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#the show is genuinely funny tho

introspectivememories · 3 months

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been watching mashle and oh my god, the eugenics???? the way lance's parents were so ready to give up their daughter??? no second thought???? just "why did this child have to be born to us?"???? um everyone talking in mash's face about how non-magic people are inherently worthless???? the triple line dude fucking making dolls out of people and somehow no one??? is??? checking him???? and then when questioned immediately jumping into "well humans are little more than mindless beasts and i will become a creator deity and reshape the world in my liking!"????? the, um, corruption in the government??? the way this story is so clearly "h*rry p*tter if it was actually funny"??? the slytherin coded characters are blood purists???? they took out hufflepuff??? one of the magia lupus' mage's powerset was just big shuriken???? another one is rip off kisame???? lance is a siscon and the first thing mash says is "that doesn't make it better"???? lemon is genuinely so fuckin funny??? dot is incel-coded but like in a funny way??? dot says that lance is playing life on "easy mode" cause lance has a good face??? dot likes tea??? dot has good manners??? everybody only has one spell they can use??? finn ames is like if you transported is regular human into this stupid ass world??? i think the old man and the cop have explored each others bodies.

#so many baffling things #the show is genuinely funny tho #mash and lance have something going on and i stg this isn't just me putting my shipping goggles on #also lance is a siscon but like in the most non-weirdest way possible??? like he just doesn't want his baby sis to die #and like yeah the power of her photo is enough for him to fling himself backward into a wall hard enough that it cracks #but he's not like in love with her or whatever. bare minimum victories ig #also when the rap starts it gets sooo hype #not to talk about h*rry p*tter in 2024 but why did they take out hufflepuff??#that was the only good house #everybody else in that world seem insufferable but hufflepuff seemed like you could get along with them #also they need to stop talking shit about non-magic people in front of mash's face #mashle magic and muscles #mashle #lemon irvine #dot barrett #finn ames #mash burnedead #lance crown

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camels-pen · 10 months

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got inspired by a fic i read the other day, but didn't quite hit the right spots for me so. time to write out a new wip idea

The concept of that fic really grabbed me - Jason and Tim having a bodyswap the same day Jason wakes up in his coffin, at a point after Tim had already visited Bruce and Alfred with his insistence that Batman needed a Robin - but for what I was thinking, by the time Jason convinces Bruce and Alfred of who he is, Tim's already started to dig himself out of the coffin. And when the three of them show up at the cemetery, the grave's empty.

Tim would be catatonic and go through much of the same stuff canon Jason went through before being found and dunked in the Pit. He'd end up enduring the whole League of Assassins shtick that canon Jason went through while at the same time Jason is dealing with Tim's regular person life. Both of them struggled a bit trying to imitate the other, but they managed- Tim with not much issue considering no one in the LoA was close to Jason, and Jason trying to manage Janet Drake's clearly growing concern every time he slips up.

Like, imagine Tim, desperately trying to imitate what he knows of Jason from watching Robin on the streets and seeing Jay in a few galas here and there. And one day, Talia tries to tell him he'd been quickly replaced to get him to finally listen and Kill Somebody/accept he was staying with the League until they deemed him fit to leave.

And Tim looks at a picture of himself, hanging around the front yard of Wayne Manor with Bruce, Alfred, and Dick. Another picture showing himself in an ill-fitting Robin uniform on a rooftop and seemingly getting lectured by Batman, who looms in front of him.

And he says "I'm not buyin' it."

Somehow convinces Talia that he's not convinced that the Tim in the photo (who is probably Jason and thank god, Tim was really worried about what happened to Jason's mind- or rather, his own body; he didn't actually consider Jason coming back to life until now) and she arranges a short trip for him to Gotham to see for himself.

Tim really struggles the next two days to keep up the Jason act, but he's pretty sure Talia and the others were just chalking it up to nerves at seeing his family again and the "newest addition".

When he finally gets to Gotham, he doesn't bother being stealthy. He doesn't have the skills- no matter how much Ra's and Talia's goons have been trying to beat it into him- and even if he did, he doubted he'd be able to sneak away from his own teachers that were stalking him from the shadows.

So he does his best to be casual. Walks straight towards Wayne Manor, and when he can actually start to hear his assassin stalkers the tiniest bit as he approaches the gate- a sign they're getting really restless- he decides now or never and bolts the rest of the way.

He thinks, if he had come sooner to Gotham, he would've tried fitting through the gaps in the bars- as if he was still 13 and small enough to fit- but as it is, Tim's spent 6 months in this body and he's not going to make that mistake.

Instead he slams a hand on the buzzer and says as fast as he can, "it's Tim! Tim Drake! There's assassins, open the gate!"

He has a heartstopping moment when nothing happens- when there's no answer and the ninjas are getting closer and closer and- And then it opens and Tim doesn't stop with his relief, he runs.

The door is opened not by Mr. Pennyworth, but by Bruce himself, a belt clipped around his waist, but entirely in sleepwear. He has something in his other hand and as he yells, "duck!" Tim can only think it's some kind of bomb and dives for the ground.

He was sort of right. It was a smoke bomb. He heard and smelled it hissing away behind him, and saw the cloud of smoke in his peripheral vision.

Bruce wasted no time running past him and barking, "Follow Alfred to the cave!" Tim took a moment to just breathe, feeling much more safe with Batman fighting to protect him. When Bruce looked back at him through a spot in the smoke, he yelled, "Go!"

Tim scrambled to obey, trying to run and stand and awkwardly doing both to get in the home. Mr. Pennyworth was just inside the foyer, out of sight of the windows, now that Tim noticed, and holding a shotgun.

He was also wearing a fluffy blue bathrobe and fuzzy pink bunny slippers.

Tim blinked. "Uhhh,"

"Come along, Master Tim. We must be quick."

He didn't protest and followed him down to the Cave, where Jason in Tim's body sat waiting at the Batcomputer.

Man, I'm not completely sure on the timing, but imagine Tim finally getting back into his body and it's- he's taller than he used to be, bulkier too. And there are reflexes and muscle memory stuff he doesn't remember at all, but now just has.

He- he was Robin. Or, his body at least, and he felt like it. But he never was Robin. Not really. He never got a proper outing, never even received Bruce's official approval for it.

It was strange. And not totally a good strange.

He thought about the body he had. He didn't have a lot of love for it- puberty would do that to anyone- but it was his. And that saying about not knowing what you have until you lose it? Yeah.

Tim felt like crying.

#dc #bodyswap #tim drake #nemotime #didnt really focus on the jason bits here but if i ever actually write this- jay would probably get more of a comedy/humour role?#like yeah they gotta find tim and tim's parents are genuinely concerned and all #but much of it would be just funny shenanigans of Jason being saddled with two sets(?) of worried parents #and just when he manages to get things sort of under control. Dick shows up #i havent yet decided if he just becomes Very Annoying Older Sibling who has no idea how to process his emotions currently #and tries to fall back on tried and true tactics #OR if he is in Complete Denial and thinking this was just an elaborate ruse by Tim & lists the exact ways Tim would know how to imitate Jay #(he's right and each accusation/point would probably be juxtaposed with a brief switch in scenes to whatever Tim is currently up to #which also happens to prove Dick's point exactly even though no one can except the audience can see that)#Jay would knock sense into Dick eventually but the point is. I could make his life humourous suffering :3 #Either way Dick would show up some time after Bruce remembers to call him & he would Not leave the manor until Tim is back safe and sound #(not for Jason obviously. pfft. Jason's just fine. Dick doesn't need to stay at the manor to make sure of it. He's just staying to find Tim #okay. realistically. this would just be a hella lot of angst. However! Having that shift from Angst with Tim to Laughing at Jason would be.#so fun.#tho i'd probably still sprinkle in some Angst with Jason bc i cant help myself lol

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yellowsubiesdance · 1 month

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i realized that i never finished my last rewatch of the good place, i left off somewhere in season 3

which is honestly fine to me, the first two seasons are pretty perfect, and even tho i still like the last two there’s such an air of finality to it that i hate the thought of finishing it (even tho i’ve already watched the series twice and know how it ends)

#the good place #it might be time to rewatch it tho #although i think i’m going to start b99 again (and this time finish it)#yes yes i know it’s the copaganda show but i have the wherewithal to watch it and not be tricked into liking cops #my sister and i started watching animal control last weekend and it’s basically a non-cop version of b99 with different creators #it’s really cute and genuinely really funny

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james-stark-the-writer · 1 year

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the difference between the fourth wall breaks of something like the Deadpool movies compared to something like Birds of Prey and the Fantabulous Emancipation of One Harley Quinn and She-Hulk: Attorney At Law is that every joke in Deadpool feels masturbatory like the writers think they're so hilarious for doing a fourth wall break like that's never been done before whereas both of the other two not only feel right at home with the characters' personalities but are much more natural and much more well done compared to the jokes in Deadpool or its sequel. (do not get me started on Deadpool 2, the movie sucks ass in basically every way except for the characters of Domino and Yukio. every single joke in it was outdated before it was even written. they were making fucking dubstep jokes in 2018. it was a 2012-ass script made way too late and riding on the coattails of the first with even less effort into being actually good.)

but the difference between those properties is that Deadpool wants to be congratulated for being some insanely crazy shocking movie that's pissing off the studio system or whatever but every single joke in it was approved by those people because it makes them money like it's so antithetical to the entire point they're trying to make and it makes for a very infuriating watching experience sometimes. the cognitive dissonance is hard to swallow with that one. but the way BOPATFEOOHQ and She-Hulk do their bits feels so much more authentic and less self-congratulatory and also just like they're clearly done with so much more passion and effort and care? when I watch either of the Deadpool movies, I feel like I'm watching a bunch of executives jerking themselves off. when I watch the other two, I feel like I'm watching a passion project that the executives clearly didn't give a shit about and thus the creative team were actually allowed genuine creative freedom with not a lot of oversight. that's a little less true with She-Hulk (especially in terms of that glorious finale although even that feels more authentic and artist-driven than most things in either Deadpool movie. Kevin Feige's boring, sanitized ass does not have the range to do that finale) being a MCU property although Phase 4 was so fucking experimental and it was a joy to behold even if not everything hit but it's still true and more authentic for the most part. with Deadpool it feels like the only person who really really cared about it was Ryan and like maybe a few of the other actors who actually did do commendable work with what they were given but with the other two projects, it feels way more collaborative because every single person showed up and cared deeply about what they were making.

(this is an addition to the tags bc I ran out [apparently i forgot there was a 30 tag limit] but. anyway the point is. Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is a phenomenal movie in basically every single way and you should watch it.)

#James talks #sorry I just wanna scream about how much I love BOPATFEOOHQ again #the first CBM since 2014's The Amazing Spider-Man 2 that felt more like the voice of artists than the voice of a studio.#I love Shazam but even that felt like it was a little studio driven instead of being a David F. Sandberg movie.#like BOPATFEOOHQ feels artist driven the same way The Batman does and the TASM movies do.#not to derail this tag rant but the TASM movies are Marc Webb movies through and through.#yes they have Sony's grubby hands on them with the product placement and shit but they are inseparable from Marc's vision #they are what Marc cares about more than what the studio cares about. the thematic interests are all Marc Webb.#anyway point is: more art like BOPATFEOOHQ bc it actually cares and less shit like Deadpool that is just pointing and laughing.#Deadpool feels like it's laughing at the concept of superhero media and it's a horrible boring deconstruction of it bc it doesn't get it.#it feels bad to the psyche the same way those meme disney show record scratches do—#like 'my life is kinda crazy' but it's 'ironic' now so it's 'funny'.#'see it's funny bc they're self-aware!' okay but what are they doing by being self aware???#I'm not saying every piece of art has to be some profound exploration of whatever but Deadpool feels bad to watch in a way the others don't #BOPATFEOOHQ is actually fucking commenting on something using its gags!#the fucking 'they call her... the crossbow killer gag' is actually thematically relevant!! women telling their own stories!!#a subversive joke actually playing into the themes of the project!! imagine that! care ajf effort put into saying something!!#anyway Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is phenomenal.#genuinely one of the greatest CBMs out there. also just a phenomenal time. even tho Parasite is a better movie overall #— BOPATFEOOHQ was my favorite movie of 2020.#some of the best action around with a great script with amazing pacing and phenomenal acting and a great score and soundtrack!!#literally nothing more to ask for.#one of my usual criteria for evaluating how good a piece of art is how much I'd add to it to help it do what it was trying to do.#like not cutting anything from it unless absolutely absolutely necessary. just adding like maybe 10-15 minutes to the runtime and—#helping maybe a few weaker elements shine more. with BOPATFEOOHQ the only change I'd make is to have more of the characters.#let us see more of Cassandra and Black Canary. more of their inner lives and backstories.#Christina Hodson tells us their stories with great efficiency and it's done really well but visually I'd just like to do more with them.#give them each maybe a 2-3 minute scene with what their daily routine is like.#maybe explore Canary's history with her mother more. see how it ties into the GCPD more effectively.#maybe actually see Cassandra's parents and how she deals with them daily instead of hearing about it from her hiding outside

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todayisafridaynight · 1 year

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It's been wonderful being able to talk about these things for me too! I haven't really had the opportunity since Y7 came out, so I'm positively buzzing. And no worries about the tone of your post about Daigo's article haha, I appreciate it when issues are pointed that I might've missed otherwise since that's at least something actionable.

But I'm obviously not going to stop anyone from venting frustrations with the wiki or with Fandom as a platform; I frequently find myself frustrated too! It's one of the things that keeps people editing the wiki. I'm honestly fine with whatever as long as it's not accusing us of being fujoshi for the billionth time lol, but for better or worse I do like to clarify what we're trying to do if there's any confusion.

Speaking of, Mine's relationship tags are kind of a funny story! So a lot of them have these dotted underlines and question marks, right? You're supposed to be able to hover over underlined terms to see a short definition (on desktop) and click the question mark to see an article with all the definitions on mobile, since hover actions aren't possible on a touchscreen.

But since the article was and still is under construction, Fandom doesn't show the link to logged-out users. So I had no idea it just looks like we're saying the tag is ambiguous lol. It's up now though, so it's hopefully easier to understand what we're trying to do!

I just found it funny I specifically added that feature to reduce confusion. Half the grief we get over Mine's "romantic interest" tag is because people assume we're saying it's mutual (we chose the term to try and avoid the "mutual" connotations of "love interest," but I guess that didn't work out). I also thought it might help with somewhat esoteric tags like "co-parent" (which was put in place for Jo and Arakawa and then I kept thinking of others) and "surrogate son." Turns out it's tough to boil complex relationships down to one term!

I definitely have SO many questions about New Year's Day and I probably always will; for the space of only one night, it's a huge blank. I certainly do have to wonder if shipping Masato off to America was decided then and there. There's a lot that could possibly be expanded on in RGGO (further interactions between Arakawa and Jo included lol), so I've got hope for that too now that we're back to random events. I'd be really interested to see how you'd portray it someday!

Talking about Nakai and Tsutsumi reminded me, Nakai mentioned he read the whole script in a day so he "wouldn't do a disservice to Arakawa or Sawashiro's characters." That kind of stuck out to me precisely because there are so few scenes between them compared to like, Arakawa and Ichi, and they're all relatively low-impact in comparison.

Of course, it could be marketing on account of him and Tsutsumi getting to co-star again, or the scenes could simply have stood out to him more for that reason, or he could've had a different impression of the ratios having read the script rather than played the game. But the part of me that makes me want to go Off The Deep End speculating is kind of wondering if there were other scenes planned?

And absolutely! I'm not able to reblog often because the post editor's been crashing whenever I try to tag my posts, but I hope you know I love your work and I'll support pretty much anything you put out! I'm very excited to share my findings as well.

A lot of it's to do with Mine's relationship to Western culture vs. Japanese culture (his "westabooism," basically), so that's specific to him, but there a lot of interesting concepts and theories in Japanese psychology regarding familial bonds, met and unmet emotional needs. They work as an explanation for his probable feelings of alienation from Japanese culture, but I feel they would make for an interesting lens to examine the Arakawas through as well.

I actually hadn't ever considered the similarity with regard to Mine and Jo's dads, but that makes so much sense! If I were to take it a step further, I think feelings of "abandonment" by their fathers have had long-lasting effects on both them and Masato. Jo we've been talking about, his father was technically still "there," but he wasn't in his corner, which feels much the same as abandonment to a child.

I think Mine's internalized a lot of the same feelings even though his father never meant to abandon him (I guess Jo's may not have, necessarily; alcoholism can destroy a family whether the individual wants that to happen or not). Like, unfairness, displacement, lack of control, the loss of the only support you have and so on. I think dwelling on that is what sent Mine's mental state spiraling, and what made it imperative to just believe Daigo was "dead" to try and move on as soon as possible. He didn't want to be hurt the same way again.

It's also probably what he was projecting in his ridiculous villain speech during The Orphanage Scene; the reason offering kids support in the way Kiryu does is a form of "victimization" in his eyes, at that moment, is because that support can be ripped away from you at any time. The scene is kind of hilarious to me because it's like, "okay we need Mine to have a kick-the-dog moment, his actions have been too understandable," but I do get it from that angle.

Similarly, I think those feelings of abandonment are why Arakawa faces the brunt of Aoki's abuse, because it's like, "YOUR negligence is why I had to go through all of that." So I get why Jo, like your sister, wouldn't want the finger pointed at him, but at the same time… damn. Perhaps if Arakawa had never had that talk with Masato, things might've been different. I get the impression he wouldn't be able to endure keeping things to himself for as long as Jo, though, given things like the letter he sent Ichi in prison.

Oh, yeah, Jo is CRAZY protective of Masato too! "If anything happens to him, killing you a thousand times would be insufficient!" I think part of his overreaction to having Masato's money is also that if Ichi can't listen to orders that fundamental, who's to say he listened to the orders to keep Masato safe? I guess if you see Ichiban as incompetent to the point of almost being a malicious actor, you might think that.

I'm sooo so glad you've noticed the rest of those similarities haha, I've been rotating them around in my brain like a cube for ages. A Venn diagram would be so fun to see! That's such an insightful look at the differences between Mine and Jo's offices too. I was a little confused about the placement of the social spaces, or even that they're there, but if you look at it as clearly separate from his personal spaces, it does make sense.

Also, not to harp on the books in the offices too much, but I compared the textures a little earlier. Mine's are basically all (very expensive) encyclopedias and language phrasebooks in English, Italian, French, and German, in contrast to Jo's discrete hardcovers and series of art history books. They're probably all stock assets lol, but I think they're surprisingly good fits; Mine dumping considerable time, money, and energy into his fascination with Western culture and Jo being the type to not want people to know what he's reading totally works for me.

But yes! It's kind of funny, because Yokoyama wasn't much of a Mine fan in his early days, but I hope he and the others keep on writing characters like him. I think of it as Mine's "legacy" in a series where past characters aren't acknowledged too often; the most I can recall are that Hakuho mention in 4 and the fencing around the Touto roof perimeter.

Speaking of, I love Mine's missed shots in the finale specifically because he's an excellent marksman in his Okinawa character story. Why? How? Who Knows, He's Perfect. (Probably not as good of a shot as Daigo though lol)

And yeahhh, there are other interviews, but it ain't the same! It was the most in-depth one I know of. I think this is one of the only remnants, and I shall entrust it to you.

But yes, exactly! And I'm also glad Y7 introduced more people to them (myself included), Tsutsumi's my favorite actor of all time and Nakai's brilliant. They make a great combi! Of the things I've seen where they co-star, I think Princess Toyotomi and Hero SP are both solid; the latter is a special for a longer show, but I honestly didn't even notice lol. Musashi I wasn't personally able to get through even though I've read the book, so I'm not sure how it plays out between them.

Also I DIDN'T KNOW TORU DIED IN PURE??? That came out of nowhere oh my god T___T But if you're ever looking for anything rare, feel free to ask! I might know a guy (gender neutral) with a stash, Fly, Daddy, Fly included.

OH MAN MINE'S WIKI ENTRY I've definitely made my opinions about it known, but now knowing the truth behind it it's kind of funny and still so unfortunate. I'd almost want to recommend a section dedicated to the topic since it's such an integral part of his character, though I also understand wanting to keep the wiki strictly to factual information and to exclude speculation (or "speculation" anyhow- it's definitely more of a concrete situation, especially going off of the information provided in your pinned post on the topic. If anything, that sort of information would belong to the "Trivia" tab wouldn't it- but again, it's such a deep situation it can't really be summarized in one or two sentences) and the topic being too niche to have a page dedicated to it. It's nice to know that the subject isn't trying to be brushed under the rug though and it's just a matter of awkward formatting/incomplete work!

Furthermore on The New Years Event, I would LOVE RGGO to expand on the topic since they've been so liberal with the stories they make and the depth those stories add to the characters. Honestly, I was expecting Masato's card to have that as its accompanying character story, so it's unfortunate that he doesn't get it or any story as far as I'm aware (or maybe he does have one and my poor pull luck has just prevented me from getting the card to find out myself, but I've looked as much as I could and couldn't find an upload of it). Oh well, I guess it's the old "if you want something done you gotta do it yourself-" not that anything I could make could ever be up to scratch, so I'm glad I do have people interested in what I have in mind :)

About Nakai, I wouldn't feel wrong trying to accredit his comment to a time before he knew the full plot or saw the full game and was just debriefed on the general story/character relationships, and I also wouldn't put it past RGG to have deleted scenes/ideas (if those do exist, RGG please let me in your vault I'd like to take a peak...)!

The psychology of Mine is another topic I've been wanting to officially tackle for a while now, so I'm glad I have this chance to share some of what I have mental bullet points for.

Moreover, Mine's dad and how he "left" Mine undeniably impacted him significantly beyond physically leaving him alone, and it definitely manifests in The Orphanage Scene and his idea that killing Daigo would be "putting him out of his misery". In those instances, he sees Daigo and the orphans as victims of an unfair reality, Daigo being comatose, and the orphans having the endure the struggles of being orphans (and that added-on, projected anxiety that their comfortable lives now could vanish at any second like it did for Mine). Mine's mustache-twirling villainy is funny for its absurdity, but I also genuinely appreciate it since it lets us peak into his warps philosophy better. It doesn't justify his actions by any means, but it explains to us why he can justify his actions as from a place of love or pity as opposed to thoughtless evil.

To add on, Mine's relationship with his father, from what we're allowed to gather, was healthy and positive. Because of their positive relationship, the removal of such adds credence as to why Mine's desperate to get that love again. It especially makes sense considering Japan's horrendous attitude and negligence towards orphaned children that was even demonstrated during Mine's childhood while his father was alive.

And as an inverse aside, Jo's relationship with his dad was toxic, whether it was due to blatant abuse or combined negligence. It's fair to assume that Jo never got to experience genuine, secure love growing up, so as a result, it's not something he actively seeks out. He's been without it long enough that it's not something he necessarily craves like Mine who used to have it until it was taken from him.

Masato certainly makes it clear he felt isolated despite the efforts Jo and Arakawa repeatedly went through for him, and it's apparent it's an unfortunate side affect of internalized ableism. It definitely doesn't help anyone's case that Masato had seemingly been informed of the night of his birthday's events (from Arakawa's point of view, obviously), and it's clear that knowledge gives ammunition as to why he resents him.

You're right on Jo potentially seeing Ichi as a bad actor, it's not as if he has disdain for him for no reason! Like even if Ichiban hadn't taken Masato's money the way Jo could have imagined, the idea that Ichi can't be responsible in one avenue can easily lead back to Ichi having the potential to look after Masato, especially when he seems to be the one who predominately looks after him when he's tasked to.

I've already got my program open to make my little chart and have my reference pictures ready, so hopefully I can have that silly thing out soon haha- I'm glad you're interested in seeing it, and I hope other people will like to see it too! Jo and Mine really are my favorite antagonists, so it's funny (and I guess not surprising) that they have parallels to them.

To add on to that though, I think it's fun to look at the extra details, no matter how small; I'm probably more happy than I should be that you looked at their office's books, but I can't help be a fan of the details you found (whether they're generic models or not, I'm running with them- I've done more with less before lmao)! Mine having language books is definitely in-line with his interests, but Jo having art history books is weirdly endearing (and dare I say another point for "these are the same picture" comparing it to Mine's own love for art). Jo being so private to the point of blocking out the binds of the books he owns is so accurate to him and his secrecy, and the concept that he likes to read about art in his spare time is a new favorite concept for me.

Mine really isn't acknowledged much after 4; in comparison to Ryuji and Nishiki, he's remembered throughout the series the least (you can argue the same for Ryuji, but considering he gets a whole new life in Dead Souls, I think it's fair to say that makes up for the mainline series forgetting about him. Though I guess the same could be Mine getting a prominent role as Hijikata in Ishin... Definitely not as cool of a spot as to be a playable protagonist with a machine gun arm if I'm honest). In that, it's great that his likelihood can exist in future characters, and I hope they continue the trend of phenomenal antagonists in LaD8 and onward!

I'm eternally grateful for this frame you've gifted me thank you so much- Nakai's smile is such a blessing honestly, I'm glad if anything survived from the interview it can be this shot at least.

I've got Princess Toyotomi and Hero SP added to my watch list, DEFINITELY something I'll be excited to check out as a reward once I have all my important business taken care of this week! Honestly, I haven't seen Musashi either: while I was looking through their filmography I saw it was a project they did, but I've always been bad at watching long series so I didn't take the time to see their performance together.

For things I have seen though... yeah he dies SORRY IF THAT WAS HOW YOU FOUND OUT </3</3 Honestly I didn't expect myself to love the series as much as I did (admittedly it was predominately because of the leads and their relationship), but when it happened I was both- dare I say crushed- a little humored a little funny in a dark-comedy way.

And if you do have access to harder-to-get films, I'd absolutely be interested in hearing about it. One of Nakai's movies Good Morning Show has been haunting me for weeks: it sounds like such a fun movie yet I can't find it anywhere </3

#long post #fave #i have to fave these now because i be putting my essay notes in these OOPSIE #snap chats #the state of the arakawas is probably one of my favorite things to explain to people BECAUSE its so complicated #i showed my sister the ending of Y7 despite her not knowing anything about the series since i was talking about how upset it made me #and i tried to explain the whole family situation since it was relevent #just... yeah so the guy in blue was put in a locker by his dad and then he got saved by another guy #and he did that because he thought the guy in blue was his kid- who is actually the guy in red #because /his/ mom put him in a locker because of yakuza business and she couldnt take care of him #but now dad-who-put-a-baby-in-a-locker came back so now he co-parents alongside the guy who took his baby #but theyre not together they just. raise 'their' kid but the other guy doesn't know that his co-parent is the /actual/ dad #i know i already made a parody of it but it genuinely has the set up to some goofy slice-of-life manga i love it ☠️☠️#its SO funny to try to explain its easy to understand if you put it down on paper or write it out but to verbally do it 😭☠️☠️#moving on tho i'd love to know more about that japanese psychology bit #im asian myself and tho obviously not all asian cultures are the same they overlap #so im curious to see if i can recognize any of the issues i notice in my own culture with that which can be applied to the arakawas + mine #the bit on his western idolization is something im interested in too ! esp based on the books in his office it could be an interestin topic #man i just keep looking at that interview picture and it really does have the energy of a proud dad and his son #maybe thats just because nakai's smile reminds me of my dads #but yes yes thank you again for writing it ! i know i keep saying it but i cant stress how nice it is to take this extensively #especially because not only do i learn a bit more and learn some details i missed but it also helps me expand my own thoughts #that i hope to make into bigger posts #on that note though i have one more quick post to make after this one then i have to tend to some of that Important Business..#and thank you for being a supporter of me and my work ! sometimes i get a bit self conscious about it #i know i post a lot too and i never expect people to interact with my things so im grateful for the knowledge you enjoy it !

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