#katsuhiko otsuji

[anamon-book]

少年とオブジェ　尾辻克彦 角川文庫 カバー＝片山健

#少年とオブジェ #katsuhiko otsuji #尾辻克彦 #genpei akasegawa #赤瀬川原平 #角川文庫 #ken katayama #片山健 #anamon #古本屋あなもん #あなもん #book cover

[anamon-book]

国旗が垂れる　尾辻克彦 中央公論社 装幀＝赤瀬川原平

#国旗が垂れる #katsuhiko otsuji #尾辻克彦 #genpei akasegawa #赤瀬川原平 #anamon #古本屋あなもん #あなもん #book cover

[anamon-book]

カメラが欲しい　尾辻克彦 新潮社 イラストレーション＝赤瀬川原平、装幀＝東幸見

#カメラが欲しい #katsuhiko otsuji #尾辻克彦 #genpei akasegawa #赤瀬川原平 #東幸見 #anamon #古本屋あなもん #あなもん #book cover

[anamon-book]

父が消えた　尾辻克彦 文藝春秋 装釘＝福田隆義

#父が消えた #katsuhiko otsuji #尾辻克彦 #genpei akasegawa #赤瀬川原平 #takayoshi fukuda #福田隆義 #anamon #古本屋あなもん #あなもん #book cover

[anamon-book]

整理前の玩具箱　尾辻克彦 大和書房 装画＝赤瀬川原平、装幀＝高麗隆彦

#整理前の玩具箱 #katsuhiko otsuji #尾辻克彦 #genpei akasegawa #赤瀬川原平 #takahiko koma #高麗隆彦 #anamon #古本屋あなもん #あなもん #book cover

[anamon-book]

雪野　尾辻克彦 文藝春秋 装画＝山崎英介、装丁＝藤枝リュウジ

#雪野 #katsuhiko otsuji #尾辻克彦 #genpei akasegawa #赤瀬川原平 #eisuke yamazaki #山崎英介 #ryuji fujieda #藤枝リュウジ #anamon #古本屋あなもん #あなもん #book cover

[anamon-book]

少年とグルメ　尾辻克彦 講談社 カバー・本文イラスト＝片山健、装丁＝東幸見

#少年とグルメ #katsuhiko otsuji #尾辻克彦 #genpei akasegawa #赤瀬川原平 #ken katayama #片山健 #東幸見 #anamon #古本屋あなもん #あなもん #book cover

[anamon-book]

本物そっくりの夢　赤瀬川原平・尾辻克彦 筑摩書房 装画＝赤瀬川原平

#本物そっくりの夢 #genpei akasegawa #赤瀬川原平 #katsuhiko otsuji #尾辻克彦 #anamon #古本屋あなもん #あなもん #book cover

[milenaolesinska]

Exposition Art Blog   Genpei Akasegawa - Japanese Avant-garde art

Genpei Akasegawa  was a pseudonym of Japanese artist Katsuhiko Akasegawa  (March 27, 1937 – October 26, 2014).He used another pen name, Katsuhiko Otsuji , for literary works. In January 1963, Akasegawa sent out invitations to a solo exhibition at a gallery in Tokyo. The announcement was delivered to several close friends in a cash envelope sent through the postal service. The announcement itself was a 1,000-yen note reproduced in monochromatic colors on the front, with relevant information regarding the exhibit on the back. He produced four more during the next year.Akasegawa was born in 1937 in Yokohama, and moved to Ashiya, Ōita and Nagoya in his childhood because of his father's job. Shusaku Arakawa was a high school classmate in Nagoya.In 1960, Akasegawa became involved within the Neo-Dada Organizers, along with Ushio Shinohara, Shusaku Arakawa, and Masanobu Yoshimura. He formed the Hi-Red Center with Jiro Takamatsu and Natsuyuki Nakanishi in 1963, which was a group of artists that presented their works as a collective in Japan; they performed happenings within the Hi-Red Center.

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#Genpei Akasegawa #Japan #art #neodada #avant garde art #contemporary art #visual art #sculpture #culture #exposition art blog