Okay but forreal, now more than ever I desperately NEED Aya to eventually wreck Fyodor's shit somehow. I already wanted her to get her revenge before, but I didn't think Fyodor would even remember or know who she was, and would massively underestimate her for that reason (just like Jouno knew that Fukuchi would underestimate her). But now the story has instead created this twisted, fucked-up dynamic between them, where Fyodor not only knows her, but is protective of her for reasons that are not his own: he has taken the pure, noble, kind, fatherly love motivating Bram to protect Aya and warped it into something horrific, vowing to protect her body only while not caring how much her heart and mind has been scarred, and claiming to be doing it for her own salvation, when he cannot possibly understand the selfless feelings Bram had that made him want to protect her and care for her — feelings that he does not have. He may genuinely have some sort of affection for children (the way he treated Karma, "blessings for the children", this), but it is twisted and hollow and is quite possibly only him unconsciously acting out the motions due to behavior instilled in him from the feelings of all the people he's subsumed in the past.
All this is to say that, now the narrative has specifically pitted Aya and Fyodor together as direct enemies: she not only had reason already to hate him because he killed Bram, but because he's also taken Bram's love for her and defiled it, dishonored it and him and all that he was; meanwhile, Fyodor has given himself an arch nemesis that he no doubt takes great pleasure in seeing how much she hates him/how much despair he's brought her, but paradoxically at the same time feels a compulsion to "protect" her that draws himself to her and that he can't ignore. Aya has to defeat him somehow (not permanently, mind you; Dazai will undoubtedly be his final end), and the setup for Bram being able to fight back enough to stop Fyodor from the inside with her help is all right there, too. Their love for each other is still enduring, stronger than ever, Fyodor is proof of that right now, and they will be able to defeat him together, at least enough that Bram can be freed and come back to Aya. Dazai told Fyodor that he would lose because he doesn't understand and underestimates the power of friendship bonds and love, and there is no better a time for that to happen than here, when he is literally using someone's strong love for and connection with someone (acting as that person and claiming to know how they feel and to be the same as them) in a way that he cannot understand, which will be his undoing.
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I THINK I FINALLY PUT TOGETHER WHY LUZ'S ARC IN S3 OF THE OWL HOUSE BUGGED ME SO MUCH.
It's because they made her defining moment helping Belos meet the collector—which feels disconnected from the core of her character (and also it happened in an episode over halfway through season 2). That's not her defining moment, and it never has been: it was her choice to walk through the portal door, and become a witch.
That's what makes her similar to Philip, right? Like, Luz has this grand idea in her mind of becoming a witch. Philip has his own grand idea of being a heroic witch hunter and saving the human realm from this great evil. That's what the line "I am the great witch Azura, warrior of piece!" is meant to communicate. It's the idea in her head vs reality. That's what s1 of toh explores.
Luz choosing to walk through the portal door and become a witch is what leads to...well, everything. It leads to her not being able to go back. It leads to her mother's grief. It leads to Eda losing her magic. It turns Amity's life upside down. It leads to Belos meeting the collector. It leads to the near destruction of the Isles.
And that ties in with her foil to Philip WAY better, and it makes her decision to stay in the human realm at the end of 3x01 actually relevant. She wanted to be this great witch, to follow in Philip's footsteps creating a portal door and learning about the isles, she wanted to live her dream...and look what that lead too.
So, Luz feeling like her and Belos are both motivated by love and by their own childish notions...like that would have been SO interesting. She wasn't becoming the villain and didn't wake up one morning evil, but some of her decisions undeniably hurt others. But it also lead to some good things. And that's life, isn't it? Taking the good with the bad and accepting that.
But idk, instead it was like a "blah blah your one single mistake makes YOU the true villain!", which just isn't compelling or at the core of Luz character.
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(mgv) the first few heats after giselle's birth leave house consumed with parental devotion. he is protective to an insane degree and if she isn't gone to stay with someone before his heat really kicks in, any and all energy that would have gone into sex instead goes to being feral over the baby. example:
house and their pup are curled up in a nest he has carefully constructed for Maximum Comfort + Hide, practically wrapped around her as they nap. wilson left earlier to go grab a snack house had asked for and got sidetracked while at the store (keeps finding stuff they may want/need/might like and it becomes a Whole Thing) so he ended up being gone for long enough that house dozed off. when he comes back and house hears the sound of the front door unlocking, his eyes shoot open and he's instantly growling -- he's not even really awake, just running on pure instinct while his brain struggles to catch up. it's enough that when wilson walks in and hears it he stops on reflex -- an omega, in heat, nesting, with a pup, growling? alpha weakness. shakes them to their blood even when it's their omega because when instincts run high like that. even those in bonded pairs will tread carefully because the omega will Not Hesitate. it's not until wilson hesitantly calls out to him that house shakes himself out of it ("rrrrmrrgghhrrr--" " 😰 house?" "--rrrmpp?"). then when wilson walks in with the snack and whatever other little tokens he found he plays it extra safe as an apology for being gone for so long; keeping his head bowed, placating notes in the scent he puts out, staying a respectful distance away from the nest until house explicitly permits him to come closer (house rolls his eyes when wilson hesitates to enter the nest even though he so clearly wants to)
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