Bye bye winter...?
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Lysá Hora ⛰️ Beskydy #beskydy #lysahora #beskidy #lysagora #hory #gory (v místě Lysá hora) https://www.instagram.com/p/Cj_E14SIaz0/?igshid=NGJjMDIxMWI=
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mikrokosmos:
Górecki – Symphony no. 3, “Symphony of Sorroful Songs”
This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief and loss, maybe sentiments of angst and pain that Poland had suffered through the 20th century. The first movement is a giant eight voiced canon, where each new introduction of the theme is in a different Greek mode [from lowest strings to highest, we hear the Aeolian, Phrygian, Locrian, Lydian, Ionian, Mixolydian, Dorian, and back to Aeolian modes], and the canon is interrupted by a pause of tone clusters, the soprano sings a 15th century Lamentation of the Virgin Mary from the Lysagora Songs collection of the Holy Cross Monastery, lamenting Jesus’ death. After the song is over, the canon breaks in at its height, and then unravels into silence. The second movement is also built out of tone cluster drones, the soprano sings a prayer to the Virgin Mary that was found in a Gestapo cell in Zakopane. The third movement is made of subtle variations on a short theme in a minor, while the soprano sings a folk song about a mother searching for her son who was killed in the Silesian uprisings of 1919-1921, and the music opens into a majestic uplifting major section before returning to the somber mood of the opening. The work is depressing, languid, and conveys the pain of parents losing children, and vice versa, and even though Górecki was previously an obscure composer, a 1992 recording of the work with Dawn Upshaw exploded in popularity, over one million copies sold, and probably became the best selling record of a contemporary classical piece in recording history. Regardless of popularity, Górecki is an awesome composer and if you haven’t heard him before I urge you to listen to this symphony, his “Little Requiem for a Polish Girl”, his Harpsichord/Piano Concerto, and his Symphony 2 “Copernicus”
Movements:
1. Lento – Sostenuto tranquillo ma cantabile
2. Lento e largo – Tranquillissimo
3. Lento – Cantabile-semplice
mikrokosmos: mikrokosmos: Górecki – Symphony no. 3, “Symphony of Sorroful Songs” This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief…
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mikrokosmos:
Górecki – Symphony no. 3, “Symphony of Sorroful Songs”
This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief and loss, maybe sentiments of angst and pain that Poland had suffered through the 20th century. The first movement is a giant eight voiced canon, where each new introduction of the theme is in a different Greek mode [from lowest strings to highest, we hear the Aeolian, Phrygian, Locrian, Lydian, Ionian, Mixolydian, Dorian, and back to Aeolian modes], and the canon is interrupted by a pause of tone clusters, the soprano sings a 15th century Lamentation of the Virgin Mary from the Lysagora Songs collection of the Holy Cross Monastery, lamenting Jesus’ death. After the song is over, the canon breaks in at its height, and then unravels into silence. The second movement is also built out of tone cluster drones, the soprano sings a prayer to the Virgin Mary that was found in a Gestapo cell in Zakopane. The third movement is made of subtle variations on a short theme in a minor, while the soprano sings a folk song about a mother searching for her son who was killed in the Silesian uprisings of 1919-1921, and the music opens into a majestic uplifting major section before returning to the somber mood of the opening. The work is depressing, languid, and conveys the pain of parents losing children, and vice versa, and even though Górecki was previously an obscure composer, a 1992 recording of the work with Dawn Upshaw exploded in popularity, over one million copies sold, and probably became the best selling record of a contemporary classical piece in recording history. Regardless of popularity, Górecki is an awesome composer and if you haven’t heard him before I urge you to listen to this symphony, his “Little Requiem for a Polish Girl”, his Harpsichord/Piano Concerto, and his Symphony 2 “Copernicus”
Movements:
1. Lento – Sostenuto tranquillo ma cantabile
2. Lento e largo – Tranquillissimo
3. Lento – Cantabile-semplice
mikrokosmos: mikrokosmos: Górecki – Symphony no. 3, “Symphony of Sorroful Songs” This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief…
0 notes
mikrokosmos:
Górecki – Symphony no. 3, “Symphony of Sorroful Songs”
This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief and loss, maybe sentiments of angst and pain that Poland had suffered through the 20th century. The first movement is a giant eight voiced canon, where each new introduction of the theme is in a different Greek mode [from lowest strings to highest, we hear the Aeolian, Phrygian, Locrian, Lydian, Ionian, Mixolydian, Dorian, and back to Aeolian modes], and the canon is interrupted by a pause of tone clusters, the soprano sings a 15th century Lamentation of the Virgin Mary from the Lysagora Songs collection of the Holy Cross Monastery, lamenting Jesus’ death. After the song is over, the canon breaks in at its height, and then unravels into silence. The second movement is also built out of tone cluster drones, the soprano sings a prayer to the Virgin Mary that was found in a Gestapo cell in Zakopane. The third movement is made of subtle variations on a short theme in a minor, while the soprano sings a folk song about a mother searching for her son who was killed in the Silesian uprisings of 1919-1921, and the music opens into a majestic uplifting major section before returning to the somber mood of the opening. The work is depressing, languid, and conveys the pain of parents losing children, and vice versa, and even though Górecki was previously an obscure composer, a 1992 recording of the work with Dawn Upshaw exploded in popularity, over one million copies sold, and probably became the best selling record of a contemporary classical piece in recording history. Regardless of popularity, Górecki is an awesome composer and if you haven’t heard him before I urge you to listen to this symphony, his “Little Requiem for a Polish Girl”, his Harpsichord/Piano Concerto, and his Symphony 2 “Copernicus”
Movements:
1. Lento – Sostenuto tranquillo ma cantabile
2. Lento e largo – Tranquillissimo
3. Lento – Cantabile-semplice
mikrokosmos: mikrokosmos: Górecki – Symphony no. 3, “Symphony of Sorroful Songs” This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief…
0 notes
mikrokosmos:
Górecki – Symphony no. 3, “Symphony of Sorroful Songs”
This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief and loss, maybe sentiments of angst and pain that Poland had suffered through the 20th century. The first movement is a giant eight voiced canon, where each new introduction of the theme is in a different Greek mode [from lowest strings to highest, we hear the Aeolian, Phrygian, Locrian, Lydian, Ionian, Mixolydian, Dorian, and back to Aeolian modes], and the canon is interrupted by a pause of tone clusters, the soprano sings a 15th century Lamentation of the Virgin Mary from the Lysagora Songs collection of the Holy Cross Monastery, lamenting Jesus’ death. After the song is over, the canon breaks in at its height, and then unravels into silence. The second movement is also built out of tone cluster drones, the soprano sings a prayer to the Virgin Mary that was found in a Gestapo cell in Zakopane. The third movement is made of subtle variations on a short theme in a minor, while the soprano sings a folk song about a mother searching for her son who was killed in the Silesian uprisings of 1919-1921, and the music opens into a majestic uplifting major section before returning to the somber mood of the opening. The work is depressing, languid, and conveys the pain of parents losing children, and vice versa, and even though Górecki was previously an obscure composer, a 1992 recording of the work with Dawn Upshaw exploded in popularity, over one million copies sold, and probably became the best selling record of a contemporary classical piece in recording history. Regardless of popularity, Górecki is an awesome composer and if you haven’t heard him before I urge you to listen to this symphony, his “Little Requiem for a Polish Girl”, his Harpsichord/Piano Concerto, and his Symphony 2 “Copernicus”
Movements:
1. Lento – Sostenuto tranquillo ma cantabile
2. Lento e largo – Tranquillissimo
3. Lento – Cantabile-semplice
mikrokosmos: mikrokosmos: Górecki – Symphony no. 3, “Symphony of Sorroful Songs” This symphony marked Górecki’s shift from a more dissonant serialist style to a more tonal one. Though it is “tonal” and sometimes considered “minimalist”, I think the terms downplay the complexity of the music. This symphony is Górecki’s most popular work, it is a monument to grief…
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the rules of mortals do not apply to the divine.
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Widok z wieży Bazyliki Trójcy Świętej na nadajnik radiowo-telewizyjny na Łysej Górze. Nadajnik ma 157 metrów wysokości i wybudowano go w 1966. Swoim sygnałem wychodzi nawet poza granice województwa świętokrzyskiego. Szkoda tylko, że psuje widok na Sanktuarium od strony południowej (szlak od Starej Słupi). #swietokrzyskie #świętokrzyskie #swietokrzyskieczaruje #Polska #Poland #podroze #pocztowkazpolski #beautifulpoland #naszapolska #igerspoland #igerspolska #lubiepolske #polandphotos #rowery #rowerowo #aktywnie #wiosna #zwiedzanie #podróże #podroze #travel #krajobraz #landscape #lysagora #swietykrzyz #historia (at Łysa Góra (Święty Krzyż) 595 m.n.p.m.)
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You are divine.
insp by angels, stained glass, and ALEXANDER MCQUEEN’S SAVAGE BEAUTY BABEY!!!
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For @lysagora‘s marlowe wilkes.
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Snow, I 💙 miss you.
❄❄
🥶
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Panorama z Lysé hory 🏞️ s výhledem na Tatry a Malou Fatru ⛰️⛰️⛰️⛰️⛰️⛰️💨🌥️😎 #lysahora #tatry #fatra #lysagora #beskidy #hory #beskydy #góry #panorama #photos #foto #photo #forografia #panoramic #panoráma (v místě Lysá hora) https://www.instagram.com/p/CVTW6LcoJ6w/?utm_medium=tumblr
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Sopot. Łysa Góra. Wilki były, część nawet postanowiła się w przerwie przebiec góra-dół 🏃🔄. #sopot #trail #trailrunning #nocnebieganiezwilkamiiczolowkami #nbzwic #runsofun #sforapomorze #bieganiejestfajne #lysagora #travel #trailrunning #trail #runhappy #trailrunner #biegamzpsem #zyjemysportem #ambasadorgosport #runningwithdog #happyrunners #dog #malamute (w: Sopot, Poland)
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Pośmigane‼️🏂 #jibsesh #jib #jibbing #snowpark #łysagóra #lysagora #sopot #snow #snowboard #snowboarding #boardborn (w: Łysa Góra)
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Girl names from the Greek Mythology
Goddess, deities, oracles, human etc...
A: Achlys Adrasteia Aether Aetna Alcyone Aphaea Andromeda Antheia Ananke Antiope Aphaea Aporia Arethusa Artémis Asteria Astraea Atë Athéna Aura
C: Cassandra Calliope Calypso Chione Circe Cybele
D: Daphne Danaë Demeter Dexithea Diane Dione Dysis Dyssebeia
E: Eidothea Eileithyia Eirene Elpis Enyo Eos Epione Eris Eusebeia Euthenia
F: Fauna
G: Gaia
H: Harmonia Hecate Hemera Hemithea Hera Hestia Hilaera Horae
I: Io Iaso Ino Iris Iynx
L: Lachesis Lethe Litae Lysagora Lyssa
M: Maia Medea Megaera Melinoe Minthe Myrina
N: Nemesis Nephelai Nyx
O: Orithyia
P: Panacea Pandaisia Pandia Pandora Pasithea Peisinoe Peitho Penia Persephone Phaedra Phaenna Phoenicia Psyche Pythia
R: Rhea
S: Selene Styx
T: Thalia Tyche Themis
U: Urania
V: Venus
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