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#pretty sure i have the adhds
just-mythyk · 10 months
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Self-Diagnosed and Peer-Reviewed ADHD
Peer-Diagnosed Autism
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scificrows · 9 months
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i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way. but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.
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idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word). in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is. the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares. but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care. tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.
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the-clintster · 24 days
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I was reminded today that not everyone knows about one of my favorite ADHD/time blindness helpers.
behold! the magic of the egg timer:
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pros:
quick and easy to set (no long setup, no typing, just a twist)
mechanical (no batteries required)
remaining time visible
comes in fun shapes and sizes (add your favorite to this post!!)
cons:
can be loud
can't be attached to your wrist
can only be set to up to 59 minutes
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tazmiilly · 11 months
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you know how the need to deep clean your living space comes so rarely with things like ADHD that once it actually hits you you're like "okay i gotta start on that before the timer in my head runs out and I can't even THINK about doing it for another 2 months!!!"
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puppyeared · 4 months
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adhd comix
#man i dont even have the energy to be mad. im just tired#like. dont u love it when your parents exhibit symptoms of ADHD and your sibling is diagnosed with a learning disability#and instead of thinking oh shit what if the other one has smth too. they subject you to The Horrors#i cant bring myself to hate my parents. but im tired of feeling obligated to defend them when the thing they think is working#isnt actually working and ive just found other ways to cope to avoid any sort of conflict. like lying and stealing. lol#if someone took me aside and said 'hey so your brain doesnt make as much dopamine as usual and its not a bad thing it just means you#need external stimulation and reward system to function and youre not actually secretly fucked up or lazy' as a kid#im pretty sure i wouldnt be here rn with half the problems i already have. unfortunately getting diagnosed late means u dont have a teacher#to back you up at a parent teacher conference that forces your parents to take this shit seriously instead of ignoring it hoping itll#go away on its own. but hey what do i know i have squirrel ipad baby disease. what do i know about my own symptoms#AND. AND i think im allowd to be mad bc ive been doing my own research on this for years before and after diagnosis#theyve been putting me thru the WORST parenting techniques on earth. which they could have corrected at anytime but they were#comfortable thinking they were doing it right and didnt bother to check if they were or werent fucking up their kid in the long run#and refusing to acknowledge it. i just!! they just decided one day hey lets make babies!! and just looked at books on how to make#a human being survive as long as possible!!! what the fuck!!!!#im sorry for putting this on ppls dashes but i am. so tired. of bottling this up. and im not looking for sympathy or anything i just need#to scream and clench my fists to SOMEONE about it because theyre not gonna take this well up the ass. sigh#yapping#vent
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tittyinfinity · 6 months
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My neurodivergencies and mental illnesses overlap so much that you could diagnose me with about anything at this point
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bowofbalance · 5 months
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r/housemd officially my favorite place on the internet. We need more cats watching house please
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cantheykillmacbeth · 7 months
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((Sorry about the general inactivity here recently by the way! I've been coughing up my lungs all week, my throat hurts like hell, my voice is an octave lower, and I am in constant agony and suffering. Hope this helps!))
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f ADHD btw
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I feel like actually shit like the entirety of last week getting to me. I wish I could have a moment of actual relaxation and not just me forgetting I have shit to do.
(Tag warning-> depressing talk, dark topics)
Might delete this idk..
#vent post#tag rambles#I have over 60 different things to fill out that I need to do by tomorrow and I forgot to do them. I feel so stupid#I actually hate having adhd#people try to make it out to be just a quirky thing that its not that big of a deal or anything#but it's not#it impairs on relationships#I struggle to remember important things that I need to do and even WANT to do. I struggle so bad#I even have fights with people about me being a “liar” even though I'm not#I just have a shit ass memory I feel useless 90% of the time and shit#gods and I doubt it's just me having adhd. Im pretty sure its my possibility of having bpd and autism#i show all symptoms of bpd and I relate far too much with autism videos#like this is stuff active in my daily life#people don't see it often due to have carefully Ive crafted.. this is going to sound a bit fannibal of me but literally a person suit#i swear a person suit#it's not even funny#gods i just wish I could function without getting all up and arms about how much of a pos I feel#if I don't get attention from.. basically.. my fp I get all sad and melancholy. i spiral#I'm pretty sure I have at least three fps#if I even have bpd#but gods#just so stupid how I can barely fucking function without all of these crutches#I'm not in a certian program anymore for a thing and now I can't fuction and work how I use to since it was a slower environment#I'm failing#like I won't be able to make it I feel like#not suicide or anything#just in things I wanted to do#feels like my future is doomed cause life keeps throwing curve balls at me#someone with at least two mental disabilities#i definitely have more
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golden--doodler · 5 months
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@br1ghtestlight mentioning Cheaty Cheaty Bang Bang made me remember this moment, which is probably my favorite moment in the episode. Bob’s panic is just too hilarious and relatable 🤣
I was actually laughing while screen-recording this because it’s just too good. I’ll never get over the “My butt” ☠️
With this scene as evidence, you cannot look me in the eye and tell me that Bob isn’t Autistic. He’s so bad at communication, bless him 😭
I’ll always be grateful to Light for bringing this theory/headcanon to my attention because it’s so glorious and real.
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ghosthoodie · 2 months
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some days i think i need to be diagnosed for the disorders and some days i donttt bwuh ':]
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les-scripta · 9 months
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Me: Why does it take me an eternity to write a fic?
Also me: I should look up a SuperCorp scene compilation to confirm this very minor detail for my silly fic where canon is actually irrelevant and watch it from the beginning and stare at Katie McGrath's face for an hour until I forget what I was doing.
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Sometimes I think I’m not of the Buried.
But then I remember the feeling of being under my blanket. Of wrapping a belt or skirt around my waist. The feeling of my friends leaning on my chest at a sleepover. Of wearing oversized and warm clothes. Of closing my bedroom door and pulling the curtains shut so that all I know is this space I’ve decorated for myself and no other. The feeling of being held.
Sometimes I think that the buried is simply not for me. But then I remember all the times that weight on my chest and belly and legs and back has comforted me in a way not many other things can. In a way that makes me feel secure. In a way that grounds me until I am ready to face the world again.
I used to think the Buried wasn’t for me. But then I remembered that without weight on my chest I would simply float away into the outer depths of space, somewhere I would love to see but hate to exist in. And that if I were to pick between never setting foot on the confining grounds of the earth, letting all my worries and fears go, and flying off to the horizon, the border of our atmosphere, the moon, the sun, and the stars, never stopping until I simply couldn’t anymore, or choose the earth. Then I would still choose the earth, for even if it keeps all my discomforts, it still holds the weight that gives me the ability to calm and ground myself until I am ready to face the world anew, so that I may experience the joy of the presence of others and not just the burning core of the stars, for being able to face the things outside my door is what makes me who I am.
And I fucking love who I am.
So I will take the weight and pressure and comfort that allow me to think straight, and once I am calm again I will have my strength back.
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cerealmonster15 · 6 months
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so obvi while one of my fave types of Character™ is like adhd coded himbo etc etc. another fave i find myself trapped in is like
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[very loud] hall monitor klfdsjfkldsjfkljds
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not-poignant · 1 year
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Your dialogue is incredible, do you have any advice on how to write like that? Like the actual process you use to arrive at what's on the page. Do you write a ton of dialogue and then cut it down to the gems? Or does it just come out like that when you write? The characterisation in the dialogue is superb, and somehow it never feels overwrought or unnatural. I guess I'm just hoping it's a carefully-honed craft you can give practical tips on, rather than something you can just innately 'do' 😂 xx
Hi anon,
So firstly, I'm so sorry anon because this will probably piss you off: I do find dialogue extremely easy to do, which is why all of my stories are so dialogue heavy. I don't sit there writing a ton of dialogue and then whittling it down, and it just comes out as I write. At most I sometimes just have to double check tone continuity on certain characters (i.e. 'would Augus / Dr Gary / the Raven Prince use this exact phrasing or would they use something else')
When I daydream about my stories, I daydream about the dialogue first. I 'listen' to my characters and the things they say. When I write it down, I don't sit and think 'what would they say' I just write what they'd say. But...I've been doing this for like a long time now, and I do believe there are things that can be done to build the skill.
I feel like throughout my life, I've done things that at least some other people don't do, which makes dialogue easier for me.
But firstly, down to mechanics, here's a link to a post I've made before on things to focus on re: honing dialogue as a skill.
What some folks don't realise is that constructing a vocabulary or tone for a character is like constructing a character. A character's voice says so much about them - how much money they make (or if they're nouveau riche in some cases), where they live, if they were popular or unpopular in school, if they're shy or extroverted or charismatic, if they care about how they come across, if they're a precise or messy thinker, etc. Each character you have, you need to be spending time just thinking about elements of their voice and dialogue if you're not used to doing this already.
The best place to start with this, honestly, is by rewatching some of your favourite shows or rereading some of your favourite books and noting down things about the dialogue that are unique to each character. (Ideally this will be in stories that have very unique dialogue patterns lol). This is actually fantastic for fanfic because you can end up with a cheat sheet (which I've also written about) that will instantly make your character's dialogue sound 'true to form' without having to overthink it.
And the rest I'm putting under a Read More because it's literally just me rambling:
Another place to research is simply by listening to conversations. Listen to the people around you talk, and write down the things that are specific to them. How do they agree or disagree with something? Are there sayings they're using particular or specific to where they live? Do they use a lot of slang? And if so, is it generational? Who are the overspeakers? The underspeakers? the ones who deflect? The ones who shut things down? When you're listening to people talk, think about the words they use, the pitch, if their voice is croaky or smooth, confident or shy, what makes it shy? Is it soft? Do they hesitate? If it's confident, what makes it confident? Is it loud? Do they almost never say 'um' or other words of hesitation?
Think about how these people's voices might differ from place to place. How do they talk to a waiter vs. customer service on the phone vs. a best friend vs. a family member vs. a teacher? Think about the changes you make in those circumstances.
Over time, this knowledge comes to you more instinctively. I've spent my entire life being very interested in the way people talk (I'm neurodivergent, and chameleon-like, and I will adopt other people's patterns of speaking unconsciously in order to 'blend in' - but it gave me a pretty good knack with dialogue! As did 'practising conversations' in my head growing up, lol.)
A really good place to look at character voice sometimes is also in actor interviews. Go and check out like... the Hot Ones interviews or something on YouTube, and you'll see a ton of extremely distinct character voices that are right there to research. How Jack Black talks vs. someone like Tom Hanks vs. someone like Nick Offerman vs. someone like Tom Holland shows huge variation in what makes dialogue unique from person to person.
Your characters don't need to sound like caricatures, ideally they will feel things and embody things strongly enough that this isn't really a problem (even Benoit Blanc sounds like a genuine person despite sounding like a cartoon character because of the emotion / feeling he can get into that voice). Your main goal, imho, is to make sure that all your characters don't end up sounding like carbon copies of yourself. I think this is a problem even people who write natural dialogue can stumble into (that I've been guilty of too), it flows naturally because they're just writing how they'd think/react to something, but it's 6 characters and you realise 'hang on, I'm just reading 6 versions of the author.'
This is where researching the distinctness of character voice is really important, and making a cheat sheet to check when you're going back through a chapter can be invaluable.
There are little things I do fairly naturally these days, to use Underline the Black (or Underline the Rainbow more generally) as an example. Temsen says things like 'Goodness!' instead of 'oh my god.' He can still do the latter, but he's far more likely to be quite sort of formal when he's surprised or shocked by something (and Kent has picked that up, so he does it too, lol, which makes sense - because they work together and people adopt each other's speech patterns when they get along).
Efnisien is very comfortable with swearing, he's got 'juvenile alpha who had to fight with Gwyn all his life' throughout his dialogue. Gary is quite formal and talks in complete sentences almost always. He very rarely hedges or restarts his sentences, and as Efnisien observes: He speaks like someone who's about to go onto a podium and confidently deliver a lecture. He's very self-assured. Efnisien on the other hand hedges a lot, shuts himself down, doesn't finish sentences, and bites back some of his words. Dr Gary doesn't use endearments in general, and can be extremely sarcastic. His humour veers towards deadpan.
Caleb is very forward, bold and confident. He uses endearments like 'baby' and 'sweetheart.' He's flirtatious, and he doesn't talk too much. His voice when he says something tends to fill the space - he has the respect and attention of the people around him. He speaks in complete sentences that are generally quite short (but not short-tempered) and to the point. He comes across as someone who's looking for a good time, but he's not obviously emotionally available when he speaks.
Nate (in Underline the Blue) is people pleasing and generally obsequious (but his inner dialogue indicates there's a snarky voice waiting to get out). He hedges, but ultimately tries to be pleasing. A lot of 'what do you like best? What do you want?' He redirects with questions and tries to avoid talking about his personal life. His voice is quiet in tone, and also quite lacking. He sounds like someone who hasn't had the opportunity to enjoy conversation for its own sake. He shuts conversations down rather than opening them up. He almost never initiates any dialogue at all.
I can do this across all my characters because I have their mental cheat sheets relatively memorised. Whatever book or story you're focusing on, it's a good habit to be able to just mentally know a paragraph or two about your character's voice. Checking in with that mental knowledge (or cheat sheet until you learn it) before starting writing any chapter can help guide you.
The way a character talks determines how the story flows. Nate doesn't start conversations, so he needs to be paired with someone who does. This means if Nate starts a conversation - he's going to be more anxious than usual most times, which creates many opportunities for angsty scenes.
Efnisien is hostile and combative, especially when he's afraid or upset, which creates a lot of opportunities - simply through the way he talks - for increased chemistry with a more calm but still incisive opponent like Gary. Once you start to get a handle on dialogue, how your characters speak alone will create flow through the plot, and also create ways to get through a plot or reach certain points. I know for example that Efnisien's verbal response to the directives softens Gary towards him. Or I know that Gary's softer coaxing voice when he's soothing Efnisien will genuinely soothe Efnisien - even against his will. That's a powerful thing to know about my character's voices!
You're gonna pick this up in no time, anon. You might even have really good dialogue instincts and just be over-thinking it. But I do think in general, sit down with whoever you like to listen to - your fave YouTubers, people on TikTok, your favourite shows etc. and then just...listen to the dialogue. Be wary of subtitles in this case, because they can sometimes erase or hide the actual unique details of a person's voice to make it more 'generic.' Some are better than others.
And then just write down the things that feel unique to those people. Especially notice turns of phrase that you don't use yourself. (Which also means thinking about the kind of cheat sheet you'd write for yourself! Tbh that's probably a good place to start lmao).
Definitely click on the links I've put in this post, the first one in particular breaks down all the details of dialogue more specifically. And doesn't take like 4000 words to not actually make much of a point, like in this post sdlkfjas
If I'd posted it as dialogue we wouldn't have been here for so long but anyway tl;dr I find dialogue stupid easy but that's because I've been observing dialogue and what makes it unique all my life and there's no real short-cut for that but if you start doing it now you'll find writing dialogue way easier really soon.
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