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#shut up im fine
paranoiahaven · 11 months
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My unhealthy obsession with enjoying works that were created to physically hurt me all began with Titanic. What about you?
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sevikasenby · 7 months
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ok hear me out. 69 with sevika while she lays on her back and you lay on your stomach on top of her. she’s eating you out while you suck on her cock. she occasionally bucks her hips, fucking your mouth. she’ll stop eating you out just to watch as her spit and your arousal seep out of your entrance every time your cunt clenches around nothing as she fucks your mouth.
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loisroo · 2 years
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‘I can’t let that fool go down alone.’
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homosexual-newsboy · 10 months
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You might be wondering how many times I'm going to post about the fact that I don't sleep.
Well, mates.,
I don't fuckin know
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wintersdeadd · 2 years
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Lee’s unhinged thought of the day……Usagi Yojimbo dating game lmao
No this is not just me wanting to date Jei shut up I’m normal
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jonnywaistcoat · 3 months
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I low-key love the fact that sci-fi has so conditioned us to expect to be hanging out with a bunch of cool space aliens, that legitimate, actual scientists keep proposing the most bizarre, three-blunts-into-the-rotation "theories" to explain the fact we're not.
Some of my favourites include:
Zoo Theory: What if there are loads of aliens out there, but they're not talking to us because of the Prime Directive from Star Trek? (Or because they're doing experiments on us???)
Dark Forest Theory: What if there are loads of aliens out there, but they all hate us and each other so they're all just waiting with a shotgun pointed at the door, ready to open fire on anything that moves?
Planetarium Theory: What if there's at least one alien with mastery over light and matter that's just making it seem to us that the universe is empty to us as, like, a joke?
Berserker Theory: What if there were loads of aliens, but one of them made infinite killer robots that murdered everyone and are coming for us next?!!
Like, the universe is at least 13,700,000,000 years old and 46,000,000,000 light years big. We have had the ability to transmit and receive signals for, what, 100 years, and our signals have so far travelled 200 light years?
The fact is biological life almost certainly has, does, or will develop elsewhere in the universe, and it's not impossible that a tiny amount of it has, does, or will develop in a way that we would understand as "intelligent". But, like, we're realistically never going to know because of the scale of the things involved.
So I'm proposing my own hypothesis. I call it the "Fool in a Field" hypothesis. It goes like this:
Humanity is a guy standing in the middle of a field at midnight. It's pitch black, he can't move, and he's been standing there for ages. He's just had the thought to swing his arms. He swings one of his arms, once, and does not hit another person. "Oh no!" He says. "Robots have killed them all!"
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no everyone shut up i'm bad at names ok
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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bythelightswitch · 3 days
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this place seems familiar
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+ non-ntscQT version
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chanrizard · 8 months
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weekly channietonin for the soul🥰
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toxicwrench · 10 months
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hbd clown boy sorry for being almost a week late or whatever
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andtosaturn · 7 months
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btw there will NEVER be a "new superwholock" in the true sense of the word. the way media is consumed these days means you binge a show and think about it for a month tops and then find something else for the next month and so on. obviously there are some fans who talk about it all the time but the intensity of superwholock cannot be recreated without weekly episodes released twice a year, sometimes with overlapping season releases, for years on end. the collective viewing and blogging about it at a scheduled time every week for months on end for YEARS is what created the cult-like atmosphere. you can't artificially recreate that with netflix shows dropping all episodes at once and then radio silence for 1-2 years. i think the world is also too accepting of finding ugly or old men hot now that there will never be the same in/out group feeling when you post about wanting to fuck an old man and being met with confusion and disgust from non-fans. no solidarity in weird taste in guys because everyone loves weird guys now. also those pirates will never queerbait like supernatural did
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toruvi · 6 months
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LEVI IS SO FUCKING BOYFRIEND SHAPED OH MY GOD!?!?!!?!?
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finnitesimal · 8 months
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Brother if he agrees to the wedding those aren't his boundaries at all
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alwyswnadie · 7 months
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matty please give me a chance please please please
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rox-of-iu · 8 months
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no thought only MQF in brain* (*even more than usual yeah.....)
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ok lads listen up. i love allllll Mu Qingfang designs ok? all the interpretations are cool and valid and dear ok BUT. whenever I personally try to draw MQF without a 'stache he just looks to me like a first-year med student ok hjdfhkfd
but anyway. when i was scrolling around and being completely normal about MQF i saw a lot of ppl say stuff like 'this is my 'mqf is actually pretty' agenda' and its alwaysss about peeled mqf SO I HAVE A POINT TO PROVE OK. mqf with a moustache can be also a prettyboy ok?? i can prove it 😭😭
so here are my qingfangs where i turned up the babygirl vibes to absolute max as i could hsdfjkhdskfh 💜
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