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atomic-chronoscaph · 26 days
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The Arena (1974)
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showtiming · 8 months
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Xena Warrior Princess.
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fitsofgloom · 9 months
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The Fire of My Loins: the knee-staggeringly marmoreal Ricardo Montalban as the Chaldean rebel leader Amal in the 1954 peplum "The Queen of Babylon."
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mudwerks · 2 months
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(via PEPLUM TV: Vintage Articles)
cover of a Swedish magazine
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elfoscuro · 1 month
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Kingdom of Heaven (2005) by Ridley Scott
Cinematography by John Mathieson
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vintagegeekculture · 2 years
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Chelo Alonso in “The Huns” (1960)
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Elli Souyoultzoglou-Seraidari (Nelly's) :: Members of the dance of the Oceanids posing in the ancient theater of Delphi, 1927 | src & © Benaki Museum
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bitter69uk · 7 months
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“Robert Aldrich, replacing Mr. Belvedere franchise director Henry Koster, does his darndest to wrangle a prestige picture from a messy script overflowing with sun-baked slaves, harem girls and lengthy entreaties to an absent God. The resulting depravity - brought to bejeweled life by legendary production designer Ken Adam - is giddy salt in the open stigmata of Bible pictures.” / Caroline Golum for Mubi / “Hebrews and Sodomites, greetings!” “Sword-and-sandal” Biblical epic Sodom and Gomorrah (also known as The Last Days of Sodom and Gomorrah) was released in Italy on this day (4 January 1962) sixty-one years ago. It’s been years since I watched the 153-minute Franco-Italian-American co-production, but as far as these things go, it’s not half bad. It is - of course - extremely campy and the cast is fun (Stewart Granger, Pier Angeli, Stanley Baker). But it’s mainly memorable for the presence of exquisite, inscrutable French actress Anouk Aimee (pictured) as the depraved villainess Bera, Queen of Sodom. For a film of its time, it’s surprisingly overt about Queen Bera’s lesbianism (she is always surrounded by an all-female entourage and appreciatively ogles belly-dancers and pretty slave girls). When people write about the history of LGBTQ representation in Golden Age Hollywood films, how come Sodom and Gomorrah never rates a mention? Weirdly, Aimee spoke perfectly fine French-accented English, but director Robert Aldrich opted to have her dialogue dubbed by an American actress. 
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chic-a-gigot · 1 year
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Le Petit écho de la mode, no. 7, vol. 11, 17 février 1889, Paris. 1. Toilette en voile de laine beige et tissu uni bleu ciel; — 2. Toilette en lainage noir et rouge. Modèles de Mlle Thirion, 47, boulevard Saint-Michel, Paris.) Ville de Paris / Bibliothèque Forney
1. Toilette en voile de laine beige et tissu uni bleu Nil. — Jupe unie recouverte d'une draperie en voile froncée à la taille relevée à droite sous un des plis creux qui forment le pouf. Corsage court garni de draperie de voile encadrant un plastron finement plissé. Col rond drapé garni d'un volant en pareil. Ceinture en surah nouée derrière en deux pans longs. Manche finement plissée bouffante, au bas volant serré par un ruban.
2. Toilette en lainage noir et rouge. — Jupe unie en tissu rouge bordée de petits lacets noirs et d'un motif en passementerie. Deuxième jupe plissée coupée en coquillé à gauche, bordée d'une haute passementerie noire. Corsage Directoire à basque longue découpée sur les côtés garnie de poches bordées d'un biais rouge. Les devants sont garnis de revers en pareil et de gros boutons en passementerie. Gilet rouge garni passementerie, revers garnis de même. Gilet drapé à l'intérieur maintenu par une broche. Manche à coude garnie de revers rouges et d'une draperie en même tissu.
1. Dress in beige wool voile and plain Nile blue fabric. — Plain skirt covered with a veil drapery gathered at the waist raised on the right under one of the box pleats that form the pouf. Cropped bodice trimmed with voile drapery framing a finely pleated bib. Draped round neck trimmed with a similar ruffle. Surah belt tied behind in two long sections. Finely pleated puffy sleeve, with flounced bottom tightened by a ribbon.
2. Dress in black and red wool. — Plain skirt in red fabric edged with small black laces and a trimming pattern. Second pleated skirt cut in shell on the left, edged with high black trimmings. Directoire bodice with long peplum cut out on the sides trimmed with pockets edged with red bias. The fronts are trimmed with similar lapels and large trimming buttons. Red waistcoat trimmed with embroidery, lapels trimmed in the same way. Vest draped inside held by a brooch. Elbow sleeve trimmed with red cuffs and drapery in the same fabric.
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pulpsandcomics2 · 11 months
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movie posters
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rosylike · 11 months
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picsart: rosylike
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fitsofgloom · 3 months
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"I'll be no man's slave and no man's whore, and if I can't kill them all, by the gods they'll know I've tried!": Lana Clarkson as Amethea in 1985's "Barbarian Queen."
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mudwerks · 3 months
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(via TWO NIGHTS WITH CLEOPATRA - Sophia Loren - Alberto Sordi)
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mondonguita · 7 months
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Baby Ryan Gosling in Young Hercules, prequel from Hercules. The Legendary Journeys
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vintagegeekculture · 2 years
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Chelo Alonso. 
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illustraction · 11 months
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STEVE REEVES’ PEPLUM MOVIES (1958-1962) - PECS & CHAINS: GLADIATOR MOVIE POSTERS (Part 1/10) 
This Blog celebrates the Peplum / Sword and sandal movie genre especially its movie posters which combine beauty, strength, camp, kitsch, gayness, bondage, muscular anatomy and sheer power.
The genre wa sone of the most successful in movi e History especially between 1958 and 1964 with hundreds of movies produced and filmed mainly in Italy and Europe
The 1958 movie Hercules (Ercole) launched the craze as it starred ex Mr Universe STEVE REEVES whose physique and charisma conquered the Box office and the whole world in just 15 movies between 1958 and 1964. While many other US boydbuilders / stuntmen were cast as antique heroes, none came close to the superstardom that Reeves enjoyed and exuded
Above are many posters of his Peplum movies from Belgium, France, Germany, Italy, Japan and the US (click on each image for details)
Director: N/A Actors: Steve Reeves
All our PEPLUM-SWORD & SANDALS MOVIE POSTERS ARE HERE If you like this entry, check the other 9 parts of this week’s Blog as well as our Blog Archives
All our NEW POSTERS are here All our ON SALE posters are here
The posters above courtesy of ILLUSTRACTION GALLERY
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