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#prerecorded tapes
tarkeliantea · 5 months
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i might have a new favourite within the wires season. holy shit
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justwannabecat · 7 months
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“Hey Mom, Dad, what would you do if me or Danny comes back as a ghost?”
Maddie looked at Jazz as though she were silly for even asking. “Why, we’d catch you, of course! It’s not like it would actually be you, just a shell.”
Jack frowned. “Even though it’s not really them, I’d still feel bad if we did any of our experiments. We’d probably just exterminate them as quickly as possible so your souls could rest.”
“But we could get so much information from them! Why wouldn’t we? It’s not like they’d feel it!” Maddie shot back. Jazz sighed and walked away as their voices began to rise, indicating a starting argument. She had what she came here for.
And, glancing at the cold spot by her side, so did Danny.
College is fast approaching, and Danny knows that it’s unlikely he’ll be accepted anywhere. Really, that’s fine. It’s just… he doesn’t want to spend the rest of his life living in fear of his parents and lying to them. It would even be fine if they restrict his powers as long as they close the portal and stop all the ghost attacks! He just doesn’t want to be scared!
So Team Phantom comes up with an idea. Jazz will ask what will happen to them if they become ghosts. And Jack and Maddie both agree that, at the very least, they should be caught and Ended. There is no chance for a safe reveal. No hope that he could ever stay.
So he leaves. Jazz switches to Gotham U without telling her parents, and Sam and Tucker both agreed that they wouldn’t go to Gotham for college to throw off any leads the Fentons might have.
They destroyed the portal before they left. A very, VERY thick layer of ghost ice managed to contain most of the damage. They leave behind two prerecorded tapes, one where Danny knows they’re recording a message and one where Jazz quietly threatens the Fentons to leave them alone. She says that she would sooner kill them before she lets them lay a hand on Danny, who by the way, still feels emotions and pain, and your stupid confirmation bias is preventing you from making any real progress in your career.
(That’s all I have so far but I couldn’t stop thinking about it lol)
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king-of-the-birds · 5 months
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Recording McCartney II
In 1979, I had the chance to meet Paul McCartney in his „Spirit Of Ranachan Studio“ in Campbeltown, Scotland, where he was working on his album „McCartney II“. He was very welcoming – he answered all my questions, played me some new demo tracks, showed me his instrument collection and told me how to operate a 16-track recording machine. I was very punk-influenced in those days and we had a little session in which I played his Mellotron with some prerecorded taped voice loops: „Hi George, morning Terry“, he used for the track „Check My Machine“.
- Genetic drugs
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deadlylullaby2 · 1 month
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Something I really like about Johnny the Homicidal Maniac.
Devi never forgave Nny. Too many times the male protagonist will do something terrible to the female character, then he will apologize and she will forgive him at some point.
NOT DEVI.
Nny literally tried to murder her, and he decided to apologize with a prerecorded tape? Nuh-uh, she was having NONE OF THAT. Girl went on about how he physiologically damaged her and basically ruined her social life. She was screaming for him to at least talk to her like a human being and how she didn't even care anymore if he tried anything again because now she was expecting it.
She never forgave him, and they went their separate ways. And that's why jthm is one of my favorite things.
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csilis · 6 months
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Five nights at Freddy’s William Afton x F!Reader
A/N: The movie got me back to my FNaF era, so I thought I write a oneshot with my favourite guy.
Note: William gets springtrapped. What a surprise indeed.
Your mother would be disgusted if she would see you now. Marrying the insane serial killer who ended your own sister’s life. But just like Cassidy, you were onto vengeance too. And to avenge the sister you have lost, you were willing to do anything. Even if it meant sacrificing your beliefs and becoming a monster just like the one before your very eyes.
So in the abandoned backroom of the Freddy Fazebear’s pizza you stood, holding his hands and waiting for an uncertain future to come.
“We are gathered here today in this beautiful place to witness the joining of two lives” came the prerecorded voice of a priest from the tape player which stood on the chair between you and him.
“Beautiful place? What a joke” you thought as your eyes were focused on the black-white floor tiles. He did just rid himself from the last of the old animatronics whose parts were splattered all over the floor. But it mattered not to him, he simply ignored all the destruction he brought upon himself and all the souls he enraged.
You weren’t paying any attention as the feeling of your revenge being so close started to consume every part of your whole being. You wanted it so bad, couldn’t wait to finally do it. But unlike him you had self control. You knew you had to wait for the perfect moment to get through with your plan. Or else you fail, becoming a ghost of the past just like your sister.
“You may kiss the bride” this was when you came back to your senses. It was time. Finally.
You then let go of his hands and swept the tape player from the chair with one swift move. You then stepped on it to be closer in height to this bastard. To clearly see the pain in his eyes as you take your revenge.
He was in that damned bunny suit just like you asked.
“The children will fear you this way. You will be invincible” you whispered into his ears this morning as you two were laying in the bed. Sweet lies. That’s what they were.
What pulled you back was his wet lips on yours as his hands roughly grabbed your waist. It was time…
Some part of the suit was exposed, showing how old that thing actually was. You knew that the springs were the only thing keeping him from being smashed. But it was about time to be changed. You knew from him that those springs were delicate and easily triggerable. That’s why you were standing in the middle of the mouldy backroom. You could see the wetness forming on those exposed wires and springs as you carefully wriggled out the knife which you sew into your bridal dress while he was out, destroying the animatronics.
In the meantime you tried to keep the act of the woman madly in love with him. You let his hands grab your breasts as he moved onto your neck to put kisses on. Your stomach churned in disgust. You wanted to vomit. But once you freed the knife, you felt finally relieved.
You gripped the knife tighter and stabbed him in the side. Your sudden act made him stumble a few steps backwards as his mouth was wide open. But he didn’t even had a chance to mutter a word out as the springlocks immediately snapped from the impact of the knife.
His blood spilled onto your white dress as he tried to scream but couldn’t as the metal stabbed through his lungs. You could only hear him drowning in his own blood as you stepped down from the chair with a mad grin on your face. As he knelt down because of the immense pain, you had time to notice the ghosts who seemed to be the only witnesses of your cursed wedding. The few moments of eye contact you shared told them everything they needed to know. It told your sister everything she needed to know.
Then you looked back at him. Anger radiated from him, your betrayal carving into his soul for forever. You knew he will come back. He always comes back. But until that day, you will thrive in the pain you caused him.
While picking up the headpiece of the suit next to your right foot you knew what you had to do. You walked towards him, lifting the headpiece higher.
“Until death do us part, William Afton!” you angrily yelled, pushing what you were holding into his head and hearing the springlocks inside that also snap.
It was what he deserved. It was all he will deserve. Endless pain and torture.
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Word count: 781 Characters: 4188
It now has a continuation called Back to me.
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stevebattle · 11 months
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Robie Sr. 2398 from Radio Shack (1986), made by Tomy, Japan. Radio Shack retailed their own version of the Omnibot named the Robie Sr. made by Tomy in Japan. It’s based on the Omnibot OOM/Hearoid, but lacks voice control and makes different sounds. “Use the remote-control to move Robie Sr. forward, backward, right and left at your command. Or program him to move, make robot sounds and speak in your own voice, and even play prerecorded tapes. Transmitter mike picks up your voice and projects it through his built-in speaker. Robie Sr. has headlight eyes and his mouth flashes when he talks.”
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10 apps that Apple Vision Pro needs right now
Let’s explore 10 future ideas for Apple Vision Pro that will inevitably be created and monetised despite all critisism and fears of the decline of the Apple Vision Pro market
AR-Couturier. The concept is based on a flexible measuring tape that extends from the fingertips of both hands (flexible finger roulette), or alternatively, you can set a starting point with a finger and measure non-linearly, thus measuring hips, chest, shoulders. Developers should consider making the polyline smoother and more accurate for measurements. Glasses would make this tool work better and more precisely than apps that often misjudge planes. This idea of a virtual measuring tape for body measurements is highly innovative and could revolutionize the fashion and custom clothing industry.
AR Fitness. Exercise in a unified AR space styled after different immersive worlds. Individuals or groups from different corners of the world can exercise together, choosing rooms based on interests, goals, and countries. There’s an option to choose trainers (for an additional fee) or exercise with prerecorded workouts (for introverts). Combining physical exercises with AR in various styled worlds is an excellent way to make fitness more exciting and accessible globally.
Virtual Confession App. This app is modeled after Russian Chatroulette, where random people communicate, but with a crucial difference: it offers an immersive space design using AR glasses. Imagine choosing a therapist’s chair, a monastery cell, or something else for your dialogue with another person. Participants not only talk but can also set tasks for each other and complete them. For an additional fee, professional psychologists/therapists can be involved, and various consultation rooms and meditation sessions can be created. This concept of random communication with elements of confession and task completion is unique and can create a highly intriguing and emotional user experience.
AR Anti Couch Potato. A humorous motivator for particularly lazy people. Put on the glasses, and a motivator (with a selectable avatar) compels you to do something (through threats or gentle manipulations). The essence of such a motivator is to synchronize with your notes/reminders and any documents, analyze your records and tasks, and make you complete them. Developers need to consider how to protect themselves from user criticism, perhaps by ensuring that each user provides documented consent in advance not to be offended by the motivator to avoid AR abuse. This idea is particularly original and addresses the current issue of motivation. Integrating AR with personalized reminders and documents to stimulate activity could genuinely help people overcome laziness and become more active.
AR Empathy Simulator. The app of the century, capable of training and teaching people empathy. What does it mean to be not like you, but to be someone else? The primary mission of this app is to deeply understand another individuality. Possibly, glasses are the only way to truly dive into another person’s mind. The principle of the app — wearing glasses, you transfer with granted permission into another person’s glasses or an accessible record of that person, to understand how they think and feel through an immersive experience. Potential downsides: criminals and various fraudsters might gain access, so it’s essential to carefully think through the policy and consider security measures twice.
AR Relationship App for Long-distance Couples. The goal is to maintain connections over distance. In the app, participants complete joint tasks, progress through levels, and earn rewards. A key feature of this game must be the ability for participants to see live 3D figures of each other. For instance, they can assemble puzzles, playfully interact, take quizzes, or explore AR stores and dressing rooms (a feature that bored spouses would appreciate). The main thing is that there can be many such applications, all depending on the interactivity embedded within.
AR Cards. Perhaps a less original idea, but it could gain a new twist through an immersive experience. Creating stylized spaces for playing cards in a combined AR session sounds cool, especially when players want to interact with players from different countries.
AR Mythology. Do you want to become a god while learning about myths? 3D mythology is a great way! Studying the 3D mythology of various cultures interactively and having the opportunity to play as one of the gods at the end of the course is designed for better learning material absorption. It’s particularly suitable for teenagers.
AR Chef. Imagine being given a list of dishes and shown how to prepare them in 3D models — boring? But add to this app the ability of glasses to point out mistakes in the cooking process, such as showing how to properly butcher meat or correctly measure the volume of a substance in a container (for which the correct container needs to be scanned and the right recipe selected so the glasses can determine the correct weight). This is hard to implement, but possible in the future.
AR Assistant for Combating Panic Attacks. Using AR to create an immersive experience aimed at aiding during panic attacks, combined with using smartwatches to monitor physiological parameters, represents an innovative approach to treating psychological conditions. This application should work alongside devices like the Apple Watch to track vital parameters and include a set of rules/techniques from licensed psychotherapists for specific panic attacks, as well as a calendar to monitor such states and further prognosis.
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utilitycaster · 1 year
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I came across a video about cr's twitch views and many comments were people saying how they didn't like how they switched to prerecorded livestreams because it kills the desire to watch live and doesn't feel as "real." This isn't a new idea, I've seen it expressed before but I feel like it's a bit silly because the format is essentially the same as when it was live. Do you think the stream now being prerecorded has impacted the show at all?
I do: I think it's made Critical Role a much more sustainable show to produce and I suspect there's a real chance it's why we're able to have a full season 3 and multiple long-term guests. It's certainly why unplanned cast absences are few and far between. Also, as someone who lives on the East Coast and is more of a morning person I appreciate knowing when the break is and how long the episode is in advance. As for changing the quality or the fundamental premise of the show? Literally no change.
Anyway as you said this is not a new sentiment, but it is a dumb sentiment. The show is still live to tape (and it was always on a slight delay in case an emergency happened or something so really it's just...a longer delay). People who had a sad parasocial obsession with "sitting in on someone's living room home game" are mad that it's very slightly more difficult to pretend they are doing that now, and people who liked to ask tiresome questions on Talks Machina are mad that they can't anymore. That's literally it. We have a campaign where it was live for a little over the first two-thirds and then by necessity pre-taped (ie, C2) and, while there was a brief adjustment period because of the distancing, the quality did not dip; now that we've been back at a table for a year and a half I think anyone still saying this is just someone who has lost interest in the show for one of many possible other reasons of varying validity, but won't admit it.
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the-magpie-archives · 2 years
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Cassette tapes are such a painfully beautiful display of human life, both in form and in metaphor. To make matters worse, they seem to have a tendancy to outlive their owners.
One of the first tapes I ever owned was a collection of love songs from 50's films. It was delicate, clearly well used, and old. I adored it. It was only when the tape snapped after very light use that it dawned on me.
That tape belonged to someone, and they heard it, it had significance, it had meaning. Maybe they'd danced to it with a lover, maybe they played it at picnics like I did. Or maybe they sat by themself in their room playing it, and yearning for something they couldn't have.
That was a prerecorded tape of songs and it meant so much, but self recorded cassettes? They're a whole different thing. The very sound waves we communicate with, captured in a physical object. A surviving piece of a soul, one might say.
You could argue that any form of recording is the same, but there's something about the cassette tape that CD and audio files don't have. Something otherworldly, easier to hold, to quantify, to relate to.
Hearing your own voice on tape is strange. However uncomfortable hearing your voice recorded digitally makes you feel, I'm certain you'd feel different with if it was played on tape . And to hear the voice of someone else? A friend, a stranger, anyone trying to communicate? It's oddly haunting.
Many of these personal tapes put me in mind of The Cave Of Hands; it's us reaching out, saying 'I was here', leaving a physical reminder, but one so dependant on tape players existing on into the future. It's a foolish, sentimental, self centered act, and it's so filled with humanity, honest desperation.
Nobody wants to become another mystery.
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wumblr · 8 months
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men will literally build a third failsafe device and bring a cassette tape player with prerecorded versions of conversations back to the beginning of the divergences in the timeline to demonstrate proof to each other that they've outmanuevered the other's best efforts at grappling for control of the time machine. like i know. i know the rituals are intricate
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witchern · 1 year
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i was going to put this story in the tags of another post but fuck it, this decade-old memory hit me like a TRUCK thanks to @gerardwayoftheday and it's incredibly special to me.
so, about this photo:
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is now the time when i tell y'all i was in the crowd for this performance and specifically picked to stand up front at the barricade for the cameras???
freshman year of college i'd dyed my hair bright red, like gerard's is during this era. not on purpose but it ended up being eerily similar in shade and vibrancy.
ANYWAY. this performance was prerecorded in november. it was fucking cold. two of my new friends had seen an open invite from live nation for fans to line up for free and score a chance to join in the crowd and be part of the recording. they invited me along because they knew i was a fan and by the time we all got there, the line had already wrapped around the block. we waited so long that i had to sneak into a nearby restaurant to use their bathroom.
i don't remember how much time passed, but eventually a live nation crew member walked by our group and did a double take when he spotted us. ME specifically, because of the hair. and i knew it was because of me because he immediately comes up to me and asks if i'm here with anyone. i'm confused as hell by the question, but i point to my friends. he counts that there's 3 of us total and says something into his walkie talkie before he asks us to follow him and skip the line. there's no explanation WHY. we're still confused and we don't wanna leave the line we've been standing in for god knows how long.....but he's already walking away and our curiosity is too strong. so fuck it, we follow the guy down the block and skip the whole line.
he leads us to a much smaller group of fans that have been 'set aside' and asks us to wait with them instead. STILL no explanation. at this point i'm thinking we've been picked for the noisemakers and glasses and shit that they're gonna hand out for the recording.
turns out: nope!! we've been picked because – not to toot my own dumbass college horn – we all looked cool for the camera, so they wanted to put us up front. they hand us numbered index cards indicating our spots up front. i'm given spot #9. i am – to put it lightly – losing my ever-loving fucking mind at this point. but i'm playing it like i'm totally chill. so calm. so relaxed. not at all about to have the excited version of a panic attack. not one bit.
i know "sing" was the song they aired on TV, but they actually played 4 songs to make it a worthwhile evening for us, which was fucking amazing. they played "na na na" and "i'm not okay" and i thiiiiiiink the last song was "famous last words" but i was literally blacking out with joy for most of the night so don't quote me on that. they did dedicate "i'm not okay" to all of us though and you can't prove that i cried, so shut the fuck up.
funnily enough, even with the fire engine red hair, i didn't wind up on camera in a close up shot or anything. my buddy ryan did though!! probably because he's like 50 feet tall:
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the most view of myself i was ever able to find was here at the bottom right – next to ryan, who's towering over me. i think he's literally looking down in this moment to make sure i haven't been crushed.
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shout out to the other girl toward the center of the screenshot with the matching hair. twinsies <333
but as if all of THAT wasn't enough, as if being up front during a taped MCR new year's eve performance at rockefeller plaza wasn't enough – frank tossed me one of his guitar picks at the end of the night.
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it's gonna sound sappy but it's true: at a time when i was on my own for the first time, trying to make new friends in a new city, i've never felt more like i was on the right track in my life than that night. it was fucking magical, no other way to describe it.
SO. that's the story of how i dyed my hair red in a fit of college rebellion and wound up getting picked from a lineup of hundreds of folks to stand up front at a mini MCR show that was pre-taped for new year's eve with carson daly. what a time to be alive in-fucking-deed.
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taperwolf · 1 year
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A thrift store find that I didn't buy, because it's more esoteric than even I could manage to use, and I'm trying not to accumulate large useless things:
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This is a Muntz Stereo-Pak player. This particular model is the home version; Stereo-Pak was the first prerecorded magnetic tape format for car audio, released in 1962, and a precursor to the 8-track tape. Music came in cartridges, inside of which would be a long loop of 4-track tape; on the tape would be two streams of music, with left and right channels for each.
You're meant to slide your tape cartridge up against the magnetic read head inside, guided by the brass grooves on the top. I haven't read anywhere that there were different sizes of cartridges, but the different lines on the face and the lack of hard guides suggests that to me. Once it's in place, one of the levers on the right flips a rubber pinch roller up to pull the tape past the head, playing back the stereo tracks. The other lever is a switch that pops the tape head between its upper and lower position, so you change it to change which tracks are playing.
(There was prerecorded audio for cars before then, because some loons decided to install phonographs. Chrysler's "Highway Hi-Fi" (1956-'59), for example, played special 16⅔ RPM records. For obvious reasons, there were problems with skipping, and the higher-pressure tone arms that tried to alleviate that wore the records out faster.)
The format and the players were developed for Earl "Madman" Muntz, an LA businessman known for an eccentric public persona and oddball marketing campaigns (inspiring such successors as "Go See Cal" Worthington and the "Crazy Eddie" electronics chain in New York). He started out with used car dealerships but his real love was electronics; he started Muntz TV in 1947, and was the first to sell a TV set for less than $100, new. He was a self-taught electrical engineer, and got his TVs to be so cheap through a technique still today called Muntzing. He'd decided that most engineers were designing conservatively, building redundancies and safety margins into their devices, so when his employees presented him with a prototype, he'd go at it with a pair of wire cutters. He'd start just snipping parts out until the thing stopped working — and then tell the engineer, "Well, I guess you have to put that last part back in."
(His TVs were fine in the cities, where big stations had strong signals, but worked quite poorly out in areas where the signals were weak; the parts he'd remove were the ones that boosted performance out there. This wasn't by accident, though; his target market was the city dweller with limited funds, and Muntz was content to let RCA and Zenith and such have the high performance market.)
Anyway, Muntz TV went bankrupt in 1959 after various hardships, and reorganized without "Madman" at the helm. (You may be able to make out the note under the logo on the player that Muntz Stereo is not affiliated with Muntz TV.). Muntz himself was still managing to do well with cars and consumer electronics, so he decided to combine the two with the Stereo-Pak. He had a great deal of success for a while with it, but it was later outcompeted by the 8-track player (which won economically because it used less tape to store the music and had a simpler mechanism, and became hugely popular once Ford started offering the players preinstalled). Muntz ran the company that put commercial recordings on the tapes, and that led to probably his biggest unforseen financial problem with these. See, there'd be the new big radio hit, the new big famous musical group, and he'd rush their album out to all the dealers — and when the new hotness inevitably became yesterday's news, the dealers would send the unsold tapes back and expect to exchange them, straight across, for the next new big hit.
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fructidors · 5 months
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@radioactivegeorg cassette tips!!!
ok so. generally it is very easy to record cassettes. i for one was surprised about how easy it was. it is however a little timely but worth it because cassettes are god's most beautiful children.
you will need a cassette player obviously. i have bad experiences with the small walkman-type guys but i think that might just have been mine. this is the one i use to record them & play them most of the time
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got it from my dad and she is my favorite firstborn son who is 30 years older than me. yeah you heard it right this bitch was made in the SEVENTIES and she hasn't let me down once except when she ran out of batteries that one time. as long as yr cassette player has a record button it should be fine though
you also need:
cassettes! fun fact you don't actually need blank ones (although they are a little easier) you can record over regular ones! i don't personally have experience with this though so here is an article on it
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your Device! so Hypothetically i think you MIGHT be able to record from a phone if you have either a headphone jack on your phone or a very functional headphone jack to lightning adapter. again i have not personally tried this so i would recommend Computer
your music! Another Fun Fact you don't have to have any music downloaded to record it onto a cassette! cassettes will literally record any audio coming from your Device so all you need is a playlist from your streaming service of choice, a youtube playlist, a playlist of files on some media player, something like that. you could record a whole episode of television if you want no one can stop you. i will explain how to arrange yr music further on.
a cable that goes between the cassette player and the Device! typically a male-to-male 3.5mm headphone jack cable (gayyy). this guy.
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this is probably the only thing on the list that isn't like. immediately obvious-- i got mine at a local guitar store but they're very cheap online
and of course fun things to decorate the cassette with!!! the Most Important part. i use sharpie paint pens.
OKAY!! step one!! get yr music organized. yr tape is probably either 60 or 90 minutes long or maybe 110 or 100 or possibly some other strange number if you're using a prerecorded tape. either way you need to make two playlists each the length of one side of the tape. so if i'm making a mixtape i usually make one big 90 minute playlist and then divide it up into 45 minute playlists when i'm done. if you're doing an album you Might be able to get one on each side (again depending on what length yr tape is). since the playlists generally end up a minute or so under the exact length my very favorite thing in the entire world to do is add a random song and let it play out in part at the end and not write it down on the tracklist. music dessert.
step two!! get those guys connected. my tape player has this hole labeled MIC
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but yrs might not. so just plug one end of the cable into whatever hole looks like an audio input or headphone jack and hope it works. i am the farthest from an expert here. & then plug the other end into yr Device's headphone jack! congratulations you are now practicing Mad Science & yr devices are having transgenerational gay sex. (at least that is what it feels like)
step three!! play that audio!!! so this is the part where trial & error is key. because if you record your music on full volume it will sound Bad. i typically turn the volume on whatever platform my playlist is on way down. like.
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but you don't want it Too Quiet or else you'll have to turn your player's volume so far up that the tape hiss will start to overpower the music. it's a balancing act. which is why you should...
step three point five make a test patch!! what i usually do is play the first ten seconds of the first song, ten seconds from the middle of that song, and ten seconds from one or two more songs on the playlist, just to get the full range of volumes & frequencies & whatnot. then rewind and listen to it back and figure out if it should be louder or quieter. this might not be super obvious right away (my first cassette Sucked) but it gets pretty easy to tell eventually.
step four record that bitch!!!! don't press play on your music the Second you press record because there's a bit of plastic at the beginning of the tape that can't be recorded onto so you'll lose the first few seconds of your music. this is also why you shouldn't have a playlist that's Exactly the length of a side but rather a little shorter or a little longer w/ a song you're cool with getting cut off. and then. you wait. my absolute least favorite bit. recording is basically the same as playing (in that the entire tape gets run through the player, at the same speed) except you can't listen to any music. you should also probably refrain from using the Device while recording to avoid any other sounds playing because like i said the tape isn't recording your music specifically, it's recording all the audio from the Device. i have So Many tapes with text tones interrupting the music :( generally i like to record tapes when i'm out or doing something off my computer or on occasion sleeping. once the whole side has been recorded there's a click (like when the whole side has been played) and you turn the cassette over, go to your second playlist, and do the whole thing over again!!
step five best step the reason we do it all DECORATE!!!! coolest thing about cassettes is you can decorate literally the whole thing. all the case all the card all the cassette itself!! anything that works on plastic should work. here are my children:
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& yeah that's it!!! sorry this got so long & over-explain-y i just. love talking about cassettes. number one activity. lmk if you have any other questions!!
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noobsomeexagerjunk · 1 year
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guess who was late to the dsmp stage play convo
Honestly the stage play visions are so wild! It can be so beautiful either big budget or low budget in props, costume, and VFX. These are what I could come up with so far.
Michaelmcchill is in the orchestra pit. He's one of the few people who can interact with both the audience and the players, with the restriction being that he rarely gets the chance to do the interacting at all. When he does, it's worth it though. He adds and comments but nothing more, too afraid to genuinely change the course, at least alone anyway. Think Starkid's use of Clark Baxtresser in a few of their musicals (like, Firebringer, Ani, or TTO)
Purpled is decked out in light-up sketchers, hoodie or tux on. He has a lot of glow-in-the-dark shit going on in the costume that the stage has to dim a little whenever he enters the forefront. He has glow-in-the-dark face paint on too, with a plastic but flashy light saber toy. His lighting style is all neons and techy shit, which distinguishes him from all the other glowy people that read as more ethereal and supernatural. Instead of spitting up ketchup during his death scene, it's neon purple paint.
Callahan is a stagehand who doesn't stay backstage but just sits with the audience. He hands out free shit if asked politely. He is called onstage to the crowds delight during his times of spotlight.
Egg lore staged would have to match the energy of a Hatchetfield musical. Yes, the Egg is a fucking cardboard cut out but the lighting and the prerecorded voices from the speakers make it nonetheless sinister. The Eggheads wear glowing red eye contacts, as well as a bit of face paint beside the costume changes. That one Egg stream where Bad reveals his state to chat is him monologuing to the audience, dramatically ripping away his cloak to reveal the bleached one, cackling evilly before the lights dim.
Slimecicle's skin is body painted green. He comically throws goops of green DIY slimes everytime he enters, moves around, and exits the stage. Some of them have toy bones in there and some lucky audience members can get and keep them. He still acts his heart out like in canon.
Everyone gets a burger served to them during the burger arc! Some chairs have Tubburger, some are Wilburger. There is one McPuffy's burger.
Foam M!necraft weapons for everybody except the plot relevant props, which are more realistic-looking objects. Like, the Axe of Peace vs a player's prop axe.
Technoblade is dressed like this. Just add king garb.
All the horses are those horse-head-on-a-stick props. They are colored according to the in-game horse with their name taped onto their faces. When a horse is ridden, they will be ridden right.
Weednip is those edible seaweed sheets. Antfrost, fursuit on, would have a lighter in his pocket and smoke the rolled-up sheets in the bg of a scene where he was canonically present at.
Chat as audience can speak throughout the show, though are only acknowledged when acknowledged in the canon. Otherwise, sometimes the yelling takes on the energy of Rocky Horror callouts. The latter is most evident whenever Techno is onstage.
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HI THERE SRY IF THIS IS WEIRD BUT I SAW UR TAGS AND I LOVE TALKING ABOUT MINIDISCS SO—
they were kinda like floppy discs! you’re not supposed to take them out of their casing, tho you occasionally can get stuff in there and need to clean it out but that’s generally pretty rare. they were made by sony to compete with cassette tapes, but the timing was. not great and the players could cost a pretty penny so. they did actually do really well in japan though, just not the states!
they’re a purely audio format, and basically the draws were a) really good quality, like cd type quality, which is quite a step above the previous cassette tapes, b) they were more portable than cds, and c) at the time, you couldn’t really record cds all too easily. but minidiscs were always meant to be recordable, that was their whole thing. similar to cds, you can’t record on a pre-recorded minidisc (like one from a label company. if just like your brother recorded something on a disc you absolutely can re-record it), but unlike cds you will never find prerecorded minidiscs anywhere so it’s not really an issue lol
the recorders also use a thing called a magneto-optical drive, which is where a laser makes the disc REAL DANG HOT before the magnet writes the data in it, so you don’t have to worry about leaving your discs by magnets the way you might with cassettes!
at first you could only record through a recording line, so if you had a fifty minute album guess who couldn’t use their player for fifty minutes until it was done recording! later though some of the recorders had a thing called netmd, which lets you use files on your computer to record much quicker, without waiting for the whole thing to play out. the discs had a recording time of either 60, 74, or 80 minutes, tho you almost never see 60s around these days. if you wanted to record for longer tho, you could, it really just depends on whether or not you can play it lol. basically later on a bunch of the players were able to use a thing called long play, but some players can’t so your disc will be unreadable to them. but! the discs themselves are always able to record long play no matter when they were made, and you can pretty much endlessly re-record minidiscs without them wearing out. so if your hypothetical brother gives you his old minidiscs and he has crappy taste in music and you have a recorder that can’t play long play, no worries, just re-record them as regular discs and you’ll be good to go! there are two types of long play, lp2 and lp4, and any player that can play long play can play either. as u might guess they double or quadruple your discs recording time respectively, at the loss of some sound quality. it’s not terrible, but also discs aren’t super expensive so the only time i’ve ever really used lp4 is to record several podcast episodes on one disc.
they’re all very pretty like the one in the picture tho!! these are a few of my favorites that i own:
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i wish i had a picture of my dad’s one with miffy on it because that one’s very cute too heh. i really like the ones where the disc itself is coloured too! the clear neige at the bottom is one of the most common ones you’ll find, especially if you buy them new you’ll get something similar to it. they don’t actually make the fun coloured ones anymore, :( but you can get boxes of used ones that generally come in all sorts of random fun colours! the players themselves are also pretty cool looking! pls ignore gollum’s reflection there haha!
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they do not all look like that lol, but generally the players are nicer looking than the ones that can play and record. (the one in the picture up there can’t record, tho this one can. pretty much all the recorders look something similar to this. the ones that can only play look very neat though)
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all the recorders have screens, most of the players don’t, but oftentimes they’ll have remotes that you plug into the player and then plug your headphones into the remote, and those often have screens on them.
when they were first released they could cost you up to like 800 dollars lol, nowadays depending on the player they’ll only set you back around 40 bucks. probably a good quality mp3 player might be more practical, but i like the fun clacky plastic discs lol. plus the recordings almost never get corrupted, which is a plus!
uh anyway i’m so sorry for the tiny essay!! i just really like minidiscs! :)
Op i am holding u by the hand. This is exactly what I wanted. Thank you so much!!!!!!
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