#nonfilms

[cadmium-free]

Funeral Parade of Roses (1969) - Watched on August 5, 2023

It spirals to its inevitable conclusion. We revisit a moment, a scene. A little more plays out, we step back or step forward. We live transfixed in a moment. Sometimes a scene mirrors another, it's all the same but with different details. There is no escaping fate, we can only be sucked closer and closer to our inevitable conclusion.

Stop Making Sense (1984) - Watched on October 5, 2023

I genuinely don’t think this needs any explanation or justification at all. I could watch it over and over and over and over and over.

Possession (1981) - Watched on October 17, 2023

It took me three sittings to get through this film and I wasn’t sure I liked it immediately after I finished it. And then it just simmered in my mind for days and weeks after until it finally clicked into place. I love the way Sam Neill moves in this. Everyone comments on the haunting way Isabelle Adjani looks directly into the camera, and yea. Yeah. Ok. Yeah. Yeah.

The Devils (1971) - Watched on June 26, 2023

I thought going into it with the full knowledge of Urbain Grandier would defang it, and perhaps this did soften the blow a bit, but it's audacious, frenzied, sensual. You get tangled up in its themes, its sensations, its torture.

Dog Day Afternoon (1975) - Watched on January 13, 2023

This set off a brief and ferocious obsession with Al Pacino. I have a strained relationship with films based on true crimes, but this slides past my qualms, perhaps just on the strength of the fact John Wojtowicz himself did write a review of it.

Bound (1996) - Watched on April 5 and August 19, 2023

The way Corky and Violet can come together with genuine trust so quickly. The way Ceaser can misunderstand Violet so fundamentally. The literal betrayal in realising who someone is.

Häxan (1922) - Watched on October 27, 2023

The 1922 equivalent of a Youtube video essay where a guy is like, "Guys, I just learned a bunch of fucked up facts about witches and witch trials. I think maybe we just execute women for being poor and mentally ill. Also aren't mental institutions a bit fucked up?" but like, a bit hornier than you would expect for the subject.

Cruising (1980) - Watched on January 17, 2023

It’s all about looking and being noticed. The camera is looking. Al Pacino is looking. The men are looking. And the ambiguity of the gaze and the plot.

Pontypool (2008) - Watched on October 4, 2023

It's a film about words. It's a film about broadcasting from a radio station and seeing nothing. Our imagination fills in the visual gaps. It's so much more horrifying to be piecing everything together from the safety of a recording booth.

The Lair of the White Worm (1988) - Watched on February 1, 2023

Hugh Grant—looking like a lesbian—who is a freaky little rich boy who believes in cryptids, Peter Capaldi—looking like a lesbian—sucking snake venom from a neck bite, an incredibly sexy snake woman with a house full of snake stuff, a giant snake puppet, surreal dream sequences, the coolest game of snakes and ladders ever made, snake dicks, weaponised bagpipe music, homoeroticism, and giant strap-ons.

Ravenous (1999) - Watched on October 19, 2023

This film is so offbeat and strange. It has the strange feel of a comedy, while being a really understandably grim depiction of cannibalism as manifestation of greed, expansionism, and colonization. I kept having these moments of shock that this was a studio movie, that studios were willing to make this film that so thoroughly deconstructs the American mythology.

Penda's Fen (1974) - Watched on July 6, 2023

The first movie in a long time that has made me feel as though I need to pick it apart like an essay, to rewatch multiple times and take notes and repeat sentences until I’ve done a thorough analysis. I've never had a film hit me in quite this way before.

#film #recs #long post #basically just making my letterboxd list here #i normally don't do a movie best of list for the year but i don't have ten non movies #station eleven and star trek are the only nonfilm things i would list i think

[inthefallofasparrow]

If you have seen more than one of these films, choose the one you think is least common.

#poll #film

[drbnrj]

#SongNotation : Pehli Dafa #AtifAslam #Adeez . Learning Can Be Fun, Learn Music from Scratch, DM us or Contact 00-91-6280075157 (Whatspp available) . #piano #pianonotes #sargam #sargamnotes #guitar #guitartabs #singing #musicclass #musicclasses #onlinemusic #onlinemusicclases #onlinemusiclessons #drbnrj #drbanerjeemusic #jalandhar #punjab #sarod #tanpura #harmonium #keyboardnotes #flute #violin #tanpura #vocal #riyaaz #musiclessons #indipop #nonfilm (at Dr Banerjee) https://www.instagram.com/p/CggfC_1uqpC/?igshid=NGJjMDIxMWI=

#songnotation #atifaslam #adeez #piano #pianonotes #sargam #sargamnotes #guitar #guitartabs #singing #musicclass #musicclasses #onlinemusic #onlinemusicclases #onlinemusiclessons #drbnrj #drbanerjeemusic #jalandhar #punjab #sarod #tanpura #harmonium #keyboardnotes #flute #violin #vocal #riyaaz #musiclessons #indipop #nonfilm

[stevenest]

NONFILM (VOST) from Mr OIZO / Q.DUPIEUX on Vimeo.

NONFILM 48min / 16mm SHOT IN 2001

Description :

NONFILM is unwatchable. NONFILM is my first attempt to make a movie (failed). NONFILM is the essence of the 'NO REASON'. NONFILM is RUBBER's handicapped brother. NONFILM is a wild animal. NONFILM contains only ONE joke. NONFILM has been shot with Flat Eric's money. NONFILM is great if you know how to watch it. TRY.

(poorly translated, SORRY)

Written & shot by Quentin Dupieux produced by Charlotte Marmion cast : Sébastien Tellier - Vincent Belorgey - Philippe Petit - Camille Lagache...

[sigurduramundason]

The Final Insult - 1982 - iMDB rating 6.2 (862 votes). 2021. Pencil and posca pen on paper. 150 cm x 150 cm (4´11 feet x 4′11 feet).

#drawing #kunst #painting #large scale #visualart #fakefilm #nonfilm #fakelogo #exploitationfilm #vigilante #oldtimers #fineart #modernart #contemporaryart #arte #art #icelandicart

[1day1movie]

Nonfilm (2001) Quentin Dupieux.

#Nonfilm #Quentin Dupieux #1day1movie

[sachwlang]

Year ender 2020: From Neha Kakkar to Badshah, Bollywood singers get hooked to non-film songs

Year ender 2020: From Neha Kakkar to Badshah, Bollywood singers get hooked to non-film songs

Image Source : INSTAGRAM/NEHAKAKKAR, BADBOYSHAH Year ender 2020:From Neha Kakkar to Badshah, Bollywood singers get hooked to non-film songs Bollywood singers have been releasing non-film singles over the years, but 2020 saw an increasing number of artistes explore the indie scene, and fans are not complaining. Here’s a list of singers who entertained their fans with singles in the pandemic…

View On WordPress

#Badshah #Bollywood #ender #hooked #Kakkar #Neha #nonfilm #singers #Songs #Year

[nonfilms]

2021 was unremarkable for most people but proved to be another decent year for cinema. Of course there wasn't enough time to see all we wanted or all there was, so these are just the highlights. Hope you get to check them out. 1. Memoria (d. Apitchatpong Weerasethakul

2. Wheel of Fortune and Fantasy (d. Ryusuke Hamaguchi)

3. Mad God (d. Phil Tippett) 

4. About Endlessness (d. Roy Andersson)

5. The Village Detective: a song cycle (d. Bill Morrison)

6. Drive My Car (d. Ryusuke Hamaguchi)

7. Taipei Suicide Story (d. KEFF)

8. Annette (d. Leos Carax)

9. North By Current (d. Madsen Minax)

10. We're All Going to the World's Fair (d. Jane Schoenbrun)

11. A Black Rift Begins to Yawn (d. Matthew Wade)

12. All Light, Everywhere (d. Theo Anthony)

13. Licorice Pizza (d. Paul Thomas Anderson)

14. Titane (d. Julia Ducournau);

15. The Souvenir Part II (d. Joanna Hogg)

16. Athanor: The Alchemical Furnace (dirs. Jan Danhel & Adam Olha)

17. Ravaged by the Sun <American Cannibalism> (d. embryoroom)

18. I Was a Simple Man (d. Christopher Makoto Yogi)

19. Woodlands Dark And Days Bewitched: A History Of Folk Horror (d. Kier-La Janisse)

20. The Awakening of Lilith (d. Steven Adam Renkovish)

21. Barber Westchester (d. Jonni Phillips)

22. Bad Luck Banging or Loony Porn (d. Radu Jude)

23. The Tragedy of Macbeth (d. Joel Coen)

24. Short Vacation (d. Han-Sol Seo, Kwon Min-pyo)

25. Benedetta (d. Paul Verhoeven)

26. The Card Counter (d. Paul Schrader)

27. Summer of Soul (d. Questlove)

28. Apples (d. Christos Nikou)

29. Ste. Anne (d. Rhayne Vermette).

 #embryoroom #iwasasimpleman #woodlands #jonniphillips #badluckbanging #macbeth #summerofsoul #apples #steanne #nonfilms

#2021 #films #best of #memoria #ryusuke hamaguchi #wheel of fortune and fantasy #mad god #phil tippett #about endlessness #roy andersson #the village detective #bill morrison #drive my car #taipei suicide story #keff #annette #leos carax #sparks #north by current #madsen minax #we're all going to the world's fair #jane schoenbrun #a black rift begins to yawn #matthew wade #all light everywhere #theo anthony #licorice pizza #paul thomas anderson #titane #julia ducournau

[gaycatpark]

me: brain? what the fuck do you want? what am i feeling? are we tired? sad? bored? are we dissociating right now? is this anger??? what do you want from me?????? brain: i want to exist in a quentin dupieux film me: …… me: fair enough

#my brain is literally just looping a clip from NONFILM on repeat

[99lyricstore]

Naina tere kajrare hai Naino pe hum dil hare hai Anjane hi tere naino ne Waade kiye kai saare hai...❤ Read more: https://www.99lyricstore.tk/2019/01/electro-folk-aaoge-jab-lyrics-neeti.html?m=1 #aaogejab #neetimohan #ElectroFolk #adityadev #tseries #nonfilm https://www.instagram.com/p/BtBCjDyHBr_/?utm_source=ig_tumblr_share&igshid=1klporukl5de5

#aaogejab #neetimohan #electrofolk #adityadev #tseries #nonfilm

[geothefafa]

I would kiss youngvinsky hes a babe let's be real

#smoch #drunk blogging #about nonfilm

[mythicaliz]

Link's plaid pants

"I'm only going to wear them around the house"

"I'm only going to wear them to work on nonfilming days"

"ok I can wear them on gmm as long as I'm behind the desk"

"LTAT is casual, it's cool if I wear them in full view, even if they clash with the couch"

"red carpet awards show? Why not"

#They're so ugly #But so sexy #I hate it

[hothandscollective-blog]

NEXT, NATURE

SAVE THE DATES! Saturday, Sept 8 and Sunday, Sept 9

Humankind’s perception of nature has run the gamut between harmony and conflict. From our earliest depictions of the world in the caves of Lascaux, the writings of first nations and religious zealots, and the awe inspired poetry of the Transcendentalists; to the development of cities and industry, pollution, and the impending self-fulfilled prophecy of climate change: we have both praised and denied our intrinsic relationship with Earth as the bearer of sustenance and ambivalent destroyer. This skewed balance has become even more prevalent as we learn more and more of the effects of our presence here--facing the tangible dilemma of maintaining societal infrastructure in light of a world that may break...or just break us. 

Next, Nature is a new work focusing on human perceptions of the natural world and how they stand in direct conflict with our footprint upon it. The piece will be in two parts--each a reflection of one another, and will commence on September 8th and 9th, 2018. September 8th, Next, Nature (Evening Invocation), will consist of an evening of live performance of music, words, and movement. September 9th, Next, Nature (Midday Devotional), will be a live day-long durational piece in which elements of the previous evening’s performance will be refracted, reflected, and transformed through film, music, text and performative actions.

Next, Nature (Evening Invocation) Saturday, Sept 8  8pm - 10pm                  (No intermissions, continual piece)

Featuring musicians: Joshua Araujo (trumpet and percussions), Steven Bartashev (drums), Aaron Campbell (cello), Spencer Friedman (guitar), Keith Rowland (bass) and Ryan Shreves (synth and guitar) Next, Nature (Midday Devotional)  Sunday, Sept 9 12pm - 4pm                        (This is a durational piece in which you are welcome to walk through the space and come and go as you please over the four hours)                                    

Featuring films by 

Mahsa Biglow

Jenn Grossman

Haoyan of America

Leslie Hodgkins

Miho Morita

NonFilms 

Music and Libretto by Kiowa Hammons and Daonne Huff                  Costume and Sets by Jamie Gray Williams

FiveMyles Gallery

558 St Johns Place                                                                                  Brooklyn, NY 11238                                                        http://www.fivemyles.org/

Both events are free and open the public.

#performanceart #environmentalism #climate change #romanticism #transcendentalism

[double-croche1]

[CHRONIQUE CINÉ] MANDIBULES de Quentin Dupieux

Au fil des ans, Quentin Dupieux déploie son univers empreint d’absurdité, de couleurs pastel, de réalités confuses et d’une pointe de surnaturel. ‘Mandibules’ explore cette voie, jouant peut-être encore plus sur la corde comique et burlesque. Un film en forme de farce de haut vol qui… fait mouche ! Jean-Gab et Manu, deux amis simples d’esprit, trouvent une mouche géante coincée dans le coffre d’une voiture et se mettent en tête de la dresser pour gagner de l’argent avec. A l’instar de ses précédents longs-métrages ‘Rubber’ (2010) et ‘Le Daim’ (2019, notre chronique par ici), Quentin Dupieux choisit avec ‘Mandibules’ la métonymie pour désigner un protagoniste aux propriétés surnaturelles. On est ici bien plus loin de ‘La Mouche’ (2010) de David Cronenberg que du ‘E.T.’ (1982) de Steven Spielberg avec un mélange détonnant de western (la première moitié avec ses paysages rocheux et désertés très “américains”, ses bandits et ses habitations qui prennent feu), du buddy movie (le duo de choc du Palmashow en partenaires de crime) et de film d'idiots (les plans foireux, les mensonges initiés par un quiproquo et dans lesquels les faux-pas ne révèlent jamais pleinement la supercherie). Un monde aussi où les choses, ici les animaux, ne sont jamais vraiment ce qu’elles sont (une mouche-singe-chien, un taureau-main, une licorne-bicyclette, une chèvre-plaie…) et où on confierait une mission de la plus haute importance aux plus incapable (la trame de la mallette, mettant ici en opposition les deux extrêmes de la “classe sociale”). En somme un univers improbable, mais auquel on croit ici totalement ! Grégoire Ludwig (déjà vu dans ‘Au poste !’ en 2018) et son comparse David Marsaissont désopilants avec leur dégaine de surfeurs californiens, cheveux longs et coupe mulet, en faux adolescents (le “check” rappelant celui des “Chivers” de ‘Steak’ sorti en 2007, le vocabulaire à base de verlan et de franglais, le rejet des “vieux”) échappant tant bien que mal à leur vie précaire (Manu qui ne peut s’empêcher de dormir “comme un clochard” plutôt qu’“à la belle étoile”) par l'unique biais de la manigance (vol de voiture, de caravane, de nourriture…). Adèle Archopoulos est quant à elle succulente dans un rôle pourtant assez casse-gueule, entraînant à la fois le rire et l’empathie. Le long-métrage profite aussi d’une mise en scène joueuse (les séquences du point de vue de la mouche avec sa vision kaléidoscopique), d’un joli thème composé par Metronomy et même d’un caméo très “French touch” (Gaspard Augé de Justice en agent de sécurité, s’inscrivant dans une lignée entamée avec Kavinsky et Sébastien Tellier dès 2001 dans ‘Nonfilm’). Quentin Dupieux signe un film jubilatoire où la bêtise est érigée en triomphe, le handicap et la précarité sont source de rire tendre et sans moquerie et dans lequel se déploie une amitié touchante entre ces deux ados un peu candides qui sont certes des petits malfrats mais en réalité ne feraient pas de mal à une mouche. Bzzzz, taureau téma ! Bande-annonce : https://bit.ly/3jaxqIX Date de sortie française : Mercredi 19 mai 2021 A&B

[goldwingsartsinstitute]

Shekhar Ravjiani hopes to release non-film song with Vishal Dadlani someday [ad_1] Shekhar Ravjiani hopes to rel... #dadlani #hopes #nonfilm #ravjiani #release #shekhar #song #vishal

[efe-es1405-yahoopartner-blog]

"Le daim", con Jean Dujardin, abrirá la Quincena de Realizadores de Cannes

París, 4 abr (EFE).- La película "Le daim", dirigida por el francés Quentin Dupieux y protagonizada por Jean Dujardin, abrirá el próximo 15 de mayo la 51 edición de la Quincena de Realizadores, sección paralela del Festival de Cannes, anunciaron este jueves los organizadores. Esa cinta supondrá el regreso a la Croisette de Dujardin con un rol protagonista después del éxito alcanzado en 2011 con "The artist", que le valió el premio a la mejor interpretación masculina en Cannes y en los Óscar. El director es, según la Quincena, uno de los más singulares del panorama cinematográfico contemporáneo. También es guionista, director de fotografía y compositor de música electrónica, conocido bajo del pseudónimo de Mr. Oizo. Dupieux comenzó su carrera con la realización de vídeos musicales y publicitarios junto al también director Michel Gondry, e incluye en su filmografía películas como "Nonfilm", "Rubber", seleccionada también en Cannes en la Semana de la Crítica en 2010, o "Wrong". La Quincena de Realizadores es una sección paralela al Festival de Cannes creada por la Sociedad de Realizadores de Filmes (SRF) con el objetivo de "descubrir películas de jóvenes autores y saludar las obras de directores reconocidos". En la misma han participado cineastas como George Lucas, Martin Scorsese, Ken Loach y Jim Jarmusch, así como Michael Haneke, Spike Lee o Sofia Coppola, y en su pasada edición otorgó su máximo galardón al franco-argentino Gaspar Noé por "Clímax". El actor Jean Dujardin. EFE/Archivo

#_revsp:efe.es #_uuid:c0e96ea6-caa1-389e-a663-52befb117ca3 #_category:yct:001000076 #_lmsid:a077000000Kgol7AAB