#notes] saying that a canon ship had viability . | Explore Tumblr Posts and Blogs

2n2n · 10 months

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I love the Tsukasa and Nene ship, and it seems that you do too and I would like to know why? Because this ship doesn't seem to be very popular what attracted you to it? And do you think it's possible for this ship to happen in the manga? (Unfortunately seen from my point of view I don't think so, because Tsukasa seems so innocent for this to happen, besides he only thinks about Hanako-kun 😢)

Popularity or suggestions from others has little to do with what I ship; I read the work, I imbibe the story, and I ship things based on what I am intrigued by, or perceive, in the story. I don't tend to engage much with fandom when reading something first time, so I had no idea what was 'big' or what wasn't (I didn't look at the fandom at all until the Far Shore arc, where I only really suddenly glimpsed it because I was looking for Sumire/Hakubo stuff & was blindsided by other's dislike of Hakubo). For instance, the popularity of Mitsuba and Kou, and ?? Aoi and Nene ?? completely and utterly baffled me, I wouldn't have guessed people really cared about any of that. I came out of it only caring about the twins x Nene-chan.

As it is, it intrigued me early on that Amane can compare Nene-chan to Tsukasa. They share a lot in common, centrally their love of Amane. In canon and in AUs, Tsukasa often acts like a sort of informant, giving Nene-chan information. The canon itself gives me the impression he places a lot of trust on her, and likes her. The story itself lead me to asking questions about it, and its viability only kept increasing as I read. I went into this expecting to only like HanaNene, but, AmaTsuka became the next obvious thing, but then weirdly the final piece, TsuNene, felt like it started taking shape...

Yes, I think it's possible for the ship to happen. I think it's the point of a lot of threads and ideas… I really do believe that. There are enough comics, illustrations, and commentary from JP fandom that make me feel I am not the only one seeing it, either. It's just the American fandom is helpless.... I call myself delusional but like any good delusional person, I believe what I think is true.

I guess after playing Narisokonai Snow White especially-- wherein you spend half the game exploring the love between the Princess x one twin, and then the OTHER half of the game unraveling the love the OTHER twin feels for the Princess-- yet ultimately relinquishes her to his brother, who he feels the Princess loves truly and deserves to be with-- I'm, really convinced that it's not just my delusion, but the sort of multilayered love story intrigue Iro-sensei likes to tell. We have much more to learn about Tsukasa!

I don't think Tsukasa "only thinks about Hanako-kun". I think these sentiments are incredibly sincere:

and intentionally loaded. You don't get a single vibe from TsuNene scenes? Aren't these vibes why anyone ships it? Well, I get major vibes.... It's not like....... Teru x Natsuhiko, or, some other frivolous idea invented out of thin air. lol

It could be his love for Amane that makes him love Nene-chan; the only other person who can understand what it is like, to wish to die for Amane.

For him to be willing to let Nene-chan in on so much, and share so many precious moments with Amane, I feel he has to admire her.

Iro-sensei likes complex romantic intrigue!!! I can't say enough ... Narisokonai Snow White was so about the interplay between the cast of twins + a girl they both like. The Princess and Rasphard were similarly ill-behaved children, something the Ambrose family notes in the text. The Princess, who is already in love with Estelio, sees similarity between the twin boys. We use established love between individuals to implicate love all across the ships. As the player of the game, you can cause either twin to yandere out on the princess based on what choices you make....

I believe in twin romance supremacy. I think it is why we have twins + a girl.

I think it is Iro-sensei's fetish lol

Now what I will say is your thought of "Tsukasa is too innocent for it to happen" is kind of real, but you should give more credit, then, to Nene-chan, who could also make it happen... :) ;) I mean look at her as it is, chasing down Hanako all running away from her every few chapters....!

Maybe Tsukasa doesn't understand everything he feels or everything that could be possible! Amane also thought he didn't value anything, much less her life. Nene-chan teaches the boys many things about love~

#avvy's JSHK #JSHK to me is like. you gotta do what you couldnt manage in Snow White. you were weak then you were a teenage writer in HS #YOU CAN DO IT NOW!!! YOU CAN WRITE 300 CHAPTERS OF TIMELINE SHENANIGANS!!!

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naruhearts · 4 years

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I’m done keeping my composure.

Sorry, this will be a LOADED post! (And I’ll be repeating the points others have made)

for real, to everyone being nasty and telling heartbroken fans that “Dean was always supposed to die get a grip you’re just butthurt etcetera etcetera—” F you royally.

How dare you police the brutal feelings that’s been embroiling us since the Finale That Must Not Be Named aired.

The show you think you all watched, the show you all believe was the same SPN from Season 1-4, changed at some point. Kripke wrote his original vision, put it to screen, saw it through in S5 as he intended, and closed the door on that era.

In 2008, Supernatural was adopted and inherited. As you know, there was a supreme paradigm shift post-Kripke era. The show FLOURISHED (we won’t talk about Gamble thanks). It evolved, transformed, grew beyond trauma-induced self-worthlessness and toxic masculinity and endless death and hegemonic social ideals and conservatism and repressive anti-revolutionary ideas. Castiel, the iconic favourite and beloved staple of the series portrayed by Misha Collins, was introduced in Season 4 as the core lead character, and he ushered in a brand new era of Christian mythos that SPN took advantage of. Longevity SKYROCKETED. Audiences were INTERESTED. SPN amassed an incredibly groundbreaking fanbase infused by non-nuclear principles. A massive subversive wave began, fighting the Status Quo of the times since 2008. It’s precisely why such an abysmal ending to a show of extensive Freud-Jungian metanarratively meta META complex stature and social POWER will render us totally and unbearably broken for years to come.

Point is, DEAN WINCHESTER NO LONGER WANTED TO DIE. HE WANTED TO LIVE. HE WANTED TO SIT ON THE BEACH, PLUNGE HIS TOES IN THE SAND, AND SIP UMBRELLA DRINKS WITH HIS BROTHER AND HIS BEST FRIEND. He said this in Season 13. And then, a season later, he told the ghost of his long-deceased father — the source of his deep-running trauma and the figure of self-reductive authoritarianism permeating his arc since Season 1 — after being questioned why he didn’t pursue the Nuclear Fam, that he already has his own: his brother Sam, his adopted child Jack, and Cas.

Dean’s best friend Cas. Oh god, Cas, who made his inevitably permanent mark on Dean’s soul beyond allyship. Castiel, renamed to Cas, God’s -iel removed by Dean. Dean, the human spark that lit the fire of pre-existing autonomy in the inherently rebellious angel who was, this entire time, the catalyst for free will in God The Writer’s puppet show. Their friendship set on goddamn fire. I can also write paragraph upon paragraph about my love for Cas while devastated tears stream down my face, but I digress—

Cas’ romantic love for Dean pushed our main Heart of SPN to love himself. Love is free will. Free will is also love. Of note, Cas’ love confession in 15x18 was supposed to offset something so vastly important and fundamental...to maybe (read: most likely) pull the trigger on SELF-TRUTHS in conjunction with free will. And The Great Anticipated Follow-Up to the episode penned by the passionate Berens should have included (read: seemed like it was going to be) Dean, closeted trauma survivor in love with his best friend, being given the opportunity to do it right: to SPEAK HIS TRUTH, and then that very singular opportunity was STOLEN so grossly. After poring over it for days, I refuse to believe we made their years-long story up out of thin air, spun it out of fantastical-delusional dream cotton candy, because we DIDN’T. IT WAS REAL.

As I said in another post: “I’ve just been feeling physically ill for the past >40 something hours with the terrible knowledge that 19/20 undid years of vital progression towards healthy interdependence, autonomy, and a positive endgame, where Sam, Dean and Cas close the ring of found family in final empowering self-fulfillment...where Dean, no longer repressed and set free, is able to use his words and speak his truth as a queercoded trauma survivor, henceforth confirming and self-affirming his own bisexuality since S1 by reciprocating — by telling Cas that he always loved him, too, loved him endlessly, which would have altogether divested Supernatural of its cult status and catapulted it into global worldwide significance as the longest running sci-fi genre show in American broadcasting history that actually dared to defy and, by proxy, empower LGBTQ2IA+ everywhere who found profound personal meaning in Destiel through VALIDATION,” — found themselves mirrored in Dean and Cas’ respective character journeys individually and as each other’s queer love interests.

THIS IS WHY DEAN WASN’T MEANT TO DIE.

THEY WERE SO ESSENTIAL, NOT JUST TO THE OVERARCHING STORY AND HEALTHY INTERPERSONAL THEMATICS OF MODERN SPN, BUT ALSO TO THE SOULS OF THOUSANDS OF PEOPLE ACROSS THE WORLD WHO FOLLOWED THEIR JOURNEYS, HOPED FOR THEM, ASPIRED TO BE LIKE THEM, TREASURED THEM, WEEPED FOR THEM, AND FOUGHT FOR THEM, LIKE YOU AND ME.

Heck, how could anyone think Sam Winchester had a well-deserved characteristic ending? He didn’t. Dean’s brother was shafted so badly. He stopped hunting when seasons ago, he had canonically accepted that he no longer wanted an apple pie life. He simply...turned the lights off in a resoundingly empty bunker and left — abandoning his dead brother’s room — never to return (he did return later to get the Impala, family photos etc, I mean this symbolically)...as if — dare I say it — Supernatural itself eerily told us, in the negative-spaced pitch blackness, that the organic show and the wonderfully complex, matured characters we’ve grown to love weren’t going to survive or be revisited...that it was all going to perish, and that they no longer gave a single shit about their own show, which, to me, is the worst cardinal sin, because how dare they throw Team Free Will, an immovable and indomitable and passionate found family they built from the ground up, a found family CHOCK FULL TO THE BRIM OF LOVE AND LIFE RAGING AGAINST THE AUTHORITARIAN MACHINE IN ORDER TO ACHIEVE FREE WILL, under the bus no matter who is to blame. Growth was stomped on.

Then Sam married a faceless wife who wasn’t his textually established (and deaf) love interest Eileen, named his son Dean Jr., and grew old miserably, still mourning the passing of his older brother, shaken and sombre. Back to square one. IT WAS ALL ANTITHETICAL, even OUTSIDE a shipping context, and I ripped my hair out at this point in sheer disbelief.

This 15x20 ending would have fit somewhere between S4-7. Now? IT DOESN’T FIT. IT’S A JAGGED PUZZLE PIECE THAT DOESN’T BELONG ANYWHERE. IT’S THE FOREBODING UNKNOWN STRANGER IN ITS OWN LAND, BOTH LITERALLY AND FIGURATIVELY. This kind of ending was basically an illogical, unsound cluster of metastasized cells that, to me, ruined the viability of previous seasons to sustain bold praise and respect and dignity and rewatches and classic nostalgia in such insidious ways.

Dean Humanity Winchester and Cas, after everything they’ve been through, were silenced and lost in death, ripped apart from each other, unable to love each other the way they deserved, because of disappointing, vile incompetency and homophobia. The greatest love story ever told, again obliterated in less than 60 hollow minutes.

You know what this tells your audience, CW SPN? Death without self-growth is the way to go, and no one is allowed to forge their own path to freedom.

HOW INSULTINGLY HARMFUL IS THAT?

I don’t think I’ll ever stop grieving.

We all deserve answers.

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quartusbellum-blog · 6 years

Photo

SARA for the role of REGULUS BLACK using the faceclaim NICOLE MAINES.

I am very excited about your portrayal of this character! Not only have you given life to the plots hinted at in the skeleton, but you’ve threaded new layers of meaning into Regulus’ story. I can’t wait to see them explored on the dash!

ooc details

Name: Sara

Age: im a fandom grandparent

Pronouns: they/them

Activity Level: I’m around every day and enjoy making a mess of things in game

Other: No triggers though my character might end up triggering others. I’ll make sure to tag.

Acknowledgement: I acknowledge that the themes of this game may include triggering elements. I also acknowledge that my character may be harmed, coerced, or even killed (with player’s consent) during paras/events or may cause harm to or kill others during paras/events. Yep here4themess

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general ic details

Name: Regulus Arcturus Black

Age: 19 | January 23rd

Ships: Regulus is rather aromantic in manner so a romantic is unlikely. Even still, I’d be happy to try any ships, any nonromantic ships etc. Warning: please read the whole app prior to seeking a ship with Regulus given that any sort of romantic/nonromantic/sexual ship might contain triggering experiences.

TBH my dream ships are probably more found family/family oriented… polyamorous with an asexual asshole who is a little skew?

Gender/Pronouns: publicly Regulus is still he/him but there will be a blending and fucking up of pronouns as Regulus explores and comprehends her gender (likely ultimate ending but nonbinary is also possible). This is different then how i sometimes write trans characters because in this game one aspect of her narrative will be the concept of growing up and understanding she can be who she wants to be. Even if Regulus knew from a young age (which not all trans people do), Regulus would have innately rejected the idea because of the pride his mother has(d) in having the two heirs at a cost. This became even more pressing when Sirius left his role as heir and it landed to Regulus–suddenly Regulus’ choices shrank even more. Its only in death that she has started to comprehend that there are choices now.

So pronouns will be flying ALL THE WAYS but mostly reflecting how the character is presenting EXTERNALLY to others. FC will remain static but may not be used all the time due to the lack of stable presentation.

For this app He/Him were used exclusively as up until perhaps the past year Regulus presented exclusively as he/him.

Headcanon for transitioning Attisgalli Corrective Draught.

Face Claim: please provide two face claim options.

Nicole Maines

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bio questions

Please note, while this game is “canon” up until the start of the Wizarding War it does not stay canon and it’s quite divergent at the start of the game.

biography:

The Black Family is too old of a family line not to have gotten… muddled (never muddied) in the past. It shows on the family tree in little notations (a dark red swirl like an ink blot on their shoulder for vampire) or in burn-marks where a person used to be (for scum of the earth traitor). Sometimes, Regulus’ mother sniffed when explaining this, certain family members couldn’t do what needed to be done.

A little pruning never hurt anyone–not any more then a little cultivating did.

Regulus and Sirius Black might have been half brothers but that was simply the most prudent action their parents could take to make absolutely certain the bloodline continued. Sure, children that shared both parents blood would have been ideal but with Druella only providing girls and Orion not providing any… Walburga Black was always very good at problem solving. Perhaps the only problem she failed to solve was her eldest son Sirius–or maybe she almost fixed it with Regulus.

If Sirius Black was loud and brash and bright–Regulus was the opposite. He was a late talker and when he did start talking it was almost always a last mumbled as a last resort. It wasn’t that Regulus wasn’t intelligent but that he struggled to organize his thoughts and provide them to others–something that continued through childhood, through Hogwarts, and beyond. He preferred chess and finding patterns within potions, charms, and even Quidditch to social obligations.

Prone to being misunderstood when he did attempt to make friends (he wasn’t threatening that girl, he was warning her so she wouldn’t be hurt), Regulus over values any and all friends or family he has. As such, any disowning, death, or friendship breakup has been taken incredibly personally. Its no excuse, and Regulus knows that now more then ever, but the need for connection and purpose helped drive his passion for Voldemort. Regulus believed in what Voldemort was fighting, becoming a Death Eater would provide a structure that Regulus knew he would need outside of Hogwarts while learning how to manage the Black family vaults and investments, and there was a social aspect, too.

For all that Regulus was good at strategy and understanding how seemingly fragmented pieces of information fit together: he was too slow to understand what Voldemort’s real goals were and what they ultimately meant for his family (and the wizarding world, but his family, of course, was paramount). Regulus Black never woke up one day and started believing muggleborns were ‘okay’ or that his innate belief system was wrong. He woke up one day and realized that the few people he cared about were in danger in a way they did not, could not, understand.

The vampire blood was easy to get, although he hardly thought it would work. He had long since been in the habit of visiting Narcissa and feeding the prisoner James Potter. Adding a fail safe into James’ layers of memory charms was not easy but necessary. Most likely, even with the blood, even with over a month of planning, Regulus was certain he was going to die.

Which he did. It just didn’t stick.

It’s been almost a year since then and Regulus isn’t sure if it was the potion, the vampire blood, the way he died, or if he’s finally just turning into his mother’s child in ways he never wanted to–but Regulus Black can’t seem to get a grip on his emotions, or his tongue, the way he used to. In some ways, though, its a relief–like finally being able to peel off an ill-fitting skin for something new.

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my character is:

Please Provide the Following

A Belief that is Wrong

Please Describe a Belief your character has that is wrong. It can be something we, as players, know is wrong (ex. prejudice against werewolves ). Alternatively: How is your character lying to themselves (and how is is it shown externally).

Regulus has always had something about organization and if he thinks about it too much even he would have to acknowledge that it’s a lie. But Regulus generally doesn’t pay that much attention to the reality surrounding these habits, only the relief it brings him. His clothes are always pressed–even in his closet of a space with the Radical Alliance. The robes are cleaned, and charmed pressed, and hunt up in a very specific order. His bed is exactly one inch from the left wall. The trunk he keeps things in is under the bed and must not touch any of the posts or the wall. He keeps things perfectly separated inside the trunk. He counted the flur de lis on the carpet between his and Sirius’ bedrooms over and over and over again as a child. He can tell anyone how many panes of glass are in the windows at Hogwarts and even differentiate between wings of the castle. These habits (because, of course, that’s all they are, all they will ever be) didn’t start out so all encompassing but as Regulus grew up, as life became more complicated, choices too limited, finding ways to control it (even illogical ones) seemed to be the only answer.

If things are clean enough. If things are the right number. If he stops counting at the right moment, if he taps the right pattern : everything will be fine. There’s arithmancy in everything, he tells himself, because life has always been more bearable when he believes it to be true.

Job

Is Regulus Black Doing Anything? He isn’t sure, really. Certainly he doesn’t have a job–he’s never worked a traditional job a day in his life! He’s no longer a Death Eater. Can he continue to look after his family’s finances if he is, in a sense, dead?

Does he want to be alive? –Regulus wonders this sometimes, believing it not to be any sort of suicidal ideation but a simple, obvious question. Should he be alive? The answer is no.

Does he want to be–he doesn’t know.

As far as anyone knows (particularly Remus but also Marcus and Narcissa), Regulus Black has no job and is doing nothing but trying to pour his scrambled eggs of brain and impulse control back into some semblance of viability. Underneath that, Regulus Black is trying to pour his scrambled eggs of brain and impulse control back into some semblance of viability…and remember just what his next steps were supposed to be regarding the horcrux.

ooc questions

Writing Sample:

He’s at the stairs. Not the grand stars at the front of the house that fork and twist along the side of the foyer–but the back stairs. Servants stairs his mother would hiss if she saw them except none of their family have ever employed household staff.

House elves are bad enough, his mother says in his ear and Regulus jerks, expecting to feel her breath on his cheek but–nothing. Its nothing.

“I’ve food for the prisoner.” He says but its pointless because no one is listening. No one has been listening since Peter Pettigrew. Since Dumbledore. Since James. It is a mistake but they haven’t realized it yet.

He’s stood too long, frozen above the narrow staircase with a silver tray. Someone will see you–the thought hisses through his mind and Regulus knows, suddenly, with a clarity he’s been lacking: its not real. It’s not a part of this. A dream? The idea s fleeting and wilts under a brush of light as the curtains behind him are pulled open.

“Then go ahead, darling.” Narcissa says.

The memory jerks, skitters, speeds up.

“I’ve food for the prisoner.” He says. “I’ve food for–”

Regulus is down stairs and the food is gone, shoved to the side. The lip of the tray is pressed into his ankle but Regulus ignores it because–James.

“Listen to me,” Regulus is saying. It’s strange, like none of this is real because he can’t feel any of it. The words fall from his mouth because where is his tongue? His wand is tight in his left hand, the swirls carved into its handle cutting into his palm. He should smell blood, he thinks.

There’s nothing, though. The room is bleary with weak autumn light from a small window about ten feet above them. There’s a bed but James isn’t allowed to use it. He’s on the floor. Regulus is on the floor. No, he’s straddling James–James can’t move during this or else–or else.

James tenses under him and Regulus grabs a fist full of James’ fraying robes. “This is serious.” The robes are too tattered to bruise when Regulus’ jerks them. He can’t strangle James (and wouldn’t even if it would be a mercy)

“Why should I?” James, the fucker–it had been a month and he still had that smirk except there’s blood at the corner and this time (not the first time) Regulus can feel his stomach growl at the sight of it.

“It’s important.” Regulus has his wand pressed at James’ temple and his mouth brushes James’ cheek when he leans in to whisper. “You’ll thank me later.”

Regulus Black has never been good at mind magic.

When Regulus wakes up, he tastes salt water and bile.

Exploration:

Please share three things you’d like to explore. This could be a character changing sides, darker themes, or basic fiction tropes.

Family Lines: I think this game provides a particularly interesting set of circumstances regarding possible family lines. First there’s Narcissa and her condition–how did that happen? Possibly Regulus, trying to manage his life post cave and fucking up again ( or maybe it was a blessing?) I like to headcanon that maybe Alphard was a vampire and thats where the blood came from (open to other options). Speaking of, how has Walburga doing? And then there’s, of course, Sirius and all the brother’s baggage which is made even more complicated as (if this set up is accepted) Regulus sort of used Sirius’ best friend as a last will and testament–not that James remembers it yet. Last, … does Regulus even count as a live anymore and if not who has inherited ?

A Family Curse: The Black family has never exactly been known for its cool head and steady hands but Regulus, for all his somewhat muffled anxieties, has mostly stood out as awkward but not particularly memorable. In fact, it’s safe to say without his last name (and grades) Regulus probably wouldn’t have gotten much notice at all. That has largely changed now, although Regulus has trouble pin pointing why and how. There are a lot of factors, many of which no one else knows, and Regulus should care about that. He should be highly concerned–but those concerns evaporate before he can even generate a game plan to consider addressing it. Most seem to assume that its just Regulus taking after his mother. TLDR I’m interested in seeing what information he drops (likely not entirely clearly) without thinking it through and how the changes in demeanor and method impact both those who grew up with Regulus Black and those who didn’t. Don’t worry about wangst, I’m much more interested in throwing weird or intense tings at others then have Regulus mope.

Choices mixed in with all of that, Regulus has found himself well and truly on his own about making choices for the first time in his life. Sure, Remus might have ideas on what he should do, and Sirius, and Marcus, and Narcissa—but all of them have different goals, different expectations of what Regulus could do and in the end, Regulus doesn’t have to do anything. At the onset the only thing he does know is that he must do something about the horcrux…but how? When, where, and why? I want to see how different interactions with various characters might influence those choices and how Regulus handles managing his own reigns ow for better or for worse.

Gender: its so easy to boil gender and trans experience into one narrative but so often things are far…messier then that. Regulus is a character who hasn’t felt the ability to think overly hard (or pursue if he has thought of it) alternatives to gender even if the Wix Community at large is accepting (people turn into frogs, after all). This game provides a unique chance to explore gender through the lense of a character who is learning and failing and not overly confident (or overly feminine) but genuine in that (at least) if nothing else. Also, does being a vampire effect Attisgalli Corrective Draught?

Extras:

Anything else you’d like to provide?

#quartusbellumaccept #marauders roleplay #lsprg #hp skeleton #hprp

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