#no.6 collaborations project | Explore Tumblr Posts and Blogs

alfedena · 8 months

Text

People do not realize that when we say Israel is a settler-colonial state, we mean it was literally devised in junction with European imperialism around the turn of the century.

Political Zionism was founded by Theodore Herzl. Originally, Zionists were not specifically interested in the land of Palestine as a colonial project. In fact, Herzl was debating making Argentina the focus of mass Zionist migration, which is quite ironic considering Argentina's colonial and Aryanist past. British-controlled Uganda was also offered as a possibility by Joseph Chamberlain, a Conservative imperialist.

To encourage mass Jewish migration to Palestine, he worked with the British, who had recently drove the Ottoman Empire out of the Levant, and now boasted political dominance in the region, thanks to the Sykes–Picot Agreement between the UK, France, Italy, and Russia which covertly authorized British influence in Palestine, which had become a target of colonial expansion. He specifically wished to collaborate with Cecil Rhodes, a British imperialist who played a lead role in colonizing Zimbabwe and Zambia, and later took inspiration from his time spent extracting wealth from Africa as the founder of mining conglomerate the British South Africa Company.

Herzl’s personal goals for Zionism were colonial. He said in a letter to Rhodes:

“You are being invited to help make history. It doesn’t involve Africa, but a piece of Asia Minor; not Englishmen but Jews […] How, then, do I happen to turn to you since this is an out-of-the-way matter for you? How indeed? Because it is something colonial […] I […] have examined this plan and found it correct and practicable. It is a plan full of culture, excellent for the group of people for whom it is directly designed, and quite good for England, for Greater Britain [...]”

At that time, Palestine was predominately populated with Arab Muslims and Christians, as well as Arab Jews (Old Yishuv) and Druze. Jews made up around 6% of the population. The Ottoman government specifically released a manifesto at the start of Zionist migration condemning the colonization, stating:

“[Jews] among us […] who have been living in our province since before the war; they are as we are, and their loyalties are our own.”

The Balfour Declaration of 1917 on behalf of parliament, officially established the British Mandate of Palestine, sowing the seeds for the modern state of Israel, by means of the UK's ongoing occupation of the region.

Zionism was never about promoting Jewish culture or safety; it has always been tied up in Western (settler-)colonial expansion. !من النهر إلى البحر

#palestine #since you guys are being obtuse😔#1) the ottoman empire was bad #2) herzl is obviously not the only representative of zionism #3) both zionism and anti zionism have complex discourses within them #4) jewish people are not a monolith

13K notes · View notes

glazedvsion · 1 year

Text

we got caught up on almost all the projects today #slay

#project 1 i couldnt figure out how to add another record from the form but i figured out the report wizard and that is all that matters #all that is missing is project 5 and it is very simple i just have to make it pretty #and project 6 but that one we actually all collaborate all and its an essay not like. a database or excel sheets

1 note · View note

intotheelliwoods · 9 months

Text

Here it is, the 2 Arms Left Collaboration Comic!

Big thank you to everyone who participated! This was such a cool project! There was so much talent put into this thing and I am amazed by the results

Enjoy the finished product everyone!

=-=-=-=-=-

=-=-=-=-=-

The wonderful artists, in order of their panels appearance, go check them out!!

To help count without eyes getting lost, the people highlighted in orange were a part of the black and white flashback sequence!

1 @tangledinink

2 @roquog

3 @sunnyyyteaaa Sun!

4 @apollo-not-in-space

5 @wraenata

6 @abbeyofcyn

7 @dianagj-art

8 @rbtlvr

9 @vangh17a

10 @avidlylivid

11 @butterfilledpockets

12 @thegunnsara

13 @manga-toons

14 @idiot-mushroom

15 @centerofleesmind

16 @sunnyyyteaaa Tea!

17 @volcanicsleep

18 @phykoha

19 @princesskkfish

20 @cokowiii

21 @y0unginhumans

22 @bluesgras

23 @karmacomesaround

24 @heckitall

25 @sad-leon

26 @blue-star-doodles

27 @teainthesnow

28 @cartoonhostage

29 @hatchi-matchii

30 @last-hourglass

#2 arms left #rottmnt #to the artists who worked on this:#now that the comic itself is posted #feel free to post your individual panels separately if you would like <3 #I cannot take all the credit here aa!#I dont think anything like this has been done before #definitely a first omg #definitely an experiment if nothing else #a very fun one though!#cw blood #tw blood

4K notes · View notes

rvtbooster · 2 years

Text

#Learn how 50K+ Professionals in 50+ Countries save on average 4-6 hours a week per user. Navigate Add-on for Autodesk Revit gives you faster #better collaboration and control over your projects.

1 note · View note

nasa · 8 months

Text

Let's Explore a Metal-Rich Asteroid 🤘

Between Mars and Jupiter, there lies a unique, metal-rich asteroid named Psyche. Psyche’s special because it looks like it is part or all of the metallic interior of a planetesimal—an early planetary building block of our solar system. For the first time, we have the chance to visit a planetary core and possibly learn more about the turbulent history that created terrestrial planets.

Here are six things to know about the mission that’s a journey into the past: Psyche.

1. Psyche could help us learn more about the origins of our solar system.

After studying data from Earth-based radar and optical telescopes, scientists believe that Psyche collided with other large bodies in space and lost its outer rocky shell. This leads scientists to think that Psyche could have a metal-rich interior, which is a building block of a rocky planet. Since we can’t pierce the core of rocky planets like Mercury, Venus, Mars, and our home planet, Earth, Psyche offers us a window into how other planets are formed.

2. Psyche might be different than other objects in the solar system.

Rocks on Mars, Mercury, Venus, and Earth contain iron oxides. From afar, Psyche doesn’t seem to feature these chemical compounds, so it might have a different history of formation than other planets.

If the Psyche asteroid is leftover material from a planetary formation, scientists are excited to learn about the similarities and differences from other rocky planets. The asteroid might instead prove to be a never-before-seen solar system object. Either way, we’re prepared for the possibility of the unexpected!

3. Three science instruments and a gravity science investigation will be aboard the spacecraft.

The three instruments aboard will be a magnetometer, a gamma-ray and neutron spectrometer, and a multispectral imager. Here’s what each of them will do:

Magnetometer: Detect evidence of a magnetic field, which will tell us whether the asteroid formed from a planetary body

Gamma-ray and neutron spectrometer: Help us figure out what chemical elements Psyche is made of, and how it was formed

Multispectral imager: Gather and share information about the topography and mineral composition of Psyche

The gravity science investigation will allow scientists to determine the asteroid’s rotation, mass, and gravity field and to gain insight into the interior by analyzing the radio waves it communicates with. Then, scientists can measure how Psyche affects the spacecraft’s orbit.

4. The Psyche spacecraft will use a super-efficient propulsion system.

Psyche’s solar electric propulsion system harnesses energy from large solar arrays that convert sunlight into electricity, creating thrust. For the first time ever, we will be using Hall-effect thrusters in deep space.

5. This mission runs on collaboration.

To make this mission happen, we work together with universities, and industry and NASA to draw in resources and expertise.

NASA’s Jet Propulsion Laboratory manages the mission and is responsible for system engineering, integration, and mission operations, while NASA’s Kennedy Space Center’s Launch Services Program manages launch operations and procured the SpaceX Falcon Heavy rocket.

Working with Arizona State University (ASU) offers opportunities for students to train as future instrument or mission leads. Mission leader and Principal Investigator Lindy Elkins-Tanton is also based at ASU.

Finally, Maxar Technologies is a key commercial participant and delivered the main body of the spacecraft, as well as most of its engineering hardware systems.

6. You can be a part of the journey.

Everyone can find activities to get involved on the mission’s webpage. There's an annual internship to interpret the mission, capstone courses for undergraduate projects, and age-appropriate lessons, craft projects, and videos.

You can join us for a virtual launch experience, and, of course, you can watch the launch with us on Oct. 12, 2023, at 10:16 a.m. EDT!

For official news on the mission, follow us on social media and check out NASA’s and ASU’s Psyche websites.

Make sure to follow us on Tumblr for your regular dose of space!

#Psyche #Mission to Psyche #asteroid #NASA #exploration #technology #tech #spaceblr #solar system #space #not exactly #metalcore #but close?

2K notes · View notes

falling-endlessly · 4 months

Text

Boomerang (part 3)

Vox x Female!Ex!Overlord!Reader

Summary: Your infuriating ex is planning something, and it's putting everyone on edge. But if he wants at the hotel, he'll have to go through you (and Alastor) first.

<— Part 2 Chapter Index Part 4 —>

—6 HOURS AGO—

"What," Valentino growled, claws creating cracks in the table from how hard he was gripping it. "The fuck did you just say?"

Velvette was no better. Her lip was pulled into a furious snarl, and for once her phone was nowhere to be seen. "Vox, are you out of your fucking mind?"

"Relax," Vox reclined in his chair, raising a brow at his murderous business partners. Velvette's eye twitched and the table creaked in protest under Valentino's fury. "I'm not actually going for redemption, damn, calm your tits people."

"What happened to keeping up an image for the brand?" Velvette banged a fist against her armrest, gritting her teeth. "The Morningstar bitch was literally humiliated on live television, and now you're going to personally advertise for her?!"

"The next extermination is coming sooner than ever, and people are getting desperate. This little publicity stunt can work in our favor," Vox crossed his claws under his chin, megawatt smile growing. "What's a little pity pitch going to hurt? Think about it, I can gather intel, fuck up Alastor's little project, and show Y/n where her allegiances should lie. Win-win-win," he chuckled ominously.

"Cut the shit, Vox," Valentino scoffed, leaning forward to sneer in his face. "It's obvious you're only going this far for that bitch. Can't keep a leash on your toys, hm?"

Vox grit his teeth, digging his claws into his thighs under the table. He knew this wasn't going to go over well, but to be talked down to by someone who was benefiting from him? "So what if I am?" He hid his rage with a large, mocking grin. "And by the way, where's Angel Dust? Haven't seen him around in a while."

Val's face twisted with rage. "You fucking—"

"Enough!" Velvette snapped, glaring at both of them. "I don't have time for this stupid shit. Get on with it or this meeting is over."

Vox's unhinged smile slowly relaxed into his charming PR one. "Of course, my apologies Velvette, Val. I can see why you're not...convinced yet. Let me fix that."

The projector on the wall suddenly sparked to life, displaying three pie charts and a legend with many colorful categories. He gestured to them from left to right. "This is a distribution of our profits from ten years ago, five years ago, and last year."

"We have eyes," Velvette droned boredly.

Vox's antennae sparked in irritation, but he continued regardless. "Y/n's helped develop countless programs and softwares, and with her expertise our earnings jumped thirty seven percent, especially during the collaboration between Voxtek and DeepSpace VR. Now, what happens now that she's taken her business elsewhere? Hell knows she has the computing power to run it without our servers—"

"So, we're supposed to just bend over backwards for a few bucks?" Valentino snarled, crossing his arms.

Vox's screen glitched as he struggled to keep his composure. Thirty seven percent was not just a few bucks. But he knew antagonizing Val right now was more trouble than it was worth. "Val," he chuckled, sauntering forward to rest a hand on the backrest of Valentino's chair, leaning into his space. "Since when have you said no to money?" His eye widened, rings spinning.

"Since it walked out on two legs and ignored us," Valentino snorted.

"Val, I need you to see the bigger picture!" He grasped both of Valentino's shoulders, moving behind him so he could speak enticingly into his ear. "This is an opportunity to keep our brand at the top, and get dirt on that radio bitch. The future is what matters, and we are going to be the ones pioneering it."

The projector flickered to one of the surveillance cameras pointed at an exterior angle of the hotel. Then, the image suddenly rippled to show an artificial video of the same property, but instead of the tacky hotel, there stood a modern building adorned with a bright, neon V logo.

Valentino's smile grew at his last sentence, and he turned in his seat, leaning his forehead to rest against Vox's screen. "I like your vision, Cariño," he purred, grinning wickedly to show off his golden tooth. "But, if your little money-making cocksleeve doesn't come back, well, don't say I didn't tell you so~" he said in a sing-song voice, long tongue coming up to lick languidly along the side of Vox's monitor.

Vox's grin froze on his face, screen glitching.

Valentino chuckled, pushing out of his seat before strutting away. "Oh, and Vox baby," he threw a saucy wink over his shoulder. "Come find me when you get lonely, yeah?"

The double doors slammed shut behind him, bathing the room in silence. Which Velvette quickly broke, of course.

"What the fuck, Vox?" She scrubbed a hand down her face. "All this for a profit we can afford to lose? Really?"

"Velvette," his smile twitched up to full, blinding attention again. "Have I ever let you down before? Everything is under control, trust me!"

"Uh huh," Velvette scowled, unconvinced. "You know, Alastor and Y/n are the only people you've ever really lost it for, and you're going to a place where there's both of them."

"What, you don't think I can handle myself?" His smile strained.

Velvette shook her head, standing up from her chair and approaching him. "You know, that PR shit might work on everyone else, but I can see through your bullshit, Vox," she gave him a hard stare. "Just don't fuck everything up, got it? Or I'll make you wish you didn't."

His fists clenched as she walked past him, smile dropping into a scowl as soon as she was out of view.

****

—PRESENT—

"Whatever you do, make sure he's at least ten floors away from me," you muttered to Vaggie, watching as Charlie gave the bane of your existence an awkward tour of the hotel.

The atmosphere was so tense and suffocating, it was starting to make you incredibly antsy. The others were no better. Angel was drumming his fingers anxiously on the bar counter, Niffty was curiously regarding the new "resident" and Husk was already chugging his second bottle of hard liquor. Holy hell, and you couldn't even forget about Alastor if you tried, the radio demon releasing a constant stream of static and looking about ready to sacrifice someone—preferably Vox—in an incredibly painful and sadistic ritual.

"I can't believe she's letting him stay," Angel hissed under his breath, rubbing his temples in exasperation. "Actually no, what am I saying? This is Charlie, of course she'd let him stay. God damnit."

A tap on your shoulder made you turn around, only to find your favorite stiff drink on the counter behind you. You nodded gratefully at Husk, taking the glass and throwing it back like water.

"At least the hotel's in one piece!" Niffty chirped, her one eye back to tracking any stray insects. "Less mess to clean up." Her knife gleamed as she stabbed a cockroach clean in half with a deranged giggle.

"This isn't going to end well," Vaggie scowled darkly. "He's going to try something, I fucking know it."

"Yeah, no shit," Angel groaned, Husk grunting in agreement.

"Or," Pentious chimed in, hair flaring thoughtfully. "He truly does want to redeem himself?"

There was a silence as everyone turned to look at him incredulously, before a unanimous, resounding "no," rang out.

****

"Anddd here's your room key," Charlie presented it to him with a flourish, beaming brightly. "We hope you enjoy your stay! Breakfast, lunch and dinner are served downstairs in the dinning room, or you can go out and get your own food! We'll get your survey ready for you tomorrow so that you can start building your schedule."

"Schedule?" He quirked a brow, taking the room key from her outstretched hand. "For what, exactly?"

"Oh! Um," Charlie laughed, rubbing the back of her neck. "We actually host group therapy activities and trust exercises with the other staff and residents! You'll fill out a short survey so that we can personalize—"

"O-kay, let me stop you there, sweetheart," he chuckled, grin widening condescendingly. "I think it's great what you're doing, really, I do. But I've already got a schedule, and a billion dollar company to run. I'm quite the busy man, you know?"

Charlie furrowed her brow. "But—"

"Seriously, my sales would fall and what would my clients say? Hm?" A crowd booing track played in the background as Vox shook his head like she was just some uneducated child. "So thanks, but no thanks." He shot her a wink, before the door slammed in her face.

Charlie blinked in shock, taking a few seconds to process that she'd been dismissed in her own hotel. Her shoulders slumped as she trudged away.

But that only lasted for a few steps, before she perked right back up. What was she thinking? Giving up so quickly on one of her clients?

Charlie grinned, smacking a fist into her palm. She'd just have to try harder.

Unbeknownst to her, a figure had been watching the entire exchange from the shadows. Your jaw clenched, claws digging into the drywall.

"Unbelievable," you shook your head in disdain.

****

As soon as the door shut, Vox deflated like a balloon.

"Fuckkk," he hissed under his breath, sliding down the door tiredly. "The hell am I doing?"

He allowed himself only a few minutes to wallow in self-pity, before he sighed, pushing off the floor and getting to work. In less than twenty minutes, he had the whole room wired to his needs, electronic Voxtek devices littering the previously empty spaces. Now he had a way to travel without leaving his room.

He was just about to dematerialize into one of his laptops when a familiar, chilling presence made him freeze.

"Why, you only just got here! Don't tell me you're leaving already," Alastor chuckled, tilting his head in mock concern.

The radio demon was leaning an elbow against his dresser, just casually invading his privacy. God, just his smug face made Vox want to kill him already.

"What's it to you, old timer?" Vox sneered, electricity sparking from his claws in agitation. "Unlike you, some of us actually have responsibilities. So if you don't mind—"

"Oh my, breaking your word to Y/n already!" Alastor shook his head with a grin, sound effects of a heckling crowd emanating from his microphone cane. "How very...disappointing. Truly, I'd expect better from you!"

Vox's eye widened, the swirling rings on full display as his teeth grinded in rage. "Y-y-y-you keep her fucking name out of your filthy, cannibalistic mouth! You hear me?" He glitched furiously, electricity sparking in glowing webs from his monitor.

"Aha! Someone's a little on edge," Alastor laughed in tandem with an artificial, mocking laugh track. "Really, that was too easy! You're losing your touch."

"Get the fuck out of my room!" Vox snapped.

"Gladly," the radio demon grinned menacingly, the corners of his mouth stretching to unnatural proportions. "But first, I came to deliver a little message."

Vox gritted his teeth, curling his fists by his sides. His electricity buzzed under his skin, ready to electrocute the fuck out of this crazy fucker if he needed to.

"If you and your merry band of idiots pull even the smallest stunt to sabotage the hotel," Alastor approached him, antlers growing as his eyes turned to radio dials. "I think you'll find out that absence did not make my heart grow fonder."

"What, don't tell me you actually care about this place," Vox grinned, baring his teeth. "The whole redemption thing doesn't really seem to be up your alley, no offense."

"Oh, of course not! Haha! Don't be ridiculous," Alastor chuckled like he'd said something hilarious, but it was overlayed with bursts of radio static. "But I'm afraid I've invested too much in this source of entertainment for you to ruin it with your cheap, unoriginal touch."

The message was clear: don't touch my things.

Vox curled his lip, unwilling to back down no matter how utterly disturbing Alastor's demon form was up close. It gave him chilling flashbacks of their last explosive disagreement. "Then stay away from Y/n," he spat.

Alastor's grin widened, eyes glowing an eerie green as he held out his hand. "Is that a deal?"

Vox grimaced, looking at Alastor's creepy, voodoo doll appearance. "Hell no, you creepy fucker."

Then, like whiplash, Alastor's demon form receded and the air became breathable again. "Well, glad we cleared that up, then!" He laughed exuberantly, twirling his cane. "Nice catching up, chum!"

The demon grinned as he disappeared into shadowy wisps of smoke, melding with the darkness against the walls.

Vox's jaw clenched, electric anger vibrating through him and rattling his teeth. "Fuck!" He kicked over the first thing he saw, which happened to be a wooden workbench. It took a few deep breaths for him to finally calm down and collect his thoughts.

When he was no longer at risk of causing a city-wide outage again (that had been fucking embarrassing), he made his way back to his laptop like he was originally planning to do, only to pause in shock when he saw the brand new device short circuiting, screen full of pixelated static.

An explosive rage convulsed in his chest, the lights in the hotel flickering ominously.

"You red bambi ass fucker!"

****

<—Part 2 Chapter Index Part 4 —>

Taglist: @pooplyface1423 @spookysisters @that-one-weeb-buts-its-the-main @neito327 @hxzbinwrites @coleisyn @bababahannah @yellowsubiesdance @dirk-strides @justaspectatorforfandomarts @harmoira @sunnyslug @gum-iie @lady-valtieri @mit-suri @whatelsecouldgowrong @sillysimplysilky @eternalera @aoiyx @hazellight11 @hopefully-not @tsuvvy @imcryinginemo @dinorawrss @rekoloid @ayesha-eroticax3 @sle3pyh3ad2 @l0verboyxoxo1111

904 notes · View notes

haropla · 2 years

Text

the thing about hatsune miku is that she is quite literally a product you can buy. she and the other vocaloids (actual tm) are all voice synthesis software with some art attached for the sake of packaging and (at first) rudimentary marketing and anyone that has bought her can make her say/sing anything. and normally she’d be left at just that like the vocaloids preceding her like MEIKO, KAITO, LEON, LOLA, among others.

today she gets cameos, collaborations, and sometimes voiced lines in anime and games, actual rhythm games featuring her and the other piapro 6, she’s the face of GoodSmile racing (and was very temporarily the face of Domino’s Pizza in America, even), dozens of figures are made for her every year, there’s how her songs have been the foundation for multiple multi-media franchises and IPs like Black Rock Shooter and KagePro, and she among other virtual singers get to hold actual physical concerts people attend to see her “live.”

but the way she spread and has become an online cultural fixture is almost entirely dependent on genuine effort from online communities and what I can’t help but describe as love. all this couldn’t have been possible without online producers like ryo of supercell and EGOIST fame, cosMo, OSTER project, and kz simply putting their songs on niconico where everyone can watch and listen to the music videos for free, without the huge help of the marketing that miku gets today.

songs like “Melt” from ryo and “Packaged” from kz were posted just because these producers wanted to share what they created with the world. and that music was shared more and more because people just really liked listening to them. these songs convinced and inspired other producers down the line that there was a way for their music to spread without being singers themselves and that using Vocaloids was entirely viable. producers like Mitchie-M and wowaka used miku in new, striking ways that were huge departures from the likes of supercell and kz. and this isnt even going into the fanartists and animators who drew and animated because they loved miku and her songs just that much.

all the figures and concerts and rhythm games would not have happened without companies realizing she’s gotten all that love and attention even without a huge official push for her for her first couple years. so even as miku gets more and more attention as the years go by, and people eventually forget or just don’t recognize that she’s just software you can buy, the fact remains that everyone recognizes her now because of love. and that makes me so incredibly happy every time I stop to think about her.

#hello from haropla #vocaloid #hatsune miku

9K notes · View notes

lightscamerabitchsmileee · 5 months

Text

Vote for your fave, Reblog & share your thoughts and other faves (even outside of this list) in the tags I would love to hear it 😊😊

Check out my masterpost for the other artists polls thank you and have fun 😊😊

50 notes · View notes

melancholywally · 9 months

Text

Week 2 and Day 6 of 18 of the Pokémon/Vocaloid collaboration Project Voltage - "What if Hatsune Miku was a ___-type Pokémon Trainer?" This set of images depict Hatsune Miku as a Normal-type 🌈 Pokémon Trainer with her partner Pokémon, Chatot! (art by Megumi Mizutani)

#we're back baby #this one's so cute #pokémon #vocaloid #hatsune miku #chatot #project voltage

784 notes · View notes

soaringwide · 5 days

Text

Pick a Card: Finding the right career

Hello :p

Today's reading is a career guidance, where we're going to look at your strengths and weaknesses when it comes to your career, what motivates you and the potential for growth to see what career would suit you the most.

This reading is meant for people who are wondering about what path to take, or those wishing to make a change. We'll also look at how you'll be able to tell it's indeed the right choice.

As always this is a general reading that may not apply to everyone 100%.

Note that if you like my reading style, I offer private readings. You can learn more about that in my pinned post.

Pile 1

Cards: 5 of Cups, 6 of Swords, Justice, the Lovers, 2 of Cups, 3 of Pentacles, 9 of Swords, 5 of Swords, Knight of Swords, King of Wands, Knight of Wands, Ace of Swords, Knight of Cups, 6 of Wands

It seems you are not that driven by money, but rather, by a strong sense of righteousness. It seems you are well aware of the human pains and struggles. You know how fragile life can be, and you think it's important to do something meaningful, not only for you own sense of purpose, but also for the sake of others.

Really, where other would pursue careers for fame or money, for you it's just about following your truth and speak your mind and heart. There is a real quest for meaning and doing what's right and a relentless pursuit to leave what doesn't align with truth behind. Where other would just accept what's not fair as something that cannot be changed, you refuse to take that stance and strive for change.

However, I see that you have a hard time with social or collaborative jobs. You don't like mingling with people, a networking event is probably your own personal hell, and you'd rather work on your own without having to rely on anyone's opinion. Could be a problem in your line of work since it's showing up strongly in this reading. It's also possible that you tend to be very critical of those around you, because you see their flaws clearly, and it's stopping you from seeing the good in people.

You are motivated by the idea of building something worth marveling for. You want to create something that will inspire and educate those around you and have a long lasting impact on your community. You want to be seen as a reference, and even though you don't want to have other people put their nose in your work, you still want to contribute to humanity's knowledge with the results of your hard work. There is the idea of a common effort towards a greater goal.

However, for you it'll be important to develop some skills. The cards point at some inner work that have to do with putting yourself down, devaluing yourself by comparing yourself to others. It's a source of great despair for you and something you need to work on. People are not metrics, we are all different in one way or another and comparing yourself to others the way you're doing it is actually detrimental to the quality of your work, as well as your well-being. It's also possible that all the conflicts in the world affect your mental health a great deal, connected to what you witness in the world. It will be important to keep going and not burn yourself out.

There is a lot of raw potential for growth in the realm of ambition and leadership, which it seems you haven't fully embraced yet. You can be a figure of authority in your field, leading with your sharp mind and ambitious assertiveness. You have the potential to be a strong willed, determined professional that can't be stopped by anything and will tackle the most difficult project.

For these reasons, I think the career it's pointing at has to do with the realm of communicating ideas, perhaps writing, academia or journalism. You will be able to cut through lies and outdated ideas with your words, seeking to bring clear communication. There is again the idea of service made to others, led by your sense of purpose and thirst for truth. This career would put you in the public eye where you would be celebrated openly for your work and ideas. I see this pile as someone who investigates, either matters of the world, society, politics, economics or science. In all cases, it allows you to combine your cleverness, your empathy and ambitious nature.

Finally, you'll be able to tell it's the right path for you because it will ignite your passion. You won't be able to think of anything else but the task at hand, and what to do to achieve it. The greater the challenge, the more fiery your determination will be. It will definitely not be something you hesitate on and will feel like a calling.

Pile 2

Cards: the Emperor, Judgement, 2 of Pentacles, Page of Pentacles, 5 of Pentacles, the High Priestess, 9 of Swords, King of Pentacles, 10 of Pentacles, the Hierophant Rx, the Tower, the Hanged Man, 3 of Cups, 8 of Swords, Queen of Pentacles, 9 of Wands, 7 of Swords

Your qualities when it comes to this career are about being a reliable figure in the life of those you help. The helping aspect comes up strongly as it will show in this reading, and basically it already show in your strengths. It's like you help people come to life again in some way. You are strong when it comes to leading the way towards transformation, and have a strong impact on people. They can sense they can come to you for support and you give a vibe of wisdom and order.

However, it seems that you are also quite inexperienced and this is making you hesitate quite a lot. There is probably a strong learning curve when it comes to this career and you're not quite there yet. You may be lacking something, whether its the status or the resources, in order to fully embody your qualities. So it seems your situation right now is a weakness, and that it's not so much coming from you.

What drives you is, again, the desire to help those in need, those in pain who don't know where to get help from, when it seems there is no way out or hope left. You see their pain clearly and it somehow motivates you and gives you a sense of purpose in life. You might be religious or spiritual in some way and this feeds your motivation to help and care, like some type of mission.

When it comes to skills you can to develop here, there is a need to remain detached in the face of adversity to not let it submerge you, perhaps to let go of your own fatalistic vision of life. There is a lot of talk around you, and perhaps you listen to the words of others too much and it's making you confused and directionless. You must get your mind in order and be firmly set into your own stability, by being pragmatic and protective of your own well-being. Stop listening to everything everyone says and remain grounded in your own judgement.

So all that is telling me that your career has to do with helping the sick, be they mentally or physically impaired. You show up as a very nurturing figure, someone who wish to see people thrive and get back to health, and I see you surrounded by people with bandages, or people who are disabled in one way or another (again for some of you it could be mentally or physically). Your future career may be nurse, rehabilitation or support worker, or even doctor of some kind.

It seems that for some of you, this career will be embraced after you've been somewhat forced by life to take a different turn, something you hadn't anticipated and shows up as a surprise. For others, it could simply mean that you will be surrounded by catastrophic accidents and unforeseen circumstances, and I'm picturing an emergency room when I'm writing this. Like, you will be forced to grow because the chaos surrounding you will call for someone to do something, and you've got what it takes to do so.

You will know this is the right path for you after contemplating your decision for a long time. You'll mull over your choices and options, and even discuss it with loved ones in order to make sure its the right one for you because you don't take it lightly as it will come with some type of sacrifice for your time and energy. Basically you'll need to dedicate yourself fully to this and you know this. But overall, once you're decided, you'll be very happy of your choice and eager to enjoy the good sides that comes with the job.

Pile 3

Cards: 8 of Swords, 2 of Pentacles, 3 of Swords, 9 of Wands, King of Cups, the Fool, the Star, the Empress, 10 of Swords rx, 2 of Swords, Death, 5 of Wands, Page of Pentacles, 10 of Pentacles, the Magician, Judgement, 7 of Cups

When it comes to your strengths, you're someone who can fuel themselves with the shit that life throws at them, never fully loosing their balance. You know how to get yourself out of tricky situation where you're blinded, and you're able to transmute your pains and power through the difficulties, never giving up even when it seems all odds are against you. What makes other abandon just make you angrier and more determined to succeed. You are extremely resilient and this gives you an outlook on life that anything is possible. If something doesn't work you discard it and move on to the next thing.

However, it seems you are sometimes too eager to try something new without committing to one thing for a long time. You're a Jack of all trades and it's hard to get you stay in the same spot for long. It's like, you keep wanting to try to see if this path is better than this one, or if this thing would be more exciting than this other thing, and so on. You emotions also tend to shift easily and influence the way you see things, it's like, you feel things so intensely it's overwhelming and that's just the way you function and it's hard to live differently.

When it comes to what drives you, you get a great sens of purpose coming from beauty and aesthetics, or even arts. The path towards beauty and pleasure, is the highroad to heaven for you. You are truly an aesthete at heart, and want nothing more than to honor what you find sublime in the world, as for you it is the purpose and the meaning of life.

When it comes to what skill you can develop, you got two cards signifying blockage and defeat, which makes me think this has a lot to do with overcoming you own issues surrounding your creative expression, which stem from your mind. It's like, nothing is really getting in your way but your own thoughts. You have trouble releasing your perceived failure so you're stopping yourself from trying anything different, fearing it will only confirm your loss. Perhaps that's the reason you keep switching things all the time, because can you really fail if you never tried until the very end?

There is a deep potential for growth though, and it has to do with the way your compare yourself to either other people, or to your own ideal self. It's like, you've got this image in your mind of what you should achieve and you're tormenting yourself for not being able to achieve it. What you don't understand it's that it's counter productive and that you have to put an end to this way of thinking. You need to break the pattern in order to be free.

All of this makes me think that your job has to do with some type of artistic or creative career where you bring ideas into the world, pulling them from a space unique and special to you. The idea of transforming things, putting values into question, bending rules is also quite important, as well as is the idea of communication to a larger audience. I will also add that you might not box yourself into just one type of creative expression, but rather dabble into many different things. It seems you are not so much passionate about one medium but rather as I said earlier by the pursuit of beauty in all its form, so I totally see you trying out different things and it seems that you'll be good at most of them naturally.

You will know it's the right path for you because it'll allow you to have a vision. It's like, you'll find a tiny window with a tiny opportunity and it'll ignite you mind, making you think about all that's possible in every different direction, and the legacy you could leave. It's really all about triggering your long term motivation and what will make you want to dedicate your life, or long time anyway, to. As we saw earlier, you have commitment issues regarding your creative pursuits so this will have to do with sticking to it in the long term, even if that means doing multiple things in parallel or taking breaks and coming back to things.

#pick a card #pick a card reading #tarot reading #pick a pile #PAC #PAC reading #divination #tarot community #tarotblr #soaringwide tarot reading #tarot reader #soaringwide

172 notes · View notes

kulapti · 10 months

Text

Aug 2023, bookbinding of The Silent Isle Imbowers by Tharkuun.

I’m sooo so so pleased to finally share this! I have been actively working on this for many months and waited until Tharkuun received her copy before posting so the final result would be a surprise.

-----------About this bookbinding under the cut

This binding has been one of the more elaborate pieces I have attempted so far. This has been my first binding where I (1) made three copies of a piece at once, (2) used a modified a historical illustration, (3) collaborated directly with another artist on the decorative elements, (4) finished matching art for the cover and title page, and (5) layered paint and heat-transfer vinyl for the covers. These are also (6) the first non-tiny books I have made with this style of hinge and cover attachment.

Pretty much immediately after I first read this story I felt I had to make myself a copy of this. I had a strong mental image of a vintage-looking cover for a fairy tale, with a deceptively simple design of flowers on the cover, probably with fancy metallic accents, the kind of thing you’d find in an interesting used bookstore with no summary, no text on the back, no dust jacket, just the flowers and maybe a title. I’m going to make a separate post about making this cover design a reality because oh man has it been a journey lol! I designed and drew the digital art for the cover (digital because of the cut and application method), as well as the corresponding title page illustration (pencil and dip pen, scanned, title added digitally).

When I asked Tharkuun about it she was excited to suggest I get in touch with quillingwords, who generously agreed to collaborate with me! Among her talents quilling writes calligraphy, and hand wrote both the book title and chapter headers for me to incorporate into my plans. Check OUT those chapter headers! So fancy! A font could never!! Quilling has also been very encouraging and let me yell about this project in dms for months so the final result could be a surprise for Tharkuun. Thank u so much quillingwords, your calligraphy adds invaluable amounts of swag to this project.

I was going to do some kinda neat font for the chapter headers, but quilling’s work is too cool for that and I decided to use a modified piece of a historical illustration instead. The illustration also happens to be cool as heck: I was browsing the Artstor database (an academic quality resource available for free via Jstor, my beloved) and found E. N. Neureuther's 1836 gorgeous etching for etching of the fairy tale Briar Rose, an illustration made for a printing of a Brothers Grimm recorded German fairy tale with Sleeping Beauty elements. Much to my delight this illustration not only matches the general look I wanted but is actually relevant to the story, itself a Sleeping Beauty spinoff.

Slightly less stylistically consistent are the endpapers, which are prints of two different paintings by Arnold Böcklin: Isle of the Dead (1883) in the front and Isle of Life (1888). The first painting had occurred to me as an excellent visual to go with the story, and Tharkuun and I discussed this and agreed that pairing it with the related later, more optimistic piece was too thematically appropriate to resist.

I had fun and learned a lot making these books and I am very pleased with the result!!

Materials: Archival bookboard, cardstock, cotton cheesecloth mull, archival PVA glue, linen thread coated in beeswax, paper cord, red cotton embroidery floss. Blue cotton backed with archival paper, acrylic paint, machine cut black and gold heat-transfer vinyl. Laser printed text and illustrations. Metallic scrapbooking paper.

#artists on tumblr #bookbinding #ficbinding #fanbinding #dreamling #my art #here there be fandom #the sandman #the silent isle imbowers #tharkuun #described #id in alt text #pls imagine me screaming continuously about this project for oh idk 4 or 5 months? oh I can make shiny books??#im not allowed to @ people in this post apparently #links and fic rec in reblog #laying on the floor I found a few missing words I must have deleted on accident while fixing formatting #poppies (Papaver somniferum) and mugwort (Artemisia vulgaris)#tailfeather binding

768 notes · View notes

yukipri · 9 days

Text

Some thoughts on Cara

So some of you may have heard about Cara, the new platform that a lot of artists are trying out. It's been around for a while, but there's been a recent huge surge of new users, myself among them. Thought I'd type up a lil thing on my initial thoughts.

First, what is Cara?

From their About Cara page:

Cara is a social media and portfolio platform for artists. With the widespread use of generative AI, we decided to build a place that filters out generative AI images so that people who want to find authentic creatives and artwork can do so easily. Many platforms currently accept AI art when it’s not ethical, while others have promised “no AI forever” policies without consideration for the scenario where adoption of such technologies may happen at the workplace in the coming years. The future of creative industries requires nuanced understanding and support to help artists and companies connect and work together. We want to bridge the gap and build a platform that we would enjoy using as creatives ourselves. Our stance on AI: ・We do not agree with generative AI tools in their current unethical form, and we won’t host AI-generated portfolios unless the rampant ethical and data privacy issues around datasets are resolved via regulation. ・In the event that legislation is passed to clearly protect artists, we believe that AI-generated content should always be clearly labeled, because the public should always be able to search for human-made art and media easily.

Should note that Cara is independently funded, and is made by a core group of artists and engineers and is even collaborating with the Glaze project. It's very much a platform by artists, for artists!

Should also mention that in being a platform for artists, it's more a gallery first, with social media functionalities on the side. The info below will hopefully explain how that works.

Next, my actual initial thoughts using it, and things that set it apart from other platforms I've used:

1) When you post, you can choose to check the portfolio option, or to NOT check it. This is fantastic because it means I can have just my art organized in my gallery, but I can still post random stuff like photos of my cats and it won't clutter things. You can also just ramble/text post and it won't affect the gallery view!

2) You can adjust your crop preview for your images. Such a simple thing, yet so darn nice.

3) When you check that "Add to portfolio," you get a bunch of additional optional fields: Title, Field/Medium, Project Type, Category Tags, and Software Used. It's nice that you can put all this info into organized fields that don't take up text space.

4) Speaking of text, 5000 character limit is niiiiice. If you want to talk, you can.

5) Two separate feeds, a "For You" algorithmic one, and "Following." The "Following" actually appears to be full chronological timeline of just folks you follow (like Tumblr). Amazing.

6) Now usually, "For You" being set to home/default kinda pisses me off because generally I like curating my own experience, but not here, for this handy reason: if you tap the gear symbol, you can ADJUST your algorithm feed!

So you can choose what you see still!!! AMAZING. And, again, you still have your Following timeline too.

7) To repeat the stuff at the top of this post, its creation and intent as a place by artists, for artists. Hopefully you can also see from the points above that it's been designed with artists in mind.

8) No GenAI images!!!! There's a pop up that says it's not allowed, and apparently there's some sort of detector thing too. Not sure how reliable the latter is, but so far, it's just been a breath of fresh air, being able to scroll and see human art art and art!

To be clear, Cara's not perfect and is currently pretty laggy, and you can get errors while posting (so far, I've had more success on desktop than the mobile app), but that's understandable, given the small team. They'll need time to scale. For me though, it's a fair tradeoff for a platform that actually cares about artists.

Currently it also doesn't allow NSFW, not sure if that'll change given app store rules.

As mentioned above, they're independently funded, which means the team is currently paying for Cara itself. They have a kofi set up for folks who want to chip in, but it's optional. Here's the link to the tweet from one of the founders:

And a reminder that no matter that the platform itself isn't selling our data to GenAI, it can still be scraped by third parties. Protect your work with Glaze and Nightshade!

Anyway, I'm still figuring stuff out and have only been on Cara a few days, but I feel hopeful, and I think they're off to a good start.

I hope this post has been informative!

Lastly, here's my own Cara if you want to come say hi! Not sure at all if I'll be active on there, but if you're an artist like me who is keeping an eye out for hopefully nice communities, check it out!

#YukiPri rambles #cara #cara app #social media #artists on tumblr #review #longpost #long post #mostly i'd already typed this up on twitter so i figured why not share it here too #also since tumblr too is selling our data to GenAI

156 notes · View notes