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listless-brainrot · 3 years

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Hi! I know you love Haru and I'd love to hear your thoughts on what his personality is like? Not his bending or his ships, but just what kind of person he is. He was super undeveloped in ATLA and I'd love to understand him better and write about him!

hey, i'm glad you asked!! super flattering to have you come to me in regards to this question, and i've analyzed this guy to hell and back over the course of nearly a year now, so i'd be more than happy to give you my characterization of him

granted, it's pretty lengthy, and is heavily based on canon, hence why a lot of it ties to his bending, but i'll try my best to make it so that it's more about haru as a person, rather than his service to the plot

also makes me super happy to hear that people do want to understand and write about him!! that really does mean the world to me particularly, so thank you <3

with all of this in mind, here's a collection of my (pretty lengthy, sorry about that) thoughts:

haru being super undeveloped is actually one of the reasons why i find him so compelling- there’s so much you can do with a character of his caliber because there’s not much canon/supplementary material that can discredit your characterizations. canon, however, does actually supply a characterization of him that i’ve managed to compile and accrue over the course of finding nearly every single little detail i can find pertaining to him. this includes his canon episodes in both book 1 and 3, the videogame he appears in (which is straight up called avatar: the last airbender), and even the silly shorts.

(mild disclaimer, i know full well that the latter two i mentioned are considered non canon, but i like incorporating little bits and pieces of what they have to offer, as i don’t really have any other options. also, the videogames are the only supplementary material where he’s treated as a part of the gaang, so it’s the most personality you’ll ever get.)

i’ll start with main characteristics i try to keep in mind when writing him, and then talk about smaller, more innocuous details that i just find particularly fitting for him.

haru is:

emotionally driven. a lot of his decisions are more driven by emotion, rather than logic. this ties in with his impulsivity and morality. he’s aggravated by his position in the village as the only earthbender left, and this culminates into him still bending discreetly despite the inherent risk. he does this not only for himself, but to preserve the (possibly only) emotional connection he has to his arrested father. this is a similarity he shares with katara, who’s emotionally tied to her mother due to losing her, and haru is the one to understand what that loss really means in this interaction: “this necklace is all i have left of her.” “it’s not enough, is it?” by saying this instead of an apology or some other response, he shows that the feeling of loss she’s experiencing is mutually understood in a way that goes beyond just sympathy. there is nothing that will replace who you’ve lost other than the person themselves, and he understand that more than anyone. it’s also implied that haru doesn’t know if his father is still alive, as no one knows where the prisoners go, but it’s clear that he still holds a sort of hope that he’s somewhere out there, and that keeps him going. it just takes a little bit of outside influence for him to fully believe in that, as well as being reunited with his father again. in general, he’s also pretty receptive of other’s emotions, and is quick to come to their aid.

impulsive. not just impulsive, either- he’s got anger and resentment lying beneath his quiet composure. it’s not as bad as characters such as zuko’s, but it’s still worth mentioning. i’ll mention the impulse part first, though- generally speaking, haru reacts faster than he thinks. upon being spotted practicing his bending by katara, he runs away without pausing to consider the harmful repercussions of being found out (nor followed home). he not only runs away from danger as a first instinct, he also runs towards it in some cases, ironically enough- he’s the first one to notice and immediately run towards the mines once he hears/sees the explosion and suspects that someone’s in trouble. he does this without any prompting by katara, even if the act of actually saving the old man needed some egging on from her in order for him to accomplish. his impulsivity comes to a head in the form of his most dangerous act- him attacking the warden. i’ve already elaborated on that specific interaction here, though i will once again emphasize that haru had absolutely no plans past attacking the warden based on his body language, further fueling the idea that this was just a split second decision, one made on nothing but complete and utter impulse. to bring the anger aspect into this, he’s also unable to hold his tongue and insults the fire nation soldiers and even his town once the former leaves, and his instincts swing wildly between running and fighting on a dime with little in-between.

adaptable. instead of completely shutting down in the face of such a negative situation (and over the course of five years, no less), he brings it upon himself to practice bending, accept his role as man of the house and work in both the shop and on the farm, and other responsibilities that go unmentioned, especially when taking into account that his father is apparently the leader of his village. this is where you could start paralleling him well to sokka, which i have done before, but i will make this more haru-oriented. there is definitely a lot more to be inferred with this particular aspect of him, but i will say that it takes someone of strong will to adapt to the situations presented in his episode, and learning to live with the grim reality of fire nation occupation. to run down what we see again- soldiers freely patrolling the villages, soldiers overtaxing the villagers, soldiers entering wherever they wish unannounced, soldiers stealing away people in the night without much resistance, soldiers forcing villagers to work in the coal mines to gather the coal needed for their ships, and soldiers forcing captured earthbenders to build fire nation ships. this is all off of the top of my head, so i could be missing a lot, but again, seeing haru still be as morally oriented and determined as he is after all of this, it’s pretty impressive and telling of his adaptive capabilities. to take this one step further, he’s also extremely adaptable when it comes to working with others, as in the games he fills his role as a necessary component of the gaang without conflicting sokka or other preexisting roles, and in book 3, he finds his place amongst teo and the duke, taking the most initiative amongst the three.

lonely. a snippet from his personality bio on avatarspirit.net calls him “lonely and brave”, and i think that’s especially fitting for his character. he only had his mom for five whole years after every other earthbender was taken away, and this is without mentioning the ostracization he faced simply being one, given how the fire nation constantly demoralizes his country’s benders and likens them to savages. the village he lives in also appears to be full of old folks, so it’s not very likely that he had friends his age that were even in town, especially if we consider the circumstances of following book 2 episodes with the earth army recruiters. (it’s also unlikely that his friends are alive if they did join the army- take a gander at this line from zuko alone: Gow: Just thought someone ought to tell you, your son's battalion got captured. You boys hear what the Fire Nation did with their last group of Earth Kingdom prisoners? Soldier: Dressed them up in Fire Nation uniforms and put them on the frontline unarmed, way I heard it. Then they just watched.) furthermore, it’s not likely that haru could’ve left his little village prior to its occupation- the games imply he’d been to omashu previously, but the circumstances of the war make this unlikely, unless he was super young. given his not always pleasant attitude and sullen expression we sometimes see him with, it’s not hard to imagine that the effects of him being so alone without the connections he needs has affected him deeply.

some other things:

-he’s horrible at lying (”they’re crazy! i mean, just look at how they’re dressed” is that really the best excuse you could’ve come up with??). -he doesn’t like keeping his hands/arms still (arms are usually crossed, sometimes gestures as he talks, hands usually balled as if expecting a fight). -he’s pretty outwardly expressive (for someone who’s supposed to be hiding most of the time, he tends to wear his emotions/intentions on his sleeve). -he can’t bite his tongue (especially when it comes to something that goes against his personal beliefs). -he doesn’t know how to react to touch (katara hugging him takes him by surprise both times, and he doesn’t reciprocate often, if anything he reacts stiffly) -he’s particular about his appearance (notably in the games, he makes negative comments about people touching his hair, and there’s also. sokka’s comments in book 3. sigh.) -he’s considered dangerous/sensitive by others (note sokka’s comments in book 1, and katara’s comments in the school time shipping short) -he lives a busy personal life (works both in the family shop and on the family farm, and has probably had to work in the coal mines at some point, though this is speculative) -he’s not above poking/having fun (in the games, he’s not above making fun of sokka and his comments about benders, and jumps at the opportunity to ride the omashu mail chutes) -he’s family oriented (count how many times he talks about his parents, it is many times i assure you, it’s important to note that he’s one of the few atla characters to actually have both parents as well as a decent relationship with them) -he has a tendency to idealize. he talks about his father fighting against the fire nation even when horribly outnumbered. it wouldn’t be surprising if he idealized the ideal of rebellion (which would later bite him given that:) -he’s a part of the first successful earth kingdom rebellion. this is mentioned on the wiki, and is unfortunately not shown in the show. it should’ve been, though. -he’s dramatic. he has an entire cliff he brings katara up to just to be dramatic and spill his sad backstory. he needs to be encouraged to save the old man, but he does it in the most dramatic way possible- he really didn’t have to stop the entire avalanche AND push it back into the mines. drama king. -he is very lucky. this can apply to anyone who encounters the gaang, but honestly, given his personality and a few things i’ve mentioned above, it’s a miracle that he’d survived as long as he did without detection nor suspicion. -he’s creative. (this one is much more speculative, but he does create huge statues of katara and ty lee pretty quickly, maybe he’s done similar things before)

to summarize: he’s a lonely impulsive idealist who isn’t afraid to throw hands if necessary and is also very attached to his dad <3 his connection to his dad makes up at least 75% of his personality

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ngendo · 3 years

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Birthday Flex

*Text first published on 23rd March 2021 on Facebook.*

Dear People, Thank you so much for the birthday wishes. It's very strange to try to celebrate while there is so much hurt in the air, streaming through our blood, burying itself between each, single, breath. I know three people who have lost loved ones this week, and it's Tuesday. Because of them and so many others, I celebrate the fact that I am still here. That I still breath, that I still get pissed off, that I continue to march on wards to (and hopefully through) 40, that I can complain, that I can lay on the grass in my garden, go for walks in the evening, drink tea, cuddle with my lover, play football with Chairman, harvest mint between giggles with my niece. I MUST celebrate that the things that prickle my skin and make my blood boil, can only do so, because I am here. Being angry is part of being alive, and knowing, that we DESERVE better WHILE we are here. Here. Not tomorrow, not in an afterlife unseen. HERE. I am grateful to be alive on this beautiful, hectic, violent ass planet. Violent, because we made it so. I am grateful to be aging because the other option is to be gone. I am grateful to have anger coursing through my veins, because it means that sometimes I find enough courage to erupt, to burn, and to say NO FUCKING MORE. The liberation to be a woman and to burn so bright that people fear your voice, but cannot come to your face and silence it..... ahhhhh, it's like eating cool chunks of pineapple in the afternoon sun, until my tongue stings. To be an African Woman that can shout my truth and only receive whispers in the wind from those who prefer my silence.... to KNOW that I have brought fear to those who willingly oppress others daily..... it is the scent of freshly cut strawberries saturating my nose. It is the fruition of my toil. I wish that all of us could experience this at least once in our lives, for it is simply being a human. Being allowed to occupy space. That is it. Daily, we operate in fear, silenced in advanced by doctrine, by tradition, by manhood, by whiteness, by the patriarchy. Fuck all that shit. Burn Bissshhhh. Burn. My anger is born of LOVE. >Love for my people. >Love for Afro women carrying too much weight on their backs, while foreigners with lenses exoticize the length of our necks, and our male counterparts pontificate about our resilience with opaque ideas of 'tradition'. >Love for my LGBTQI people ducking and diving between shadows because our society worships a white god that banished Blackness and ALL African sexuality, into aberration. >Love for the people who service our middle class asses daily but every damn time one of us tries to get them better salaries, the neighbourhood committee throws mountains of paperwork in your face to keep poor people poor. (Note for anyone who is economically marginalised, DO NOT trust the Kenyan middle and upper class. We're too busy imagining we can become millio-billionaires while using the Bible to justify your poverty. At any chance you get, throw us overboard.) > Love for the fucking effort it takes just to speak your truth despite knowing that some of your friends will feel the need to inform you that they as a person living in white skin (especially the ones in Europe) KNOW the ultimate and only legitimate complete alpha and omega truth about being a Black person. (Fuck right off by the way. Cheers.) > Love for all of us surviving Christianity through complete cultural erasure and the severing of ourselves from our own Black bodies and tongues, even when we cannot name that emptiness. > Love for all of us relegated to even lower depths of the hierarchy because we were born with not a penis nigh! >Love for us additionally ostracized for being the parent that stayed. (Single moms where you at!? ) > Love for all of us who silently cry NO MORE even as society uses our bent backs as a foundation for the institutions that oppress us. Growing up, I was repeatedly told that I as a girl should be quiet, I should sit with my legs close together and cover myself up, I was told it's not nice for me to be angry, or to swear, nice girls don't move their hands about when talking, nice girls don't shout. I was told, "Women don't have muscles" even as I could tense the rippling sinews on my abdomen and form a juicy waru on my arm. Anger is perhaps the greatest muscle we were taught to never flex. It was smothered into the most silent corners of our ever silent bodies. But our anger is bright and buoyant and fucking beautiful. While others are allowed to tear through nail salons, and churches, and communities, and races, and entire continents, and their psychosis is celebrated as conquest and empire, or noted as depression and 'having a bad day'...... Our rightful and justified anger has been silenced from our very first cry at birth. The rage of women, could turn this whole world upside down, inside out. This woman has muscles. This woman swears. This woman sits with her legs open when she fucking wants. This woman has sex. This woman takes shits. This woman writes poetry and paints pictures. This woman makes films, and my films are fucking legit. This woman loves herself. I love myself. I love myself over and beyond the conditional respect and allowances you may grant me. They are not important to me. I have no love for your rules and regulations set to limit my freedoms. If this hurts your sensibilities, try loving yourself instead. In any case, IDGAF. Happy New Birth Year to me. Happy Re-Birth to all the women I know. We must burn today, because we won't be here tomorrow. We must burn today, because otherwise, when we are gone our only legacy will have been our subservience; kneeling as a stepping stone for the dreams of others. We must burn today, because that subservience will be celebrated to oppress those that come after us. Women. Burn. May our collective anger over run the shackles that contain us. Heck fucking yeah!!

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