#stockhausen

[monochrome-ish]

MEN. Atomic Heart men akjgfalkg

Men. I like men in this game.

#atomic heart #sergey nechaev #p 3 #char les #chariton zakharov #viktor petrov #dmitry sechenov #stockhausen #mono doodles #MEN #MENNNN

[kswwxr]

I love him ❤️🍄

#atomic heart #michael stockhausen #stockhausen #atomic heart art #штокхаузен #михаэль штокхаузен #атомное сердце #атомик харт

[ringmodulation]

this is what composer karlheinz stockhausen said about 9/11 and honestly he's so right

#karlheinz stockhausen #stockhausen

[thephilosopheroftheboudoir]

Karlheinz Stockhausen

Telemusik

#karlheinz stockhausen #stockhausen #musique concrete #electronic music #nurse with wound list #Youtube

[oldshowbiz]

Before the advent of EDM Festivals, this was the electronic music all the college kids were listening to...

#stockhausen #electronic music #weird records

[already-14]

1966 -  Production : Pierre Schaeffer, le Groupe de Recherches Musicales du service de la recherche de l'ORTF Une émission de Luc Ferrari Réalisation S.G. Patris Martina Arroyo (Soprano solo) Orchestre et choeurs West Deutcher Rundfunk Chef des choeurs : Herbert Schernus, Orgues Alois et Alfons Kontarsky 

 Dans la salle de répétition d'un studio de Cologne, Stockhausen évoque la genèse et la signification de cette oeuvre d'amour : "Je ne vis pas d'histoire, je ne vis que des moments." Ce sont ceux que le compositeur a voulu recréer musicalement qui se succèdent ici, se rencontrent et se surimpressionnent dans l'écoute.

"Momente n'est pas une histoire inventée, c'est une oeuvre qui n'existe que par le degré de présence de chaque évènement. Ces moments ne s'expliquent que par le passé et l'expérience, et ne sont là que pour créer l'espoir d'autres moments à vivre".

(via Karlheinz Stockhausen : Momente - YouTube)

#youtube #stockhausen #pierre schaeffer #martina arroyo #1966

[berio-visage-asmr]

mmmmmmmmm makes brain nice and head mushy

#stockhausen #music

[eppysboys]

“Karlheinz Stockhausen made Brian Epstien nervous. In 1967 The Beatles’ manager needed the composer’s approval for Peter Blake to use his image in the Sgt. Pepper album’s famous front-cover collage. But Stockhausen was touring and was difficult to pin down. He almost didn’t make it onto the cover, but an urgent telegram from Epstein saved the day.

‘FURTHER TO LETTER AND ENCLOSED RELEASE FORM CONCERNING BEATLES LP YOUR DECISION IS MOST URGENTLY REQUESTED ONE WAY OR ANOTHER BY RETURN STOP SORRY TO PUSH YOU BUT AT THIS STAGE SPEED IS OF THE UTMOST IMPORTANCE REGARDS AND BEST WISHES BRIAN EPSTEIN’

Brian Epstein went to such lengths because Stockhausen was so important to The Beatles - to McCartney and Lennon especially.” 

The Unknown Paul McCartney and The Avant-Garde by Ian Peel

#Brian Epstein #The Beatles #quotes #Paul McCartney #John Lennon #Stockhausen #karlheinz stockhausen #The Unknown Paul McCartney and The Avant-Garde #Ian Peel #Brian #queued

[venusimleder]

#karlheinz stockhausen #stockhausen #zeitkratzer #aus den sieben tagen #electroacoustic #musik #electroacoutic music #Bandcamp #modern classical

[rofilm1]

The cradles of electronic music part 10

(excerpt from my e-book “New Concepts for Music and Sound”: https://www.dev.rofilm-media.net/node/537)

One of the “backbone” devices in the studio of electronic music of the WDR broadcasting station in Cologne, Germany was the Tieftone Generator.

The perhaps most famous user of this generator is Karlheinz Stockhausen. In his piece “Kontakte” (https://www.youtube.com/watch?v=7XWNR_TcPFI) he used this Tieftone Generator for producing structure (it can be used as an LFO with cycle lenghts up to 10 seconds) as well as for modulations (it goes up to 1.1 kHz).

“Kontakte” is a piece for electronics, piano and percussion. In the performance two solists (a pianist and a percussionist) play live together with the pre-recorded electronic parts coming from a tape.

According to Stockhausen the name “Kontakte” means the contact between the human performance and the fixed electronic music from the tape, and builds a symbiosis between these seemingly contrary worlds.

It also means the contact of the audience with so far unknown sounds and completely new kinds of musical compositions (Stockhausen says).

In “Kontakte” the principles of “classic” serial music are translated into electronic music and expanded from mere tone/pitch related rules to the realm of timbre, sound and spectra.

A more detailed description and explanation of “Kontakte” is given here: http://stockhausenspace.blogspot.com/2015/11/kontakte-planning-design.html.

Please let me say a little “warning”: in the blogspot article, which is very interesting and helpful otherwise, they mention the compositional element of “moments”. Stockhausen has written and lectured about the structural element of a “moment” a lot (I have found only some of it on the Internet unfortunately, but I write a bit more about it in my e-books about generative music - https://www.dev.rofilm-media.net/node/331). The kind of definition of a structural “moment” given in the blogspot article is a bit too much “compacted” and destilled down, I think.

The Tieftone Generator is also one of the devices in the software Berna 3.

... to be continued

#electronicmusic #earlyelectronicmusic #stockhausen #eimert #Berio #berna3 #musicproduction #em #electronicmusicproduction #timbre #sound #electronicmusic1950s #ongaku #bento #newmusic #progressivemusic #kontakte #musicalmoments

[harlequinartiste]

Harlekin. Stockhausen.

#harlequin #stockhausen #Youtube

[horsepostingakimbo]

Karlheinz Stockhausen, Gruppen for three orchestras (1957)

#Stockhausen #Youtube

[slack-wise]

Interviewer: Have you listened to Stockhausen? Sir Thomas Beecham: No, but I once trod in some.

#quote #quotes #texts #critics #critic #critique #Stockhausen #Karlheinz Stockhausen #Thomas Beecham #Sir Thomas Beecham

[ringmodulation]

#i just bought this vinyl on discogs so i can put it on my wall #stockhausen #karlheinz stockhausen #Youtube

[spaceintruderdetector]

Die Reihe (German pronunciation: [diː ˈʀaɪ̯ə]) was a German-language music academic journal, edited by Herbert Eimert and Karlheinz Stockhausen and published by Universal Edition (Vienna) between 1955 and 1962 . All 8 issues in english-

Die Reihe 1-8 (1957-1968) – English : Herbert Eimert & Karlheinz Stockhausen : Free Download, Borrow, and Streaming : Internet Archive

#karlheinz stockhausen #stockhausen #herbert eimer #music theory #electronic music #early electronic music #music

[victorandrini]

È finita la mia prima esperienza a @caminocontrocorrente. Ringrazio Riccardo Vaglini, Valentina Merai, Francesco Torrini, che hanno organizzato questo stupendo momento di incontri di musica, arte e cultura . Per me è stato un vero onore eseguire The mind is its own place di Anna Dobrucka Massetti, Abyss di Karol Pyka e Una visione del Creatore di Riccardo Vaglini. Ed è stato un grande piacere portare con @fragmente_ensemble_official il Luzifers Zorn. #caminocontrocorrente #contemporaryart #contemporary #contemporarypainting #contemporarymusic #contemporarymusiccomposer #singer #performer #vaglini #stockhausen #luziferszorn (presso Camino al Tagliamento) https://www.instagram.com/p/CpdiU5agxaN/?igshid=NGJjMDIxMWI=

#caminocontrocorrente #contemporaryart #contemporary #contemporarypainting #contemporarymusic #contemporarymusiccomposer #singer #performer #vaglini #stockhausen #luziferszorn