#setouchi triennale

[artforiasenibudayajepang]

Menikmati Hasil Karya Seni Di Pulau Naoshima Yang Memiliki Banyak Museum

Menikmati Hasil Karya Seni Di Pulau Naoshima Yang Memiliki Banyak Museum

Berita Wisata Jepang – Tersebar di sepanjang Laut Pedalaman Seto di lepas pantai selatan prefektur Kagawa adalah serangkaian pulau yang terdiri dari salah satu inisiatif seni terbesar – dan lebih sukses – di Jepang. Didirikan sekitar 30 tahun yang lalu sebagai skema untuk meningkatkan pariwisata di wilayah tersebut, proyek ini mencakup beberapa pulau termasuk Teshima, Inujima dan Ogijima,…

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#Art House Project #Benesse House Museum #Berita Wisata Jepang #Chichu Art Museum #Miyanoura Port #Museum Lee Ufan #Museum Seni Pulau Naoshima #Pulau Naoshima #Setouchi Triennale

[madoyaka]

Parte del grande allestimento site-specific “Spiando il fondo del mare” di Yoshitaka Nanjō. • A detail of the large-scale site-specific setting “Peering into the Seabed” by Yoshitaka Nanjō. • 南条嘉毅作「幻海をのぞく」の大規模サイトスペシフィックセッティングの部分。 ••• #yoshitakananjo #setouchi #triennale #shamijima #arte #artecontemporanea #sitespecific #allestimento #installazione #setouchitriennale #art #contemporaryart #setting #installation #exhibition #南条嘉毅 #瀬戸内 #瀬戸内トリエンナーレ #瀬戸内国際芸術祭 #瀬戸内国際芸術祭2022 #沙弥島 #アート #美術 #現代美術 #サイトスペシフィック #セッティング #インスタレーション #cerchio #circle #円 (presso 瀬戸大橋記念公園) https://www.instagram.com/p/Cfteuusvef9/?igshid=NGJjMDIxMWI=

#yoshitakananjo #setouchi #triennale #shamijima #arte #artecontemporanea #sitespecific #allestimento #installazione #setouchitriennale #art #contemporaryart #setting #installation #exhibition #南条嘉毅 #瀬戸内 #瀬戸内トリエンナーレ #瀬戸内国際芸術祭 #瀬戸内国際芸術祭2022 #沙弥島 #アート #美術 #現代美術 #サイトスペシフィック #セッティング #インスタレーション #cerchio #circle #円

[kobikiyama]

Zenkonyu × Tamping Earth (Work in the Setouchi Triennale 2013) Tadashi Saito + Atelier NAVE

#japanese architecture #architecture #concrete

[a-kichi]

SETOUCHI TRIENNALE 2022 -犬島-

#岡山 #犬島 #瀬戸内国際芸術祭 #Canon #EOS_R3

[yumatomiyasu]

Remains of Shadowings 2022 Setouchi Triennale 2022 Teshima, Kagawa, Japan Oil on board, antique frames, surveillance cameras, monitors, sound, radio, CRT TV, sand, furniture, household items, others Photo: Keizo Kioku This immersive installation uses a 100-year-old dilapidated house. Visitors follow a route through 13 rooms, corridors, and a garden, including semioutdoor storage rooms and collapsed rooms. 12 of the 13 rooms are each decorated with a painting, which depicts some part of the space in which the painting is placed. The exhibition spaces are set as a mixture of fiction and fact, with rooms that have been purposely left in their original state as if they were ruins, a room in which a dining table has been recreated as if someone had been inhabited a moment ago, a room in which stairs have been set up in unnatural combinations, and rooms with newly installed waste materials as if they had been dilapidated. The viewer has no way of knowing which are the objects newly exhibit and which are originally there. In the thirteenth room, at the end of the route, twelve monitors are installed. Here, for the first time, the viewer can learn that all 12 rooms s/he has seen so far have been monitored by surveillance cameras. (All of the surveillance cameras in each room are carefully installed in a concealed manner, so it is difficult for the viewers to notice the cameras in advance.) On the monitors, the paintings in each room are shown in close-up, and the viewer is now looking through the screens at the paintings s/he has just seen in the previous rooms. The “objects” in the rooms, the “paintings” depicting them, and the “images” monitoring the paintings — different “dimensions” exist in the work, and the viewer experiences a back-and-forth between these multilayered dimensions. The title of the work, “Remains of Shadowings”, is referred from “Shadowings”, a collection of short stories by Lafcadio Hearn (Yakumo Koizumi). The inspiration for this work was taken from a piece “The Reconciliation” in “Shadowings”. The visitors will experience the world of “Reconciliation”, which takes place in an abandoned house and moves back and forth between dimensions from reality to dream, and from dream to reality again, by walking through the sites in order. かげたちのみる夢 Remains of Shadowings 2022 「瀬戸内国際芸術祭2022」 展示風景 豊島 甲生地区, 香川 木板に油彩、アンティークフレーム、監視カメラ、 モニター、サウンド、ラジオ、ブラウン管テレビ、 砂、家具、日用品ほか 撮影: Keizo Kioku 築100年余りの朽ちかけた古民家を使用した没 入型インスタレーション。半屋外の物置や倒壊 しかけた離れなどを含めた13の部屋と廊下、庭 などを使用しており、鑑賞者は順路に従って進 んでいく。13のうち12の部屋にはそれぞれ絵 画が1点飾られており、絵画の中にはその絵画 の置かれている空間の中のどこかが描かれてい る。会場内は、廃墟のように雑然としたまま本来の姿を敢えて残した部屋や、あたかもさっきまで人が住んでいたかのように食卓が再現された部屋、階段などが不 自然に入り組んで設置された部屋、わざと荒廃したように新たに廃材を設置した部屋など、虚実が入り混じっており、鑑賞者はどこからが「展示された」もので、どこ からが「元々あった」ものなのか、知る由もない。動線の最後にある13番目の部屋には12個のモニターが設置され、ここで初めて、鑑賞者は今まで観てきた12の 部屋が全て監視カメラでモニタリングされていたことを知る。（各部屋の監視カメラは全て隠されて設置されており、鑑賞者が事前にカメラに気付くことは困難であ る。）モニター上では各部屋の絵画が大きく映し出されており、鑑賞者はすぐ直前まで観てきた絵画を、今度は画面越しに鑑賞することとなる。 部屋内に存在する「もの」、それを描いた「絵画」、そしてその絵画をモニタリングした「映像」−−異なる「次元」が作品内に存在し、鑑賞者は多層化する次元を行き 来するような経験をする。 なお、作品タイトルにある「Shadowings」は、小泉八雲による短編集『影（Shadowings）』より引用されている。『影（Shadowings）』の中の一編『和解』から《かげたちのみ る夢 Remains of Shadowings》は着想を得ており、廃屋を舞台に現実から夢へ、そして夢からまた現実へと次元を行き来する『和解』の世界観を、敷地内を順路通り 歩くことで鑑賞者は追体験することとなる。

#remainsofshadowings

[hellonextwonderland]

CV

Natsuki Tanji

Art Project Coordinator

Email: noxyney.776(a)gmail.com

b.1995, Tokyo. Graduated from the School of International Liberal Studies, Waseda University, Tokyo. Worked for Art Front Gallery

Projects involved:

2023

•Uchiboso Art Festival: Ichihara Art Mix 2024

•Oku-Noto Triennale 2023 *foreign-artists coordination

2022

•Setouchi Triennale 2022

•Setouchi Asia Forum 2022

2021

•Ichihara Art Mix 2020＋

•Echigo-Tsumari Art Triennale *foreign-artists coordination

2020

•Setouchi Asia Forum 2020

2019

•Setouchi Triennale 2019

•Setouchi Asia Forum 2019

Grants:

•Overseas Study Visit Program for Arts Management Professionals 2023 by Tokyo Metropolitan Government/Arts Council Tokyo

#cv

[movingspaceart]

[kanpaijapon]

Shodoshima - La grande île touristique de la Méditerranée japonaise

Shodoshima est une île de la mer intérieure de Seto rattachée à la préfecture de Kagawa et située au nord de Shikoku au Japon. Déjà réputée auprès des Japonais comme destination de vacances domestique, l'île attire les visiteurs internationaux depuis son intégration au projet de la Triennale de Setouchi en 2010.

Lire la suite sur Kanpai.fr

https://www.kanpai.fr/shikoku/shodoshima

#Japon #Japan

[me-n-brag-studyblr]

"We are the artwork"

When I was on the Setouchi Triennale 2022 trip with Yuhan and Xiaoman and Eve on August, I asked Yuhan: "You've been here in the Spring already. Now you're back for the summer season of the festival, is there anything different? Does any artwork move you this time?". He said: "I already told you, I'm not here for the artwork, not this time. This is the first time Xiaoman and I go on travel in a group of 4, with you and Eve. I'm here to experience that. That is something I look forward to and care about in this trip. Don't you see Holly? We are the artwork."

Such simple and earnest words evoke something in me. "We are the artwork" - the people, us, the experience of us being together at this time, at this place. It is something to be marveled at, a kind of installation art that cannot be replicated with someone else, at some other place, some other time. An impermanent beauty.

"We are the artwork". Each of us. Yuhan with his sustainable, community-based vision and brave entrepreneurship. Xiaoman with her artistic sensibility and creative endeavors. Eve has her cordiality, inquisitiveness and spiritedness. And me. I am an artwork. Why not? I am kind. I am understanding, especially when it comes to culture and customs. I am not quick to judge. When I love something, I would ready to ache for it. I care for people's heart and mind. I am meticulous. I care about what we leave behind, what the next would inherit from my actions. I care about the bonds and community and families. I care about friends. I have deep respect for craftmanship. I like to romanticize the ordinary people and the humble lives, but at the same time I am also realistic and sensible enough to understand the system, how money can be used and what the imbalance of power can bring. I want to dream big, want to venture far. I want to make impact. Am I not an art? Yes I am.

I want to make people see they themselves their own way of living a life is a piece of artwork too. If there's one thing I takeaway from APU, that is "diversity", which is to say "there are many ways to live a life and each beautiful life has so much to teach one another".

#journaling #i am #the people #my friends

[hirabog]

Setouchi Triennale: Honjima (island)

[joomsreesawat]

[honmakurara]

Tempt me if you can

Phantom Thief Yamaneko strikes again in Kurashiki, to get Monet's famous Water Lilies painting. Once there, his ally Ohkura will bump into a very determined security guard, Nishikido Ryo. Ohkura Tadayoshi likes beautiful things, and Nishikido definitely is.

Lenght: one shot (11630 words), AU, comedy, fluff&smut, art (Claude Monet, Setouchi Triennale), UST, action&romance

Kurashiki is a charming place, indeed. Magnificent weeping willows adorn its historical Bikan district, the preserved area where several kinds of arts incidentally flourish. The Ohara Museum of Western Art is one of those jewels, and that is also the reason why I'm here today.

It's a beautiful night with a bright moon. As I look up towards the white globe, I recall Natsume Soseki's famous quote. 'The moon is beautiful, isn't it?' It could easily apply to these lovely and historically preserved streets especially, where couples stroll along the riverbanks holding hands under the moonlight.

Unfortunately, I cannot enjoy the romantic scenery this city has to offer any longer, for I am on a mission here. Kame-chan has already penetrated the western-looking building to retrieve the Water Lilies, and I’m following.

It's almost a pity we have to remove such a precious piece from here, given the long journey the painter Kojima Torajiro-san had to take in order to bring the original painting to Japan, straight from Claude Monet's home in France. But that cannot be helped.

It should be just a matter of few minutes, though. The halls and corridors are nicely lit even during the night, but there's only one security guard patrolling the rooms, while another one is in the office getting bored with the security cameras. Japan is a safe place, after all. After eluding the alarm system, we placed fake videos in the cameras so that all the monitors would keep showing deserted corridors while we’re infiltrating the museum.

And here we are: the security guard guy is currently patrolling some other rooms, and it's me who has to check on him through the mini-monitor on my watch, so I gave Kame-chan the okay and he rushed straight to get the painting.

"K-chan, he's now moving," I warn him through the mic, in a whisper. "He might decide to turn- no, wait, he's definitely turned towards the wrong corridor and at this pace he'll reach your room in a few minutes' time. Seems like he's got some sixth sense, darn. How long will it take you to be done?"

>> Distract him just a little, T-chan,<< he orders me in the earphone, >> I'm nearly done here. <<

I roll my eyes.

How to, darn? No time to think, let alone to act. But if I don't do something soon, Kame-chan will be found out. And we cannot be found out, yet.

I should not have to be doing this, for I'm the brain dude here, rather than the action one like Kame-chan is, but anyway.

Oh come on, Ohkura Tadayoshi. You can do this. Kame-chan always says you're brilliant after all, doesn't he?

(keep reading @ Ao3, DW, LJ)

#torn is the right word to describe my OTP #yamaneko #my fanfic stuff #water lilies #beautiful art #nishikido ryo #Ohkura Tadayoshi #TornPorn #ryokura #torn #yasuba #eitolove #kurashiki #setouchi triennale #kamenashi kazuya

[shirozen]

Day 12 in Kitahama Alley, Takamatsu! Today marks the opening of the art festival and my job was to stamp the guests' passports. It was a slow day and lots of awkward communication with Japanese people. 第12天在高松北浜! 今天是艺术祭开幕第一天，被安排在接待处为客人盖章。客人比想象中少，但和日本人沟通不时会小尴尬。

#travel #travel diary #sketch #japan #setouchi #volunteer #kitahama alley #reception #旅遊 #旅遊日記 #圖畫日記 #日本 #瀨戶內 #高松 #北浜アリー #志工 #受付 #setouchi triennale #瀨戶內國際藝術祭

[fzoom]

Shodoshima, Japan. 23/10/19

Day 1 of our visit to the Setouchi Triennale 2019. Various islands in the inland sea off the coast of Takamatsu host art exhibits in their locale. Part of the fun is actually finding them!

#setouchi triennale #japan #shadoshima

[yumatomiyasu]

Remains of Shadowings 2022 Setouchi Triennale 2022 Teshima, Kagawa, Japan Oil on board, antique frames, surveillance cameras, monitors, sound, radio, CRT TV, sand, furniture, household items, others This immersive installation uses a 100-year-old dilapidated house. Visitors follow a route through 13 rooms, corridors, and a garden, including semioutdoor storage rooms and collapsed rooms. 12 of the 13 rooms are each decorated with a painting, which depicts some part of the space in which the painting is placed. The exhibition spaces are set as a mixture of fiction and fact, with rooms that have been purposely left in their original state as if they were ruins, a room in which a dining table has been recreated as if someone had been inhabited a moment ago, a room in which stairs have been set up in unnatural combinations, and rooms with newly installed waste materials as if they had been dilapidated. The viewer has no way of knowing which are the objects newly exhibit and which are originally there. In the thirteenth room, at the end of the route, twelve monitors are installed. Here, for the first time, the viewer can learn that all 12 rooms s/he has seen so far have been monitored by surveillance cameras. (All of the surveillance cameras in each room are carefully installed in a concealed manner, so it is difficult for the viewers to notice the cameras in advance.) On the monitors, the paintings in each room are shown in close-up, and the viewer is now looking through the screens at the paintings s/he has just seen in the previous rooms. The “objects” in the rooms, the “paintings” depicting them, and the “images” monitoring the paintings — different “dimensions” exist in the work, and the viewer experiences a back-and-forth between these multilayered dimensions. The title of the work, “Remains of Shadowings”, is referred from “Shadowings”, a collection of short stories by Lafcadio Hearn (Yakumo Koizumi). The inspiration for this work was taken from a piece “The Reconciliation” in “Shadowings”. The visitors will experience the world of “Reconciliation”, which takes place in an abandoned house and moves back and forth between dimensions from reality to dream, and from dream to reality again, by walking through the sites in order. かげたちのみる夢 Remains of Shadowings 2022 「瀬戸内国際芸術祭2022」 展示風景 豊島 甲生地区, 香川 木板に油彩、アンティークフレーム、監視カメラ、 モニター、サウンド、ラジオ、ブラウン管テレビ、 砂、家具、日用品ほか 築100年余りの朽ちかけた古民家を使用した没 入型インスタレーション。半屋外の物置や倒壊 しかけた離れなどを含めた13の部屋と廊下、庭 などを使用しており、鑑賞者は順路に従って進 んでいく。13のうち12の部屋にはそれぞれ絵 画が1点飾られており、絵画の中にはその絵画 の置かれている空間の中のどこかが描かれてい る。会場内は、廃墟のように雑然としたまま本来の姿を敢えて残した部屋や、あたかもさっきまで人が住んでいたかのように食卓が再現された部屋、階段などが不 自然に入り組んで設置された部屋、わざと荒廃したように新たに廃材を設置した部屋など、虚実が入り混じっており、鑑賞者はどこからが「展示された」もので、どこ からが「元々あった」ものなのか、知る由もない。動線の最後にある13番目の部屋には12個のモニターが設置され、ここで初めて、鑑賞者は今まで観てきた12の 部屋が全て監視カメラでモニタリングされていたことを知る。（各部屋の監視カメラは全て隠されて設置されており、鑑賞者が事前にカメラに気付くことは困難であ る。）モニター上では各部屋の絵画が大きく映し出されており、鑑賞者はすぐ直前まで観てきた絵画を、今度は画面越しに鑑賞することとなる。 部屋内に存在する「もの」、それを描いた「絵画」、そしてその絵画をモニタリングした「映像」−−異なる「次元」が作品内に存在し、鑑賞者は多層化する次元を行き 来するような経験をする。 なお、作品タイトルにある「Shadowings」は、小泉八雲による短編集『影（Shadowings）』より引用されている。『影（Shadowings）』の中の一編『和解』から《かげたちのみ る夢 Remains of Shadowings》は着想を得ており、廃屋を舞台に現実から夢へ、そして夢からまた現実へと次元を行き来する『和解』の世界観を、敷地内を順路通り 歩くことで鑑賞者は追体験することとなる。

#remainsofshadowings

[luxebeat]

11 Ways to Enjoy Setouchi, Japan

11 Ways to Enjoy Setouchi, Japan

Those journeying to Japan would do well to trek over to Setouchi——an area encompassing seven prefectures and 700 islands that flank the Seto Inland Sea.  The historically authentic, calm and soothing side of the country opens doors to its past, offering tourists explorations through untouched natural wonders, immersive culture, unique architecture, traditional cuisine and customs that are all a…

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#Bikan Historical Quarter #Himeji Castle #japan setouchi #Kazurabashi Bridge #Ritsurin Garde #Setouchi Triennale