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dannyriccsupremacy · 2 months

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suburban legends | CL16

| charles leclerc x fem!exgf!reader smau

| summary : charles doesn't do enough to keep his girlfriend and when the internet finds out, they are less than happy.

| faceclaim : christina nadin

| part one here ! part two here !

youruser just posted a story!

yn, her bff, chloe, julia and amelia all sat at a cafe by the water catching up. their drunken plans from the club bathroom that night had turned into a reality, and they were all so excited to see each other- and follow each other on social media.

as they were chatting, giggling with each other, your bff suddenly gasped and scoffed.

"whats that for?" yn asked, slighting laughing at her antics.

"ex-o'clock." she said sipping her drink, "yours, not mine."

"what?!" yn exclaimed, giving her bff a look, "definitely him?"

your bff nodded, rolling her eyes. the other three girls were avidly looking at everyone in the vicinity, trying to work out which man was eliciting this reaction from the duo.

"brown hair, sunglasses, white shirt, two o'clock." your bff answered their unspoken question.

the trio's eyes landed on the man at the same time, and amelia suddenly went white. soon the other four's attention was on her, concerned.

"miels, what's wrong?" julia asked, placing her hand on amelia's arm.

"oh, n-nothing." amelia shook her head.

"no, honey, what's wrong?" chloe questioned, her curiosity peaking.

"i feel awful. i didn't know, i swear." amelia apologised frantically.

"know what?" yn furrowed her brows.

"he's the one i'm talking to right now. charles is the one i'm seeing. and yn, your the ex he isn't over yet." amelia blurted, cheeks turning pink.

"amelia... i am so, so sorry." yn apologised, a sympathetic expression on her face.

"yn! do not apologise. especially not for a man!" amelia scolded, laughing slightly, "i was going to break things off with him anyway. he is well and truly still in love with you."

yn smiled sadly, taking another glance at the man, only to find him already staring at her, love still shining in his eyes.

liked by lilymhe, sacreskin + 90,367 others

youruser bros b4 hoes 😉

view all 16,324 comments

yourbff words of wisdom

user omg is this about that one tweet??

ameliahobart bros 4ever

user in her post breakup popularity era

user yn is so hot

juliaverner marry me pls!!

↳ chloedarren she said no hoes maam 🚫

user i bet charles misses her

lilymhe no hoes here 🙅‍♀️

↳ alex_albon lily???

↳ carmenmundt get over yourself albono. sucks 4 u

↳ georgerussell63 carmen???

↳ youruser please no hoes in the comment section. read the sign.

↳ francisca.cgomes yeah scram

↳ pierregasly kika???

↳ user i love the unhingedness in yns comment section

amelia sat across from yn, a slightly embarrassed look on her face.

"look, yn, i really like you and i really want to stay friends with you, so i just really need to tell you this so i don't think that our entire friendship is built on lies." amelia blurted, causing the confused look on yn's face. yn nodded for her to continue.

"basically, charles hired me. i'm an aspiring actress and i answered a call he had put out for someone that fit my description. when i sat down and met him for the first time, he explained that he wanted someone to pretend that they were his girlfriend to make his ex- you- jealous." she explained, wringing her hands together.

"when i first met you, i didn't know you were the ex, but he told me to keep up the act with everyone since monaco is such a small place and everyone talks." she took a breath, "but then when your bff pointed out him as your ex, i wanted to say something, but i really liked you so i didn't want to ruin the friendship we had already created."

yn sat in silence as she took in the girl's words. "okay."

"okay?" amelia was nervous, "just okay? is that like a bad okay, or is it a good okay?"

"a good okay," yn smiled, "i really want to keep being your friend so i'm so happy that you told me now. i definitely would of had to re-evaluate the relationship if it happened later down the line."

"oh thank god!" amelia let out a sigh of relief, at which yn laughed, "but i do want to let you know that charles still truly loves you. like he would not shut up about how amazing you are. i have only heard his side of the story, but if i were you, i would definitely get back together with him."

"he kissed me in a way that screwed me up forever, then i broke my own heart because he was too afraid to do it." yn responded, thinking back on their relationship.

"sounds like you were born to be suburban legends!" amelia giggled.

"i think i might." yn grinned.

"now i did meet his friend lando... what's his deal?"

liked by charles_leclerc, yourbff + 95,375 others

youruser our mismatched star signs surprised everyone 🤷‍♀️

view all 21,598 comments

yourbff pop off ig

↳ youruser slay

pierregasly at least he doesn't mope around anymore

↳ youruser aw honey you moped?

↳ charles_leclerc FALSE. LIES. MISINFORMATION.

user MY PARENTS!!!! ARE BACK TOGETHER!!!

↳ user NO LONGER A CHILD OF DIVORCE!!!

user i cant believe theyre back together

user honestly... i would too

ameliahobart the cutest couple!! (set me up with ykw pls!!)

↳ juliaverner dont manipulate them

↳ ameliahobart but i manipulated them together 😔

↳ chloedarren 🎶 cause [she's] a mastermind 🎶

user NATIONAL TREASURES.

authors note i literally took so long to get this part out i am so sorry!! but this will be the last part. a spin off may occur 👀

@allywthsr @sunny44 @coolio2195 @multi-fanss @babyliz43-blog @redbullgirly @smnthnclj @d3kstar @living-with-ghost @noonesgoneuntiltheyregone

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momentsofamber · 4 months

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whenever I see a blog that posts tcoaal content in the main tags but then I open the blog and their pinned post says something like 'I'm proship but I don't ship or support incest' I swear I take psychic damage.

like friend, you played the game the internet has literally labelled The Incest Game(tm).

and this is nothing against people who ship oc x canon, or prefer Andrew x Julia or Ashley x Julia, or people who selfship with the sibs, or anything like that. having a shipping preference is not the same thing as blatantly ignoring the canon incest or invalidating other fans.

but if you 'don't support incest' I am absolutely baffled as to what made you want to play The Incest Game(tm) in the first place, and also what made you think interacting with the fandom would help you avoid said fictional incest content ???

#the coffin of andy and leyley #tcoaal #proship safe #proshippers please interact #ambers.txt #I said I wasn't gonna put negativity on main #but the majority of this blog IS tcoaal content atm so like.#I felt this needed to go here.

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mostlysignssomeportents · 1 year

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Everything advertised on social media is overpriced junk

In “Behavioral Advertising and Consumer Welfare: An Empirical Investigation,” a trio of business researchers from Carnegie Mellon and Pamplin College investigate the difference between the goods purchased through highly targeted online ads and just plain web-searches, and conclude social media ads push overpriced junk:

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4398428

If you’d like an essay-formatted version of this thread to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/04/08/late-stage-sea-monkeys/#jeremys-razors

Specifically, stuff that’s pushed to you via targeted ads costs an average of 10 percent more, and it significantly more likely to come from a vendor with a poor rating from the Better Business Bureau. This may seem trivial and obvious, but it’s got profound implications for media, commercial surveillance, and the future of the internet.

Writing in the New York Times, Julia Angwin — a legendary, muckraking data journalist — breaks down those implications. Angwin builds a case study around Jeremy’s Razors, a business that advertises itself as a “woke-free” shaving solution for manly men:

https://www.nytimes.com/2023/04/06/opinion/online-advertising-privacy-data-surveillance-consumer-quality.html

Jeremy’s Razors spends a fucking fortune on ads. According to Facebook’s Ad Library, the company spent $800,000 on FB ads in March, targeting fathers of school-age kids who like Hershey’s, ultimate fighting, hunting or Johnny Cash:

https://pluralistic.net/jeremys-targeting

Anti-woke razors are an objectively, hilariously stupid idea, but that’s not the point here. The point is that Jeremy’s has to spend $800K/month to reach its customers, which means that it either has to accept $800K less in profits, or make it up by charging more and/or skimping on quality.

Targeted advertising is incredibly expensive, and incredibly lucrative — for the ad-tech platforms that sit between creative workers and media companies on one side, and audiences on the other. In order to target ads, ad-tech companies have to collect deep, nonconsensual dossiers on every internet user, full of personal, sensitive and potentially compromising information.

The switch to targeted ads was part of the enshittification cycle, whereby companies like Facebook and Google lured in end-users by offering high-quality services — Facebook showed you the things the people you asked to hear from posted, and Google returned the best search results it could find.

Eventually, those users became locked in. Once all our friends were on Facebook, we held each other hostage, each unable to leave because the others were there. Google used its access to the capital markets to snuff out any rival search companies, spending tens of billions every year to be the default on Apple devices, for example.

Once we were locked in, the tech giants made life worse for us in order to make life better for media companies and advertisers. Facebook violated its promise to be the privacy-centric alternative to Myspace, where our data would never be harvested; it switched on mass surveillance and created cheap, accurate ad-targeting:

https://lawcat.berkeley.edu/record/1128876?ln=en

Google fulfilled the prophecy in its founding technical document, the Pagerank paper: “advertising funded search engines will be inherently biased towards the advertisers and away from the needs of the consumers.” They, too, offered cheap, highly targeted ads:

http://infolab.stanford.edu/~backrub/google.html

Facebook and Google weren’t just kind to advertisers — they also gave media companies and creative workers a great deal, funneling vast quantities of traffic to both. Facebook did this by cramming media content into the feeds of people who hadn’t asked to see it, displacing the friends’ posts they had asked to see. Google did it by upranking media posts in search results.

Then we came to the final stage of the enshittification cycle: having hooked both end-users and business customers, Facebook and Google withdrew the surpluses from both groups and handed them to their own shareholders. Advertising costs went up. The share of ad income paid to media companies went down. Users got more ads in their feeds and search results.

Facebook and Google illegally colluded to rig the ad-market with a program called Jedi Blue that let the companies steal from both advertisers and media companies:

https://techcrunch.com/2022/03/11/google-meta-jedi-blue-eu-uk-antitrust-probes/

Apple blocked Facebook’s surveillance on its mobile devices, but increased its own surveillance of Iphone and Ipad users in order to target ads to them, even when those users explicitly opted out of spying:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Today, we live in the enshittification end-times, red of tooth and claw, where media companies’ revenues are dwindling and advertisers’ costs are soaring, and the tech giants are raking in hundreds of billions, firing hundreds of thousands of workers, and pissing away tens of billions on stock buybacks:

https://doctorow.medium.com/mass-tech-worker-layoffs-and-the-soft-landing-1ddbb442e608

As Angwin points out, in the era before behavioral advertising, Jeremy’s might have bought an ad in Deer & Deer Hunting or another magazine that caters to he-man types who don’t want woke razors; the same is true for all products and publications. Before mass, non-consensual surveillance, ads were based on content and context, not on the reader’s prior behavior.

There’s no reason that ads today couldn’t return to that regime. Contextual ads operate without surveillance, using the same “real-time bidding” mechanism to place ads based on the content of the article and some basic parameters about the user (rough location based on IP address, time of day, device type):

https://pluralistic.net/2020/08/05/behavioral-v-contextual/#contextual-ads

Context ads perform about as well as behavioral ads — but they have a radically different power-structure. No media company will ever know as much about a given user as an ad-tech giant practicing dragnet surveillance and buying purchase, location and finance data from data-brokers. But no ad-tech giant knows as much about the context and content of an article as the media company that published it.

Context ads are, by definition, centered on the media company or creative worker whose work they appear alongside of. They are much harder for tech giants to enshittify, because enshittification requires lock-in and it’s hard to lock in a publication who knows better than anyone what they’re publishing and what it means.

We should ban surveillance advertising. Period. Companies should not be allowed to collect our data without our meaningful opt-in consent, and if that was the standard, there would be no data-collection:

https://pluralistic.net/2022/03/22/myob/#adtech-considered-harmful

Remember when Apple created an opt out button for tracking, more than 94 percent of users clicked it (the people who clicked “yes” to “can Facebook spy on you?” were either Facebook employees, or confused):

https://www.cnbc.com/2022/02/02/facebook-says-apple-ios-privacy-change-will-cost-10-billion-this-year.html

Ad-targeting enables a host of evils, like paid political disinformation. It also leads to more expensive, lower-quality goods. “A Raw Deal For Consumers,” Sumit Sharma’s new Consumer Reports paper, catalogs the many other costs imposed on Americans due to the lack of tech regulation:

https://advocacy.consumerreports.org/wp-content/uploads/2023/04/A-Raw-Deal-for-US-Consumers_March-2023.pdf

Sharma describes the benefits that Europeans will shortly enjoy thanks to the EU’s Digital Markets Act and Digital Services Act, from lower prices to more privacy to more choice, from cloud gaming on mobile devices to competing app stores.

However, both the EU and the US — as well as Canada and Australia — have focused their news industry legislating on misguided “link taxes,” where tech giants are required to pay license fees to link to and excerpt the news. This is an approach grounded in the mistaken idea that tech giants are stealing media companies’ content — when really, tech giants are stealing their money:

https://pluralistic.net/2022/04/18/news-isnt-secret/#bid-shading

Creating a new pseudocopyright to control who can discuss the news is a terrible idea, one that will make the media companies beholden to the tech giants at a time when we desperately need deep, critical reporting on the tech sector. In Canada, where Bill C-18 is the latest link tax proposal in the running to become law, we’re already seeing that conflict of interest come into play.

As Jesse Brown and Paula Simons — a veteran reporter turned senator — discuss on the latest Canadaland podcast, the Toronto Star’s sharp and well-reported critical series on the tech giants died a swift and unexplained death immediately after the Star began receiving license fees for tech users’ links and excerpts from its reporting:

https://www.canadaland.com/paula-simons-bill-c-18/

Meanwhile, in Australia, the proposed “news bargaining code” stampeded the tech giants into agreeing to enter into “voluntary” negotiations with the media companies, allowing Rupert Murdoch’s Newscorp to claim the lion’s share of the money, and then conduct layoffs across its newsrooms.

While in France, the link tax depends on publishers integrating with Google Showcase, a product that makes Google more money from news content and makes news publishers more dependent on Google:

https://www.politico.eu/article/french-competition-authority-greenlights-google-pledges-over-paying-news-publishers/

A link tax only pays for so long as the tech giants remain dominant and continue to extract the massive profits that make them capable of paying the tax. But legislative action to fix the ad-tech markets, like Senator Mike Lee’s ad-tech breakup bill (cosponsored by both Ted Cruz and Elizabeth Warren!) would shift power to publishers, and with it, money:

https://www.lee.senate.gov/2023/3/the-america-act

With ad-tech intermediaries scooping up 50% or more of every advertising dollar, there is plenty of potential to save news without the need for a link tax. If unrigging the ad-tech market drops the platforms’ share of advertising dollars to a more reasonable 10%, then the advertisers and publishers could split the remainder, with advertisers spending 20% less and publishers netting 20% more.

Passing a federal privacy law would end surveillance advertising at the stroke of a pen, shifting the market to context ads that let publishers, not platforms, call the shots. As an added bonus, the law would stop Tiktok from spying on Americans, and also end Google, Facebook, Apple and Microsoft’s spying to boot:

https://pluralistic.net/2023/03/30/tik-tok-tow/#good-politics-for-electoral-victories

Mandating competition in app stores — as the Europeans are poised to do — would kill Google and Apple’s 30% “app store tax” — the percentage they rake off of every transaction from every app on Android and Ios. Drop that down to the 2–5% that the credit cards charge, and every media outlet’s revenue-per-subscriber would jump by 25%.

Add to that an end-to-end rule for tech giants requiring them to deliver updates from willing receivers to willing senders, so every newsletter you subscribed to would stay out of your spam folder and every post by every media company or creator you followed would show up in your feed:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

That would make it impossible for tech giants to use the sleazy enshittification gambit of forcing creative workers and media companies to pay to “boost” their content (or pay $8/month for a blue tick) just to get it in front of the people who asked to see it:

https://doctorow.medium.com/twiddler-1b5c9690cce6

The point of enshittification is that it’s bad for everyone except the shareholders of tech monopolists. Jeremy’s Razors are bad, winning a 2.7 star rating out of five:

https://www.facebook.com/JeremysRazors/reviews

The company charges more for these substandard razors, and you are more likely to find out about them, because of targeted, behavioral ads. These ads starve media companies and creative workers and make social media and search results terrible.

A link tax is predicated on the idea that we need Big Tech to stay big, and to dribble a few crumbs for media companies, compromising their ability to report on their deep-pocketed beneficiaries, in a way that advantages the biggest media companies and leaves small, local and independent press in the cold.

By contrast, a privacy law, ad-tech breakups, app-store competition and end-to-end delivery would shatter the power of Big Tech and shift power to users, creative workers and media companies. These are solutions that don’t just keep working if Big Tech goes away — they actually hasten that demise! What’s more, they work just as well for big companies as they do for independents.

Whether you’re the New York Times or you’re an ex-Times reporter who’s quit your job and now crowdfunds to cover your local school board and town council meetings, shifting control and the share of income is will benefit you, whether or not Big Tech is still in the picture.

Have you ever wanted to say thank you for these posts? Here’s how you can: I’m kickstarting the audiobook for my next novel, a post-cyberpunk anti-finance finance thriller about Silicon Valley scams called Red Team Blues. Amazon’s Audible refuses to carry my audiobooks because they’re DRM free, but crowdfunding makes them possible.

Image: freeimageslive.co.uk (modified) http://www.freeimageslive.co.uk/free_stock_image/using-mobile-phone-jpg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/

[Image ID: A man's hand holds a mobile phone. Its screen displays an Instagram ad. The ad has been replaced with a slice of a vintage comic book 'small ads' page.]

#pluralistic #ad-tech #ads #surveillance ads #commercial surveillance #behavioral ads #contextual ads #link taxes #platform economics #enshittification #instagram #julia angwin #end to end

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ladysophiebeckett · 6 months

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This post is super long and idk who will read it but if there's anything I love to do on the internet its post aimlessly to no one. (anyway)

It gets said a lot that Betty was naïve in how she entered her relationship with Armando, but we fail to take into account how desperate Betty was to live her own life. From the beginning of her character arc she talks about needing a change.

It starts with Roman's invitation, saying he has a guy for Betty but she needs to ask permission (at her 25 yrs of age). Don Hermes says no.

Betty argues back. Don Hermes' excuse is 'you can't go out with strangers'. But Betty isn't really fighting about going out with some guy. Deep down she knows Roman and his neighborhood troublemaking annoying friends are up to no good. It's not about them. It's about her wanting something, asking for it and being denied.

The scene ends like this:

He says the world is dangerous for women and she doesn't understand that. She claims that she can defend herself and he says the above. Betty runs off crying. Dona Julia goes after her and when she returns Don Hermes asks if she's calmed down. From that question alone, it seems as if this isn't the first time Betty has fought with her dad about the rules he imposes upon her. Nor is it the first time that Betty has ran out of a room crying bc she fought with him and lost.

This has happened before.

I don't want to assume that everyone feels the way I feel about Don Hermes, which is that he's annoying. (I'm using 'annoying' as a broad term to describe his overprotection and the traditional\patriarchal way he runs his household, fyi, I know its there. I see it. But I'm not going to delve in that direction).

But there's a reason he's annoying (overprotective). Everything he does for Betty is laced with good intentions, but those good intentions are a double edged sword. At this stage in the story he appears overprotective and suffocating. It's when Dona Julia is pleading with him to let Betty go out that we hear a mention about Miguel (whose original name was 'Juan Ramon' but gets changed to 'Miguel' later on)--a guy who Betty cared about but 'disappeared'.

Let's backtrack to Betty running out of the room when Don Hermes says no. She cries to her mother about how overprotective and controlling her dad is. It's one of the few times Betty is open with someone about how she feels about the way he treats her. We get brief information about how he decided her education, about how she was sent to catholic school, how she wasn't allowed to hang out with the other girls bc she was too young, that the only male friend she was allowed to have was Nicolas and it was bc they were 'practically raised together' (and bc they knew his mother).

She continues to say ‘how is a man going to see me as a normal woman if you keep me treating me like a child? When the only thing I do is stay locked away in this room with only books and stuffed animals?’ The Miguel Situation gets its first mention and its foreshadowed that it hurt Don Hermes and Dona Julia to see their daughter suffer, but Betty says that one bad experience shouldn’t be a reason why she stays that way the rest of her life (which is very brave of her to say considering we know later how afraid she is of letting herself fall deeper in love with Armando).

The last thing she says to Dona Julia is key,

Betty's running theme is change. The eagerness of something to change. Either she needs to change or her dad needs to change. Something needs to change bc she knows she can't keep living the way she's living. She's desperate for something, anything to happen in her life. She goes on to say:

'Queira la major estudiante, la tuvo. La queria graduada con honores, especialiaziones, la tuvo. La queira trabajando en un gran empresa, la tiene trabajando en un a gran empresa. Yo ya les cumpli. Ahora quiero cumplir con mi vida.’

Again, it's not only about going out with some guy. It's about Betty living her own life now that she's done all the things that have been asked of her. From Betty's pov, she's played by the rules, so at what point is she free to do what she wants?

She is the quintessential good daughter, quintessential good student, and later on the quintessential loyal employee that becomes the quintessential loyal clandestine girlfriend--bc those were the rules she was told to play by. But she's at a point in her life where that's not enough to sustain her.

After hearing this, Dona Julia goes back to Don Hermes to plead on behalf of her daughter, however she says something concerning:

Dona Julia is afraid that if Don Hermes doesn't loosen his restrictions, that Betty will have a nervous breakdown and fall into a depression that will cause her to move out of the house.

Sidestepping the 'what if our daughter moves out' comment---

When Betty confides in Armando about her relationship with Miguel and how it ended, she doesn't call it 'depression'--however the way she describes it is very intune with what depression is.

She didn't want to live, she cried many nights, she missed classes at university. She lost the motivation to do anything. This is more than just a 'break up'. It's a traumatic experience and its aftermath is a period of depression that Betty almost didn't survive. Her parents watched her go through this, helplessly and Betty claims it's why her dad protects her so much.

Here we see her showing that she understands Don Hermes and why he does what he does. However, when we see Betty's childhood flashbacks post letter, we see that Don Hermes has always been this way as a consequence of how the world treats his daughter. We see that Betty gets bullied, marginalized--no loving parent wants their child to suffer. So he isolates her from that world so that nothing bad can ever touch her. He tries to provide her with everything he can--books and stuffed animals. Things to fill a void with.

No one can blame him for wanting to protect his daughter, but by isolating her he inadvertently teaches Betty that the solution to when things get hard is to lock yourself away and internalize everything.

In Don Hermes' defense his child rearing is mostly focused on ethics and math. A parent does what they can. So it's no surprise that after the Miguel Incident, he became even more tightly reigned over Betty's life. But again, it does more harm than good.

After Betty's ghosted by Roman and his sketchy loser friend, she's disappointed and cries. Don Hermes has no idea how to comfort or understand a 25 year old woman as he does not see her as one. He assuages her like a father would a child. He says 'We'll go do something together as a family. We'll go see a movie on Friday, champ'. (Not a literal translation). Then he says to Dona Julia, 'If I hadn't given her permission to begin with, then she wouldn't be upset about being (plantada\ghosted)'. He has no problem being seen as the bad guy in Betty's eyes if it means she avoids getting hurt in a worse way.

A couple days later, Don Hermes insists on driving her to work instead of her walking to her bus stop bc he fears she'll run into Roman and his current loser friends.

Betty says to him:

'Let me handle it' she says. Don Hermes doesn't look convinced. And then immediately Nicolas shows up at her door:

Dona Julia is also looking out for Betty and off screen took it upon herself to have Nicolas walk her to the bus stop that morning. She knows Betty needs some kind independence but using Nicolas as an intermediary gives her reassurance.

Betty rejects both options and rushes out the door. Don Hermes, pulling a Dona Julia, takes Nicolas with him and follows Betty on her way to her stop just in case something happens. What they see is Betty doing what she said she would do--handle it.

When left to her own devices Betty can and will handle things on her own, but both her parents insist in their own ways, to keep her in a protective bubble.

As the series progresses we see Betty become friends with el curatel, more specifically Aura Maria. We can all recall when AM has Betty join her on a double date and said date doesn't end well for Betty. Her date is uninterested, rude--despite Betty's best efforts. She gets home late and her dad is not happy. He calls her a 'descarda' when he sees the car dropping her off and then claims she didn't ask permission, to which Betty says 'Well I called my mom and let her know bc you weren't home'. Which leads to this:

Betty becomes the sole breadwinner of her household at some point but Don Hermes reminds her that that doesn't give her any right to decide what she can do with her free time or what time she can come home at. He then makes claims about AM and the men AM is associated with. Betty then defends her and the men (even tho they were lame):

Betty's face here is trying to contain herself but you can tell she's upset. Especially bc it wasn't the best evening, so to be getting yelled at over it doesn't feel worth it. But also, you can see Betty has a fire in her eyes; quiet frustration and inner rebelliousness bc she has been reminded yet again, that she has no freedom despite having a job in a 'great company' and having all the graduation merits and on top of that, now financially supporting her family. It's not enough. And might never be enough.

Despite this, Betty reigns her anger in and goes back to being the quintessential good daughter:

Don Hermes is not fully convinced but he appears to calm down after that.

A lighter altercation between them happens when he takes Betty home after a lanaziamento. He accuses her of taking too many liberties bc of the job that she has, criticizes her being out too much, criticizes her friends. His main worry is that she forgets her traditional values (Betty: Yo sigo siendo de las casa).

As we know, all Betty does is work and get caught in whatever mess el curatel gets her into. Regardless, Don Hermes doesn't like it. He doesn't like the women Betty surrounds herself with and he doesn't like her work or its events:

'The (fashion) world is too much, it's not for you'\'I know it's not my world, it's my job'.

I don't think Don Hermes is trying to be cruel when he says this, rather, I think he fears Betty will one day throw away the values and ethics he's taught her. (She kinda sorta does) Before she leaves for Cartagena, he insists she take a picture of him and Dona Julia, which gives weight to another inner fear of his; that Betty will forget her family and where she came from.

He stubbornly refuses to see (and accept) that Betty is an adult woman who wants to act like an adult woman. She does want to go out with her friends and dance and have the occasional drink. She does wants to date and meet someone, fall in love and in return show the love she's capable of giving.

She's desperate for the opportunity but believes it will never happen for her, so she decides to only dedicate herself to work and by doing so--and out of loneliness, she embraces her fantasies of (an) Armando that we know doesn't exist bc he's the only one that sees her value as a person and a professional. But when Mariana reads her the tarot cards---

Key word here: Change. Both of your lives are going to change.

Betty has been seeking a change in her life. This feeds into her illusions but she doesn't truly start to believe anything could happen until Armando begins to start acting differently around her.

We know it's the plan taking its course but for Betty this is a dream come true. But even in the beginning she's cautious, she doesn't know if the kiss they shared was a mistake and would rather not mention it to him in order to continue keeping the work relationship they already have (and she's happy to maintain if it means to being in his life).

But because Armando seeks her out, it's difficult for her to resist despite the type of relationship he's offering her. In a similar vein to Armando post letter, when he mentally refuses to put the clues together about why she's acting differently--Betty doesn't put together the recent embargo with his sudden interest in her. Where Armando chooses to be blind; Betty's inner frustrations and illusions of having something in her life that's not just work and an over controlled life, speak louder.

There is naiveté in play. It's true that she doesn't know a lot about the world but it's at the result of the overprotectiveness of Don Hermes that Betty doesn't read the signs as clearly until she reads the letter and is cruelly brought down back to earth.

Betty thought that Armando was the change she had been yearning for and her desperation for that change, for that dream to come true---is why she accepts the relationship he's offering her. He's trusted her implicitly until then, so why would she doubt him now?

The Letter happens and Betty's first instinct, the first action she wants to take is to run away. She doesn't want to go back to work, but Catalina reminds her of her responsibilities, that she can't just jump ship when people like Armando are depending on her. Betty especially can't leave as her parents are also depending on her and to quit suddenly with no warning would raise suspicions.

TW: for brief mentions of ED.

(I talk briefly about Betty skipping meals. I don't think the character has an eating disorder per say, but if you gotten this far and this makes the reader uncomfortable, count 5 paragraphs down to skip).

Betty enters the Gaslighting Arc depressed and dead inside. She's no longer a student, she can't afford to take days off to lay comatose in her bed. She also can't let her parents find out that something like Miguel (only worse) has happened to her again.

Post letter on, the series makes a habit of showing Betty either skipping breakfast or skipping dinner. Usually this is just done to show that a character is in a rush and usually bears no importance.

But this happens multiple times. At El Meson she orders vodka and they never get dinner. At Le Noir, despite Nicolas saying they make great eggs, she has him order wine. The night of Armando's last lanzamiento, Armando knows she hasn't eaten and offers to bring her dinner which she rejects. And lastly her diary entry\ voice over from the night she buys the mercedes\rejects Armando's call:

'Desvanezco' is to 'fade'\'vanish'. '...I am fading away before him while he only cares about his company' (rough translation).

Betty acknowledges here that she's not taking care of herself. In the first entry Post Letter she states that she doesn't have the strength to resuscitate herself again. She's metaphorically dead but the reality is that she's depressed and the only thing sustaining her during this period is her anger. (and alcohol). And once the Junta Directiva happens and everything is revealed, Betty in only left with the hurt.

(TW: End of ED mention)

Audience members get annoyed with Betty in the first half of the Cartagena Arc bc she continues to put herself down--Catalina is almost the audience insert with how put off she is with Betty's self deprecation.

It's not healthy or helpful for Betty to view herself this way and yes, it's a learned behavior that she needs to break desperately. But what the audience forgets is that Betty is tired. This is a woman that has tried to change things in her life and she always gets it wrong. Her first foray into love is a failure bc he used her, her attempts at dating are another failure, when she tries to change her look it's another failure; she put all her love and hope into Armando and then he betrays her.

She's been beaten down so much by those attempts, on top of society's view of her--that of course once in Cartagena she immediately feels out of place. Of course her first instinct, yet again, is to run back to the safe haven her dad has always provided for her.

'This isn't my world' which harkens back to Don Hermes telling her a similar thing, '...That's not for you'. It's not helpful and fuels Betty's fight or flight. And she's always picking flight.

This is Betty's first time away from home. This is the first time she has ever been away from her parents. That's why the airport scene with them is so dramatic. She's never slept a night away that's not in her house. A 'niña de la casa' no more. This is the opportunity that she's been waiting for but she doesn't see that yet amid the heartbreak.

Catalina has to guide her and essentially push her out of her comfort zone; and challenge her way of thinking and seeing the world and herself. Betty's always wanted changes in her life but she never knew that in order to embrace new things into your life, you have to be open about it mentally. You can't hide and internalize everything in your entire life. It's damaging to oneself.

In the middle of her trip she tells Nicolas, "No. I can't leave. I'm living something very important here. They (the board) can wait'. Betty is finally putting herself first and putting her foot down. Had they insisted on her presence at the beginning of her trip, she would have gone back.

Betty didn't just need to get away from Armando, she needed to get away from her family, specifically her dad. The internal and external changes that Betty goes through in Cartagena would not have been possible in Bogota. Not with Don Hermes breathing down her neck and Dona Julia flustered in the background. It wouldn't have happened as he wouldn't have allowed it.

Betty needed to leave the protective bubble of her family to learn that she can put herself together, that she can handle it and come back stronger.

Don Hermes' goodbye at the airport consists of giving Catalina instructions of things Betty isn't allowed to do (she doesn't drink, she doesn't party). He, again, refuses to see her as an adult woman. But he is forced to when she comes back from Cartagena:

He goes on to say, 'I feel like I'm lecturing another person, not my daughter'.

But that doesn't stop him as he lectures her into the night:

This is inadvertently what he's taught her to do tho--run away from a situation bc it became hard.

However Betty defends herself and says she came back to deal with issue at hand and take responsibility for her part in it. She's not proud of what she did.

'Don't think I did all of that and then went on vacation. I needed a change in my life'.

This is the change Betty truly needed, the one she's been waiting for and the one that sticks. She needed to learn to see the value in herself, realize that she's not the only one who has ever suffered and more importantly learning not to abandon herself as soon she gets hurt.

No one else was ever going to give her that. Not a relationship, not her family, not her friends. Those people (specifically her family) may love her but in certain instances their love and affection is a blind spot for them and can inadvertently hold her back bc of their insistence on protecting her from the world.

My personal feelings for Don Hermes aside, he loves his daughter and everything he does is well intentioned. He's not necessarily a bad person or bad father, but his over protection is suffocating and his refusal to see that his daughter is no longer a child plays a part in Betty's arc about wanting people to see her as she is--A person that is smart and capable and deserving of respect.

He plays a big part in why Betty does what she does, her inner rebelliousness, her frustrations come from the restrictions he imposes on her. He's not wrong about certain things but he's not 100% right about how he goes about them when it comes to Betty.

As a husband...well.

Anyway.

Betty becomes more independent Post Cartagena and her dad kind of slowly accepts it, especially when it's said in passing that she as a midnight curfew. He's still annoying, but that is simply his character trait.

If you made it this far, thank you. There is no prize except for the inner satisfaction of finishing this post.

#ysblf #betty la fea #beatriz pinzon solano #note: i dont like how i ended this but im very tired of looking at this #another note: this is mostly about betty as i tired to not talk much about armando. there's def more to say when it comes #to their relationship and identical way they feel about things #but that's an entirely different post #and also i did try to look at don hermes fairly #but for the record i do hate his ass but you wont see much of that in this post #one thing i dont talk about is her birthday--i feel like that's been explored a lot so.

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erijuice · 6 months

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My Revision of Wish

As someone who loves the concept of Wish, I thought it was a decent addition to the Disney Animation Canon. I enjoyed the songs, the gorgeous hybrid artstyle, and the homage to Sleeping Beauty's wide cinemascope aspect. Unfortunately, the more I think about Wish, the more disappointed I was with the final product. For what was supposed to be a celebration of Disney's legacy, it ended up being shot with the blandification ray by the studio itself, because they had a lot of interesting concepts planned for the film. It's just impossible for me to hate Wish like everyone else on the internet, because I know there's passion behind this idea, it was just muddled and screwed over by the despicable corporate side of Disney.

Now, while I did love the final product and was also simultaneously disappointed over what it could’ve and should’ve been, I wanted to showcase my version of the film with a heavier emphasis on the wishing star’s untold origin story. This is actually an updated/edited version of my original draft, and I added a little bit of characterization as well.

SPOILERS FOR THE ACTUAL FILM BTW

Wish (in my version) is fully 2D-Animated, and contains music, orchestration and lyrics from Alan Menken and Stephen Schwartz, with additional output from Julia Michaels.

Cast:

Alycia Pascual-Peña as Asha

Chris Pine as King Magnifico

Amara Le Negra as Queen Amaya

Roman Banks as Orion (Star)

Summary:

“Have you ever wondered how the legendary Wishing Star was born?… Set in a time centuries before Snow White wished by the wishing well, or Geppetto wished for his little wooden puppet to become a real boy, Wish takes place in the medieval city of Rosas, a fantasy kingdom off the coast of the Mediterranean Sea where your wishes can literally be transformed into reality. The kingdom is ruled by King Magnifico (Chris Pine) and Queen Amaya (Amara Le Negra), respected by all as the kingdom’s sole wish-granters. They live happily in peace with their royal daughter named Asha (voiced by Alycia Pascual Peña), who was set to take her parents’ throne once she turned 17.

Princess Asha is sharp-witted and wildly smart beyond her years: a young philosopher in the making, who believes that the stars are always there to guide her. She's a shy bookworm who is very creative, she draws animations in her notepad and paints with watercolors all over her bedroom, much like Rapunzel. Asha also wants to be a musician and to inspire the people with her music. While being devoted to her goal to ensure that everyone gets their wish to come true, Asha also struggles with poor leadership skills, and she doesn't know how to be a good leader to her friends, or her kingdom. Her parents seem to make it look easy, and sometimes Asha prefers to rely on them to make her dreams come true. However, Asha believes that a bigger and stronger wish requires a much more difficult journey, and in order to achieve her wish, she must confront her own parents, two of the fiercest and most powerful villains the Disney universe has ever known.

King Magnifico is almost the same as his canon depiction, except he has no backstory of him losing his family to destruction which would've make him more sympathetic, and does not mesh well with him being a villain. He uses his magic to remove wishes from people's hearts and keeps them in his own "wish orbs" for personal keeping, but we don't find out what he does with them until the first act. Before he praticed magic, he was a philosopher who believed in the power of the stars in the night sky, inspiring Asha to develop her belief that there is magic in the stars.

Queen Amaya is a female villain who is madly in love with Magnifico and pressures Asha to be a perfect royal daughter, much in the vein of Yzma and Maleficent, with shades of Mother Gothel. She is a black dark-skinned Latina, and Asha's birth mother. Queen Amaya owns has a pet cat assistant named Cleo, who is a callback to Maleficent's crow Diablo, or Lady Tremaine's cat Lucifer.

Alright, now back to the story!

On her 17th birthday, during a beautiful royal ball, Asha notices that her parents have wondered off from their thrones, and she uncovers a dark truth about both of her parents and how they want to keep the wishes of the people for themselves. Even worse, she peaks through the cracked door of the throne room to witness that the King and Queen are crushing the people's wishes, and infusing their energy, in order to make their own magic more powerful, and thus manipulating the townspeople and giving them the false hope of their wishes being granted. Asha tries to keep what she saw a secret from her parents, but she argues that the wishes must be free and sent back to the people. After a heated argument with her parents, she runs to the forest and makes a passionate cry for help to the stars, in the hopes that they will give her guidance and strength to help her entire kingdom. (‘This Wish’ is staying btw, but with adjusted lyrics) Her plea pulls down the brightest star out of the sky and transforms it into a glowing ethereal humanoid being without a name.

Here is where we meet Orion. Orion is THE wishing star of legend. He is a glowing, Black-coded, humanoid boy around the same age as Asha. Newly formed, he has no name and no sense of right or wrong, much like Pinocchio, but he reveals himself to be a powerful shapeshifter with magic celestial powers. The starboy is aided with the tiny, Luma-like canon version of Star, named Little Dipper, as his personal companion. Little Dipper is more mischevious than Orion, but it's also a powerful wish granter in a tiny celestial body. With a reworked, more orchestral version of "At All Costs", Orion takes Asha on a gorgeous flight, explaining his purpose to help Asha, as the duo sings in harmony above the stardust-sprinkled woodlands, with Little Dipper setting the scene. After the song ends, Asha tries to name all the constellations off the top of her head, and ultimately names the starboy Orion (serving as a subtle callback to Kiss the Girl). Asha brings Orion back to the kingdom, and she tries to teach him how to grant the peoples’ wishes. As the two plans to give the wish orbs back to the people, Asha notices that her parents are angered over the townspeople praising Orion’s descend, hoping that he will grant the wishes of all the people. Feeling threatened by Orion’s presence, the King and Queen scheme to use dark magic to kill Fate and steal her magic, so that they will remain as the only wish-granters in Rosas, but at the risk of permanently being surrendered to the dark side. (This Is The Thanks I Get, except it's reworked into a grand, badass, orchestral villain duet with Magnifico on the first verse and Amaya on the second verse)

Desperate to warn the kingdom about her parents’ true colors, Asha disguises herself (a la Sleeping Beauty) as a peasant girl, while Orion tries to disguise himself as a normal human boy. As the two try to grant the wishes of the townpeople who haven't given their wishes to the king and queen, the town descends into chaos with some wishes spiraling out of control. While it is a moment of hilarity, Asha and Orion come to a realization that some wishes should never be granted in the first place, as they're more likely to cause harm and chaos than pure good. The two comes across a group of seven teenagers modeled after the Seven Dwarfs, Asha's longtime team, and Orion starts to get to know each one of them, before planning a rebellion against her parents, and yet, Asha is secretly hesitant to disobey her parents, she confesses to Orion - in a short reprise of At All Costs - about how she used to be perfectly obedient and a perfect princess to her people. Meanwhile, Orion reveals to the Seven Teens that he’s still learning to grant wishes, but they also end up horribly wrong, but he comes to a realization that he shouldn't grant wishes that could cause harm, no matter how much they beg for it. The Teens make a promise to Asha that they will protect her secret, as well as Orion's. The duo and the teens team up to stop the King and Queen, with a reworked version of "Knowing What I Know Now."

During the epic climax, Orion and Asha create a diversion, with Asha freeing the wishes with her team and learning to be a good leader in doing so, while Orion shapeshifts into multiple forms to battle the King and Queen and distract them away from the castle, but they capture Little Dipper into the scepter, and use Dipper's magic to transform their cat Cleo into a giant dragon (akin to Maleficent's dragon form) that flies them to the top of the castle, with Orion chained up. The parents chain Asha to the top of the castle where the battle occurs, and they force their daughter to watch Orion suffer. Engulfed by the pain of losing her protector, Asha breaks into the This Wish reprise, as do the other residents of Rosas. The King and Queen try to push Asha off the castle to her death, but the townspeoples' voices lift her up, as does Orion's, and he uses his magic to make her float above in mid-air. Everyone's hearts beginning to glow and attract their wishes back to their hearts as they sing in unison. Orion transfers most of his celestial powers into Asha, who uses her temporary celestial powers to free Little Dipper from the scepter, and blast the King and Queen to their death, while Orion simultaneously creates a powerful sword to throw into Cleo's heart, killing her as well. After a moment of silence, Asha breaks down into tears and feels bittersweet that she’ll never have her parents again, but more optimistic about being the ruler the kingdom desperately needed - someone who will choose only the best wishes to come true. Orion comes down to Earth to comforts Asha with a hug, and the kingdom rejoices with the evil King and Queen gone for good.

Cut to a few months later with Asha hosting her first royal ball for Rosas, and dancing with Orion, similar to the endings of Sleeping Beauty and Beauty and the Beast. Before Orion flies back to the night sky to become the Wishing Star, he gets Little Dipper to create a magic wand and grants her the role of a honorary Blue Fairy guardian, transforming Asha’s purple queen gown into a beautiful, glittering, baby blue gown. Orion informs to Asha that Asha will be reincarnated into a true Blue Fairy after her time on Earth comes to an end, but Orion will descend back down to Rosas every now and then to help Asha. As a final gift, even though he admits his magic is not perfect just yet, Orion finally grants Asha’s wish and creates a lute for her to play for her people, but Asha realizes what her true wish was all along: To be a good leader to all of Rosas.

After Orion forms into the glimmering Wishing Star in the night sky above Rosas, Queen Asha looks down on the townspeople of Rosas with hope in her smile and she looks up at the wishing star above her, with a hope that everyone will have a wish to come true, because now, Queen Asha knows that there is no force, no magic more powerful than the power of a wish, for a wish is more powerful when it’s inside your heart.

Cut to a few nights later, after the credits have rolled, when Asha walks out onto the balcony above the kingdom. She pulls out a music sheet, and begins to play ‘When You Wish Upon A Star’ for the stars, as an homage to Orion.

My version of Wish will also contain hundreds of Easter Eggs that all pay tribute to ALL 61 FILMS in the Walt Disney Animation Studios library, all worked seamlessly into the context of the story, not just containing the ones that inspire the film like Sleeping Beauty or Snow White. Anyway, all I’m saying is that Disney should’ve hired me and put me into the writers room, because as a Disney fan, I know how to make this story work and how to make it even better, and I hope you guys love this version of the story! Oh, and also, screw Disney for donating to a genocide. Goodnight Kingdom of Rosas!

#disney #wish #disney wish #asha #king magnifico #queen amaya #disney100 #disney animation

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socialfakes · 2 months

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the devils in the details- luke hughes

chapter 3; part 3: boardwalk and park place

nhl x platonic!fem!reader

eventual luke hughes x fem!reader

nico hischier x fem!reader

the masterlist

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yourinstagram | what better way to celebrate turning 21 than visiting atlantic city 🎉🎂

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user04 please tell me luke accompanied you | yourinstagram of course he was 😊

nicohischier happy birthday 🥳❤ | yourinstagram thank you for coming with us ❤

lhughes_06 we’re coming back for my birthday 😊 | yourinstagram of course 👍🏻

user12 anyone know exactly who she’s dating? because there’s so many different things going around the internet | yourinstagram don’t believe everything you read online. with that being said, it’s nico 😊

trevorzegras atlantic city, baby 🥳

jackhughes can’t believe you won so much at the casino 😂 | yourinstagram luck of the irish 😉 | jackhughes you’re not irish 😂

_quinnhughes fun weekend 😊 happy birthday dumpling

jamie.drysdale thanks for inviting me. happy birthday 😊 | yourinstagram thank you for coming 😊

colecaufield happy birthday 🥳

tdemko30 happy birthday. sorry i couldn’t make it | yourinstagram your facetime was all i really needed ❤

user11 happy birthday

elblue6 happy birthday sweetie ❤👑

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yourinstagram | well it’s not lake house game night but it’s still game night with my favorite boys ❤ tagged: lhughes_06, nicohischier, jackhughes, _quinnhughes, colecaufield, trevorzegras, jamie.drysdale, user03

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user03 i was not expecting to be remembered this way, let alone getting tagged. i love you 😭❤ | yourinstagram i promised you some game night content & i am a woman of my word 😊

jackhughes it was fun, aside from the fact that trevor cheated at clue & that you and quinn somehow cheated at monopoly 🙄 | yourinstagram it was called partner monopoly for a reason | jackhughes but you were my partner 😂 | _quinnhughes i think that’s a sign that you need to be a better partner jack | trevorzegras hold up. i did not cheat at clue 😂

jamie.drysdale monopoly was so much fun but i think i need a new partner next time 😂 | lhughes_06 i should be really offended but i suck at monopoly 😂

nicohischier i think i should be offended that my own girlfriend didn’t want to be my partner for monopoly 😔 | yourinstagram no offense, my love, but you suck at monopoly ❤ | nicohischier but jack wasn’t any better 😂

_quinnhughes this was actually so much fun. gotta partner up for the next game night for sure 😊 | yourinstagram yes i agree | lhughes_06 so much for being my ‘forever’ partner for game night 😔😂 | yourinstagram after the next game night, i'm all yours 😊

trevorzegras i would like to point out that i didn’t cheat at clue 😂 | jackhughes you whispered something to luke and then he made the right accusation. explain that 😂 | lhughes_06 coincidence 😂 | jackhughes 🖕🏻

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lhughes_06 | atlantic city, baby 🥳

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yourinstagram not quite old enough for the casino but old enough to keep me company while i'm sick in my room from last nights festivities 😊 | lhughes_06 always 😊

juliasmith sounds like fun. wish i could’ve been there

user06 looks fancy and expensive 👀 | yourinstagram it was | user06 who arranged everything? | yourinstagram all the guys pitched in to surprise me 🥰

jackhughes wish you could’ve come to the casino with us luke | lhughes_06 next year 😊

user12 why does julia keep popping up? | user04 isn’t she jack’s girlfriend? | user07 no she’s luke’s friend i think | lhughes_06 not likely

trevorzegras luke is the mother of the group but also the baby 😂 | yourinstagram hey be nice 😂

njdevils have fun in atlantic city

canucks have fun in atlantic city

taglist: @worldlxvlys

#fake social media #instagram au #hockey player social media #nhl #luke hughes #quinn hughes #jamie drysdale #jack hughes #trevor zegras #new jersey devils #hughes brothers #nj devils #friends to lovers

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copperbadge · 7 months

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We've been watching cooking videos today, as is our wont the day after Thanksgiving, and Mum showed me Emeril Lagasse's new show. It's fun, but it also fills me with an odd kind of nostalgia, because as much as Eddie Rambler is based on Guy Fieri, he is also drawn from the pre-internet TV chefs of my childhood (Alton Brown, Ming Tsai, Julia Child in reruns) and perhaps especially Emeril Lagasse.

There's a scene in Infinite Jes where Eddie talks about trying to make his first little cooking videos in a dormitory kitchen behind a locked door, and what a mistake it was because he really needed an audience to play off of. That's 100% Emeril -- his very first cooking show, Essence of Emeril, was the traditional "chef behind a stove talking to the camera" and it's fine, but it's nothing special. Some people can carry a show without an audience, some can't (a good modern example of someone who can is Chef Jean Pierre). But when he got his second show, Emeril Live, where he had humans in the room to talk to, he really started to light up the screen -- which is exactly what I wrote happening to Eddie, with the stoners who walked in on him cooking and accepted his offer of tacos.

Anyway it's just fun to see Emeril cooking for folks again. I still think about him on Emeril Live handing plates of food to the audience and saying "There you go, make friends," whenever Eddie shares his food with someone.

#food #shivadhverse #cooking tv #cooking

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kit-walk3r · 11 months

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Are the Evans team Barbie or team Oppenheimer?

It seems appropriate 😂

Barbie

Kit- Originally went to see Barbie because Julia wanted to but ended up loving it. Definitely cried. Loved seeing Barbie’s onscreen that looked like Julia, he could tell it made her happy. 100% had a crush on Margot Robbie after this.

Rory- Is actually one of the background Ken’s and won’t stop telling people. Drags all his friends and family to see it so he can point out himself in the background of a dance number for 10 seconds. Laughs out loud at every joke. Actively uses the phrase ‘Kenergy’.

Gallant- Barbie’s were his first subjects for styling hair so is super excited for the movie. Thinks he could have styled Margot Robbie’s hair better than the actual movie stylist. Everyone thinks he’s crushing on Ryan Gosling as Ken but he’s actually crushing on Michael Cera as Allan.

Peter- Knows all the words to I’m Just Ken. Has the Ken rollerblades and has attempted to run with them on but failed miserably. Is not ashamed to admit that he finds all of the Barbie’s attractive.

Oppenheimer

James- Actually remembers when the atomic bomb happened so is intrigued to see how they’ve translated it to film. Is disappointed that they don’t show the dead. Doesn’t understand why Oppenheimer feels guilty. Barbie is too bright, colourful and happy for him.

Kai- Barbie: a film about empowering women? Fuck that, Kai wants the movie with explosions. Pre-cult Kai would have cried seeing Florence Pugh naked. Considered changing his name from ‘Divine Ruler’ to ‘Death, Destroyer of Worlds’.

Barbenheimer

Tate- Really sees himself in Allen. Can relate to Oppenheimer’s guilt. Leaves both movies crying. Wants Ken’s hoodie that says “I’m Kenough”. Has an existential crisis leaving Barbie questioning who he is. Fears nuclear war after Oppenheimer.

Kyle- Did the Barbenheimer double bill. Secretly preferred Barbie to Oppenheimer but loved them both. Wore pink to Barbie. Gets excited every time he recognises an actor in Oppenheimer. Won’t shut up about both movies after he’s seen them and will fight people on the internet who insult them.

Jimmy- Team Barbie because he thinks every person in that movie is attractive. Team Oppenheimer because he actually loves a good biopic. Afterwards says he would definitely go to a Tupperware Party hosted by the Barbie’s.

Austin- Won’t stop talking about the Barbie soundtrack and costume design. Won’t stop talking about the theatrics of Oppenheimer. Won’t stop talking about Cillian Murphy’s eyes.

Colin- Empowering women!! Emily Blunt!! Colin definitely crushes on Emily Blunt and also loves a movie that empowers women so Barbie and Oppenheimer are his two perfect movies. Clapped at the end of both films.

•—————————————————————————•

Since I’ve seen both of the movies I thought this would be fun 🤭

Taglist: @jellyluvr @howtobesasha @dewberryobssesed @rwottvn @kaismanwich @violetharmonstwin @ifeeltoofuckingmuch @mariefics @spill-the-t @hyperharlz

Want to join my taglist? Just reply here!

#american horror story #ahs #evan peters #tate langdon #kit walker #kyle spencer #jimmy darling #james patrick march #kai anderson #rory monahan #mr gallant #Colin zabel #Peter maximoff #barbenheimer

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marvelfanfics1 · 2 years

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🖤 🧡🧛🏽‍♀️for being a badass with a good heart, have a pair of fangs to bite your favorite mutuals! 🧛🏽‍♀️🧡🖤 (Pass it on to your favs)

Haha thank you friend! 🧛‍♀️🧡

#julia answers #julia's mutuals #julia's internet friend

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chasespizza · 7 months

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MY TD REBOOT LGBTQ+ HEAD CANNONS ‼️

I WILL DO THE REST OF THEM IF U GUYS WANT :D

PRIYA:

she overthinks her sexuality a lot but she knows she likes all genders

had a hard time coming out to people but millie helped her

her parents are homophobic so she’s always paranoid they will find out

BOWIE:

his family is super supportive of him

he doesn’t date a lot and he likes to focus on school and sports more (raj is a exception)

he usually gets bullied in school but it doesn’t phase him

MILLIE:

she’s def had feelings for priya

she has done a lot of research abt sexuality so she knows a lot abt it

has never liked or had feeling for a man

JULIA:

she doesn’t tell a lot of people she’s bi (especially on the internet)

she has never dated a girl but wants too

bowie almost made her homophobic/hj

EMMA:

she has definitely dated a few girls

is very comfortable with talking abt her sexuality

once she came out to chase he just stared at her weird and didn’t talk to her for a few days

CHASE:

he’s bi but doesn’t want to tell anyone, especially the friends that he lives with (he also thinks his fans won’t like it)

he definitely says “no homo” 24/7

says he only supports bc of emma and zee

ZEE:

they just built like that 🤷

RIPPER:

says he’s homophobic bc that’s how he was raised

tells no one he’s ftm

he’s gay but doesn’t want to accept it

RAJ:

is still in shock that he’s gay

he’s a lot happier now that he knows who he is

he doesn’t like talking abt being gay because he’s scared abt what other people will think

WAYNE:

biggest ally

he tries to help people with their sexuality and gender

he always defends raj and bowie

THATS ALL BUH BYE!! :33

#total drama #td reboot #td headcanons #td chase #td priya #td bowie #td millie #td julia #td emma #td zee #td ripper #td raj #td wayne #head canon #total drama headcanons #total drama reboot

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ludiharambasha · 4 months

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Hello everyone!

Sorry for being inactive in the last couple of days.

A dear friend of my cousin needs help to get her family evacuated from Gaza. Down below is a gofundme link. If you can help, please do so, it would be very much appreciated. Just sharing this post would also mean a lot.

Here is Tasnim's letter.

"Dear compassionate souls,

I come to you with a plea from the depths of my heart, a plea for compassion, empathy, and the chance for a family to reclaim their shattered dreams amidst the relentless chaos of war.

My beloved sister, Nour Thabit, a dedicated English teacher and a devoted mother, along with her husband who runs a small electronics business, and their three precious children, have been engulfed in the horrors of the ongoing attacks happening in Gaza. They have seen their home reduced to rubble, their livelihoods snatched away, and their hopes and aspirations torn apart by the merciless hands of war.

Hadi, the eldest at only six years old, was filled with the innocent excitement of starting school, which he only got to experience for one month. He now only dreams of a life far away from the deafening echoes of bombs and screams of children under the rubble; a life where he could live his dream of riding horses like he used to do, on the shores of Gaza.

"I miss you, please take me away from here!" - the last sentence I heard from Hadi, on a rare occasion when I am able to reach my family since internet and electircity are cut off. Each time I do hear from them I can hear the terror and the trauma in their voice even though they are trying so hard to stay strong and not let it show.

Amr, at four years old, used to revel in the joy of playing football and the simple pleasures of kindergarten, until the sounds of violence forced him to flee, leaving behind his beloved activities and the safety of routine.

And sweet Julia, just two years old, now battles the cruel grip of waterborne illness, a consequence of being deprived of very basic necessities like clean water which my family got deprived off for more than 4 months now.

Their journey has been one of unfathomable trauma and loss. Moving from place to place, seeking refuge in a world where safety feels like a distant memory, they have witnessed horrors no family should ever endure. My sister tried all in her powers to shield her children's innocence, shattered by the brutal reality of death and destruction that surrounds them; she was even coming up with comforting lies about sounds of bombings being fireworks. But it soon became impossible to build any sort of illusion of safety since my sister and her family witnessed people dying before their eyes.

My heart aches as I witness their struggle, for there is no refuge left to seek. They live now in a makeshift tent, devoid of the most basic necessities, their health deteriorating with each passing day.

But amidst the despair, there glimmers a fragile hope. A chance to escape the nightmare they find themselves trapped in, a chance to rebuild their shattered lives and reclaim the dreams that once filled their hearts with joy.

Yet, this chance comes at a cost. A fee of $8000 stands between them and the border to safety, a seemingly insurmountable obstacle in their path to freedom and peace. The only way to cross the border with Egypt is to pay this fee at the checkpoint. The rest of my family is also still in Gaza but we are hoping we can at least save the kids, and with heavy heart we are making this type of prioritizing. No one should have to make choices like this. My whole family was stripped out of everything which is why there will be additional costs to cover up for the traveling and living expenses during the travels. Their only hope right now is to reach the safety of Canada where they can recieve further help from our relatives who migrated there and a chance to rebuild their lives.

So, I humbly implore you, dear friends, to open your hearts and extend a helping hand to my sister and her family. Let us come together in solidarity, in kindness, and in the unwavering belief that humanity still exists in this world. Every contibution counts. Even if you are not able to help financially, please share our story.

Let us give them the chance they so desperately deserve, to find peace, to heal, and to build a future filled with hope and possibility.

With deepest gratitude and endless hope,

Tasnim Atia

p.s.

Since I don't have a bank account in a "gofundme" eligible country, your generous contributions will be safely managed and distributed to my sister's family through the trusted hands of my dear friend, Milena, whose family (living in the UK) have graciously offered their assistance in ensuring that every donation reaches its intended recipients promptly and securely. Your support will directly impact the lives of my sister, her husband, and their three children, providing them with the means to escape the horrors of war and rebuild their shattered lives. Thank you for entrusting us with your kindness and compassion. Together, we can make a difference."

#free palestine #please #rebog #boost

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mjfsupremacy · 7 months

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Let's talk about this.

CM Punk was a bigger star than everyone else when he came in. That is 100% fact. We would be crazy to deny it. He came in on legend status, 7 years of fans wondering if they would ever see him again. That's huge and he was a big get and for the first few months, whenever we saw him it felt like a big deal. He was putting in decent matches, he was doing incredible storytelling and he was adding so much value to the company.

That didn't last long. It became apparent well before the all out media scrum that he'd very much gone into business for himself and that he'd allowed his ego to run rampant. The list of names pouring out weekly that he had pissed off just kept getting larger and larger, and no, I don't think all the issues he had were his fault but a great many of them he claimed some fault in at least.

That media scrum was the perfect example of a man whose ego has been left to go unchecked for too long, someone who has clearly decided he's better than everyone else in the room and what he has to say matters more than what anyone else does.

After that, he was no longer the name he came in with. It's surprising that seeing AEW be completely fine without him didn't humble him even a little bit because when he came back, he didn't come back with any integrity or willingness to work to make AEW better, he was clearly, again just there for himself. Maybe at this point, he was already hoping to go back to WWE, who knows, but it was apparent he wasn't there because he cared about AEW and the fans knew it. It's an interesting bit of revisionist history happening right now that apparently WWE fans either willingly or ignorantly don't know that a large collection of AEW fans wanted him gone, because they were so tired of his attitude or they sensed he didn't care about AEW like they did. AEW fans are getting straight bullied on the internet because WWE fans think they are jealous or salty he went to WWE when that, honestly, for most, couldn't be further from the truth.

Of course he doesn't rate the top AEW guys highly, his actions for the entire time he was there showed that he didn't care that this was more than a job for them, this was a dream to put American pro-wrestling on the map again, this was a chance for wrestlers who dont fit the mould to do what they love on a huge stage. (Not a knock on WWE, by the way. They aren't wrestling. They specifically do not brand themselves as such.)

As for the WWE guys in AEW waiting to go back, they should be released. Let them go back. There seems to be this fear that if AEW releases talent that clearly wants to go back to WWE that it's a loss. It shouldn't be, they clearly don't have the companies best interests in mind, and if AEW is going to survive, it need people who believe in it 100%

AEW needs to refocus and they desperately need a restructure. They need more women in leadership for one. They need someone who can keep the egos in check but most importantly they need to remind themselves who they are and why they were so special to begin with. They have always been about heart, and wrestling, and having something to say, and passion. Some of that's been lost this year.

I firmly believe they will find it again, but I think the key is to move on, and keep grinding. Keep putting in work that silences the naysayers and is something to be proud of. I honestly wouldn't even mention Punk ever again, I'd literally scrub him and if the few friends he has left there don't understand why, I'd be asking them if they believe in what's best for AEW or what's best for them.

Anyways, here's a quick list of AEW stars that could carry the company on their back tomorrow and would smoke CM Punk on his best day.

- HANGMAN ADAM PAGE

- Orange Cassidy

- Ricky Starks

- Trent Bereta

- Wheeler Yuta

- Daniel Garcia

- Kris Statlander

- Hikaru Shida

- Julia Hart

- Willow

- Skye Blue

- Eddie Kingston

- Wardlow

- Bandito

- Konosuke Takeshita

- Kyle Fletcher

- Penta

- MAXWELL JACOB FRIEDMAN

(Edit: Darby Allin was originally on this list, I was not aware of his previous SA history with his ex or his alleged behaviours toward homeless people in his past. I'm genuinely sorry if anyone was hurt or offended by this.)

#aew #all elite wrestling #wwe #wrestling #cm punk #i'm done now

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trulybetty · 5 months

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Sunday Week In Review XVI & 2023 Wrapped

I feel like 2023 just started five minutes ago, am I the only one who feels like this year as passed by quickly but at the same time dragged its heels?

I've seen so many lovely end of year close out posts and years in review. I toyed with how I wanted to close out the year and what I could say that could sum it up sufficiently.

Betty rambles under the cut with this weeks reads if you're interested...

2023 has been a weird year if I'm entirely honest and somewhat isolating. I returned from mat leave, back to working from home, and having to scramble to make adjustments when things fell through. Which resulted in Mr. Truly and I working opposite shifts to ensure the S.S. Truly stayed afloat.

But during the last six months somehow I made it back to Tumblr, to an old account from way back when - pre-dating when the Canucks made it to game seven kinda old - I blew off the dust, cleaned house and made myself a little space. I still don't know 100% how it all happened, though I think it started with the Reddit forum.

You don't need to know the whole spiel about Pedro, because while we're here because of him, it's the community that holds us here. After floating and not really knowing what I was doing, I started to make connections within this community and finding a seat at the table (we'll come back to that) and I found joy again. I'd kinda lost myself in the fog that is half a dozen other titles/roles others looked to me as that had replaced just Betty.

I started writing, hadn't done that in years. I rekindled by love for graphic design, what I went to school for. I was reading books again, as well as so many great fanfics here. I even bought poetry books, something I hadn't done since I don't know when.

I've been really fortunate in my experience that I've encountered so many wonderful people. I may not get to be as social as I'd like to be, and I still have a fear of dropping into DM's & Asks unannounced. I have the shittest memory, if I don't keep a tab open or reply straight away it's sometimes days or weeks before I remember again. But I really hope that I've returned in kind what others have given me because I'd hate for anyone to feel like they don't belong here, because you do.

This community is a table (told you I'd come back) and it's size is immeasurable. It has no bounds and there's always room for whatever kind of chair you pull up and if you don't have one? We'll find one. Need to leave for a while? We'll save your seat. This my friends is a community, and if you're met with those who tell you the table is full, I'm telling you now, they're not a part of it.

Are there going to be those with more notes? Yes. Are there going to be people you're going to compare your writing to? Yes. Are you going to maybe want to pack it all in and delete your masterlist now and then? Yes.

But none of that takes away anything that makes you, you and what you bring to the table.

Life is hard enough without the added pressure of thinking you need to score imaginary internet points with stats and metrics that carry no value. I wish I knew the magic formula, because I'm still trying to figure it out myself, but let's try and be kinder to ourselves eh?

But I'm really going into 2024 with the goal of curating my own joy - whether it be indulging in the fanfics I want to write and read, more obnoxious coffees, a new fountain pen, giving myself permission to buy the fancy notebook, get back to baking or binging both seasons of Julia and pretending I can make one of her recipes.

So to sum it up, before this goes into a further incoherent ramble, this year has been about reaching out, starting connections and building something meaningful. I've met some amazing people that I am lucky to call friends and without their kindness and extending a seat at the table I'm not sure I'd still be around these parts.

Here's to more of that in 2024 - while I'm not always the best at replying to messages, my DM's and Ask's are always open, feel free to drop in at any time 💕

Pedro Tax™️ for your time...

T R U L Y U P D A T E S . . .

December x 500 is complete-ish? Thanks to being sick towards the end of the month there's three entries missing, but I'm hoping to sneak them in during the new year! I'm looking forward to a quieter writing schedule that's for sure!

W H A T I R E A D . . . Didn't read as much as I wanted to this week - but I'm off this next week, so hoping to do a little more and get through some of my TBR list!

All I Want for Christmas (Frankie) by @morallyinept This was a delightful festive meet-cute that had me on the edge of my seat and also explores the character of Frankie and the ramifications of his actions on his friendships and his ex.

All I Want (Will Miller) by @laurfilijames This was a bittersweet one-shot that touched on the idea that the festive season isn’t always for everyone and that you never know what’s going on with someone.

I Put My Book Down to Be Here (Dieter) by @frenchiereading My first New Year’s Eve fic I’ve read this season and it’s so sweet and has a soft Dieter (my fave), who is still his chaotic self! I loved this from start to finish and such a great meet-cute!

Had Me Fooled (Dave) by @wildemaven Heidi has done such an amazing job with this mini series that can be read as a standalone or as a series. I love a soft Dave and Heidi does it so well. This last one had my toes curling in all their romantic glory and I will be revisiting this series again I'm sure!

Reunions (The Thief) by @ladamedusoif I'm behind on Rose's December prompts, but this was the steamy follow up to My Kiss, Only For You (go read that first, no seriously, go read it) and it was so delectable and my greedy self hopes we see these two again in the future.

Cookies (Tim) by @ladamedusoif Speaking of delicious things, this was as indulgent and sweet as the cookies made in this fic. Tim was one of the characters I didn't see becoming such a favourite this year - but I love seeing everyone's interpretation of him. This one here? In my top ranked versions 🫠

So here's to 2024!

Thank you for every interaction, reblog, or tag - every single one is held clutched to my heart in appreciation every time!

Stay safe, and whatever you're doing or wherever you are sending you much love!

#betty's sunday in review #sunday week in review #pedro pascal character fanfiction #pedro pascal characters

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