Targaryen look” that’s a little bit quirkier than supermodel-Greek statue-gods on earth, yeah, fine. But it’s consistent, and they look like family, and that-- that is good casting.
And yeah, in a few months to a year or so, you’ll see them in costume and wigs and makeup, you’ll see them in motion and speaking lines, and go Oh. That’s different. Never mind. And while people will make fanart of the show depictions of the characters and those will probalby get popular, they’ll also keep doing fanart of their pre-show headcanons, and those too will be popular. (God knows when I draw or visualize book!Sandor, Rory does not come to mind, lol.) Either way, there’s no reason to panic. We’ll live.
(Though will we live well? Got to wait on the writing and showrunning for that, alas.)
76 notes · View notes
hldailyupdate · 4 years
Text
“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.
“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”
Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?
“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”
“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”
“There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”
“You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”
“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”
“I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”
“It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”
“I grew up on their [Red Hot Chili Peppers] album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”
“I f______ wish,” snorts Tomlinson.
“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”
“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”
“Because there's no one in that space. And I know eventually if I don't do it, someone else will!”
“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”
“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”
-Louis speaking about social media, his music, his LA "secret spot", Red Hot Chili Peppers, SYCO, a possible 1D reunion, how he's spending quarantine, and more via Telegraph! (24 November 2020)
53 notes · View notes
Note
Oh Disneyland Paris sounds fun yeah! Were you and your roommate already close then? I went to Walt Disney's world with my aunt and cousin when I was like 11 but it would've been way more fun if I could've taken my best friend with me for sure. Maybe we can go to the one in Paris now that she lives just 3h away from me! Oh I see, sounds like LA was really fun for you yeah! your roommate didn't mind third wheeling tho? Hahaha
Yeah Canada is beautiful but what I liked about it the most was the massive improvement in quality of life I had compared to where I was living before and just being able to be who I am and people accepting me for it. Not being worried about violence 24/7 felt pretty fucking great too. So yeah I highly recommend living there if you ever get a chance. But I am loving Portugal so far, people are a bit more judgemental here tho but I like that it's easier to travel to a lot of countries I've always wanted to go to. Everywhere you go there are pros and cons tho so sorting out priorities is key. But Toronto is my favourite of all the places I've been, before living there for a year I had already been two times!
Jesus 50 states, sometimes I forget how big the US is. And you can totally do it if you plan it out! After watching Bly Manor tho I really want to go to Vermont especially during autumn season looks really pretty! There's this fic I love (only the sun by prestonarchives) where Dani and Jamie go on a road trip from Vermont to Maine and I did their entire journey on Google maps street view bc I was so obsessed with this one chapter fanfic I had to immerse myself entirety in it hahaha. So now I want to go there irl. Here's the link if you haven't read it before!
https://bit.ly/3BLy4WR
Omg I totally remember reading that on CBML and being a bit confused bc I was like why would she think you can't see the moon from the great wall of China HAHAHA but I thought it was really funny and endearing yeah it's even funnier now that I know you said it irl haha.
Oh so ENFP-T means extraverted, intuitive, feeling and prospecting personality with a bit of turbulence. Which just means you're curious, perceptive, enthusiastic, an excellent communicator, festive and good-natured. On the other hand you can be disorganized, unfucosed, a people pleaser, overcommitted, too optimistic and restless.
I wonder what Jamies and Danis mbti are as well as their zodiac signs 🤔 I think Jamie might be an ISTP-A bc she's definitely an introvert, very practical, stubborn, assertive, layed back and energetic at the same time. And Dani is either an ENFP-T like you or an ESFJ-T with the whole selfless thing going on.
AE already made it canon that Jamie's an aries (and it makes sense) but I can't figure Dani out. I've thought about her being a leo ♌ bc she's generous, passionate, warm-harted and dominant in her own way and THE HAIR haha. But she's got some pisces ♓ vibes going on too...idk. aaand I'm back at it again with the astrology signs haha.
To be fair your recent drunken exp it was dark and at least you didn't think the road sign was a bear or something (don't know what kind of wild animals you've got over there) that you wrestled with and ended up in a ditch and your best friend let you believe that happened for 3 years up until recently haha. 😂 but yeah some things happen for a reason, having life threatening health issues doesn't sound great tho, but I guess it's a good thing it stops you from drinking too much and making dumb decisions. And hey maybe I secretly want that to happen again idk maybe moving countries is not exciting enough, I have to go out and make a complete drunken fool out of myself in a completely foreign place hahaha. I guess that did kinda happen last month when my best friend came to visit me from Spain and we got drunk on wine, I got lost on the way back home and it was way past curfew. 🤔 shit I'm 29 will I ever learn...
Episode 9 is 😢😍🥰😰😭🤬☠️ just the worst roller-coaster I didn't even know I was on. Haha I was more pissed off than heartbroken the first time I watched it ngl.
Well then maybe the way you do accents is friendly and funny so people can't really get mad at you haha. Like Dani! Oh so that's called a Geordie accent! I see, it's really really cool. AE said Jamie is from Lancashire but that's a whole county isn't it? Idk if there's a specific accent to this region. Knowing you speak kinda like Jamie is something else tho, I think if anyone who spoke like her ever talked to me irl I wouldn't be able to pay attention to what they were saying 😂 just the accent haha.
Oh so you already have 4k something words for it nice. I'm kinda starting to feel an obsession with this medieval AU growing in me, I made a Pinterest board just for it ngl hahaha but I'm still resisting creating anything for it, I did a face study yesterday for Dani and Jamie to see if I finally pick up the idea and just do it but my brain was still like "I don't want to do this rn" and was just being a little bitch about it so I'll just let it cook for longer see if we can reach an agreement eventually (if ever) haha.
Glad to hear you had a good weekend! Even if it left you feeling exhausted in the end. And yeah it makes sense for you to say you don't have favourites haha! Have a great week Colour, take care! 👋✨
Yeah me and my roommate have been friends since we were like 14 so when we went to Disney Land we asked if we could be roomed together because we've been best friends for that long now... been best friends since school and now we live together. She's seen me at my best, my worst, has seen me in all my stages in life and has been there for a lot of the rough stuff I've been through and I've been there for all the stuff she's been through!! Nah she didn't mind at all we had some moments where me and my ex would just go and be a couple and have dates but my ex didn't want me travelling that far alone so invited my roommate too because she didn't like the thought of me flying 11hours alone or being in airports alone so my roommate came with me and we had a great time Awwh good I'm glad it was such a nice place and that you didn't worry about violence all the time but I'm so sorry you ever had to worry about that anyway that can't be easy. I would honestly love to live in Canada I really hope I get chance one day... I'm glad you're loving Portugal but sorry people are judgemental there but I am glad it's easy for you to travel around to other places... oh yeah every place has it's pros and cons I mean England has some pros but it sure has a lot of cons too so I know all about that Yeah America is SO big but I do want to get around all 50 states at some point and I am stubborn enough and determined enough to make it happen eventually even if I don't get around them all until I'm like 70 I'll make it happen haha!! No I haven't read that fic but it sounds amazing so I'll definitely check it out thank you for sending me the link Yeah... that really happened to me and it was just a dumb moment where I had this momentary lapse of knowledge in my brain and now I look back at that question and I'm just like... "you idiot" and this is why people are shocked when I get questions in quizzes right because I have said some really dumb stuff but I'm glad people found it funny and endearing... and I'm glad it makes it better to know I really said that haha Oooo I didn't know that, I like that and I think it's definitely fitting for me!! I think from what you've said about what ENFP-T means Dani could easily be that too and I don't know anything about the other one but I will take your word for it matching Dani because you know way more about this stuff than I do. I have no idea for Jamie though. And with zodiac signs I love that Amelia looked at Jamie and thought she was an Aries, as for Dani I have NO idea what her zodiac would be... in CBML she's a Leo but in MoU with what I have planned for her birthday she'd be a virgo but I don't know anything about zodiacs... all I know is all the pieces I've ever met have been the opposite of what Dani is so maybe that has something to do with their whole charts but I know a lot of other people always make her a Pieces and I trust what other people say about zodiacs more than what I know about them because I really know NOTHING about them haha Nah I knew it was a road sign because of how heavy and hard it was- nah we have no bears where I live... I don't think we have many dangerous animals where I live... got a couple of badgers that can be pretty aggressive but that's about it we don't have much that is scary here or at least not in the little part of England I live. Having life threatening health issues has been hard and since having my spleen removed in January (that was the surgery I needed to try and fix the issue I had) things are even harder now because I have to take antibiotics for the rest of my life to stop me getting any infections because if I ever get a chest infection now or a really bad cold it can be really dangerous but I take it all in my stride and not drinking is just a way to make sure the antibiotics actually work properly and to make sure nothing happens to me... and like you said, means I don't do anything dumb too... haha drunken stories are the best I have been lost a few times when I've been drunk... and I don't think you do learn, I have siblings that are
like 40 and still do dumb shit... I know at 27 I am still doing dumb shit too I don't think I'll ever learn haha 😂 Its such an emotional roller coaster and honestly I was just devastated the first time I watched it... no TV show or movie has ever made me cry the way Bly Manor did when I first saw it and it still makes me cry now. I can cry just thinking about that last episode. I definitely mean it in a friendly way so I hope it comes across like that. Yeah the accent in Billy Elliot is a Geordie accent and its my favourite accent there are other accents around the north that are called different things. Yeah Lancashire is a county and again in Lancashire there are loads of different accents I can't really pinpoint Jamie's down to a city I just know it's Northern. I'm from Yorkshire but don't have a strong Yorkshire accent I just have a Northern accent, like people never believe I'm from the place I'm from because I don't sound like I am but you can definitely tell I'm northern... honestly there are so many accents in England... you can drive for two hours in any direction in England and the accent will change like two times at least it's insane... see a lot of people say that but I am not a HUGE fan of the northern accent and I think it's because I grew up there. I much prefer Dani's accent to Jamie's but like I said to me, Jamie just talks normal there is no accent really haha Yeah 4k words for it but it's all jumbled up it's not like a chronological story yet it's just all over the place haha but I hope I can get it all structured properly soon!! Awwh good I'm glad you're already interested in this medieval AU!! That makes sense you're resisting creating for it but I think it's so cool you did a face study for Dani and Jamie even if you didn't wanna finish it I think letting things cook for a while is always a good idea if you're not in the right headspace right away I had such a good weekend but I am so tired and today I had a busy day too celebrating my roommate's boyfriend's birthday so I've had so many days that have been so busy and right now I am just really to sleep haha!! Yeah definitely don't have favourites but I have spent more time with one of my nieces than the others simply because I always look after her if her mum and dad are working and I'm not... like until I start this new job I am looking after her for an hour every day after school while she waits for her mum and dad to finish work but I don't have favourites haha!! Thank you so much I hope you had a great weekend and that you have a great week too!!
1 note · View note
Note
if anon hasn't swung by yet, i'm here to ask what happens when remy realizes when he's in love with patton
Yes hello!! Welcome to: so you’re a gay bastard who’s just met a literal ray of sunshine who’s as fluffy and soft and sugary sweet as a marshmallow. falling in love’s inevitable, but how does the gay bastard recognize when it’s happened to him??? come find out!
set in the Mindscape because I Said So
Remy exists as a function of Thomas
Most functions just live in the Imagination but he’s active enough he gets his own room with the sides
(Technically it’s just a guest bedroom that’s in Thomas’s house- Remy took the memory of it and put it in the mindscape to use, which is why Thomas can never accurately remember the room or its layout when he’s not in it sjdbfhjsd)
That’s not super important but I wanted to say it
Anyways
Remy interacts with the other sides, of course
He doesn’t always get on amazingly with all of them, though
As a technical ward of the Imagination, Remy feels… slightly awkward dealing with Roman or Remus extensively. It’s not like he can’t, it just feels off
He and Virgil can be snarky and sassy together but they also clash a good amount when it comes to bedtime for Thomas
He’s not really ever up against Logan or Deceit, and they get on well enough, but it’s not like they click like natural friends or anything (shocking, I know, given my losleep agenda, but shhhh I haven’t gotten to the good part of this bullet fic)
Patton, however, is the exception
Sure, Remy may not be a happy-pappy optimist like Patton is, but surprisingly enough… he appreciates Patton’s brightness, his sunny outlook, his big smiles and sweet offers
And Patton is surprisingly accepting of Remy’s snark and sass and snap. He finds them amusing, enjoys entertaining his quips and returning them with puns and wordplay and giggles
Their friendship’s a quick-formed one, one that’s usually found chatting in the kitchen while Remy abuses the coffee machine and Patton bakes, but also in the Commons watching various shows you’d never expect them to watch, and in each other’s rooms when it’s late and they should be sleeping but they can’t for one reason or another so they waste the time sipping hot cocoa and talking together instead, and more
It’s good. They’re good.
Remy really should have seen this coming
He has a lot of chances to fall in love with Patton
And he takes all these chances very happily
But there’s only one where he realizes that he’s fallen, and fallen HARD
There were many moments that could have been ‘the one’
Like one of the few times he chose to bake instead of just watch with his coffee, him complaining about the mess while Patton laughed and showed him how to do it
They always ended up with something edible smeared on his face- chocolate or frosting or cookie dough, just a touch normally dashed against his chin or cheeks
And that always ended with Patton carefully wiping away the substance (and once or twice, on more memorable substances, kissing it off- normally when it was a smear of Patton’s favorite cookie dough)
One of those times, when Patton and Remy’s faces were stupidly close, Patton tenderly wiping away whatever mess was left on Remy’s face, Remy’s sunglasses useless to hide his gaze when this close, eyes both on each other, would have been a perfect time for Remy to remember that he was very gay and Patton was very cute
But he normally only remembered the ‘very cute’ part without any context, and another day passed with him left in self-ignorance
He could have realized it one of the times a movie marathon of cheesy romcoms (Remy and Patton both loved the cheese for different reasons) ran long and Patton fell asleep against him, head against Remy’s shoulder and body tucked against Remy’s side
He only got closer to Remy the longer he was asleep, but that was okay. Remy knew a sleepy Patton was a cuddly one. He just wrapped his arm over Patton and held him closer
Patton was always mumbling something when he was sleeping, which was cute, Remy had considered, cute how he scrunched up his nose as he thought before spilling out nonsense words and phrases
Cute how he would smile at whatever his sleepy thoughts were
Cute how sometimes he’d just… happy wiggle. Remy wasn’t sure why, but one minute Patton would be pressed against his side and the next he’d be doing a lil wiggly-shake and then he’d be back to trying to meld his body with Remy’s. It was cute.
Eventually, Patton would open his eyes, just a little, looking tired and sleepy, blinking blearily at Remy but not trying to move away from his side
He’d ask what had happened, when he’d fallen asleep, and Remy would just chuckle quietly and run a hand through Patton’s hair and say it’s alright, go back to bed, he’d take care of it
And Patton would just nod and lie his head against Remy again and be asleep almost immediately
And soon enough Remy would slowly, carefully, gently pick Patton up and move him to his bed, staying just long enough for Patton’s blankets and sheets to warm up and mimic his own warmth- hence making Patton willing to release him- before leaving
And if he lingered a moment in the doorway before leaving, wishing he could stay, could curl up with Patton and kiss his forehead and fall asleep with him?
Well… Patton was warm and cute and cuddly. Who wouldn’t want to sleep and cuddle with him? That was a Normal Friendship Thought to have. It didn’t mean anything!
And once more, His Sunglasses Make Him Oblivious Remy strikes again
Incidents similar to the baking ones and the sleepy ones continue to happen
Remy spends a good two hours doing nothing but trading horrible puns with Patton because they make Patton giggle and chuckle and LAUGH and for some reason Remy just realized he could listen to that laugh for weeks and if puns causes it… then puns he shall tell
He learns to do basic sewing because Patton accidentally rips his catigan a lot and yes Patton can sew and he does fix his own tears but Remy likes to sneak in and fix them when Patton’s busy (Patton always gets excited, later, having decided that he’s got some sort of guardian angel looking out for him but unsure who. Patton’s happiness over the whole thing’s enough for Remy- he never admits it’s him)
When Patton’s doing something/is distracted, Remy will sneak up behind him and pick him up and spin him in a half-circle and Patton will giggle and Remy will never feel more alive than he does every time he does it
There’s a lot of moments like these, where Remy turns into an absolute sap over Patton doing something as impressive as Smiling, and yet Remy throughout it all, Remy refuses to just realize ‘oh hey shit I’m in love’
Finally, however, not even Remy’s thick dark sunglasses and mindset of ‘what is love (baby don’t hurt me, don’t hurt me, no more)’ can stop him from realizing how lost he is on this boi
It all happens one late night
Remy’s sleepless and up and wandering
He notices, eventually, that the light’s on in Patton’s room, and he figures, hey! late-night buddy, let’s say hi
The hi was well-timed, but not for the reasons Remy had hoped
Remy peeks in the crack and finds that, yeah, Patton’s up, but he’s also hugging a body pillow and his eyes are a little red and there’s a tiny bit of sniffling and okay someone’s not having a good night and for once it’s not Thomas as Virgil slowly goes through decades-old memories
Remy had been looking for someone to goofy off with at two am but now it is Comfort The Fluffball time and he is READY for this mission
He doesn’t go in immediately- pulling away and quietly making his way downstairs first, quickly making two mugs of hot cocoa, putting in plenty of mini marshmallows in Patton’s (and bringing the bag of them as well, for when Patton inevitably wants to snack on them)
Then he goes back upstairs, lightly bumping Patton’s door with his foot until he hears a loud sniffle and Patton hastily whisper-shouting to give him a moment
Remy waits, listening to the shuffling noises, well-aware that Patton’s cleaning his face off, trying to hide his self-perceived sin of feeling bad
Eventually, the door opens, Patton’s eyes still red as he refuses to meet Remy’s, aware the function has likely already guessed he’s not doing amazingly
His eyes light up, a bit, however, when he sees the cocoas and the marshmallow bag beneath Remy’s elbow and Remy’s gentle ‘I’m here’ smile, and Remy feels his heart light up at that
Patton lets him in, taking his mug and the bag of marshmallows from Remy as he does so, moving back on to the bed and leaning against the body pillow he had been crying into a moment ago (Remy can tell because the top of it’s damp) and he gestures for Remy to join him
And Remy does, sitting down right next to him, pressing against his side and resting his head against Patton’s
They don’t speak, just sipping their cocoas and being close
They’ve talked about it before, Patton’s tendency to repress his bad emotions and isolate himself from help
And Remy knows Patton’s trying
Patton letting him in is trying
So Remy’s not going to talk about it, because that’s not what Patton needs now. He needs to be able to be safe with someone. To be comfortable, to be un-judged despite the tear tracks on his cheeks
Remy’s halfway done with his cocoa when he lightly bumps Patton’s foot. He’s wearing bright mis-matched socks whereas Remy’s got black ones with coffee cups on them, the steam coming out of them in the shape of z’s (Patton gave them to him, and ever since, Remy’s always worn socks at night)
A smile twitches onto Patton’s face as he bumps Remy’s back
It’s small
It’s important
Eventually, they finish their cocoas
Patton places his mug on his bedside table, automatically accepting Remy’s and moving it there too
He takes the marshmallow bag, then, pulling a few out and squishing them between his fingers as he pops a few in his mouth
Remy smiles, watching Patton amuse himself with the marshmallows for a moment before asking, softly, ‘do you want to watch some tv? or do you think you’re ready to go to bed?’
‘bed’ Patton answers immediately. he knew the question was coming. Remy always asked it on nights like this.
‘of course’ Remy answers easily, beginning to stand up, moving to take the mugs away and part with a few words of reassurance and a reminder that Remy’ll find someone to cover making breakfast in the morning, please, Patton, sleep in
He’s stopped when Patton grabs his arm, just lightly tugging on his arm and pulling Remy back to sitting beside him
‘please stay’ Patton asks, quietly, but still fiercely, as if if his voice wasn’t strong enough, his want for this not there enough, Remy would say no (Remy knew he never would’ve so much as dreamed of saying no)
‘of course’ Remy repeated as the moral side tossed the marshmallow bag onto his bedside table. ‘how long do you want me to stay?’
‘until- I mean- until I fall asleep?’ Patton settled on, hesitantly
Remy frowned as he gently reached out, cupping Patton’s cheek with one hand. he didn’t press, since he knew Patton wouldn’t tell him what he really wanted if pressed. he’d clam up and stick to his lie. he had to be given time.
Patton leaned the slightest into the touch, letting the silence hold for a moment before he said, quietly, ‘I don’t want to be alone’
‘you won’t be’ Remy murmured back, easily coazing Patton into his arms, happy to let the moral side fold into his chest, pressing himself ever closer to Remy as Remy held him ever tighter
He slowly tugged Patton over, pulling Patton’s duvet over the two of them as he settled them down amongst the pillows of Patton’s bed, the lights in his room turning off at Remy’s mental urging
Patton moved with him easily, happy to be held, snuggling close against Remy and tucking his head beneath Remy’s neck and tangling their legs together and more or less enuring that Remy wouldn’t be getting up until he did (not that Remy minded)
Soon enough, they were still, Patton breathing deeply, very quickly falling asleep as Remy rubbed circles into his back
‘hey, Remy?’ Patton asked, words slurring as he fought the call of sleep to say whatever he had to say
‘yeah, babes?’
‘thank you, for... for everything’
Remy smiled, a stupidly sappy smile, safely hidden in the dark. ‘of course, Pat. always happy to help.’
Patton hummed in agreement to that, nodding a bit against Remy’s chest. when he didn’t say anything more, Remy thought he had fallen asleep, until Patton said one last thing,
‘I love you’
It wasn’t that surprising- Patton had said it before, and so had Remy, normally after Remy had complimented Patton’s cookies or after Patton showed a complete lack of shame for a rather terrible pun- but he had never said it like this before, so quietly, so simply, so meaningfully
It took him a moment to collect himself enough to respond, and by then Patton had fallen asleep, but it didn’t matter, because Remy still said it,
‘I love you too’
And that, dear reader, is when Remy realized just how heavy the weight behind those words was
That’s when Remy realizes he’s in love
Anddddd because I’m a bastard (and also tired and said I’d post this today) that’s where this ends, even though I now remember the question was ‘what happens when Remy realizes he’s in love with Patton’ and not ‘how’ he realizes, but shhhhhhh enjoy what I gave you
And like,,,, I’m not saying I’ll give this a part two if y’all want to see what happens after Remy finally comes to terms with the fact that he’s in love with the sun, but like... I def will just hmu sometime sdfjsvfsdf
154 notes · View notes
qqueenofhades · 5 years
Note
Just read your post on explaining end-stage capitalism, and "Nobody wants to be the actual generation that lives through the fall of capitalism, because it’s going to be cataclysmic on every level," - do you have thoughts on how much longer its going to be until this happens? I'm mostly just curious if our generation is going to be the one it hits
...aha. A cheery question (if a totally understandable one). 
To be honest, I would say the odds are....good. People have noticed some rather pointed similarities between the first few decades of the twenty-first century, and the first few decades of the twentieth century. Fascism on the rise, surrealist art, a focus on personal pleasure, Europe in turmoil, an ongoing war (the War on Terror in our case), etc etc. It goes without saying that something major in the economics department happened in 1929, and the country only recovered because of World War II and the need to stimulate wartime production. In the meantime, the Great Depression wiped out the savings and net worth of most of the country, and while the iconic images are the Dust Bowl of the Midwest and the popular myth of stockbrokers jumping out of windows on Wall Street, it was a serious and worldwide event that, as noted, only ended because of an even worse calamity. That is...not something to aspire to.
2029 would be just under ten years from now, though we hope history isn’t THAT on the nose (also, we fucking never learn. Anything. Ever.) That matches rather well with the outer limit of the time we have to save the planet from runaway climate change, and frankly, it all depends. If Trump gets re-elected in 2020, I... honestly think we’re fucked. We’re already fucked as it is now, but I just don’t see a way in which the present system could cope with another five years of this (shudders, throws salt over shoulder, spins in a circle). We’re already well down the Nazi checklist as it is. The prospect of allowing that to go on for another half a decade is.... let’s just say I don’t think there’d be much of anything recognizable as America at the end. Not that there’s much now.
I also think that as is always the case, middle-class and marginally middle class people (especially white ones) will probably miss out on the worst of it. It’s already the case that climate change and global poverty and this kind of thing most affects the people who are safely “out of sight, out of mind” for the complacent West. After all, WE aren’t the Bangladeshis getting flooded because of climate change, WE aren’t the kids in Chinese factories forced to spend 18 hours a day, 7 days a week making iPhones, WE aren’t the immigrants from Central American countries getting caged at the border and being thrown into concentration camps, so on and so forth. These things are already happening, but American/European/etc people with a certain amount of privilege are still able to remain insulated from that. If there was to be a comprehensive collapse, then even people who have been able to minimise the effects on themselves until now would be caught up in it. The world has changed to such a degree that if there was another Great Depression, it wouldn’t happen in the same way, but we already saw what the financial crash of 2008 did (and it in fact came very close to wrecking the global economy permanently). Plus, think of how much of our possessions/money/etc are now virtual. Most of us don’t get a physical paycheck anymore (it’s all direct deposit) and rarely carry cash. Our savings are just some numbers in a database in a bank’s computer system. There’s no such thing as privacy, corporations own all our data and personal information, and you can’t opt out of this system or boycott Amazon because they literally own too much of the infrastructure to make that realistically possible. It would basically take one good crash of the internet to leave a lot of people destitute, and our current civilization is a very fragile thing.
I.... really don’t know. I’m not sure I have anything necessarily optimistic to say, and that’s a struggle. You have to live in a state of hopeful nihilism, because if you focus on the big picture and how chaotic and nightmarish things are on the macro level, you’ll go crazy. You can’t control that, you will give yourself anxiety over it, and you will miss out on what you can do on a day-to-day level. As one person, you can’t fix this by yourself. But you can still make choices about what you do and how you interact with people and what you value and how you behave even in this comprehensively flawed system. We don’t know if we’re all going to die, it’s true. But nobody in the history of time has ever known that, and the human race has gotten through some pretty tough scrapes before. We don’t know. We really don’t. And despite /waves hand/ ALL THIS, we’re... still here, for now. Many of us have things that make us happy. And those mean something. It’s not all chaos and nightmare. As Samwise Gamgee would say, there’s good in this world, Mr. Frodo, and it’s worth fighting for.
In short: yes, the world is very probably fucked, and I can’t rule out the possibility that a major collapse affecting even the privileged groups/people who have the luxury of avoiding the worst of it happens in our lifetime, or even within another ten years. I worry constantly about not having enough time to have a real life, as I think a lot of people of my generation do. But I have also had that stare-into-the-abyss-and-decide-what-I’m-going-to-do-about-it many times, and I don’t think it’s worth just giving up and deciding that nothing matters and etc etc. I think it’s worth going on with your life in the day to day, small-thing moments. I think it’s worth having things you enjoy and things you dream about and those seemingly wildly impossible dreams about what you’ll do when you’re old and the idea that any of us will in fact get to live a real life. There is still goodness, and kindness, and beauty in the world. Because we’re plugged into the constant bad-news-from-everywhere power hour in terms of the internet, we miss that.
Anyway. This has turned into a ramble, and it explains the weird state we live in of trying to be personally optimistic even when we know things are shit, and how hard that is, but is still the only thing we can do. And honestly: the future isn’t set. Our destruction is not inevitable. We’re in the darkest timeline now and we seem to have been in it for a while, but even that can end. Enough people just have to decide that we’re not putting up with it anymore, and act accordingly.
We are many. They are few. It’s always been the case. They have a lot more than we do, materially speaking, but it’s still possible. It always is.
So yes.
39 notes · View notes
writing-royza · 5 years
Text
Tainted Blood, Tainted Soul: Chapter Twenty - Hunting the Hunter
A/N: Happy Sunday, everyone! I'm sorry for the delay; it was two busy weekends in a row, and I had no time at all during the week to write, followed by just a really bad week. Someday, I'm going to just get a hotel room somewhere in the city and spend the entire weekend doing absolutely nothing but recharging my mental batteries and writing fanfiction. But I'm back, feeling better, and I'm ready for you to enjoy Chapter Twenty!
I do not own FMA.
Chapter Twenty - Hunting the Hunter
CENTRAL MILITARY HEADQUARTERS, CENTRAL CITY
0843 HOURS, APRIL 23RD
Breda hung up the phone, sitting back in the chair with a frown of deep thought and a tingle of unease in the pit of his stomach. The call had not gone as he had anticipated or hoped… and that did not sit well with someone as used to thinking three moves in advance as he was.
"It could just be that there's a problem with the lines out to Ishval," Fuery suggested. He had pulled a chair over from the phone kiosk to the left so that he could listen to the call, and still sat leaned forward, his elbows on his knees. "They were only meant to be temporary ones, just until the military could run long-term lines out there."
Despite the plausibility of his explanation, he didn't sound confident.
"Yeah… but with the information we've got, I don't want to take chances." Breda folded his arms over his chest, still watching the phone with a concerned and perplexed frown. "Did Rebecca or Falman say whether they had had any luck getting in touch with them?"
Fuery shook his head. "Rebecca said that Riza had called her the day before they left, and promised to touch base once they got to Jadad, but there was no word after that." He shifted nervously in his chair. "You don't think that… well, maybe something went wrong with the truck? Like it broke down, or they had an… accident?"
"Hard to have an accident when the landscape is flat with hardly anything to run into," he answered dryly. "As for mechanical trouble, they're both resourceful enough to either fix anything that went wrong. If they had to abandon it, they would hike to whichever was closest - Jadad, or some Amestrian settlement." He rocked the chair back, still thinking. "If it were Jadad, and we can't get through, then neither can they. An Amestrian town wouldn't have the same problem."
He dropped the chair back to all four legs, and got to his feet with a stretch. "All things considered, if the Promised Day didn't kill them, a three day drive won't either. Once we can re-establish communications with Jadad, I bet you anything they'll be there and already hip-deep in work."
Fuery caught up quickly, falling into step beside him as they left the communications centre. "And what about the message we were trying to get to them?" he persisted. "They still need to know about that."
"We also still need to tell Grumman," Breda pointed out. They emerged into a hallway, joining the pedestrian flow of soldiers arriving for the start of the work day and the few tired-eyed night shift workers heading for the exits. "If we can't reach the Colonel or Lieutenant, Then he takes precedence."
They ducked into a stairwell, climbing toward the third floor of the half-demolished building. Tarps flapped gently along one side of the structure where it would otherwise be open to the bare and blasted parade ground and what had once been neatly maintained lawns. The cleanup alone, to make things restoration-read, had taken a week and a half, with the rebuilding only just getting underway.
Breda caught a glimpse past the tarp as they started up the second-to-last flight of stairs – the sky was overcast with the promise of rain, the air already thickening slightly with accumulating humidity. The kind of weather the Boss hates, he thought idly. Just as well he's not here.
The outer waiting room of the Office of the Führer-President was deserted when they arrived. A pair of empty couches faced each other over a glass-topped coffee table, with a single desk sitting just inside the doors. Breda glanced over as they passed, noting a few particular details on it that marked its most recent occupant. Paper with familiar handwriting, an empty dog bowl tucked out of the way in the foot well, and the brass nameplate reading '1st Lt. R. Hawkeye.'
Fuery knocked twice on the tall, wooden double doors at the far side of the room, waiting for the confirming call of 'Enter!' before grasping the long brass handle and pulling the heavy panel open.
It was clear, from the moment they entered, that they were walking in on another conversation. Grumman watched them enter, seated in silhouette against the window behind the large desk. Standing in front of it, his hands folded behind his back and looking back at them over one shoulder, was Alex Louis Armstrong.
Both newcomers paused in the doorway to salute. "Sorry if we're interrupting," Breda said by way of greeting. "We can wait outside if –"
"Nonsense," Grumman interjected, waving away their formalities by beckoning them forward. "I suspect we're all discussing the same thing, here." He nodded in Armstrong's direction. "The Major here was just updating me on the situation with Mr. Collins of the Central Times."
Fuery winced. "Is he going to press charges? Lieutenant Hawkeye said she sent a letter of apology to his office, but–"
"She won't be charged," Armstrong rumbled, his face composed but his eyes twinkling lightly with humour. "I spoke to Mr. Collins' editor and it appears that the reporter received a rather strong backlash from his coworkers. Something about 'pushing the envelope' and 'starting trouble' with 'still-healing soldiers."
Grumman was openly grinning, his fingers laced together under his chin. "Perhaps Mr. Collins will be wise enough to learn from this mishap to keep his mouth closed and his ears open, instead of the other way around. This does come as a relief, though. We'll add it to the list of things to be communicated to the Colonel at our next check in. Speaking of…."
Grey eyes settled on Breda and Fuery, his expression turning expectant. "How did things go this morning?"
"They… didn't, sir," Fuery admitted. "That's why we came to see you. The temporary phone lines that East City ran out to Ishval last week appear to be down."
The new Führer-President went very still, his gaze boring into the two younger men. "Down," he repeated, his tone carefully neutral. "Down how?"
Fuery faltered under that stare, the one that had been subduing unruly soldiers and insubordinate officers for decades. "I'm… I'm not sure what you mean, sir…. If they're down, they're down. They're… not working."
The expression softened, Grumman's hands lowering to rest, folded, on the desk. "I'm sorry, with both of them in unfamiliar and politically restless territory so soon after being wounded… I had hoped to rely on our communications to make sure they stayed as… recovered as they seemed to be." He smiled, though it wasn't much more than reflexive. "When you say 'down,' do you mean temporarily or permanently?"
"Temporary, for sure," Breda put in. "I think our next move is to have East City try and establish radio contact with Jadad, instead of telephone."
Fuery was nodding in agreement. "The signal will be scratchy, but it should at least be understandable. We'll have to give Rebecca a message of everything we want to say, and have her take down all of the Colonel's and Lieutenant's responses." He shrugged. "It's not exactly the fastest or smoothest way to share information, but given the circumstances…."
Grumman was already nodding. "It's at least more of a plan that we had a moment ago. The only question remaining is what information we would like relayed." He looked back to Armstrong. "The news of Mr. Collins, of course, but is there anything else? Any news of the East-Central Slayer?"
"Unfortunately, there is." Breda had gone from optimistic to grim in a matter of seconds. "Rebecca got in touch this morning to update us; that's how we knew that the lines to Ishval are down. Things out there have taken a bit of an unexpected — and suspicious — turn."
Leaning back in the carved wooden Presidential chair, Grumman's face was composed, but with more than a hint of resignation. "Don't they always," he murmured. "Go on; what's happened?"
"Well… if you remember, sir, the last contact anyone had with the killer was when he robbed the blood bank at the East City Military Hospital," Fuery began. "He stole six pint jars of blood in varying types, killed a male nurse who caught him in the act and a guard who tried to stop him leaving, and then disappeared. He hasn't been seen in the city since then."
"Bizarre sort of thing to steal," Grumman murmured.
Armstrong was frowning as he absorbed the information. "What was the date of that last attack?"
"April 21st. Two days ago." Fuery paused a moment to let that sink in before adding, "The last time he took a longer break between killings was when he murdered the hospital administration clerk here in Central and then moved on to East City."
The large man eyed him thoughtfully, blue eyes watchful above his moustache. "And you believe that the reason there have been no attacks since the 21st is because the killer has migrated once again?" Fuery nodded. "Do you have any idea where he might have gone?"
Breda and Fuery both shook their heads, but Grumman got to his feet, beginning to come around to the front of the desk. "There is some… information I've not yet shared," he said grimly. "I was keeping it to myself for now, in the hopes that the fewer people knew about it, the less risk would be posed to the Colonel and Lieutenant."
He stood with his hands behind his back, grim in the morning sunlight coming through the window. "The reason for the two of them going on to Ishval was only in part due to the threat of legal action by Mr. Collins. That is the part I told you, because the other is… much worse." Grey eyes flashed in warning. "What I am about to tell you does not leave this room, except to inform the rest of the investigative team. Am I clear?"
At the three nods and murmurs of 'yes, sir,' he continued. "It would appear that Lieutenant Hawkeye has caught this killer's attention. When or how, I do not know – I don't think even she knows the answer to those questions. She and the Colonel were staying in my old apartment in East City for the duration of their investigation there, and in that time… the killer sought them out, broke in, and caused a… confrontation."
The blood drained out of Fuery's face at the same time Breda's jaw clenched. Armstrong's moustache bristled, his blue eyes wide. "Are they all right?"
"Physically, yes." Behind his back, Grumman clenched his left hand tightly around his right wrist to keep himself calm. "The attack was mostly focussed on Lieutenant Hawkeye, and, strangely enough, involves blood." He took a deep breath before saying, "He forced her to drink his."
Somehow, Fuery's jaw didn't wind up on the floor, although it tried mightily. Breda swallowed hard, looking sickened, and brief flashes of shock, sympathy, and anger crossed Armstrong's face so quickly that catching them all was difficult. The big man was the first to regain his power of speech.
"And did she… get rid of it?"
"After he was chased away, yes. I'm told she was so disgusted by it that she vomited almost immediately." He shook his head wearily. "Though if this is the perverse purpose he puts his own blood toward, I shudder to think what his plans for the bottles he stole is."
Breda gave a full body shudder, shaking himself back to reality. "I can see why you didn't want to tell us, sir. It's like something out of a horror story."
Beside him, Fuery went still, his shoulders stiffening and eyes widening. "…Say that again."
"'…It's like… something out of a horror story?'"
Recognition dawned in the young man's eyes, his gaze introspective as he nodded slowly. "That's because it is. A vampire forcing a victim to drink his — the vampire's — blood… that's straight out of classic vampire lore. It's called a baptism of blood; it's how one vampire turns a new one." He grinned sheepishly, coming back to the present as he glanced around at the other three, all of them staring at him. "…I read a lot of monster stories as a kid."
Breda's expression turned skeptical. "That's the key word here, though, isn't it? Stories?" He shook his head. "This guy is just… a guy. Somebody who's probably read the exact same stories you did, and is just cracked enough to believe that he's an actual vampire, so he tries to act like one."
"Stories, perhaps," Armstrong rumbled darkly, "but I know for a fact that monsters are real." He reached up, rubbing at his left shoulder, still tender from where it had been dislocated on the Promised Day. "I fought one on the Promised Day… and served another in the military for several years. I'm not above believing that the monsters in cautionary tales could be real; the ideas had tom come from somewhere."
"Usually folklore, dreamed up by scared people to explain the unexplainable," Breda countered. "I'll agree that monsters do exist; I can't deny the existence of the Homonculi or their Father. What I'm saying is that there's got to be a better explanation than some pointy-toothed bloodsucker, or at least some kind of proof."
"After hearing all the accounts from Central on the Promised Day… after have my own soul ripped out and then slammed back home by a mystically evil being I've never even seen…." Grumman moved to lean back against the desk, folding his arms over his narrow chest. "After all that, I think I'm willing to come down on the side of belief."
Breda still didn't look convinced, but Fuery spoke up before he could voice his skepticism. "So if this guy is some kind of vampire, and if he turned Lieutenant Hawkeye before she left for Ishval…. Could he be going after her? And stealing the blood for…." He swallowed hard in distaste. "For… provisions until he reaches Jadad?"
The room went deathly silent for a long moment, before Armstrong spoke. "…It might be best to have East City establish radio contact with Jadad as soon as possible."
EAST CITY MILITARY HEADQUARTERS
0953 HOURS, APRIL 23RD
She sat with her shoulders hunched beside the radio receiver, headphones clamped to her ears with both hands and a frown etched into her face. Rebecca shook her head, hearing the padding over her ears creak with the movement. "Still nothing, try again."
Beside her, still tired from a hurried day and night of train travel, Falman inched the frequency dial over notch by notch, his other hand holding his own headphones tightly against one ear. "We're going to have to start going backward along the frequencies before much longer. There might be a dust storm somewhere between here and there that's scrambling the signal, or –"
"Wait a second, go back a little! I think I heard something."
A second later, a fuzzy signal dissipated most of the white noise, occasionally disappearing back into static. "…tention, Eas…uarters…Jadad Cen…tions…se resp…."
Rebecca bounced once in her seat in happy victory, causing Hayate to lift his head from the floor beside her chair. "Yes!" Leaning forward to the microphone, she pushed the button for transmission. "Jadad Central Communications, this is East City Headquarters. We copy, but you've got bad static."
There was a short pause, then, "…opy, East Cit…. you know…ry offic… name…keye?"
She could feel the happy triumph of just seconds before fading into worry. Exchanging a glance with Falman, his own concern writ large on his face, she leaned toward the mic again. "…Yes, we do. We're actually calling to talk to either her or Colonel Mustang." A brief pause. "The phone lines were down; this was our only option."
The pause from the Ishvalan end continued for another moment, before was a crackle louder than others and a new, deeper voice sounded. "…ecca?"
She relaxed slightly, although not much. "Right here, Colonel. Falman, too."
"…ood. Could u… elp." There was another pause, and when he continued, Rebecca suspected it had been because Mustang was taking a calming breath. "Hawk… n't here…. ng happ… took off."
"'Something happened and she took off?'" she repeated softly to herself. Casting a look at Falman, she found him looking back at her with equal puzzlement.
"That's out of character," he said, just as quietly. "Lieutenant Hawkeye never just… 'takes off.'"
Rebecca turned back to the microphone. "Colonel, do you know where she is? We have a message we need to get to her. It's urgent."
"She…mewhere ins…ity… ot sure whe…. ive me… sage, I'll… et it… when… ind her." There followed a moment of hissing static, and then, "…ave mess… too."
Her frown deepened, not understanding the last few words past the obscuring bursts of static and white noise. Either the Colonel had a message as well… or just a mess. With Riza having gone off 'somewhere in the city,' it could be either one. "Go ahead, sir," she said, reaching for the notepad and pencil she had brought with her. "What's your message?"
"…eason t… eve… iller migh… pire. I… eird…est… lanation….… bit Hawk… rned her… too.… ried to… rid of… n't work. She… ent pers… not… at all." He paused for a moment, then added, "With… o far?"
Rebecca looked down at what she had scribbled hastily as he spoke. 'Killer, vampire?, bit Hawkeye, turned?, tried get rid of didn't work, different person.' "I think so. Did you say she's a different person? Not herself at all?"
"…es….off aft…failed… een since….Grumman we're…looking… city… on't think… find unle…want…be fou…."
"Got it." Jotting down the last note, she read it over again. 'Took off after failed' - presumably he meant whatever they had tried to get rid of a vampire curse - 'tell Grumman they're looking, in city, don't think find her unless wants be found.'
"…at's y… age?"
Falman jumped in as Rebecca started writing out her short notes into something more intelligible. "Grumman told everyone about the attack on you in East City," he said, speaking slowly to combat the static. "Fuery figured out the vampire angle as well. The last attack was two days ago –"
The radio spat static, causing him to pause, and Mustang spoke again. "Fue…igur… out?!"
"Yes, sir. And the last attack was at a hospital. The killer stole six bottles of blood and killed two staff members before he escaped." Silence, but for a faint buzzing on the airwaves. "We think he might be –"
"He…ing here."
Falman grimaced; for having been hurled headlong into this – the strangest of strange cases – with little to no warning, he was handling it remarkably well… but his own weariness was wearing on his ability to keep up. "Yes, sir. We think he might be."
There was yet another momentary pause, and when Mustang's voice came back, it was all business. "Than…eads-up.…wha… can… ind Hawkeye…. Get…ssage to…man, check…tonight.… lines down… don't… ike it.…eep search… you know…ind her."
Either the static was clearing a little bit, or Rebecca was beginning to understand static-speak. "We copy. East City out."
Both she and Falman sat back, pulling off headphones and laying them on the desk. Rebecca rubbed a worried hand across her forehead, massaging the beginnings of a headache. "I suppose we ought to call back to Central and bring the others up to speed," she muttered. "Though how we're supposed to present this vampire stuff with a straight face, I don't know."
Falman's usually sober expression was grave. "I believe it," he said quietly. "I fought beside the Homonculus Greed on the Promised Day, and I watched Bradley take apart a tank, Captain Buccaneer, and a Xingese warrior with no more trouble than swatting a determined mosquito. If a being such as that exists, who's to say that vampires can't?"
A chill crept up Rebecca's spine, and she only barely suppressed a shiver. Getting to her feet, she picked up her notepad and started toward the door. "Either way, we have a job to do. Let's just hope we're wrong in thinking the killer could be headed farther east."
CITY OF JADAD, RECONSTRUCTION OUTPOST OFFICE
1015 HOURS, APRIL 23RD
Roy pushed open the door and stepped into the dim, cool interior of the house-turned-office. Barely ten in the morning and already the sun was promising high warmth from a cloudless blue sky. Roy took that as a good sign; maybe such bright sunlight would force Riza to stay put in whatever hiding place she had found.
And maybe it'll prevent the killer from getting here much faster….
Miles looked up as Roy entered, his smile reflexive and not much more. "Did you manage to get through?"
"Barely. The temporary phone lines are down, so we had to rely on radio contact, and the static was pretty strong." He pulled a folded piece of notepaper from its place tucked into the waist sash of his Ishvalan tunic. "This was the message relayed to me through East City, from our new Führer-President."
Frowning studiously, Miles read the shorthand notes out loud as though for clarification. "'Last killer attack negative two d.' Two days ago?" He continued after a confirming nod. "'Stole blood, nothing since. Poss. coming here.'" He grimaced. "And if our vampire angle is correct, that blood will sustain him until he reaches here, and perhaps both him and the Lieutenant when he does."
Roy's stomach flipped sickeningly at the thought of her drinking more blood, this time voluntarily. "I don't think that's our biggest issue at the moment. The fact is that he's probably already on his way and if so, he's likely almost here. Two vampires in a city full of unsuspecting civilians?"
"It will be like letting two wolves into a pen of sheep," Scar put in, descending the stairs from the second floor. "Which leaves us with three options: lie in wait for the killer to arrive and bring him down when he does, find Lieutenant Hawkeye and make sure she can't or doesn't attack anyone, or… find her and wait for the male vampire to turn up and corner them both at once."
The sickening flip subsided to an uneasy rolling. "Use her as bait?"
"In a sense." Red eyes went toward the large map pinned to one wall of the main room. "The trick is finding her."
Mentally ordering his insides to get a hold of themselves, Roy turned toward the map, studying it as he approached. Symbols on a variety of colours covered most of the westward section of the city, next to tiny printed reference numbers beside each building. With more refugees trickling into the city every week, what had begun as a small 40-acre inhabited zone had spread to roughly a quarter of the city have at least some population.
Of course, that still left three quarters unpopulated.
His arms folded loosely across his chest, Roy ignored the habitable zone, and focussed his attention on the areas left free of such markings. "How many locations of significance are there in this open part?"
"Dozens," was Scar's grim answer as he joined him. One large, calloused hand lifted, pointing out different spots. "Temples, marketplaces, schools, a seminary, parks, courthouses…." He frowned. "Although you mentioned she would likely have to avoid religious sites."
Dark eyes scanned the enigmatic clusters of two-dimensional buildings. "I know it's a lot… but would you mind marking those kinds of places off? I don't know if we can figure out exactly what sort of place she would look for… but we should at least try."
Silently, Scar retrieved a marker from Miles' desk, returning to begin tracing the outlines of certain buildings with the red felt tip. Roy studied each one, comparing it to mental criteria and either dismissing it as a choice, or keeping it in mind.
The whole process took nearly half an hour, in which Miles disappeared briefly into the office's small kitchen and returned with small, steaming cups of strong coffee. Even with cream and sugar added to negate the bitterness, Roy was forced to cough in surprise at the first sip.
Getting himself under control, he turned back to the map as Scar took a step back with a satisfied nod. "All right. So if we exclude temples that still gives us…?"
"Fifty-seven possible locations." Scar gave him a sidelong glance. "If you're certain she'll look for a significant and public place."
Roy nodded firmly. "I'm almost positive. It's Sniper 101: get high up with a good vantage point over as wide an area as possible with as little ground cover as possible. That being said, if the building is under two storeys, she'll avoid it."
Miles joined them, holding a clipboard full of building reference numbers. Both he and Scar set to work, checking the heights of red-traced buildings and either putting a red line through them or leaving a red dot in the centre. In the space of ten minutes, all selected sites went from potential to 'probably not' or 'possible.'
Looking over, Miles lifted an eyebrow. "Next?"
Roy had spent the checking period planning the next round of cuts. "Any place surrounded by other buildings or that you know to have more than, say, two windows per wall." He shrugged. "It's a pretty common trope that sun and vampires don't mix well."
Miles nodded as Scar turned back to the map. "I noticed something like that as I was escorting her to the yantir. She seemed… perhaps a little groggy or disoriented, a little bit shaky in the knees. Not quite the dramatic bursting into dust and ash that some legends describe, but I think all of us would rather that didn't happen."
Silently quashing the little flutter of panic in his chest at the thought of that particular possibility, Roy forced a smile. "I think you'd be right. How many possibilities are we down to now?"
Scar was another moment in answering, murmuring when he did. "Twenty-six. Any other thoughts?"
Roy thought for a minute, then said, "Any place with religious significance. Temples and cemeteries, like we said before, but you mentioned a seminary as well?" The other man nodded. "I wouldn't expect her to go to close to that either. Any place for religion or the teaching of religion likely won't feel too welcoming to her."
Those subtractions only took a moment. "Twenty-one left."
"It would be best if we could narrow it down to under ten or just over," Miles said, his eyes on the map. "If we search those locations and don't find her, we can add possible sites back in little by little until we do."
Nodding agreement, Roy ran through the criteria in his head once again, trying to find something he had overlooked, something he may have missed that was preventing the selection from being pared down any farther…. "What about… any places that might see use sooner than the others? Places close to the inhabited zones that are maybe a little better off and might have Reconstruction workers visiting them at any time?"
"Ah." Miles consulted the clipboard list, looking closely at the column that told of a building's current state. "I can see eliminating… perhaps nine such buildings. Leaving us with a total of twelve possibilities farther into the city."
Scar handed him the marker, allowing him to take over crossing out the buildings they no longer needed. "Twelve is more of a workable number than fifty-seven," he agreed. "The temple can lend us some of their apprentices to help with the search."
Roy took a deep breath, still watching the map. Somewhere, in that open section, in one of those red-traced buildings, was Riza. A Riza who needed his help, needed to be found, needed to be brought home…. He just had to find her. "And will it be find-and-detain, or find, observe, and report?"
The two Ishvalan men exchanged a glance. "I think… it will depend on the situation, sir," Miles finally said, his tone careful. "If, when she's found, if they come upon her unnoticed… I would think that all they would need to do is report where she's gone to ground and keep an eye on the place until a new plan is formed." He hesitated briefly. "But, if she attacks outright, then whoever is on the receiving end will have no choice but to defend themselves."
It certainly wasn't the ideal situation, but Roy had a feeling it was going to be the best he could hope for under the current circumstances. "Agreed. Make sure the searchers know, then, that stealth is going to be an asset." The smile he cracked wasn't a full one, but it at least took most of the grimness out of his wry comment of "I'd really rather not have to find a new assistant."
"We'll do what we can, sir," Miles promised.
Scar had already taken a few steps away from the map on the wall toward the low table that served as his desk. Reaching down, he picked up three small packets. "If stealth doesn't work, these may buy time to either get away or prepare a defense." He kept one small canvas pouch for himself, and handed the remaining two to the others. "Based on vampire lore in the Ishvalan archives, these should be enough to at least give one of them pause when attacking."
Roy turned the little bundle over in his hands. "What all is in here, exactly?" The thing didn't have a strong smell, but what little there was was not exactly… appetizing.
"A combination of blessed sand, a holy rune of protection cast in silver, and three flowers of the garlic plant." Scar unwound the long string wrapped around the neck of his pouch, slipping it over his head so that the little bag rested halfway down his chest. "I can't promise it will completely repel a vampire, but they won't be anxious to get near it."
Putting his own pouch — or, protection charm, he supposed — around his neck, Roy glanced down at it once, then looked away. His eyes fell on the map.
"Let's get one of these made up for each member in the search party," he said, "and then get to it. Keep them in pairs, for safety's sake, and make sure they know what to do and what to look for. It's better to do this during daylight, so when there's an hour left until sunset, if we haven't found her, we'll pull them all back and regroup for tomorrow. Fair?"
Scar and Miles nodded grimly, and the curl of worry Roy had felt earlier now settled as a slowly shifting ball of uneasiness in his stomach.
The hunt was on.
7 notes · View notes
blazinginbus1 · 7 years
Note
let's talk zouis, honestly though it's frustrating seeing people say zouis is dead or this and that. when from what they've both said it seems they are on good terms again. perhaps not on the level of friendship they once were, but there's clearly still love there. i doubt we'll see them publicly hanging out for awhile, but i'm sure they maintain some level of contact especially after the past year louis has had. idk hopefully this isn't all wishful thinking on my part.
I can assure you you’re not the only person who shares that thought, love. I, alongside many other Zouies, think just that; Zouis’ relationship is still intact, even if its not presented for all of us to see. Which is fair, since its not our relationship after all; its theirs. There will always be someone with a negative opinion on Zouis, so its inevitable you’ll see people convinced Zayn and Louis have no interest in reconnecting, even now. Those people have never and will never care for the relationship Zayn and Louis have, so OF COURSE they want to believe they’re over. Their mind’s made up already. And that’s fine, I cant be bothered to worry about them.
Luckily, for the those of us who remain optimistic about Zouis, they themselves give us all the reassurance we need. The twitter fight was one, passing incident; Even the best of friends and the closest of families fight sometimes, but people we love can always be forgiven, if you trust they’ve learned from mistake. I can only speak for myself, but I saw the remorse in Zayn’s actions not too far after that happened. Beyond the heat of the moment, Zayn has shown he definitely wants to work things out with Louis and that the love on Zayn’s end wasn’t done for.
I mean, between congratulating the boys on DMD,
Tumblr media
favoriting very obvious Zouis fanart,
Tumblr media
reassuring fans he was not intentionally removing his Bus 1 tattoo,
Tumblr media
favoriting the photo of Louis and Freddie,
Tumblr media
then spoke out firsthand as to why he did that,
youtube
And of course, reaching out to give Lou his condolences about Jay.
Tumblr media
If people really question Zayn’s effort to right his wrongs after all this, then there’s simply no getting through to them.
Louis has had a hard time lately, and had to get over a lot of emotional hurdles, im sure. But when it felt right for him, and when he needed the reassurance he could reach back out to Zayn, he did so in private.
Tumblr media
Which is absolutely understandable and pretty much expected. I gladly accepted this information secondhand, because they needed to take the interaction at their own pace. Time has gone on and Louis has now publicly addressed him reconnecting with Zayn again in multiple interviews, which I linked to another post here. As well as complimenting Pillowtalk and explaining how they’re working through issues of the past.
youtube
Though neither have spoken up or shown any new interactions lately, it would be absolute stupid to see all of this stuff I listed above and still say Zouis is over. It’s clearly not. I trust they know how to navigate the rebuilding of their friendship now that they have a mutual means of communication, so I’m just going to trust that they’ll speak up when it feels right. And they’ll meet up when the opportunity strikes. Zouis is anything but over, don’t pay the naysayers any mind. Zouis will come back when they’re meant to. Stay positive, babes!
38 notes · View notes
awed-frog · 7 years
Note
I know you said you'll still follow the show, reblog gifs, and finish the dcbb you're working on this year, but ahhh - I'm going to miss reading paragraphs and paragraphs of your detailed analysis! You're my favourite meta-writer, and I really looked forward to reading your opinions after each episode :) Although you probably won't be super active in this fandom, will you still write deancas fic in the future? Just for fun?
Hi, sorry I left this for a few days. Your message really cheered me up in a period that’s been hard for me - mostly for family issues, so thank you - thank you so much for all this.
As for my projects - the truth is, I don’t know what I want to do, and how I feel about it all. 
[Putting the rest of this under a cut because there’s some negativity there - the tl;dr version is, yes, I’ll keep writing fiction for now and I’m hoping to post the next big project in a couple of weeks or so.]
Right now I feel let down, mostly, and as I said, part of it has to with myself and who I am as a person (someone who gets in too deep and 100%, and that’s not necessarily good), but I’ve also been around long enough to be sure that part of it is the show itself. What mostly annoys me as a meta writer is the fact Supernatural won’t own up to the subtext it is so clearly embedding in its narrative. Some people still feel optimistic, and that’s great, but let’s remember that what they’re doing right now - that’s a pattern. We got to the point where their whole season arc doesn’t make sense without Destiel (that’s basically what happened with Amara), and their mirrors are so precise they’re basically blinding you (still not over that Colette thing), and yet at the end of the season, nothing happens and nothing has changed. I mean, even with all the goodwill in the world, it’s getting harder and harder for me to believe TPTB will act any different from all the others who’ve been there before (and here I’m thinking mostly about Merlin and Sherlock) - they saw there was something happening there, for whatever reason, or maybe they pushed it from the start, I don’t know, but at some point they decided that yeah, why not keep it going - but the truth is, they never meant to go through with it, because that’s not how it works - because bi people are not a thing, because your gay characters must be openly gay from the start, because a story about a gay man must have something to do with AIDS or whatever, because you can’t trick people into watching a vampire story and then BAM, surprise, motherfucker, it was actually a gay romance all along, because the most they can do is two people holding hands in the very last scene and nobody would be happy with that, so why bother? 
I’ve tried to force myself, for years, to believe there was no malice there, no sheer exploitation of people’s hunger for representaton, but I don’t know if I can anymore. If you look at the last two seasons, the pattern is exactly what it’s been for the previous seven: a lot of subtext (sometimes  stretching credibility), a lot of double speak and scenes that could be interpreted either way, incredibly romantic moments followed or preceded by stupid and/or out of character #NoHomo stuff, and, mostly, no textual confirmation of any kind that something is actually going on. Which, frankly, enough.
And it’s not about Destiel, either. I would be okay with this obsession to keep the show only about Sam and Dean if they actually told me what’s going on with them, because they’re such complex and interesting characters and I would love to spend more time with them, but really, it’s hit and miss there. For instance, during this season I have learned nothing new about Sam, and I’m not any closer to understanding who he is and what he wants. As for Dean, 90% of his character development happened in the season finale - while the work of deconstructing performing!Dean has been majestic at times, it often felt like an afterthought. And how is it possible that we barely heard them talk to each other about this extraordinary thing that’s happened to them? Your mother coming back from the dead - you’d think that would be the focus of, I don’t know, everything? - but, again, I’m not much closer to understanding what’s going on there than I was before. As for Mary herself, she never made much sense to me as a character (apparently the fact Sam was a vessel for Lucifer and John wasn’t exactly nice to his kids was still news for her after one full year? like, uh?) and I still don’t understand, exactly, what it is they wanted to do with her. Other times, the message was clear but the way they got there didn’t work for me - for instance, Crowley’s death was hurried and weird, and that whole Claire episode proved the very thing Claire was trying to disprove (ie, that no, she wasn’t ready to work on her own) and yet the final scene ignored basically everything that had happened in the previous forty minutes and just went with it. 
So, you see, there’s plenty of big and little things like that I’m annoyed about - and I get some of them have to do with the limitations of filiming a TV show (stuff about budget and whatever else I know nothing about), but when you see other episodes, well-made episodes, you realize they know how to do the thing and just don’t want to. 
Sometimes I think Supernatural, like Destiel, was never supposed to be a thing. This is not Game of Thrones or Westworld or True Detective - it’s not something they created to win awards and have people hold on to their souls for dear life and question their entire existences. It’s just - entertainment. It’s what the CW does, right? I don’t want to be snobby, but they didn’t make The Vampire Diaries or Beauty and the Beast or Gossip Girl so they could change the world (I sort of enjoyed all of those, so again - I’m not saying they’re bad shows - at all). Those are simply things that sell - stories featuring incredibly good-looking people doing reckless things, living on the edge and helping you take your mind off your mean teacher or annoying dad. That’s it. It’s all it is. The fact Supernatural became more than that, and came to mean so much to so many people - that was probably a perfect storm of things - Kripke’s was a story about the American Dream that came at just the right moment, the cast (in my opinion, especially Jensen) is really talented, the writers mostly know what they’re doing and so on. This is why I’m trying to come to terms with the fact that those episodes I don’t like - those are the norm. The masterpieces - they’re accidental - and not in the sense people don’t work hard on them, but in the sense the show was never supposed to be like that. 
So, I truly don’t know. I enjoy writing metas, and I’m slowly getting over the colossal disappointment that was the season finale, so, who knows - maybe by the time S13 airs, I’ll decide to go back to it. I don’t know. When I wrote that last meta, I was very emotional and absolutely furious, but feelings fade and change. What I will stop expecting, though, is for the narrative to follow any rules when they’re clearly trying to break them - and not in a good way. For instance, it truly made no narrative sense for Eileen to die, and it made no narrative sense for Toni to have a kid at all (or that she’d extract information from Sam by dream-raping him), or for Sam to break into that emotional King Arthur speech, or for Cas to die the way he did - and yet. So if I do start to write metas again, I’ll try to be more light-hearted about it and allow for ‘whateverness’, because apparently this is what we’re getting.
As for writing - I’ll always be grateful to this show and to the fandom for giving me my will to write back. I’m the kind of person who’s been working on a novel or a collection of short story or whatever else since primary school, but the last few years have been busy and adult and on and off traumatic, so I’d stopped completely, and this - this not writing, this living in a finite world, this drowning out of the voices in my head - this made me ache and shatter somewhere in my very soul. Writing stories again and getting feedback on them has been a joyful, liberating, crucial experience for me, and it has really helped me to make sense of myself as a person again. Plus, I really love these characters and feel there are so many things left unsaid - at this point, I couldn’t bear to leave them behind. My plans are to keep writing at least until the next DCBB, but if Supernatural will really finish in a season and a half, it’s possible I’ll keep posting the occasional coda during S13 and S14 as well. At the moment, I’m working on three big things - I think I’ll manage to finish them, and I truly hope you’ll like them, because, really - the friends I’ve made in the fandom, the messages I exchange with those who read my stories, all those taking the time to let me know they’ve kept reading all night long or something - it’s been so deep, so intimate and world-changing - a moving, incredible experience. I owe you guys so much, and that’s something I’ll not easily forget.
So, well, sorry for the novel - I guess I just wanted to say - I’m not leaving this story behind yet. I’ll just try to care a bit less and focus more on other things, but I’ll be around. Family don’t end with blood, and all that.
21 notes · View notes
what do you think is the most likely scenario for the end of the universe? personally im a big bounce truther because im just an optimist like that but you seem to understand math and physics more than me so i might defer to your judgement
OK, one more post about this!
It's pretty hard to say whether the Big Bang really happened at all – it's not like we actually have good evidence one way or the other.
In the end, I'm not a theist. In particular, I'm not a fan of the universe-from-conflagration stories. I don't think the universe really exists. I think the idea of "what if there were a universe" is kind of stupid and not that interesting.
But on a more philosophical level, I think one can say things about what's plausible without ever invoking the concept of "actuality."
Here's one such statement: "In a typical world there are only a certain number of atoms per cubic meter"
It is certainly the case that my intuition suggests, just from thinking about it, that this statement is a truism – it is very hard to come up with a model of the world where there are more than a certain number of atoms per cubic meter. Indeed, when I first heard the words "atoms" and "cubic meter" (at some time in grade school), it is unlikely that I would have pictured any spaces to be filled with more than a certain number of them.
But this does not make the statement the most probable thing about the world.
As a matter of probability, if we're talking about a large ensemble of world-like objects (say, everything in the known universe), you can expect the number of atoms to be in the thousands and the number of spaces to be in the hundreds of billions. The probability of seeing the former number and the latter number is close to zero. But, if we're talking about every individual object, the above statement is a truism. I cannot imagine a world with fewer atoms. I cannot imagine a specific world with fewer atoms. In such worlds it's impossible, in fact, to imagine at all.
So the statement "in a typical world there are only a certain number of atoms" is "plausible," but it's not "plausible" in the same sense that it is "plausible" when I say "in a typical world there are a certain number of atoms" – the former statement is just factually true while the latter is true generically (and I will try, as hard as I can, not to make a general statement unless I really have evidence to the contrary).
The fact that I do not see the most likely number of atoms in a "typical" world, and would probably be surprised if I saw it, is just an expression of my not-seeing, not-thinking, not-thinking about a world where it were higher. This is something I would have to come up with on my own, if I were to make up a specific world to be typical of (an impossibility!), or I'd have to make up a number that is very large, but not infinite.
We can think about other such "truisms" in these sorts of ways, but I don't think this is "what probability is." I think this is "how my mind reacts to the presence of probability," or "what probability is like for me."
So when I try to make probability predictions that will be useful for people, I'm not trying to calculate how probable some given prediction is; I'm trying to calculate how probable the predictions themselves are. They are just numbers, or statements, that seem plausible or implausible in the same way that I am able to imagine the number "300,000,000,000" or the number "the atoms in your body right now."
The universe does not need to be "more probable," so to speak. It doesn't "need" to be anything in particular; it's not a question about its actual probability. It's simply there. And the fact that it is there, that it is unlikely, that it is mysterious – this is what "probability" tells us. And once we have the language to understand this sort of thing, we have the language to imagine something very mysterious without having to imagine a specific universe.
It's fine to say that you don't think there could be something larger than a certain number of atoms in a single world, or something smaller than a certain number of spaces. (You may still be wrong.) But it's possible to imagine larger numbers than atoms and smaller numbers than spacess. And we may need this ability to imagine a universe (or some sort of model of the world), otherwise we may get trapped in the very paradoxes of probability itself – the fact that the "prior probability" of a world "consisting of X atoms" or "consisting of N atoms, spaces" is always zero (assuming the existence of a "typical world") can make these questions seem paradoxical if you don't know what to do about that!
This sort of thing has nothing to do with what you might call "plausibility" or "falsifiability" or "validity." These notions are only useful as concepts when we have an actual model, in our heads or in the real world, whose outcomes we are trying to describe.
When you don't know whether something could happen, the concept of plausibility seems useless, since anything you assign a plausibility value to just tells you whether you can imagine the outcome. "This model of a world, consisting of these many atoms, may or may not be plausible in the real world; it depends on whether you can imagine things in which it is false, as well as in which it is true."
This is very different from "the plausibility of the statement 'in a typical world there are 300 billion atoms per cubic meter'" (the one from the original ask), and the former is not the same thing as the latter, and doesn't need to be the same thing. "Imagine a world" is not the same thing as "imagine what is happening in the world" (when you imagine the world you imagine something completely different from the world you are imagining! – in fact, they are completely distinct worlds!).
Probability (of what? probability of what?) is what your mind does or might do in certain situations when you are not thinking but are trying to imagine certain sorts of situations, but which you cannot actually imagine (you do not literally think the universe).
My intuition is that, if you can't imagine the universe being any other way than it is, this is probably related to the fact that the thing you can imagine looks a lot like the way the world actually is. The atoms are a lot like atoms, the number of atoms is much higher than we thought it would be, etc. etc.
To some extent this idea may be the crux of the thing: that it is useful to have a language and a set of concepts that lets you think about how your mind works and makes you comfortable in a situation where you don't know how your mind works, without getting trapped in paradoxes.
18 notes · View notes