#modulation pedal

[skeletonblogger]

[death by audio] space bender

#transparent #png #transparent png #transparent pngs #music pedal #graphic design #graphic art #resources #music producer #design archive #guitar pedals #modulation #death by audio #black and white #black #white #fuzz war #modulation pedal #death by audio space bender #design #spce #spacecore

[pedaloftheday]

We're getting heavy into the modulation here with the Maxon PAC-9 Pure Analog Chorus....IN STEREO!!

#pedaloftheday #effectspedals #guitar #pedals #effects #pedalsandeffects #guitareffects #pedalboard #guitarist #guitarpedals #maxon #chorus #chorus pedal #modulation #modulation pedal #Youtube

[ursus-bearrammage]

I redid my pedalboard with dual lock instead of velcro and added a blues driver clone for an always on overdrive (altoids can is full of beans in case I get hungry)

#i need more modulation pedals

[fuzzkaizer]

Collision Devices - Black Hole

"The Ergosphere – A modulation delay Mix : Proportion of wet signal in the mix Time : Time between each repetition (From 0s to 1s) Feedback : Number of repetitions Modulation : Proportion of modulation in the delay signal Speed : Speed of the main oscillator Trimmer : Speed of the triangle oscillator Activate switch

Event Horizon – Space Reverb Mix : Proportion of wet signal in the mix Echo : Echo time (max 15s) Radiancy : Proportion of pitch shifter in the echo signal Pitch : Shift the pitch of the note Activate switch

Singularity – Destruction Fuzz Disintegrate : Volume setting with a huge fuzz. Protect your ears please! Activate switch Use them separately, or all together to create a vortex of sound only the Black Hole Symmetry can bring you!

...

Modulation delay controls: Mix, Time, Feedback, Speed, Modulation

Reverb controls: Mix, Pitch, Radiancy, Echo

Fuzz controls: Disintegrate

LED: Singularity On, Event Horizon On, Ergosphere On

Footswitch: Singularity bypass, Event Horizon bypass, Ergosphere bypass

Input: 6.3 mm jack

Output: 6.3 mm jack

Power adapter connector: AC adapter, 5.5 x 2.1 mm, negative polarity inside

Power consumption: 250 mA

Dimensions (W x D x H): 189 x 120 x 56 mm

Weight: 800 g

Handmade in France

cred: reverb.com/Feedback Pedals

#modulation #reverb #fuzz #collision devices #black hole #combo pedal #pink

[splatdoro]

this splatfest was so fun!!! Kicked ass and took names!!!

#team guitar!! #everytime i get a match vs keyboard i just think of that one our beloved king vs their wicked despot cartoon #except its: our glorious pedals vs their insidious synth modules #but genuinely i had so much fun with it!! #the fizzbangs are neat especially with splatling gives me another option for quick turf #but i feel like i didnt use them to their fullest potential. idk im still figuring it out #had a big assignment due this weekend too so couldnt really play as much as i wanted to…

[guitarbomb]

JFX Pedals Deluxe Modulation Ensemble: Retro-Style Chorus, Vibrato, & Flanger

Introducing the JFX Pedals Deluxe Modulation Ensemble: Your Retro-Style Chorus, Vibrato, and Flanger Solution. JFX Pedals Deluxe Modulation Ensemble Dive into classic guitar effects with the latest from JFX Pedals: the Deluxe Modulation Ensemble. This versatile pedal is your ticket to the iconic sounds of the legendary EHX Deluxe ElectricMistress flanger and the pioneering BOSS CE-1 chorus pedal,…

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#analog #analogue #BBD #BOSS CE-1 #Canada #chorus #Deluxe Modulation Ensemble #EHX Deluxe ElectricMistress #Flanger #Instagram #JFX Pedals #JFX Pedals Deluxe Modulation Ensemble #John Frusciante #pedal #Pinterest #RHCP #stompbox #Vibrato #video #YouTube

[taperwolf]

This clip uses my Little Bits adapter to run two i36 Micro Sequencer bits in series. Each only has four steps, but by running them at different speeds, they synchronize in different ways to produce a longer sequence of notes.

Those notes modulate the VCO, whose pulse wave is ringmodded together with an audio-rate triangle-ish wave from one of the Sigma function generators. That output goes through the low-pass filter, then a cheap little phaser pedal. That's fed back into the VCA, which is being modulated by an ASR envelope from the second Sigma, triggered by the gate output of the second Micro Sequencer, and things then go into the echo and output mix.

#ring modulator #modular synth #eurorack #guitar pedals

[testing-electronics]

noise heads @ Testing Electronics

#harsh noise #sonic youth #circuitbending #experimental #noise music #hacks #modular synth #synth rock #ring modulator #industrial #noise #circuit bending #testing electronics #synth #guitar pedals #power electronics #electronic #modularsystem #eurorack #electronic music #art experiment #experimental art #oscillators #ruido

[themanwhomadeamonster]

The 1999 combat theme and its foreshadowing because the autism got to me and I spent too long trying to figure out this soundtrack

Jumping off from @brokenjardaantech's WITW music analysis post here - go check it out, it's very insightful and lays the foundations for what I'm about to talk about! And thanks to @theterribletenno for the burst of inspiration by giving me a massive oh shit realisation in the most chilling way possible LOL

Spoilers under the read-more; TL;DR at the end :'^D

To preface, the soundtrack is structured in an ABC structure with bridges between A and B, as well as another between B and C that borrows from A. The key starts in Cm, briefly modulating to Gm in section B then back to Cm during the second bridge, and settling on Em for section C. In-game for WITW you most likely will only hear up to the first bridge since the Technocyte fight only goes for around a minute long

Sections A, the bridges and partially C feature genre similarities to grunge rock with fuzzy guitar chugging, whammy bar, and palm muting, while the drums are notably sharp snares (except for the first bridge, which are clean bass kicks that gradually distort transitioning into section B's style). Musically, it sounds like a typical fighting soundtrack meant to hype you up - the melody is confident and likes to push and pull its rhythm. But in section C it notably become emptier in its layering while keeping the distorted drums, placing emphasis on the lyrics (which I'll get to below lol). Heavier syncopation and polyrhythms are also introduced.

Section B however is the main outlier. This section is where it most strongly resembles industrial rock: rhythmic synth layers begin to accompany the melody (a pedal point line that plays every semiquaver/sixteenth note), synth drums replace acoustics and the guitars drop the fuzz that is characteristic of grunge and steadily strum every quaver/eighth note. Compared to the push and pull rhythm of section A, this section is steadier, less chaotic than the other sections, it wants you to focus on this section.

Notably, the lead guitar introduces a familiar leitmotif: This is What You Are (which @brokenjardaantech goes more in depth regarding its use in WITW). Here, though, its second chord becomes flattened (Dm -> D♭m) and introduces a diminished, dissonant sound. To me this was the first hint that the song may actually be about Arthur's downfall. This is What You Are is a musical leitmotif that recurs in moments of vulnerability, especially when someone is at risk of losing their sense of self, their identity and what they are. It plays during The Second Dream when we discover the Operator, during the New War when Eidolon!Lotus just lost herself to Ballas and can't recognise the Tenno, and in WITW during the Vessel "fight" when the Tenno is forced out of their Warframe.

I was prompted to actually dig more into the lyrics because I saw @theterribletenno bring up something really interesting

In this specific song, the leitmotif is diminished, it's corrupted. "Surrender to the corruption" - this is what Arthur is afraid of. I brought up earlier that section B had a genre shift. The contrast of the music is important, it's highlighting something, and together with the musicality of the leitmotif, it's making a sense of urgency and danger. The leitmotif is a warning to Arthur.

Section B sings these lyrics:

Break it, break it, Break it open!

Compared to the desperation in the other lines, these two lines are sung mockingly. The Infested are trying to break Arthur, and are succeeding. Their voice is becoming his. But there are actually two vocal lines in this section - you can also hear muted backing vocals in a much less aggressive and lethargic tone warning that "Disillusion". Arthur is trying so hard to keep his own voice and stay clear-minded but it's being drowned out and he's nearing his breaking point, and Albrecht, based on the Codex Fragments you find, is well aware of this.

In section C, while the layering is less intense it's noticeably more heavily syncopated and polyrhythmic, and introduces new (accompanying) echoing and dissonant synth layers reflecting the confusion and disorientation that Arthur begins to feel (these synth layers are actually introduced in the second bridge, but are more easily heard in section C). Section B and C also keep the synth/distorted drums that section A and both bridges lack (at most it's a reverb in those sections); the industrial sound of the song becoming associated with the increasing influence of the Infested over his humanity.

So I tried deciphering more lyrics for each section; I haven't figured all of it out and most of it could very well be wrong because of how heavily clipped the vocal line intentionally is so I don't want to make anymore assumptions than I need to, but I can understand enough of it to realise that the song is foreshadowing Arthur's corruption to the Infested. In green are the lyrics I'm confident are correct:

A:

Sting it, sting it, sting it! Sting it, sting it, sting it in the flesh!

Bridge:

I don't understand! It brings more disease!

B:

Break it, break it, Break it open! (Disillusion)

Bridge:

Sting it, sting it! Sting it in the flesh!

C:

Who's dreaming? Who's the [???] It's a vision[?]!

TL;DR: the grunge/industrial genre hybrid represents Arthur's humanity/Infested respectively, and the song becomes increasingly industrial as the song progresses, most noticeably through the increasing distortion of the drum sound. Section A sets the stage, section B serves as a warning to Arthur that he's losing his sense of identity as the Infestation drowns out his "voice" while a dissonant version of This is What You Are plays, and section C is him experiencing confusion and disorientation as the Infestation continues to corrupt him.

#i'm assuming the last section might be about the tenno transferring to arthur since the singer brings up dreaming specifically? #please correct me if i misheard any lyrics the auditory processing do be processing badly #wf said we took the themes of grief compassion and identity and are throwing it back at you tenfold #warframe #warframe spoilers #warframe 1999 #wf arthur #audio #music #i haven't done musical analysis in a long time so i've forgotten some terminology especially with audio mixing rip... #but yeah idk i enjoyed this soundtrack it's musically simple compared to wf's other stuff but a lot of thought went into it thematically #i love when music tells a story in itself through its sound rather than lyrics #bc even without the lyrics the intention behind this song's composition is still very clear

[auberylis]

I am now taking hardware gear commissions again!☆

Shut this option down for a bit, but it's back again: everyone wishing for a piece of gear (pedal, eurorack module, full synth, ...) of varying fucked-up-ness made with loving paws of a decoracore transfem losergirl - look no further! Here's some stuff that i made.

Here's a full catalogue of my DIY module designs that i can execute for you with any customisations that you'd like. I also can take on any arbitrary hardware project that's not modular - so, pedals, desktop units, etc, are also a possibility. Prices vary and i do value my time, but also i have like half a dollar of money that's not to cover the rent, so now's your chance to get a custom cheaper than usual.

Also, all the SFP series modules from that catalog above are for sale, too - they're Eurorack format, inquire for depth, prices, and other details. All the photos and demos are attached to each module's page.

PLURR!

#music #sdiy #modular synth #eurorack #synthesizer #synth diy #diy

[skeletonblogger]

[death by audio] fuzz war

#transparent #png #transparent png #transparent pngs #music pedal #graphic design #graphic art #resources #music producer #design archive #guitar pedals #modulation #death by audio #black and white #black #white #death by audio fuzz war #distortion pedal #fuzz war

[pedaloftheday]

Adding onto the Wave Machine Chorus, the CP-506 Multimod Modulation Multitool from Caline lets you dive head-first into a wonderful world of swirling phasers, trippy flangers, pulsing vibratos and much more...

#pedaloftheday #effectspedals #guitar #pedals #effects #pedalsandeffects #guitareffects #pedalboard #guitarist #guitarpedals #caline #pedal of the day #modulation #modulation pedal #phaser #flanger #vibrato #tremolo #Youtube

[ourshadowstallerthanoursoul]

Unearthly sound

"Jimmy Page, lead guitarist (electric, pedal, steel, and acoustic), was devastatingly effective with his electronic techniques. Page, who has played with the Yardbirds, Rolling Stones, and Donovan, elicited the greatest response with his use of a variable lag system. This technique, achieved with the pedal steel guitar, is merely a sound delay. The sound would emit from the speakers about a second and a half after he struck a chord. The tones were highly modulated and at times hung on the edge of a plunge into screeching feedback. Page added haunting sight gimmicks. After striking a chord, he would raise his arm in the air - only with the variable-lag, the sound burst forth on his upstroke, giving the appearance that he was playing the air above him. Another technique involved using a violin bow with a fabric-like tail attached to its end. Still using the pedal guitar, he would slowly pull the bow across the strings and then bob the tail over them. The resulting unearthly sound which broke into the air was just short of phenomenal."

- From the Aug. 31, 1969 Lewisville concert review by S. Weber (Star)

#jimmy page #pagey #led zeppelin #john bonham #bonzo #john paul jones #jonesy #robert plant #planty #60s #70s #70s rock #70s music #rock music #ourshadowstallerthanoursoul

[fuzzkaizer]

EHX - PULSE-MODULATOR

"It's 3 tremeloes and a boost in one box. Perfect for martian love ballads... And not much else."

"One of those pedals that you write a song for."

cred: facebook.com/Don Williams

#EHX #pulse modulator #martian love ballad

[fuumiku]

Metamy week 2023 day 1 (hella late 😇 bc when aren’t I) - confession / first kiss

Rejoice, tooth-rotting fluff be upon ye! They made me so embarrassed working on this lol 💕 A small comic that I sketched out legit a year ago… It was just two pages but I had to add in that b&w doodle for context, at first there was gonna be Tails too. Alas that’ll be for next time ;) 

This is tied to/based on a big longfic fanfic project I have in store that I love a lot. The context is he gets a voicebox and just sounds like SIRI, which just makes the whole ordeal hilarious. Please think of his lines in this comic being said with a computer lady text to speech voice, à la Feeding Steven style. But where the fun part truly begins is that he can modulate his voice with effect pedals like electric guitars, so he starts having an interest in collecting them + music

Amy gets a little flustered when she’s being loved and praised, but as we all know she’s very big on professing her love being so strong and deep and fated on every rooftop, so these two would be so annoying. The epitome of that couple who’s just so happy and lovestruck in public all the time.  Metal is def a lil’ smug about it, like, “The best organic in the whole world chose me as her partner.” And Sonic is like “Give it a rest man, and like… I get you love her but isn’t that a bit hyperbolic-” M: “??? It is an objective truth of the world. But I understand your jealousy makes you act irrationally and be in denial (I would know). L + ratio + I have been deemed the superior Sonic + maidenless.”

#metal sonic #amy rose #metamy #short comic #fancomic #metamyweek2023 #metamy week #i think i’m getting better at coloring comics…… #let me know if my handwriting is hard to read

[itsmarjudgeloveclassicrock59]

Alex’s use of modulation effects such as chorus, flanger, and delay, became a signature part of his guitar sound and has influenced generations of progressively-minded players to explore how pedals, rack gear, and plugins can create new wells of musical inspiration.

#rush band #alex lifeson #classic rock #progressive rock #guitar legend