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#she went okay so what if.... i made a book with a sci fi esque premise.... and topped it all off with Capitalism Is The Root of All Evil
monogramsalarm · 1 month
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in the last two days i've reread two of the three "airhead" books by meg cabot and y'all.... no wonder these were some of my favorite books in fifth grade, it's INSANE
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thestray · 3 years
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The 62 2020 Movies Releases I Watched During 2020 Ranked
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Like the awkward title says, I’m going to rank (and talk about) all the 2020 movies I watched in 2020. This is not meant as any empirical list of what was best, it’s ranked by what I liked the least to the most, and my main criteria is what kind of impact it had on me and/or how much I enjoyed the experience of watching it.
Little bit about myself, I went to art school for animation, then after art school I went to a community college where I studied screenwriting. Never ended up pursuing either thing professionally, but I still write screenplays in my free time and read screenwriting books and listen to screenwriting podcasts. I'm the type of person that loves special features, seeks out behind the scenes information and director interviews, and watch youtube videos analyzing films. I love film, and thinking about film and talking about film and sharing the films I like, and maybe one day making films of my own, who knows.
Ranking and reviewing 62 movies was a more ambitious and challenging task than I anticipated, I rearranged this list swapping titles back and forth so many times, and then I’d remember a movie I forgot I watched and have to add that and figure out where it ranks. I started this on January 1st and am just now ready to post it on the 17th, I was still switching rankings right up until posting this. Even looking at it now there are some kinda want to switch but I’ve accepted that this is more or less arbitrary, lol. 
The more I learn about film and what goes into creating a movie the more lenient I am about them. It’s not like I’m never critical of films, but I try to consider both the good and the bad of a movie instead of thinking in a binary of films are either amazing or trash. Some of these films aren’t great, but I typically still enjoyed them to some degree. Except Mulan, lol. I’m sorry Mulan. Speaking of Mulan...
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62. Mulan
I'm going to try to say something nice about all these movies even if I didn't like them at all. So... I like the cast, and there are some nice visual moments. I actually was looking forward to this movie before reviews started coming out, it has 2 of the martial arts G.O.A.T.s in it, Donnie Yen and Jet Li, and also Jason Lee as the bad guy, so I figured it might at the very least have some decent action, but they were all underutilized. There’s not a single moment in the film where I felt anything at all. I think all these Disney live-action remakes are doing is making a case for how effective animation is for storytelling.
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61. Color Out of Space
I heard a lot of good things about this movie, and it’s really cool visually, and I love Nicolas Cage always, but I really couldn’t get into it. I guess my main issue is that it starts off already too campy for any of to the Lovecraftian horror to really hit. It felt like a B-movie with great production value, and maybe that’s what they were going for? I really wanted to like this but I really just did not feel invested in anything going on, did not relate to anyone in the family, so I don’t think I got much out of it besides the cool visuals.
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60. Bloodshot
I think the main flaw of this movie is that is that Vin Diesel was a producer on it, and Vin Diesel should be kept away from making creative decisions on movies. How Did This Get Made did a great podcast episode on this movie. It’s absolute nonsense, it has a couple of cool sequences and special effects in it, and Lamorne with a British accent is great, he’s the main redeeming value of this movie.
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59. The Midnight Sky
It seems like this movie wants to be Interstellar, it’s structured in a very similar way, but it just didn’t quite have that same emotional punch. It looks very good, it’s well-acted, it has it’s moments.
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58. The New Mutants
It's not as much of a trainwreck as people make it out to be in my opinion, I think the cast is good and it has some good character interactions, but it mostly suffers from the fact that it's way too predictable, from the beginning you're way ahead of the characters, and it doesn't help that they're in this confined setting so there's not a lot for them to actually do. But I appreciate the attempt at using mutants to do a horror breakfast club thing, good concept.
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57. Vampires vs The Bronx
Vampires as a gentrifiers taking over the hood, great idea. Mero is in it, the brand is brolic. It was a fun set up, but it was neither funny enough or scary enough in my opinion. The vampires die so easily it's like okay whatever. It's like a really long Goosebumps episode.
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56. Freaky
I don't think the execution lived up to the great concept, but Vince Vaughan was really great in those sincere moments playing a teenage girl. Horror fans will appreciate the gory kills. I'm not going to spoil anything but I do think there are some narrative issues that keep this from being stronger than it could've been. If you made the killer a creepy janitor at the school or even one of the teachers, then I think that would've created more interesting situations.
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55. Eurovision
I love Will Ferrell, I even love some of his flops like Casa De Mi Padre and Kicking and Screaming, and even the House I think had a lot of really funny moments. This was definitely one of the least funny movies he's done to me. I think the director David Dobkin couldn't commit to being silly the way Adam McKay can cause there's a lot of this movie that just has no jokes, and the movie is over 2 hours long which isn't normal for comedies so you spend a lot of time watching unfunny scenes and extended musical numbers.
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54. The Wrong Missy
I'm not a big fan of most Happy Madison movies, the jokes are very hit or miss for me. I'm a big fan of Lauren Lapkus though so I watched it to support her, and she plays an absolute psycho in this. It's so over the top it's like this character is not a human being, but I have to admit there are a few moments where she made me laugh pretty loud. I'd never watch this movie again, but maybe I'd look up certain parts on youtube.
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53. The Platform
High concept dystopian sci-fi horror. Reminds me of the Cube. It's one of those things that makes you think about what you'd do in the same situation. It's a very on the nose allegory, so by the end of it my only takeaway was "Yeah, it really be like that." 
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52. Archenemy
Another high concept movie. Joe Mangienello is good in it, but Glenn Howerton and Paul Scheer are my favorite parts of the movie, it's fun to see comedy actors play bad guys. My main problem with the movie was that I did not find the teen character to be interesting or relatable at all, in fact he can be kind of obnoxious. In his introductory scene he's REALLY bothering this random guy minding his own business, not respecting his boundaries at all. Then the rest of the movie is about him exploiting a homeless man and being really pushy for likes on some app, and he doesn't really have a character arc. Also wasn't a big fan of the animated sequences but I forgive that knowing this was a low budget movie and those sequences were done by a team of just 3 people. 
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51. Power
Jamie Foxx is great. I think he makes almost anything he's in watchable to some degree. The idea of this movie is fun but I think the action sequences are kinda underwhelming, but Jamie makes it worth watching in my opinion.
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50. Birds of Prey
This movie was all style and absolutely no substance. When your main character doesn't have a solid purpose or goal you're really just watching shit happen, and that can be okay if the shit that's happening is occassionally fun or funny, but it doesn't really make for a memorable story in my opinion.
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49. Wonder Woman 84
The most panned movie of 2020 maybe? It's got flaws for sure and some narrative choices I just can't understand why they made. It has some fun performances though and I ultimately appreciated that our superhero wins not by using her fists but by appealing to goodness. I feel like you rarely see that kind of idealism any more. It may not be realistic but I think that's one of the things fantasy is good for, showing us a way things could be better to strive for. But yeah, the Steve Trevor things was fucking weird, why'd they do that? And neither Steve or Diana seem concerned with about this random guy's fate. I'd probably rate this film higher if they had Steve simply appear out of thin air, I mean why not? It's magic. But I loved Kristen Wig and Pedro Pascal in this. Pedro is performing with his whole body, did he film this after season 1 of the Mandolorian? Maybe being under that helmet for a season made him want to be really expressive. The films overall kinda campy but I didn't necessarily mind that.
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48. Peninsula
Sequel to the already classic Train to Busan, this film decides the up the scale, which is what sequels often do, but I think it was a mistake in this instance. This is more of an over the top action movie than a character-driven horror film like the first. There's a climactic Mad Max-esque car chase scene that is almost entirely CGI. I don't think it was a bad movie, it's an okay popcorn flick, but it definitely doesn't live up to the original.
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47. The Old Guard
In terms of action I don't think it did anything interesting, but I like how they explored how horrific and heartbreaking it would be to be immortal. Coming to terms with your own mortality is a tough thing to do, but we often don't consider the idea that death is a blessing we take for granted. 
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46. Sputnik
A Russian sci-fi thriller about a young doctor being tasked with trying to figure out how to separate an alien parasite from a Cosmonaut that's returned from earth. Good performances, creepy vibe, and lots of interesting questions about ethics. It has a sort of epilogue ending with a reveal I didn't quite understand the significance to the story, but didn't take away from either. Solid.
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45. The Invisible Man
Fun sci-fi thriller about toxic abusive relationships and gaslighting. Elizabeth Moss is great in it and my favorite sequences are before her character actually catches on and you have moments where the camera is just focusing on a random place, very creepy and effective.
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44. Sonic the Hedgehog
Personally I would've preferred a fully animated film taking place in Sonic's world. I don't know why they always feel like they need to make these movies about human characters and then spend a lot of time having to hide your CG character and having people do comical reactions to them. It feels very played out to me. BUT Jim Carrey is great in this, of course. Jim Carrey is the reason to watch this movie. He makes the movie. And it goes without saying thank God they changed that character design.
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43. 2067
What I liked about this dystopian future is that the cause was basically everything. War, famine, ruining the environment, pandemics, just all our collective fuckery has resulted in a world where the human race is on the verge of extinction, plants are extinct, and oxygen is synthetic. Enter time travel, a young man is tasked with traveling into the future to bring back the solution to saving the human race. Very timely obviously. I liked it.
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42. Monsters of Man
Some asshole tech bros let some killer robots loose on a remote southeast asian village as a trial run. It has lots of flaws but I give it some leeway because this is the first film of a guy who wrote, directed and was the cinematographer by himself, he didn't have a huge budget or much experience, so it's hard to expect perfection. My biggest criticism is that the film centers a white guy living in this village and some westerner medics, not the actual Asian people of the village. Could've been so much more of interesting commentary about racism and eurocentrism dropping these robots in a village of brown people no one will miss just for practice. That aside though I think it was a solid enough thriller and the robots looked pretty good.
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41. Family Romance LLC
An interesting movie about a Japanese entrepreneur who has a business where he'll play whatever role in your life you need. Father, husband, coworker, etc there's a scene where someone even pays him to be scolded in his place by his boss. The main thrust of the film though is him playing the role of a girl's absentee father, pretends to reconnect with her and take her out on the town for activities. It's shot very documentary style, and there are a mixture of first time actors and non-actors. Sometimes there are long awkward conversations that feel just as awkward as real life. I really liked the premise, and the only thing that keeps it from being higher on my list is it doesn't have a strong enough conflict nor does it really have a satisfying conclusion.
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40. Over the Moon
Directorial debut of animation legend Glen Keane, I really liked this visually. It was sufficiently enjoyable, but it doesn't have that emotional gut punch that Pixar or Disney films tend to have. But I guess cartoons don't NEED to make you bawl your eyes out to be good. I think there were some missed opportunities narratively, like I guess this is spoilery so just scroll ahead if you don't want to know, but she gains a step brother that she doesn't like and doesn't want to spend time with, once the adventure starts on the Moon they get separated very early on, and don't ge reunited until towards the end, but she somehow now cares about him and considers him her brother. I didn't feel like that was really earned, they should've been together throughout the adventure getting to know each other. But I otherwise liked the story aside from that nitpick. Loved the colors of this movie, almost everything in the moon world is luminescent which provides some nice visuals. Hope to see Glen direct more in the future.
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39. The Croods 2
Nothing revolutionary but it has some solid physical comedy and great voice acting. All of Nicolas Cage's overacting is perfect for animation, and I liked Peter Dinklage as Mr. Betterman as well. There's a lot going on thematically but it all works pretty cohesively.
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38. #ALIVE
Another Korean zombie thriller. I really liked this because I felt like as far as zombie outbreaks go this is the most realistic scenario. Once you realize what's going on you will just stay in your house rather than risk going outside and fighting zombies. But that poses the problem of a limited supply of food and water. The main thrust of the movie is not how this character survives though it's about him trying to retain his will to live. It's the perfect pandemic isolation allegory.
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37. Love and Monsters
It looked kinda corny but I actually enjoyed this more than I thought I would. I like Dylan O'Brien, I love Tom Holland as Peter Parker but I've always felt like Dylan O'Brien would've been a great choice too, he has a good everyman relatable quality. There's also a dog in the movie that I loved. Put a dog in peril in a movie and I will be on the edge of my seat guaranteed. It's a fun movie with some interesting creatures in it and a solid character arc for our main protagonist.
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36. Extraction
I love the trend of stunt coordinators directing films. That's the main reason why the John Wick series is so good, and the reason why this also has some very solid action. Nothing crazy here in terms of story or themes, everything is an excuse for Chris Hemsworth to fuck people up and it delivers on that. There's one scene where he slaps around some kids attacking him that I found hilarious as well. Fully welcoming an Extraction 2.
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35. Save Yourselves
A couple decides to take a break from social media and get away to a cabin outside the city. While they're disconnected from the world an alien invasion occurs, furry little basketball sized poofs. This movie was pretty funny. I'm a little ambivalent about the ending but I enjoyed these hipsters arguing about what to do about aliens.
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34. Bill and Ted Face the Music
A most bodacious movie. Fun gags and a robot that steals the show. It's not as good as the first 2 but I don't think that's any surprise. I think it borrows a little bit too much from the previous films, like the collecting legendary musicians thing, could've done without that. It was a fun movie though, and the daughters really worked.
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33. An American Pickle
Seth Rogen playing an orthodox Jew who's been preserved in pickle juice for 100 years and his modern day app developer grandson. I think this may be Seth Rogen's best acting role, as silly as this movie is he's kind of endearing as this character from 100 years aro, and as the grandson he's a lot more understated than he usually is in movies.
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32. Tenet
Tenet! Is it controversial that this is not higher up on the list? I really like Nolan's films, actually been a fan since watching his first film Following in a film class. Nolan likes playing with time in his movies so it was inevitable that he'd do something that addresses it very directly eventually. I love the time travel genre and I think this is one of the most ambitious and unique approaches to it to ever done. I actually braved theaters to see this because I did not want to miss the opportunity to see it on the big screen. I did it as safely as possible and booked a reserved seating theater where I knew I wouldn't be sitting by anyone, had a mask, gloves, antibacterial gell on deck, sanitized my seat with wipes, etc, there only 2 other people in the theater all of us sitting way for from each other. Weirdest moviegoing experience I've ever had but glad I saw it on the big screen because the visual spectacle of this is excellent. The reason it's not higher on the list is because as conceptually cool as it is as I did not feel invested. Just on a story level having a character we know very little about pursuing a goal he knows very little about for no clearly defined reason makes it feel like... we're just watching events unfold as opposed to watching a character-driven story. There's a moment at the end that you can tell was meant to be an emotional moment, but I felt nothing. They try to introduce some emotional stakes with the female character, but idk, since it wasn't tied to the inciting incident it felt more like a b-plot than fundamental to the story. So it was a really fun cool looking puzzle, more like watching a cool Rube Goldberg machine, but not something I really thought much about after it was over.
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31. Guns Akimbo
I really have been enjoying Daniel Radcliffe's post-Harry Potter career, he'll do some solid dramas he seems to prefer doing fun weird shit like Swiss Army Man, Horns, his role on Unbreakable Kimmy Schmidt, etc. This is in that vein of fun weird shit, a guy who gets guns bolted to his hands and is running around the city in a robe trying to survive essentially a real life video game. A lot of the movies lower on this list had fun concepts but were lacking in execution, but this is one that is just as fun as the idea sounds, even more fun actually, it's funny, the action is good, and there are some great visuals. I found it all around enjoyable.
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30. Let Them All Talk
Glen Close as a celebrated author who invites her nephew and 2 estranged best friends on a cruise with her.  It's a very light-hearted movie with some underlying conflicts that the characters are afraid to address head on. Glen Close is great, obviously, she plays this pretentious self-important woman with affectations but is still likable and warm. It's a fairly pleasant almost slice-of-life until the 3rd act where everything comes together. To me it was a movie about communication, saying what you mean, saying what you feel, and those unspoken assumptions of what those around you are thinking or feeling about you. I know I can relate to the idea of wanting an apology from someone who might not even be cognizant of the fact that you feel slighted by them, or vice versa finding out someone's had a long standing problem with you when you thought you were cool. One sided grudges do no one any good.
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29. True History of the Kelly Gang
I've heard of Ned Kelly, but I've never seen the Heath Ledge or Mick Jagger movies about him and I don't know much about him other than he's a famous Australian outlaw and something of a folk hero to some. The performances and cinematography if this are great. George MacKay from 1917 is the lead and he's amazing, sometimes vulnerable and soft, other times a madman. It spends a lot of time in his childhood and the child actor who plays Ned is great as well. It's gritty and sometimes surreal in it's imagery. From what I can gather previous films seemed to focus more on what happened with him and his gang, while this movie seems to focuses more on everything in his life that led up to him becoming who he is and forming that gang. Like a 3rd of the movie is spent in his childhood, and once the gang is actually formed things move at a pretty brisk pace, seemingly skimming over the exploits of the gang to the conclusion. The film feels very raw and gritty and very fuck the police which I always appreciate.
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28. Lucky Grandma
A stubborn grandma in New York's chinatown gets her fortunte read and is told that she's going to be very lucky and come into a fortune, she then comes into possession of a bunch of money that belongs to a gang and she decides to try to keep it feeling it's owed to her by the universe. A funny crime drama with the unlikeliest of protagonists.
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27. Da 5 Bloods
Spike Lee is an icon but he can honestly be a little hit or miss for me. I don't always enjoy every choice he makes, for instance he uses real footage of war attrocities in this, and it's really upsetting to see REAL people, including children, be killed, when you're not expecting that. I understand it's meant to be upsetting, but it does make the movie something I'll probably never rewatch. Spike Lee's films to me can also feel at times heightened to the point that it feels a little cheesy (Miracle At St Anna), and there moments in this that kinda took me out of it to be honest, but overall I enjoyed it. The performances were great, Delroy Lindo in my opinion is one of the most underrated actors of all time, he's just always good no matter what he's in, everyone else in it is good too, but of course I have to mention Chadwick Boseman who was great. At the end of the day it gave me a lot to think about in terms or race, war, America, forgiveness, trauma and so many other things.
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26. The Devil All The Time
There's a LOT going on in this movie, maybe a little too much, it's like 2 or 3 movies smashed into one, but... I really liked it, and that's probably because Tom Holland is so good in it.  Really liked Robert Pattinson in it too. I can’t really think of more to say about it say I won’t. Next movie.
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25. Bad Education
A true crime movie about school district officiala who stole from the budget of a highschool. Hugh Jackman is great in this. I loved Jackman as Wolverine, but now that he's done with that I'm excited to see him other stuff cause he's always interesting to watch; The Fountain, Prisoners, The Prestige, he's always solid. I enjoyed this, it was done with nuance, it doesn't let them off the hook for what they did but it doesn't paint them as absolute monsters either. I really have to ask myself, if I could get away with stealing money that no one would miss... I don't know, I think I'd not do it out of fear not altruism, lol.
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24. My Octopus Teacher
This is a documentary on Netflix about a diver who immerses himself in the world of underwater life and documents the life of an octopus. It's really beautiful, both in terms of visuals and in content. There's not a lot to talk about because it's fairly straightforward, but it was really fascinating to learn about this octopus and see the bond they mutually formed, and again I can't talk about how great this movie looks, it's like you're in a different world. This is something I could put in and mute while I draw just for the ambiance. 
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23. Kajillionaire
A quirky dramedy about a family of really obtuse poor scam artists. As absurd as their behaviour is I can totally imagine a trio of weirdos like this living in Los Angeles ( I can say that cause it's my hometown and where I lived most of my life. It's Evan Rachel Wood's best role, I never would've imagined her doing something like this but she's great as "Old Dolio". It's funny, at time sad but not in a hammy melodramatic way, and I feel it had the perfect ending.
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22. The Gentleman
Guy Ritchie doing what he does best. It's fun, stylish, witty, has layers and twists and reveals. Everybody's good in it. It doesn't have anything poignant to say, but it's fun to watch the entire time
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21. Run
A thriller about a wheelchair bound teen who suspects her mother is drugging her and tries to get to the bottom of it. You can tell this director is a Hitchcock fan because it definitely has that Rear Window vibe but takes it a step further, and in many ways it's even shot and paced like Hitchcock. The lead actress is actually wheelchair bound herself so it really adds to the realism of all the things she does in this film. Oh, and Sarah Paulson is the mom, when is Sarah Paulson ever not good?
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20. Horse Girl
Alison Brie is an awkward neurotic woman getting over recent grief and a history of mental illness in her family, she starts to have weird dreams and then notices people from her dreams in real life, starts blacking out and having gaps in time, and starts to believe it's due to alien abduction conspiracy. Is she losing her mind or is it really happening? Alison Brie is really really good in this, and she co-wrote it too, it has a lot of moments where you really feel sorry for her or scared for her and you start to question what's real yourself.
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19. Swallow
I  found this movie really fascinating, it's like what if you turned one of those My Strange Addiction episodes on TLC into a movie. It's about this woman who ostensibly, at least from appearances, has the perfect life (at least by societal standards), she came from nothing and is now housewife to a rich successful man, and behaves almost like a Stepford wife. Then develops a compulsion to swallow inedible things, like marbles and batteries and thumbtacks, which is a real condition called pica. Its the kind of movie that gives you a lot to think about but no easy answers.
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18. Time to Hunt
A Korean heist thriller set in the near future. A bunch of childhood friends rob the wrong person and have an Anton Chigurh-esque killer sent after them to retrieve the money and kill them. It's a really tense cat and mouse thriller with good performances. The ending seemed to turn a lot of people off based on a lot of youtube comments I read, but I didn't mind it. My only real gripe is that they set this in the near future but aside from some imagery in the beginning it doesn't seem to come into play that much, this all could've taken place in modern day or even the past with no alteration of the story. I think the future setting was more just for some social commentary that maybe went over my head a little bit because I'm not from Korea, but I think if they were going to do near future they could've added some futuristic weapons or something. But that's just nitpicking, while the future setting didn't add to the story much it didn't take away from it either.
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17. Tigertail
As I get older one of my worse fears is making decisions that I will regret for the rest of my life, so this movie really hit home as a cautionary tale. It's a kind of quietly devastating movie. There's no huge tragic horrific even, just a huge miscalculation. Decades of your life of work and unhappiness go by and all you can do is wonder what things could've been. I also especially appreciated the cinematography and music of this film.
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16. Mother
It's been a while since I hated a character this much, but this titular mother really pissed me off. She's a neglectful mother who only sees her son as a tool, but he sticks by her cause he loves her. It's definitely not a fun movie to watch, but it made me feel a lot and meditate on the idea of love and whether it in itself has innate value.
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15. Call
I went into this movie cold, having no idea what it was really about other than that it was a thriller that revolved around a woman getting mysterious calls. I'm glad I had seen no trailers and did not know the gist of the plot becuase it went places I really was not expecting. One of the most fun thrillers I've seen in a while. So, I'm not going to talk about the movie but what I will say is that Jeon Jong-seo, who played the woman in Burning is in this, she was great in Burning and she's great in this. After watching it I googled her to see what else she's been in that I can watch and this is only her 2nd film. Apparently Burning was her first audition EVER and she BOOKED IT! Like, one a million success story right? But she deserves it cause she's great and I look forward to seeing what else she does.
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14. Possessor
This was directed by Brandon Cronenberg, the son of David Cronenberg, big shoes to fill, and I think he's going to fill them fine cause this is already a cult classic in my opinion. The visuals in this, which look like they were mainly created with practical and in camera effects. There is some very graphic very realistic violence in this. The movie is about an assassin who works for an organization and uses some type of scientific process to "possess" people to carry out hits. When she's in a body for too long who's in control starts to blur. It's really fucking trippy, like a fucked up Black Mirror episode.
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13. Borat 2
Been a fan of Sacha since the old Da Ali G Show days when Borat was just a side character. I'm amazed with out Sacha can stay in character the way he does, especially when later on in the movie he shelters in place with some Qanon conservatives with who knows how long staying in character. Maybe they'll reveal they were paid actors who knows, but whatever I fucking laughed a lot at this movie. There's a black woman in this movie that I hope to god was not an actress cause I loved her and her reactions so much. It was a breath of fresh air to watch something that's just goofy in 2020 because it wasn't a good year for comedy. As much as I love film sometimes I got a little fatigue from watching so many things with very heavy themes, this also had heavy themes it was satirizing, but also chimp pornstar jokes, so..  a fun time.
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12. A Sun
A drama about a family's eldest son going to juvenile detention for his involvement in a violent crime. We see how his father, his mother, his brother and his pregnant girlfriend all deal with this. I found it very engaging. My only gripe is that there are some moments of levity where they use this really generic comedy music score it and it really takes you out of the film. No music at all is better than bad generic music. Other than that I really loved it and the ending is great. I really thought this would end up in my top 10 but the following films just had more personal relevance or were more fun to watch.
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11. Ma Rainey's Black Bottom
R.I.P. Chadwick Boseman, this movie is like an acting showcase for him, he has so many great monologues here, the ending really took the wind out of me. It's also packed with really still relevant commentary on race.
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10. Onward
You already expect a Pixar movie to make you cry, but this came from angle I was NOT expecting and I bawled hard at this. This movie was so applicable to my life experience it's like they specifically engineered it to make me personally cry. Honestly there are better movies lower on this list, but movies are just like any other art, when a song touches you on a personal level it doesn't need to have complex instrumentation cause it's how it made you feel that matters.
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09. Palm Springs
A comedy released during a pandemic about trying to find stimulation and meaning when every day is the same thing? Ya don't say! Another take on Groundhog Day, which at this point I feel like it's its on genre with the amount of times the concept has been done, but I'm not complaining, I typically enjoy a good time loop movie (or show; Russian Doll). I don't know what else to say besides that it's really funny and Andy Samberg and Cristin Milioti are both charming and great in it.
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08. Scare Me
This movie was funny, creepy, the performances were great, and it's just really unique and clever. Written, directed, produced, and starring Josh Ruben, who I know primarily does really idiosyncratic "impressions" on instagram. It's 2 people alone in a cabin telling each other scary stories, they don't cut away to the stories you just watch them act it out. 4 people in the cast, one location, and it still manages to be a fun ride of a movie and manages to touch on some good themes in the overall story. I really hope to see Josh Ruben direct more films because I think he's really creative.
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07. Ride Your Wave
A romantic comedy about a woman trying to find joy and purpose in her life. I often go into movies very cold, so I didn't know much about what this movie was about, just knew that it was from an animation studio and director that I really respected. It's very beautiful, very grounded, until it's not. Kind of movie that breaks your heart so it can uplift you later.
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06. Uncle Frank
I really did not expect a lot from movie, not that I thought it would be bad, I just thought it be your middle of the road movie. It's about a teenage girl who really looks up to her uncle who she learns is a closeted gay man, in an era where that was potentially dangerous to be. They go on a road trip home when his father dies and learn about each other and themselves, it sounds kinda cookie cutter, but it really surprised me. Paul Bettany is so very good in this, and it made me cry. Easy way to get on high on this list is to make me cry lol.
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05. Children of the Sea
This film had to be in my top 5 because I'm an animation nerd and this is one of the most beautiful animated films ever. Ever. It's right up there with Akira and the Ghibli catalogue, and the works of Satoshi Kon, and all the Disney movies and everything else. It focuses on details and nuances in a really gorgeous way. The story is VERY ambiguous and gets very metaphysical towards the end, the climax is like watching an acid trip. It's about a girl who meet 2 young boys who have adapted to living underwater, and they form a bond, and then... uh... there's no way I can concisely explain it. The creator has said it's not supposed to be understood logical, instead it's supposed to be felt. There's a lot of symbolism and metaphor, it's very philosophical and explores themes of connection and the cycle of life. It's produced by Studio 4°C, which is my favorite animation studio because they really push the envelope, they're responsible for Mind Game, Tekkonkinkreet, and the recent Mutafukaz, and other, if you've never heard of any of those definitely look them up, they're unlike any anime you've ever watched before. Anyway, beautiful movie and the cryptic plot allows for you to rewatch it multiple times and take different things away from it. I can't wait to own it on blu-ray.
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04. 37 Seconds
I saw this very early in the year and love it. It's about a young woman with cerebal palsy who is also an aspiring hentai artist trying to get laid. Her mother who takes care of her like a child smothers her, so it's not only about trying to get laid but trying to have some independence. Firstly the performance of this woman who actually does have cerebral palsy and is a first time actor is so natural and endearing, secondly there are things they portray with an uncomfortable amount of realism and awkwardness that it really draws you in to the nitty gritty of her reality and what it can be like for someone who is wheelchair bound to try to have sexual experiences. I like that there were 2 films this year about characters in wheelchairs that used unknown actresses that face the same things their characters do, it adds to the authenticity of either film. Films like this are why I think diversity in film is not just about doing something for the demographic you're depicting but also giving everyone else not of that demographic new unique stories and perspectives.
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03. Soul
I guess spoilers if you haven't seen this because it's easier to talk about why I liked it if I talk specifically about the plot. I wasn't expecting much from this when the initial trailer dropped, it made it seem like it was going to largely take place in this imaginary soul place with these blue things, and for most of the first act it seemed like that's what it was going to be, but when they come back to earth and the story really starts I really started enjoying it. This movie tricks you into thinking the film is about finding or fulfilling your purpose, only to throw a curveball that living life in and of itself is the "purpose", and this movie resonated so much with thoughts that were already on my mind. I relate so much to Joe as a creative person myself with so many unfulfilled dreams, at 36yrs old, having to put many of my goals on the backburner just to survive, and generally having that feeling that I'm still waiting to live life because I'm not fulfilling my "purpose". Sure reaching for goals is great, but I think our culture breeds this idea that happiness is a destination, an accomplishment, a certain amount of recognition, a monetization of your passion. I really loved how the film depicted that there's a dark side to focusing on your passions and how it can become a source of stress and unhappiness. This movie is just about savoring life itself, which people have been expressing through platitudes since forever but this film illustrated it in a way that words fail at, and that's what makes film such a great form of art.
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02. Sound of Metal
This movie had one of the best trailers of 2020, I couldn't wait to watch this movie. FIrst of all I love RIz Ahmed and think he's an underrated and underutilized actor, he's fucking amazing in this, he needs an Oscar nom FOR SURE. His frustration is so palpable and he feels so natural in this movie. It follows a metal punk drummer who loses his hearing and goes to stay in a deaf community to acclimate. One thing I think is absolutely brilliant about this movie is the sound design. I'm not deaf so I can't speak from any type of experience, but they try to replicate what going deaf sounds like, what the audiologist tests sound like, what hearing aids and cochlear implants sound like, it's very immersive. I almost think of it like a companion piece to Soul, cause I had almost the same take away, it's just coming from it at a different angle.
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01. I'm Thinking Of Ending Things
Okay, so I’m going to have a lot to say about this movie.
Maybe a very controversial pick for my number one because so many people absolutely hated this movie, lol. I am biased given that I'm a huge fan of Charlie Kaufman, he's my favorite screenwriter, and his films have only gotten weirder and weirder, so I know to expect the unexpected when going into one of his films. I can understand how this would be an offputting experience if you're expecting the conventions of normal narrative structure. It was surprising and perplexing to me how this film unfolded but I've watched non-narrative and experimental films before so I was intrigued rather than frustrated. You think it's about a woman who is thinking of breaking up with her boyfriend as they head to meet his parents. Once we get to his childhood home things start getting surreal, and that surrealism just escalates to the point where you realize this film is not at all attempting to depict reality and doesn't even have any continuity. This is the most a movie has ever felt like one of my dreams. I don't know how other people dream but this was so much like every weird nightmare I've ever had where I feel trapped in a situation. 
There's a scene where the family is talking about art, the dad says he hates abstract art because it takes no skill, he prefers paintings that look like photographs because that takes real skill, the son asks why make a painting look like a photograph when you can just take a photograph, the woman states she paints pictures of landscapes and tries to imbue them with a sense of interiority, capturing the way she feels, the dad asks how can a landscape be sad if you don't have a person in it looking sad. I felt like this was a bit of meta commentary on the film itself. After I watched this movies I had my own theories, I watched some analysis videos on youtube that confirmed a lot of my ideas and gave me insight on other parts of the film, I watched the film again and formulated more ideas, it's so dense with things to project meaning onto and interpret it. I went on instagram and ended up having lengthy discussions about what the film meant both with people who loved it and hated it. Everybody I spoke with had slightly different interpretations and takeaways. One woman who initially did not like it came away with an appreciation for it after we had a lengthy discussion about it's meaning. 
All of this is why it's my favorite film of the year, not only did I relate to it on a personal level because I'm in a stage of my life where I'm approaching middle ages and afraid I'm going to end up like the guy in this film, but I can't remember the last time a film led to such meaningful conversation about life, death, love, mental health, loneliness, trauma, etc. So like the scene where they're talking about art, I think this movie is neither intended to be abstract or realistic, it's supposed to be imbued with a sense of interiority. I know I sound way pretentious right now, but I just really appreciated Charlie Kaufman for making something unabashedly expressionist and serving it up to mainstream audiences. I really feel like I grow as a person and an artist every time I watch one of his films.
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So there ya go. That’s it. That concludes this arbitrary exercise in ranking the movies i saw last year, thank you for wasting your time on this, lol. I think it was a very good year for movies. 
If there was a movie you were expecting to see on the list and it’s missing I just didn’t get to it in 2020, I may do an unranked follow up list of 2020 movies I missed in 2020, maybe.
That’s it.
End of post.
Bye.
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elliepassmore · 4 years
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The Last Hope Review
5/5 stars Recommended for people who like: sci-fi, space opera-esque stories, LGBTQ+ characters, multiple POVs, mythology, futuristic I liked The Last Hope more than The Raging Ones, though the plot was definitely stranger and more out-there than the first book. As much as I liked this one, I do feel the weird direction the plot took brought me out of the story somewhat and ate away at the suspension of belief that's so critical for stories like this. I suppose that if it had been set up in The Raging Ones I would've had less trouble with it, but from what I can tell, the main goal and reveals in this book belong almost 100% to this book. The reveals and goals that do connect across the two books are, I feel, not as big a deal as the ones that are not (that's not to say finding out why Mykal, Court, and Franny are linked or why humans are so rare isn't important, but considering everything else that occurs in this book, those things certainly take somewhat of a back burner). In this vein, there was also a comment at the end of the book re: Franny and Zimmer that I think would've made far more sense at the end of Raging than at the end of this one, as their relationship and interactions were more developed in the first book than in this one. Court is a lot nicer in this one, which is definite improvement from Raging. I don't know if it's because of how things played out at the end of the first book or his relationship with Mykal, but his attitude has had a wildly positive adjustment. One thing that was nice was that he included Mykal and Franny more in his planning and is more conscious of them and their feelings. A lot of the chapters in this one were from his POV and I enjoyed getting to dig into his head a little more and understand his motivations and feelings, as he was largely the 'push' character in Raging and in one of the major reveals he continues to be a push character. I also enjoyed learning more about Mykal, especially in light of the fact he meets his adoptive brother. We already know he's protective of Franny and Court, but it was an interesting dynamic to see him protective over his brother (who is the same age as him) while also attempting to connect his brother to their father and the Greenpale culture. Franny got less narration in this one than in the first one, though we see enough to get to know some of the other humans and to understand part of why she's so desperate for answers. She's still rather naive and there are times I question why she makes certain decisions (not necessarily bad or dumb, just curious why Ritchie went that direction), but I would say she's grown from who she was at the end of Raging. A new character, Stork, enters the picture and is the one to set them on the track of the baby. Stork gets a handful of narrative chapters (three, I believe) and turns out to be rather relevant at the end of the story, but for a rather large portion of it he acts as the trio's trainer and as a secret keeper. Because humans are endangered and the Saltarians are trying to hunt them down, and because Stork himself is an Influential raised by humans, he's rather desperate for the trio to agree to help him find the baby to hide the planet. In his narration, it's clear he feels somewhat guilty for hiding the trio's past from them, but his actions toward them in the beginning are mistrustful and catty (and sometimes downright childish). Despite this, he's a character you can't help but like the further into the story you get. Though, like Franny, I felt he held a rather minor role for someone who plays such a big part in the last big reveal. Gem, Kinden, and Zimmer all come back and become relevant sooner in the story than they did in the first one. All three, and Gem's older sister who was also in Raging but whom I have only slight memories of, come to find Franny, Court, and Mykal and agree to help them find the legendary baby. The sequences with all seven of them are very reminisce of the training for Saga, but for blending in on another planet instead of going into space. The lot of them are actually quite funny and are good characters to help move the story forward. Of course, being side-characters, they don't get off scotch-free, *SPOILER* Gem gets get an eye mauled and Zimmer dies, and that's after the humans make them test their loyalty by going to the brig for a hot minute *SPOILER END* but they seemed to integrate into leaving the Saltare system relatively well. Seeing Saltare-1 was super cool and fulfilled the wish I had at the end of Raging that we could see more of the other planets. Saltare-1 is a water planet, so we get to see Stork teach most of the Saga 7 to swim and then we get to see them all interact in a floating city surrounded by croc infested waters (I'm sure there's other stuff down there and there are probably safe areas, but we get to see a mutant crocodile, so that's what I'm mentioning). I liked seeing the differences between Saltare-3 and Saltare-1, especially in light of how certain cultural things were so similar, despite other obvious differences. It seems the Influentials and Fast Trackers each live in relatively the same way no matter which planet they're on. Plot wise...so it's a good concept. We already have Saltarians, endangered humans, giant spaceships, and links between people, what's a little teleportation, right? I don't even mind that the person who has the ability to teleport things is a baby or a different, it's whatever. As already mentioned, there's Saltarians and there's humans and then there's hints that there are other species, so the baby not being Saltarian or human isn't that huge of a deal. But it's parentage and 'home'...I have a bit of a problem with that. *SPOILER 1* Maybe I'm just being a huge stickler, but how, exactly, does the timeline for all of this work out? Furure!Court and Future!Stork send Zima back in time in hopes of creating a new timeline, which succeeds. But now that there's a new timeline where earth was saved...do they still send the Zima back? Do they need to? Has anyone considered that if they keep sending this baby back she will never grow older than 3? And that if they don't send her back, then they risk the future getting altered? Like...it's a mess, in my opinion, but again, I could be completely wrong about this and overthinking it. I also thought it a bit strange, though plot-convenient, future!Court and future!Stork to reveal that Zima is the daughter of *SPOILER 2* Stork and Franny *SPOILER 2 END. They wanted to find the parents and make sure taking Zima was okay, but at the same time, revealing the future to people in the past is generally a big no-no. *SPOILER 1 END* I still love the book and enjoyed the plot, but the last third was just very very weird.
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unnursvanablog · 4 years
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The books I read in the first half of the year.
The Gentleman’s Guide to Getting Lucky – Mackenzi Lee: ☆☆☆☆ Short, funny, and sweet is the best way to describe this novella. Just some good times with some characters you like and their awkward romance adventure. Really enjoyable read.
Pendragon – James Wilde: ☆☆☆ I liked the Arthurian legend bits; I just wish it had not been as vague or so few and far between. I understand why the author decided to not go full force on the Arthurian legends, but I just didn’t find the plot gripping enough on its own. Everything else was just sort of okay-ish to me. I did feel a bit like the guy was trying to make this Game of Thrones-esque to me without much of the depth of Martins writing, none of the characters really stood out to me and the plot became really repetitive after a while and I really had to push through to finish it in the end. Chasing Merlin – Sarah White: ☆☆ This was not the story I was expecting out of this book for some reason. I thought I was going to get some cool, modern retelling of Merlin, but instead I just got some romance book where most of the characters were just annoying (including Merlin, how dare you!) and the romance just wasn’t doing it for me. I liked some of the references to the myth, but I was not super into the execution of it. The main character was just so dense, even if she LOVED the myth.
The Witcher 2 & 3 – Andrzej Sapkowski: ☆☆☆, ☆☆☆ I am not as into this book series as I thought I would be, or I hoped I would be. I like the dark fairytale elements; I like some of the characters even if I do not find them as deep or far from fantasy-clichés as I had been told a lot of them were. But I just have not been super into where the plot is going for the most part.
The Poppy War 1 & 2 – R.F. Kuang: ☆☆☆☆, ☆☆☆ Fantasy like I have never read it before! Really interesting mix of historical and fantasy and the worldbuilding is neat. I find each character interesting in their own way and I like how I never truly know where they will take me or what they will do. I sometimes find it a bit too gritty and violent, but I can understand why the author chose to write it like that as we explore the devastation of war. I completely fell for the first book, while the second one had a bit of of a second-book syndrome for me as it was trying to bridge the gap between the first and the third one, while also trying to tell it’s own story. But quite a fascinating read and I can’t wait to get my hands on the third one!
The Starless Sea – Erin Morgenstern: ☆☆ Absolutely NOTHING happened in this book. At first, I was quite enjoying myself and the beautiful writing and the slow pacing. I had read the Night Circus; I thought the plot would just slowly reveal itself. But there was barely a plot to be found there. Just the character aimlessly wondering around some rooms, talking about keys and books, and saying some pretty quotes. So little happened and I got so frustrated by it towards the end. I would have traded at least a half of those beautifully written sentences for some actually plot that hooks you in and takes you on a journey, because this was a beautiful bore. And the characters were not even that well fleshed out. Emma – Jane Austen: ☆☆☆ I like the stories Jane Austen writes, but I am not that into reading them. Her style just kinda doesn’t hook me in, so I don’t often pick up her books. The Witches of New York – Ami McKay:☆☆☆☆ I loved the atmosphere, the ambiance, and the aesthetic that this book had and how everything was painted by the author of these witches in New York who operate a tea shop. I mean… I am just a simple girl who lies tea and witches. That and the characters hook me more than the story itself, which was rather slow. The actually story on the back of the book took over 200 pages to arrive and was resolved quite quickly, but I didn’t find myself too bothered by that because I enjoyed the atmosphere, the buildup to those events and the character quite a bit.
Villueyjar – Ragnhildur Hólmgeirsdóttir: ☆☆☆ I liked this more than Koparborgin by the same author. The characters, the world and the story hook me more from the beginning. But it’s the ending that just sort of misses the mark for me, just like her other book. This one just felt too abrupt after all that buildup.
Daisy Jones & The Six – Taylor Jenkins Reid: ☆☆ I hated pretty much every character in this story. A lot of them may have suppose to be unlikable but still fascinating, but I just found myself annoyed by most of the things they were talking about. I just kind of did not really care. It only gets two stars because the very last part of the story made me cry. When everyone was just talking about their lives after the band ended and got all sentimental. That somehow got to me. The rest I hated. The Voyage of the Basilisk – Marie Brennan: ☆☆☆ An incredibly good blend of fantasy and the historical, even if it’s not really historical at all. But you can sense the work and the thought that went into this world, so it feels like I am reading a historical fiction. I feel like I am in a very well-crafted historical drama while reading it. I love the adventure side of this story and the characters. When the story goes to deep into the anatomy of dragons and the naturalist aspect of the journey it does loose me a bit for some reason. And I tend to like the beginning of these books more than the end for some reason. But it’s a fun adventure.
An Absolutely Remarkable Thing – Hank Green: ☆☆ Sci-fi such as this one is supposed to suspend your disbelief as you read about all these impossible events. And I had no trouble with the sci-fi elements in that regard, but I did however find the more humane aspect of the story quite unbelievable; like how all of these characters acted and the social media and internet fame aspect. It just all felt bit too unrealistic at times, or even just pretentious. And I hated how we are left with a cliff-hanger, just like the had decided to just cut the story in two for the sake of it (or more money). Seven Surrenders – Ada Palmer: ☆☆☆☆ I had a much easier time with this one than the first one. I understood the world and the characters a lot better, I had an easier time getting settled into the story and understand what was going on, which character was which and so on. So, it was just a much more enjoyable time and I really enjoyed the story and all its twists and turns that it threw at me.
The Priory of the Orange Tree – Samantha Shannon: ☆☆☆ Well-crafted and written female-centric fantasy story, but I sometimes felt like the over descriptive nature of the story pulled me out of the story a bit. It took me some time to get used to it. The story does drag a bit towards the middle and I had expected a bit of a stronger ending after all of this set-up and world-building. But I liked the world and the characters and all of that. I was expecting it to wow me, which it did not, but I enjoyed myself for the most part reading it.   Kim Jiyoung, Born 1982 – Cho Nam Joo: ☆☆☆☆ This story did all it set out to do and it did it in a very short amount of time. The text does feel very dry to read and it maybe it does a bit too much of tell but now show. But I found myself really hooked and interested in what it had to say, and it did that beautifully and in a impactful way. It really touches you, and it made me cry at least and get teary-eyed a few times, as we explore everyday sexism in Korea (but you can also see glimpses of it in your society) and how it’s just seeps in and out of everything. The Library Book - Susan Orlean: ☆☆☆ There were some interesting, moving parts within this book. I love this ode to libraries, but it certainly did not need to tell me that libraries are essential to the society and our culture, because I already knew that. The book is a fun read, but sometimes it does meander a bit and goes on side-quest almost that have nothing to do with the fire that burned down the library or anything, which I wasn’t always as invested in.
The Mermaid and Mrs. Hancock – Imogen Hermes Gowar: ☆☆ It felt pretty to read. The writing was pretty, but I did have some trouble connecting to it and the character in it as they didn’t seem to matter all that much to the main story, and for a while the story isn’t really about anything as the plot had very little focus, and I had some trouble remembering who was who for a while. I felt like the romance of Mrs. Hancock sort of came out of nowhere and I did not feel much chemistry between them. I was also just really disappointed by the lack of actual mermaid within the story. I wanted more of that. The Ballad of Songbirds and Snakes – Suzanne Collins: ☆☆☆ I personally wanted to see more how power and ambition made Snow as the character we know from the original trilogy, and I understand why some people find the ending a bit abrupt as they wanted more from that aspect of the story. But I also understand why Collins did what she did with this this one and why Snows ambitious clime from the poor situation of the Snow family to where is ended up a bit more quieter than I thought it would be. He is just so complicit in this all. He understands the system, he even criticizes it, but he does not do much do put an end to it since he knows what he can gain from it and after all that is what trumps everything. I found that to be really well done and it made Snow a really interesting, yet unlikeable character. And feel a bit more realistic.
There is a bit of a pacing problem at times, and I did feel like we could have gotten more out of those last few chapters than we did and I don’t think it capture the highest highs of the Hunger Games trilogy. But overall, I quite enjoyed this.
The Ultimate Hitchhiker’s Guide to the Galaxy – Douglas Adams: ☆☆☆ I have not read a lot of books like this one. It truly feels one of a kind. It’s a really fun and easy read, but after a while it does feel quite repetitive, both the humor and the plot - and I truly expected it to be funnier from all the talk I had heard about this book for years and years. I found it sometimes go a bit too slow, sometimes a bit too fast and yeah, just a bit too repetitive. I got a bit bored of it after a while and switched to audiobook to try to get through it a bit faster.
Washington Black – Esi Edugyan: ☆☆☆☆ This was such an interesting story, quite easy to read and fast-paced at the beginning which really hooks you in. I did sometimes feel like how it was written (or maybe how it was translated) take me out of the story or the style not always meshing with me and it did have some pacing problems towards the end or certain parts of the story didn’t capture my attention quite as much. But the characters were really interesting and deep.
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