(SPOILERS) tashi and patrick's relationship is like mesmerizing they are like the same person going in exactly different directions they're the prodigies who ruined their tennis careers by trying too hard for tashi and not trying hard enough for Patrick while art rose above them and tashi resents him for it and tries to live his victories through him while patrick resents how it has brought them apart from each other but when they're together they're equals and they can see deep inside each other like patrick said which is what tashi hates and loves that they know that ultimately they're both losers and she can't face it
53 notes
·
View notes
legend has it, that if you pay $6 to purchase this badge for someone, they legally have to open commissions
80 notes
·
View notes
I observed a fascinating example of differing ontology on the local level today
the nearest zoo to me recently put their two-headed snake back on exhibit, which of course made the local news (who doesn’t want to see a two-headed snake, right?)
this was initially announced in a long explanatory post on the zoo’s Facebook page, in which staff used the pronoun “he” for the snake, presumably because it is one unit of snake with one evident set of genitalia.
but when the local news station covered the announcement, it used the pronoun “they,” presumably because the snake has two brains sending sometimes conflicting neural signals, even if it is one unit of snake.
if the case were human, suppose a set of conjoined twins, I would also say “they” because two brains equals two souls.
But for a snake, which has no soul, I am certainly more inclined to say “he”, or at least follow the example of the zoo.
9 notes
·
View notes
also re: that post, absolutely fascinated by the implication that having a low score means you have low standards. i’m one of the pickiest people i know when it comes to fic. even indented paragraphs are enough to get me to swear off an author forever. but i am also a person of Taste and, more importantly, not a prude
14 notes
·
View notes
omg, they have a lady signing his whole performance. that's so cool!
14 notes
·
View notes
what's funny about the prompt lists is how you can clearly see what tropes ppl love for certain ships. like vegaspete have the most prompts for "bdsm" and "magic/monsters" but kinnporsche have the most for stuff like "orgasm control." magic/monsters is a popular trope for kimchay too
1 note
·
View note
yknow i dont go here but sometimes i gotta go: seriously respect clowns. they have the worst pop culture representation in the world and also the best most thorough honor code. they're just here to be silly little guys who bring joy and are very conscientious about doing so responsibly. let them to their merriment in peace you dont hafta take potshots. i dont go here but like maybe i should, you all seem super chill
10K notes
·
View notes
Fascinated by this one Instagram account run by a girl who got divorced young and decided to make a career as a cottagecore divorce influencer out of it apparently
29K notes
·
View notes
Actually the funniest part of the entire James Somerton debacle is the response his cowriter Nick gave. For context, Hbomberguy talks a bit about Nick as a cowriter, and there is not any strong evidence implicating Nick of also plagiarizing, so Hbomberguy takes the angle of "Nick is probably not (also) responsible for the plagiarism".
Nick's response?
To claim he could not be part of the plagiarism, because he does not read. And does not do research...
SOURCE: I Fact-Checked The Worst Video Essayist On YouTube - YouTube, video essay by Todd in the Shadows.
The second screen cap is maybe a tongue-in-cheek joke... but bold choice when everyone's eyes are on you to respond to serious allegations. And this screencap doesn't include the other wishy-washy statements, pre-video, from Nick saying to the effect of "I write based on vibes. I come up with an idea and ruminate on it." For research videos. For educational videos about queer history and queer media culture.
Adds flavor to the Todd video, which goes through two-dozen examples of Somerton videos which just claim... provably factually incorrect bullshit.
This guy is a writer. An author. You could not waterboard "I don't read" out of me if I were aiming to launch a writing career.
Beating the plagiarism allegations by confidently asserting you suck too bad to ever get that far.
9K notes
·
View notes
i know that a lot of people take issue with the fact that pakku only agrees to teach katara because he realizes that she’s the granddaughter of the woman he tried to get with a bajillion years ago, but i actually see that moment of him realizing that kanna left to escape their marriage as a moment of self-reflection from him. like, imagine having to contend with the fact that your rancid vibes drove the love of your life away after having just publicly humiliated her fourteen year old granddaughter who was begat on the literal other side of the earth because how that’s far she went to escape him. sokka gets the moment of realizing “oh, men and woman are ontologically equal in their capacities, and divisions between genders are socially assigned and arbitrary,” but that isn’t really pakku’s deal at all. pakku’s deal is more like, “oh, my unyielding insistence on adhering to and imposing unjust patriarchal traditions actually makes me deeply unpleasant to be around and drives my loved ones away. maybe I should take a fucking chill pill perhaps.”
like, the fact that katara ultimately loses the fight and nothing she actually says or does persuades him is interesting, because it means that his reflection is internal, his moment of revelation not brought about by didactic moralizing, but through taking a long, hard look in the mirror, and realizing that being kind is more important than being right. and that’s why he seems to make an effort to be friendlier and more helpful, more so than making any effort to become a male feminist and fight for women’s rights. sokka, for example, initially has a narrow view of gender because his worldview is limited and then it expands, but pakku, by contrast, is literally a member of the white lotus; he is old and worldly, so he clearly already understands that their tribe’s traditions are not ontologically necessitated, but he nonetheless supports them because they benefit him. it is only when he learns that the love of his love literally escaped their tribe and left behind everything she ever knew just to avoid him that he decides to reevaluate his staunch insistence on clinging to his patriarchal values. and who wouldn’t. i mean, that’s gotta fucking hurt!
i know that katara’s fight against him does feel like a grand feminist moment as she fights for her ideals and her rights as a girl, and to her (and to us as the audience) it certainly does feel that way, but to pakku, his change of heart is one of realizing that he should probably stop being an asshole to every woman he’s ever met while he still has a few good years left. a core motif of katara’s arc is that she cannot actually preach her ideals and simply enlighten every asshole she meets, as much as she’d certainly like to; enlightenment comes from within. and so it is pakku’s regrets that motivate him to be kinder, because it’s never too late to change for the better. and that’s kind of beautiful actually.
6K notes
·
View notes
there should be a sub genre of books that were originally written to comment on the evils of capitalism and how greed and wealth corrupts society as a whole and how those popular books were subsequently made into hollywood movies and were marketed in a way in order to mass produce as much merchandise as possible so the companies behind the movies can make as much money as possible and thus completely erasing the original meaning of that story while also unintentionally proving the point of the original novels themes
28K notes
·
View notes