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#so I guess that??? makes me want to pour boiling hot discourse oil all over my body???
rawliverandgoronspice · 8 months
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not to. Return There. but. I am compelled to burn my wings against the bright light until the end of times, so.
I think that if Totk Ganondorf was ever meant to be a criticism of imperialism, it's a pretty incomplete one without Rauru taken into account.
While Ganon is very representative of the "conquest" aspect as a Strongman Fascist who reveres strength and the violent part of the initial domination, he has no concrete plans of enforcement and structure down the line, no way to preserve his flimsy grip on power (the game makes a point to tell us he doesn't care for survivors and he doesn't ever seem eager to preserve any kind of infrastructure). Rauru --who somehow couldn't "come to the aid" of Hyrule without crowning himself king about it-- isn't about the conquest or the violence, but Hyrule is nothing if not an extremely well oiled system with a centralized religion, coin, language, history, legends and social class self-replicating since the literal beginning of times.
The *very long sigh* imperialism thing isn't about making one of these two egotistical weirdos more righteous than the other: it's about acknowledging the parallels, even if the game itself throws hissy fits at the mere suggestion Ganondorf and Rauru are two characters who are begging to be compared (and even make vague strides that they should be during cutscenes, though they are not super specific and immediatey dissolve into a little puddle of nothing, I'll give you that willingly), because if Ganondorf represents stage 1: the conquest... then Rauru should represent stage 2: the consolidation.
And the fact that the game is desperate to refute that these two kingly idiots adhere to the same fundamental system of governance (and the one who's deeply into the concept of centralization and automation and leveling of culture and repression of literal identity through the liberal use of masks not being the chaotic dramaqueen on his edgy unicorn giggling to himself about awkward murder scenes) feels like pretty offputting denial --because, truly, what is so scary about noticing the similarities? Wouldn't it be enriching and worth the conversation?
What are we so afraid of?
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