#schirn at night

[theartwolf]

Ugo Rondinone · the poetry of everyday life

Ugo Rondinone · the poetry of everyday life From 24 June to 18 September 2022, the Schirn Kunsthalle Frankfurt presents "Ugo Rondinone: Life Time", its first exhibition dedicated to the Swiss artist Ugo Rondinone. Source: Schirn Kunsthalle, Frankfurt · Image: Ugo Rondinone, "Life Time" (rendering), 2019, neon, acrylic glass, translucent sheet, aluminium, Courtesy of the artist and Studio Rondinone. Born in Switzerland in 1964, but resident in New York since 1998, Ugo Rondinone is best known for his monumental outdoor sculptures, heirs to the Land Art of Smithson and company, such as “Seven Magic Mountains” (2016), or “Liverpool Mountain”, installed in front of Tate Liverpool in 2018. In the Belvedere exhibition, however, the influences come from two distinct and somewhat opposing styles: Minimalism and Hyperrealism. In a press release, the Schirn explains that Rondinone "adds a poetic dimension to everyday objects and phenomena. In typically Minimalistic arrangements, he puts a tree, a clock, the sun or a rainbow in new contexts by means of repetition, isolation, or reduction, creating atmospheric ambiences", adding that the exhibition "combines fundamental themes that have shaped the work of the conceptual and installation artist for the past thirty years: time and transience, day and night, reality and fiction, nature and culture. Rondinone has repeatedly referred to the iconography of Romanticism in his works and used quotes from literature and pop culture. The starting point of his multimedia oeuvre is the transformation of the outside world into a subjective, emotional inner world. He develops experiential spaces in which the viewer actually becomes part of the installations and their immersive structures." "Ugo Rondinone: Life Time" follows other recent exhibitions by Rondinone in Europe, such as "Ugo Rondinone - nude in the landscape", which took place earlier this year at Belvedere 21 in Vienna. Read the full article

[sucukundbratwurst]

#sucuk und bratwurst #sucukundbratwurst #schirn at night #schirn #frankfurt #lauren flax #Minhtendo #Someone

[designeverywhere]

Schirn at Night

#design #graphic #graphic design #print #poster #layout #illustration

[gdbot]

Schirn at Night https://ift.tt/3ez6Sz1 Telegram Design Bot > https://t.me/gdesignbot

#gdbot #designeverywhere #graphicdesign #design #identity #print #ui #ux #typedesign #font #webdesign

[389]

Schirn at Night

#design #art #schirn #u #i

[visualenthusiasts]

Illustration and Graphicdesign by https://benediktluft.com/Schirn-at-Night

#poster #contemporary art #schirn #illustration

[a---z]

Unknown Special screening presented by A- - -Z at Danielle Arnaud with: Kenneth Anger / Jordan Baseman / Derek Jarman / Victoria Sin / Jenna Sutela / Su Hui-Yu Followed by a discussion with Tai Shani & Victoria Sin, chaired by Helena Reckitt - on the use of Sci-Fi and speculative Futures to deconstruct and appropriate new power relationships against the divide in the so-called ‘other’, in terms of gender and race. Unknown is part of A—Z (Anne Duffau) research through the screening of works that explore & defy preconceived/imperialist hi.Stories of identities & bodies. Through the scope of narratives & distinctive genre ranging from art, youtube mash-up to music videos, the aim of this screening is to break boundaries & raise interest in terms of displacement, otherness & post gender. Extending our ongoing research into the notions of amorphous body through technology and inner space, one important point is to embracing the Uses of the Erotic referred to in Audre Lorde to make the personal Political and the bodily a weapon. www.abc-z.org Special Thanks to Danielle Arnaud & Kirsty White for their Support. www.daniellearnaud.com Tai Shani's multidisciplinary practice, comprising performance, film, photography and installation, revolves around experimental narrative texts. These alternate between familiar narrative tropes and structures and theoretical prose in order to explore the construction of subjectivity, excess and affect and the epic as the ground for a post-patriarchal realism. Tai Shani's on-going project Dark Continent Productions that proposes an allegorical city of women, it is an experimental and expanded adaptation of Christine de Pizan's 1405 pioneering feminist book, The Book of the City of Ladies within which Christine builds an allegorical city for notable women drawn from a medieval conception of history, where fact, fiction and myth are blurred. This non-hierarchical approach also determines the construction of the characters and narrative of Dark Continent. Tai Shani was born in London. Shani has presented her work extensively in the UK and abroad, recent exhibitions and commissions include, including Tensta Konsthall, Stockholm (2016); RADAR commission, Loughborough University, (2016), Serpentine Galleries (2016); Schirn Kunsthalle, Frankfurt (2015); Southbank Centre, London (2014-15); Arnolfini, Bristol (2013); Matt’s Gallery, London (2012) and FRAC Nord-Pas de Calais and Loop Festival, Barcelona (2011); The Barbican, London (2011); ICA, London (2011) https://www.taishani.com/ Victoria Sin (b. 1991, Toronto CA) is an artist using speculative fiction within performance, moving image, writing, and print to interrupt normative processes of desire, identification, and objectification. This includes: Drag as a practice of purposeful embodiment questioning the reification and ascription of ideal images within technologies of representation and systems of looking, Science fiction as a practice of rewriting patriarchal and colonial narratives naturalized by scientific and historical discourses on states of sexed, gendered and raced bodies, Storytelling as a collective practice of centering marginalized experience, creating a multiplicity of social contexts to be immersed in and strive towards. Drawing from close personal encounters of looking and wanting, their work presents heavily constructed fantasy narratives on the often unsettling experience of the physical within the social body. Their long-term project Dream Babes explores science and speculative fiction as a productive strategy of queer resistance, imaging futurity that does not depend on existing historical and social infrastructure. It has included science fiction porn screenings and talks, a three-day programme of performance at Auto Italia South East, a publication, and a regular science fiction reading group for queer people of colour. http://victoriasin.co.uk Helena Reckitt is a curator and researcher with extensive international experience in developing curatorial and critical research projects that focus on the overlapping realms of Art, Curating, Feminism and Sexual Politics; Affect & Relationality; and Curatorial Education.   Her research explores the undetonated potential of earlier moments of cultural and political radicalism, particularly those from the feminist and queer past. Having played a key role in defining, and arguing for the importance of, feminist and queer perspectives on art, theory and activism, recently Reckitt has focused on identifying feminisms that are under-represented within the Anglo-American canon. She explores why these feminisms have been elided, and stages research projects that revisit and reignite them through forms of translation, re-enactment, annotation, and collective reading. Drawing on theories of social reproduction and affect, her research examines the sexual politics of artistic and curatorial labour, including the implications of curators and curatorial students being interpellated as feminized. Connecting these research areas are the numerous exhibitions and discursive events that she has initiated that explore art and curating’s generative potential and relational dimensions. Her previous roles include Senior Curator of Programmes, the Power Plant, Toronto (2006 – 2010); Senior Director of Exhibitions and Education, Atlanta Contemporary Art Center, GA (2002 – 2005); Head of Talks/Deputy Director of Talks, Institute of Contemporary Arts, London (1990 – 1998); and Associate Commissioning Editor, Film and Performance Studies, Routledge, London (1988 – 1990).  As an independent curator she has developed projects for Nuit Blanche, City of Toronto; Flux Night, Atlanta; Oakville Galleries, Ontario; Ontario College of Art and Design, Toronto; and the ICA, Raven Row, SPACE and The Showroom, London. https://www.gold.ac.uk/art/research/staff/hr/01/

[benjaminsantiago]

SCHIRN AT NIGHT from Benedikt Luft on Vimeo.

SCHIRN AT NIGHT is a biannual party taking place at Schirn Kunsthalle Frankfurt.

Through the Covid-19 pandemic it couldn't take place as planned but nonetheless happened as an online event. I illustrated and designed the identity and also animated a video for this evening which is now called FANTASTIC NIGHT AT HOME including a tour through the exhibition "Fantastic Women", Badias Home Bar and DJ sets by BONNIE and Salwa Benz - everything online.

Music by Shari Vari

[cluboftigerghost]

designeverywhere: Schirn at Night https://ift.tt/2Y0BrXX

#IFTTT #Graphics thisisgrey likes

[micaramel]

Artist: Florian Meisenberg, Anna K.E

Venue: Simone Subal, New York

Exhibition Title: Electric Forest (Bowery)

Date: March 3 – April 19, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Simone Subal, New York

Press Release:

While driving at night down the long, unbroken roads of West Texas, flickers of eerie, amber light punctuate the darkness. A congregation of hares stand sentinel at the edges of the dusty road, their glassy eyes reflecting headlights like so many illuminated screens. At other times, they are transformed. Eyes no longer effulgent. Once-lithe bodies reduced to flattened panes by contact with a passing car.

Arranged here as a living, multi-dimensional tableau, the shapeshifting hares have joined an arsenal of iterated shapes and characters. They conjure a series of ideas and images in flux, hovering between lens and light, watcher and watched, in which information proliferates endlessly without seeking finality or resolution.

In order to exist simultaneously in these parallel states, the hares have been treated in a variety of ways. Revivified, transposed onto animated fans affixed at either end of large aluminum tubes. Simulated, to trace their arc from watchful creatures into slack, formless puddles. Finally, in their flattened form, materially rendered in the form of layered Computerized Numerical Control (CNC) carved Baltic birch. Their continual, oscillating presence forms a life cycle outside the bounds of natural selection, by which death is not the end of action but a portal into a new, abstracted geometry.

Merging the linear construct of road and roadside with the ordered variation of Judd’s cubic sculptures, the artists have built a simulated version of the Texan road as it unfurled before them, bordered by mathematically accurate iterations of every single cube in Judd’s famed series. The monochromatic simulation, entitled https://www.100untitledworksinmillaluminum.org/, makes continuous, steady progress through a pitch-black landscape, accompanied occasionally by bursts of sound as the ‘driver’ encounters a series of future-themed podcasts, broadcast from particular points along the road. Through a hole in the projection, a single crumpled beer can, almost fully cleansed of identifying marks by the elements, infinitely reflects in the mirrored box that encloses it.

Elsewhere, a slanted wooden trapdoor featuring the collapsed hare in CNC-carved form, opens to reveal footage filmed after the completion of 2017’s Late Checkout, echoing the empty feedback loop of compulsive technological connection. The camera’s gaze flits between the artists as they idly consume one another, building up a gradual, dual self-portrait that moves continuously without ever arriving. Also present is Countdown Belladonna (2016), for which the artists projected a barrage of video material directly onto their own retinas, creating yet another feedback loop that marries mind, body and screen in an endless, boundless chain.

In this flattened landscape, everything is mutable. Multiple iterations of every image and idea burgeon like seeds scattered on the wind. Finally, it is only via the act of being seen–whether happened upon whilst driving or peeked at through a chink in a temporary screen–that this potentiality becomes concretized, so that though these manifold portals and doorways, we come to a gradual understanding of the transformative potency of vision upon reality.

Text by Claudia Paterson

Anna K.E. and Florian Meisenberg’s selected collaborative solo shows include: Simone Subal Gallery, New York (2020); Kunstpalais Erlangen, curated by Milena Mercer, (Cat.), Erlangen (2019); WNTRP, Berlin (2017); Salon Kennedy, Frankfurt (2016); Signal, Brooklyn (2016); Art Basel Miami Beach with Simone Subal Gallery, Miami (2016); LISTE 20, with Simone Subal Gallery, Basel (2015); EY artforum, Düsseldorf (2008); Schaufenster des Kunstvereins für die Rheinlande und Westphalen, Düsseldorf (2007). Select group exhibitions include: Signal, Brooklyn (2016); Galerie Hasen at MMOGG Düsseldorf, Düsseldorf (2007); Villa De Bank, Enschede, Netherlands (2006).

Anna K.E. was born in 1986 in Tbilisi, Georgia. Selected solo shows include: REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…, curated by Margot Norton, Georgian Pavilion at the Venice Biennale (2019); Queens Museum, New York, USA (2017-2018); Simone Subal Gallery, New York, USA (2018, 2015, 2013); Primary, Nottingham, UK (2017); Sommer Gallery, Tel Aviv (2016); Galerie Barbara Thumm, Berlin, Germany (2015, 2013); Mannheimer Kunstverein, Mannheim, Germany (2012); Kunstverein Leverkusen, Germany (2011). Selected group shows: Zentrum für Kunst und Medien, Karlsruhe, Germany (2017); G2 Kunsthalle, Leipzig, Germany (2016); The Kitchen, New York, NY (2015); Museum of Contemporary Art, Santa Barbara, CA (2015); Kunstverein Wiesen e.V. Wiesen, Germany (2015); Kunst Raum Riehen, Switzerland (2015); KAI10, Quadriennale Düsseldorf, Germany (2014); Petach Tikva Museum of Art, Israel (2014); The Renaissance Society, Chicago (2014); The III Moscow International Biennale for Young Art, Moscow, Russia (2012); Kunsthalle Recklinghausen, Germany (2011); Museum K21, Düsseldorf (2010); Young Biennale Köln 2010, Cologne (2010). Meisenberg was born in 1980 in Berlin, Germany. Selected solo shows: Kunstparterre, Munich (2020); Zabludowicz Collection, London 2019); Simone Subal Gallery, New York (2013, 2015, 2018); Avlskarl Projects, Copenhagen, Denmark (2017, 2020); Kölnischer Kunstverein, Cologne, Germany (2014); Kasseler Kunstverein, Kassel, Germany (2014); Kunst aus NRW / Förderpreis für Bildende Kunst, Ehemalige Reichsabtei, Aachen, Germany (2012); Wentrup Gallery, Berlin, Germany (2012, 2014, 2016, 2017); Kate McGarry, London, UK (2011, 2013, 2020); Wilhelm-Hack-Museum, Ludwigshafen, Germany (2011); Ludwig Forum für Internationale Kunst, Aachen, Germany (2009). Recent selected group exhibitions: Museum der Bildenden Kuenste Leipzig, Germany (Cat.) 2019; Kunstsammlung Chemnitz, Chemnitz (2019); Museum Wiesbaden, Germany (2019); neue Gesellschaft für Bildende Kunst, Berlin, Germany (2018); Zeppelin Museum, Friedrichshafen, Germany (2017); Broehan Museum, Berlin, Germany (2017); Broehan Museum, Berlin, Germany (2017); Kiasma Finnish National Gallery, Helsinki, Finland (2017); ICA, Philadelphia (Cat.) (2017); Schirn Kunsthalle, Frankfurt, Germany (Cat.) (2016); Kunsthalle Recklinghausen, Recklinghausen, Germany (Cat.) (2016); Bundeskunsthalle Bonn, Bonn, Germany (2015); Kunstpalais Erlangen, Erlangen, Germany (2015); Goethe Institute, Hong Kong (2015); Ausstellung in der Sammlung Kunst aus NRW in der ehemaligen Reichsabtei Aachen-Kornelimünster, Aachen, Germany (2014); Museum Kunsten, Aalborg, Denmark (2014); Queens Museum of Art, New York, USA (2014).

Link: Florian Meisenberg, Anna K.E at Simone Subal at Simone Subal

from Contemporary Art Daily https://bit.ly/3cQUsld

#micaramel

[feinkorn]

Autistic Disco und ein Hauch von Babylon Frankfurt goes 80s. Lars Eidinger an den Decks (im Interview mit Jens Prewo, RTL) Schirn Kunsthalle Frankfurt, Schirn at Night, The Wild Edition - Ein toller Abend..... @larseidinger @prewo #schirnkunsthalle #thewildedition #schirnatnight #frankfurt #rtl (hier: SCHIRN KUNSTHALLE FRANKFURT) https://www.instagram.com/p/BslBZ51B9jS/?utm_source=ig_tumblr_share&igshid=131o7wm2x28uf

#schirnkunsthalle #thewildedition #schirnatnight #frankfurt #rtl

[dominikruisinger]

In the middle of an openair artwork by night. #frankfurt #art #artwork #schirn #kunst #kunsthalle #openairart #blackandwhitephoto (hier: SCHIRN KUNSTHALLE FRANKFURT)

#openairart #blackandwhitephoto #schirn #art #frankfurt #artwork #kunst #kunsthalle

[sucukundbratwurst]

#sucuk und bratwurst #sucukundbratwurst #schirn at night #schirn #frankfurt #teaser

[gdbot]

designeverywhere: Schirn at Night https://ift.tt/2Y0BrXX Telegram Design Bot > https://t.me/gdesignbot

#gdbot #thisisgrey #graphicdesign #design #identity #print #ui #ux #typedesign #font #webdesign #post