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#maybe theres like more specific plot details we dunno about but thats it
raymanrambles · 2 months
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The Scrapped Rayman Comic Pitch: Rayman Rewired!!
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Hiiiii! Sorry for not posting on here for like. almost 2 months whoooops! Anyways, i am back hopefully consistently!!
So, this is about the Rayman comic series that was pitched to Ubisoft by Dave Cook & Steve Gregson sometime either during or before 2020, we don't have an exact date unforch. It was titled "Rayman Rewired" and was about Rayman travelling to other Ubisoft games.
The plot synopsis followed Rayman getting upset that he didn't get a game announced at E3 (you can tell this pitch is from a while ago), so he sneaks into Ubisoft's servers and switches up their queue to make him priority, but ends up messing up and unplugs it, causing a big portal to open and sucking him in while also putting the different game worlds at stake of being deleted.
And yeah you get the gist, Rayman teams up with different heroes in different games to undo all this, with this resulting in Rayman appearing in all these games to players, boosting his popularity and causing Ubisoft to make a new Rayman game at the end. Shame it's a work of fiction.
A few pages were also made as apart of the pitch:
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Guys look it's Ramon and Bullfrog!
Yeah u could say that multiversus story or "story which is actually about how rayman is neglected by ubisoft" is kinda generic but idk i think this would've been fun if done right! Also y'know just being a rayman comic series in general like how has that not happened yet. Plok got one!!!
Source: https://twitter.com/davescook/status/1321419840305987584p
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tumblunni · 5 years
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Why is gyan amakano so cute. It should be illegal. I hate how he has such a huggable design and then his character is totally wasted on being half super evil jerkman half Every Fat Stereotype Simultaneously. Like seriously how did this even HAPPEN
Artist: ok so ive drawn this round softman in a cute lil fancy tuxedo who always carries lollipops in his back pocket
Writers: ah yes, the perfect Irredeemable Murder Cannibal Man
Or like..
Writers: we need an Irredeemable Murder Cannibal Man
Artist: dont worry bro i got ya *draws a big circle with a happy face*
Or of course theres the alternative universe where nobody involved in this project ever noticed that this character design looks fuckin precious, but i dont want to live in that world
And then he's only in!! Two episodes!! And theyre so weird and not great!! Its like they kept changing their mind whether he was meant to be funny or scary. Goes from "ha ha a fat man enjoys cookies" to "he literally wants to make cannibal cookies out of humans" to "but ha ha look he's cosplaying as the genie from aladdin, lets go back to laughs now".
And also they made him be a huge jerk to Are Bacchino and that pisses me off!! Its already a bit shitty that they made a character whose entire "joke" is that he has ocd/germaphobia and its meant to be funny? Somehow? That he has this mental illness? And is frequently exposed to stuff that terrifies him?? Funny how???? But then theres a really rather disturbing montage of Gyan punishing his sidekick by straight up triggering his phobia and YIKES MAN sorry thats even more evil than the cannibalism! Also why was it drawn all overly detailed and Saw-esque?? Why did we need so much art effort put into showing dirty feet and a guy being forced to stick his hand in a shit filled toilet. Was this someone's goddamn fetish or something???
So yeah. Upset.
U P S E T T I. R E G R E T T I.
I'm so mad they wasted a cool character deisgn and cool concept on such a shitty execution. Like even the plot could have been cool? They could have got a lot more episodes out of the idea of these two runnibg thru fairytale books and cosplaying as different classic villains. And if theyd just made a damn decision and gone with either funny cute or scary bad then it could have worked! Personally i am voting for funnycute obv course. But also thatd work best with this plot, it would have been better if it was just a low stakes goofy adventure with something like "oh this dude wants to find the legendary magic wish thingie to wish for a lifetime supply of chocolate and our heroes wanna wish for something actually important so thats why they fight". Could have even added some drama cos like he doesnt know the thing is actually dangerous and then what if he ends up possessed by it and you still get a fight with him thats pretty high stakes without having this weird inconsistant personality thing. Could be quite a dramatic twist to suddenly have comedy villain man as a genuine threat! Ans could be a way to resolve it all with friendship cos you could have Are Bacchino teaming up with the heroes to save his boss and then Gyan is like "whoa i guess you guys were 100% right all along" when he gets saved from his own bigass mistake and all. And then THE GAMES COULD ACTUALLY MAKE HIM PLAYABLE PERHAPS, JUST SAYIN
Also PLEASE rewrite like every single thing about the relationship between the two of them. Please take whoever said "yeah gyan should outright torture his one and only friend with a messed up Saw movie ocd-triggering machine" and throw them out the window. Consider this: what if..they were actually...friend. Like i feel they'd have enough comedy potential already just from being a "rival mafia" thats literally two people who are ludocrously incompetant at everything they do and only ever succeed at (literally) stealing candy from babies. Play up that side of things more! No need to throw random super evil shit at the funnymen to make them seem more intimidating, theyre at their best when theyre not intimidating at all. And you could still have the same gag of the fairytale world forms always being Gyan as some sort of classic villain and Are as a talking carpet or whatever, like just say thats how the magic works instead of Gyan doing it on purpose to be a jerk. And you could even still have Are being the funny underdog just from sheer bad luck instead of being purpisely mistreated by every single character in the entire cast. Or have it that Gyan is just a bit of a bumbling idiot boss who doesnt notice his mistakes and Are is like the hypercompetant sidekick who always ends up taking the consequences of those mistakes because he's like an overportective bodyguard. Which could also be a way to establish some cute friendship moments! Like i dunno someone's about to throw a pie at Gyan and Are does an overdramatic diving save and a whole fake death scene from the sheer horror of getting banana cream frosting on his suit. "Boss...go on without me..." *cough choke* And Gyan is like *equally overdramatic tears* "He made the ultimate sacrifice! I will avenge him!!" *charges forward to fight the heroes and just gets easily beat up like usual* And then its like *even more continually dramatic narration* "and the boss was beaten and bruised, but he carried me for miles through wind and storm" *over footage of like ridiculously impossible heroic adventures thay clearly didnt happen* And then it just cuts to the two of them sitting at like...ye olde fantasy laundromat. Are sobbing like "oh boss i'll never forget this" and Gyan is just like *thought bubble* "i wish i got to eat that pie tho"
I dunno maybe im naive but i just think shows are generally more fun when characters actually like each other and have motivations beyond self interest. Obvipusly not EVERY character has to be like that, but nobody is ever kind at all in the damn anime whether theyre villain or hero. And also specifically these sorts of minor role villains can benefit a lot from being fleshed out this way to become way more memorable! Like gin and kin became way better in Psychic Specters when they got the added trait of loving and cherishing their little brother. (To the point of it being a literal battle power that made their horribly hard boss fight even worse, lol!)
Also just...plz dont make a man so cute if hes meant to be big badness. Like seriously Are looks scarier than him and Are is like the least scary man to ever have those scary ass eyes! Smol depressed man with ocd and tol round lollipops friendo. I WANT TO LOVE THEM
Im gonna just cross my arms and sit here stubbornly hoping for The Anime/Game Effect to kick in. Like 99% of all characters in the anime are jerks and even when anime originals end up cameoing in the games they tend to become generally nicer and more well developed as people. So fingers crossed for a yw4 appearance thats full cute and 0% cannibalism!!!
Seriously fuckin.. CANNIBALISM
Why does the anime do that so much as a "funny" "joke"? The episode where Jerry murders a sentient dessert yokai in graphic gory detail still haunts me. "Ha ha its funny because technically theres no blood so we can show her gasping for breath with a hole in her lungs as a man eats her corpse" Did they put the entire budget into that one death animation??? Oh no cos they saved at least a little of it for the Herbiboy Gets Murdered By A Lawnmower episode T_T
Anime why u be this way.
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deniigi · 5 years
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Hello! Just about to sit down and read your newest fic, so excited about it! I had a question for you (you very well may have answered this already, so sorry in advance!), but do you have advice for writing? Advice in terms of getting start, plotting out stories, helping get the creative juices flowing? I have all these ideas but seem to lack the drive to get things written out. I know the best advice is to just write, but I'm having a horrible time starting. What do you do in those moments?
Hello my dear!
Sorry for taking so long to get back to you. The lord has blessed me with a head cold and ruined all my plans of productivity for the day, so I can finally answer this ask! I’ll talk a little bit about both how to get started with a story and then some little things that help me motivate myself.
I have started a tag for writing advice here: http://deniigi.tumblr.com/tagged/writing-advice
This is going to be a long post, sorry mobile users.
I am going to preface all of this with the understanding that I am technically a professional writer in terms of like, a handful of ways, but I have absolutely zero training in creative writing, so take everything I say with a grain of salt!
So, I personally find that, on the whole, that psychological hurdle of getting started comes a lot from the anticipation of the kind of response a story will get (how many hits, how many comments, how many kudos) in addition to a bit of anxiety or fear over  theloss of sustained interest in that story (by yourself and/or by your audience). I find that this can be alleviated by really, truly internalizing the understanding that you are allowed to write your work however you damn please, for whoever you damn please.
There will be work you write for others, and there will be work you write for yourself. Not all work needs to be published; sometimes, it is really nice to just write shit for yourself; it is a plus for humanity if you decide to share it with others, but you do not have to do that.
Furthermore, I would like to present you with this:
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This is what my current folder for under fire looks like. And you might notice that there are almost always multiple drafts per chapter. Yes, I did in fact rewrite chapter four 5 fucking times, you bet your ass I did. And I’m not ashamed of it. I think the story is better for it. And that’s the important thing here: you do not need to produce a perfect draft the first time around. You will not produce that perfect draft. Accept this. Embrace this. Embrace it and your cat at the same time to really ingrain it as a warm, fuzzy feeling.
Liberate yourself from the pressure of needing to produce the perfect, most right draft and you may find starting the piece overall to be a much easier, more pleasant experience.
And along with this beautiful, uplifting spiritual advice, I also bring a practical thought: when it comes to getting started, a lot of times, people feel like they need to set the stage, yadda yadda yadda. Ha. No. Fuck that.
That’s a surefire way to bore the shit out of yourself. Start right in the middle of a scene that captivates you if that’s what you want to write. It’s a free platform. No one’s gonna arrest you if you stick Spiderman upside down in trash first thing. They might even applaud you actually, because you didn’t make them slog through some of that ‘It was the evening of the 25th and it was cold out in the streets” bullshit we all learned from Dickens.
Alright. Now let’s talk about actually getting started making words appear on paper.
So, from my knowledge there are generally two ways that folks write creatively. You have what I’m going to call the planners and then you what I’m going to call the monsters (I call them this entirely affectionately, I’m sure there’s a better word for these folks, but I don’t have it atm, all I have is a headcold). Planners are folks who sit down and work out their major plot points, who write outlines, and who create the scaffolding of their work before they set out on their magical journey. I think of these folks as architects.
And then you have the monsters and these are those fuckers who just sit down and write stream of consciously like the heathens all our high school teachers tried to teach us not to be.
I am both a planner and a monster. And a lot of that depends on the length of work I’m going for. I have never in my life planned a one-shot, for example. I just attack that as it is. I follow my heart, if you will. But when it comes to longer chaptered fics, I really do think that some outlining is super helpful.
You might find it useful for one-shots, though, I dunno. Maybe give it a try and see what happens?
The two main fics I’ve done proper outlines for are Inimitable and under fire and I actually find outlining to be immensely helpful in psyching me up to write the story (I go through and re-read my outlines when I start to lose interest or diverge too much from the plot outlined there in the actual writing. 9 times out of 10, re-reading gets me stupid excited to write all over again) and it also helps me keep momentum going throughout the plot.
Here’s a pic of some pages of under fire’s outline.
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Physically writing the work is really important for me because it forces me to only put down key points/feelings/ideas I want to include, whereas typing gives me far too much room to get lost/distracted by extraneous detail. And since my handwriting is a teacher’s worst nightmare and I cross out shit and write huge with emotion, I’ll give you a little bit of what the middle page here says:
Miles-
there’s something thrumming
vibrating in his ears wherever he goes
-closes his eyes and somehow enters blackness- emptyness (Stranger Things style)
beat
beat
beat
“help.”
–BACK - everything is gone
closing his eyes doesn’t bring the space back
–it makes him panic. He doesn’t know why. His heart is pounding. He’s sweating He has a horrible feeling of doom.
beat
beat
beat
its gone.
he goes home anxiously. Pretends everything is normal.
his neck crawls
So basically it’s less of a formal outline and more of a collection of stream of consciousness feelings and screenplay directions which I’ll flesh out in the actual story.
Personally, I love writing these kinds of things because they get me pumped for the story I’m about to tell. I get to write out the key scenes and work through all the hard parts first, and then, while I’m writing, I work through the little fun details and banter and I have to write to figure out how we get from one scene to the next and I love the challenge of having to fit those pieces together. I very rarely stick strictly to my outline, (as anyone who is currently reading under fire can tell you right now), but I do try to stick to the main plot points in it and my writing is certainly better for it.
So yes. Outlining is very good, but it is even better when you do it to some kind of music. I listened to What’s Up Danger from the Into the Spiderverse soundtrack on repeat while I wrote this outline to kind of transfer some of the relentless pace conveyed in that song to the piece’s plot.
I highly recommend using music to set the mood of your piece while/before you write a piece of any length. It helps get you in the right headspace (excited or somber or angry) to write. You need emotion to write creatively. You can’t just make that happen sometimes; you need a little help.
A couple other things which might help:
1. Leave your house or the space you’re normally in. Go to a cafe and find a nice corner and have a think and a try in there. Sometimes moving to a different space helps you escape cyclical thinking patterns.
2. Write what you want to read. Don’t bother writing for other peoples’ interests; that’ll just bore the shit out of you all over again.
3. Find an atmospheric mood sound to listen to on Youtube or smth (I personally like Rain on a Car Windshield for slightly somber fics, but you might be into ocean storms or dripping caves or whatever).
4. Heat your feet. I don’t know why but I am entirely unproductive when my feet are cold. Maybe this one is me-specific, but whatevs. Heat the feets!
5. If you’re still having trouble just sitting down and pounding the story out, that’s okay! Maybe it’s not ready to be written yet. Maybe you’re not in the right headspace yet. Sometimes that’s just how it is. One story makes its way out in like, a hour, and the next one takes like, months to finally be written. We all work at different paces. We all write for different reasons.
It might help to figure out why you want to write a story before you write it. Like, if its for attention, it’s gonna be hard as hell. But if there’s an idea that you feel like is important or if there’s a mood you’re trying to work yourself into or out of, then that might be a little easier. For example, I wrote a piece called make it work which is about Fogs finding his motivation to be a lawyer and fight for justice when Kavanaugh was confirmed and I felt super helpless in the face of our present justice system. That story kind of wrote itself and it needed to be written, I feel, not just for me, but for others who were feeling just as helpless.
Writing is catharsis in that way. Maybe you just need to find out what you need to wring out of your soul.
Sorry that got very metaphysical. But I do want to stress that getting started and ending a story are the hardest parts of writing them, so you are definitely not alone if you feel like you’re ramming your head into a wall here.
I hope something here helps you, my dear!
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