#there arent enough superlatives

[jonthal]

1980 - ein Stück von Pina Bausch

#i can now die peacefully #dreamscape #dance #dance theater #tanztheater #pina bausch #performance art #performance #the most magical simple trusting art ever #there arent enough superlatives #tanztheater wuppertal

[the-tzimisce]

Idk are there people who like, teach you to act, but know you're going to be doing it in real life

I don't even mean "teach you to lie," I mean I'm anxious sometimes but I come off to other people as cripplingly anxious all the time and I always have and frankly I'd be a lot less anxious if I didn't know that was what people were seeing

#also no one can really tell me specifics why #theyre getting a vibe and most people arent accustomed to think physically enough to know what specific things trigger a vibe #...also i think most of these convos are with people who still assume im extremely anxious and try - in good faith - to help me with THAT #but i assure you there aren't anxiety tips that i don't know about #on a level of my own personal emotional integrity i have things as superlatively under control as a monkey under decades of toxic stress can #i just need to LOOK like it

[douglassmiith]

Shows to Binge During the Pandemic That Arent Breaking Bad or Fleabag

If you feel like you’ve already seen everything, here are some under-the-radar TV options to tide you over as we weather coronavirus together.

Opinions expressed by Entrepreneur contributors are their own.

Being informed about the spread of COVID-19 and its devastating effects on the global community is critical. But we can all acknowledge that staying attuned to the news every waking hour has only heightened our collective anxiety and sense of foreboding. One of the few salves for those fortunate enough to have reliable WiFi and access to cable and streaming services has been the chance to catch up with TV shows that had previously passed us by and might offer momentary respite from the coronavirus and its attendant confinement. 

But before one more website or well-meaning friend reads you the riot act for having never seen Breaking Bad or The Wire, or parrots the popular thinking that Fleabag is comedy manna (not that it isn’t), we thought we’d recommend a handful of superlative, binge-able series that have been relatively neglected by the culture at large. And while living through fictional characters’ everyday circumstances might seem like a counterintuitive way to cope with a very real period of isolation, the five shows below might actually offer some useful perspective. (Click through each show title for access to it via Netflix, Amazon or Hulu.)

This little-seen, under-marketed Sundance TV gem from creator/writer Ray McKinnon has earned its share of critical praise and some cult appreciation thanks to Netflix but remains inexplicably sidelined from most popular conversation about great modern dramas. The premise — small-town Georgia man Daniel Holden (Aden Young) gets exonerated after years on death row for the murder of his high school girlfriend and attempts to reassimilate into normal life — might sound moribund. But Rectify abounds with soulful insights on guilt, innocence, love and loss. The cast (also including Abigail Spencer, Clayne Crawford and J. Smith-Cameron, etc.) are terrific in service of characters charting a hyper-realistic course toward solace and redemption against extraordinary odds. 

Related: 18 Movies Every Entrepreneur Should Watch

Kudos to Starz for giving creator/writer Mike O’Malley’s groundbreaking dramedy four seasons to spread its wings. Survivor’s Remorse is nominally about pro-basketball star Cam Calloway (Jesse Usher) and his adaptation to life as an A-list celebrity, but it’s ultimately a dysfunctional-family sitcom with the outlaw spirit of Curb Your Enthusiasm and heart of Schitt’s Creek. That it never benefited from the latter’s groundswell of support is a shame, but it’s not too late to make good and — if nothing else — bear witness to Tichina Arnold’s (Martin, Everybody Hates Chris) career-best turn as the take-no-prisoners, wildly profane Calloway matriarch Cassie.

Nothing can prepare you for how weird this comedy/drama/mystery-thriller buddy series gets in a hurry. The broad strokes of Hap and Leonard are that it’s based on a series of novels by Joe R. Lansdale, set in the 1980s, features first-flight actors including Michael Kenneth Williams (speaking of The Wire), James Purefoy and Mad Men‘s Christina Hendricks. Purefoy is Hap, a conscientious Vietnam objector and smart aleck who literally pulls no punches. Leonard is his best friend, still scarred from having fought in the war and dealing with day-to-day life as an openly gay black man in East Texas. Over the course of three seasons, they find themselves in the crosshairs of lovestruck sadists, child killers and politically embedded Klansmen. They’re kind of like the Dukes of Hazzard, just far more tender with one another and up against much graver life-or-death odds. It’s not hard to see how this one was a hard sell, but trust us that it’s worth buying in.

You’d be forgiven for being out of the loop about creepypastas, which are basically internet-user-generated campfire stories that seeped into mainstream consciousness via forums like Reddit. (The infamous Slender Man tale is a frequently cited pillar.) But they also served as a bedrock for the SyFy network’s Channe Zero anthology series. Each of the four installments — from 2016’s initial Candle Cove to ’18’s concluding Dream Door — creates a Twilight Zone of its own somewhere between lucid dreams and waking strange, searching for closure to open wounds. It’s eerie, artful and the closest thing to what Nightmare on Elm Street auteur Wes Craven might have concocted for the 21st-century disaffected set.

Related: Netflix Finally Adds Top 10 Lists for Its Most Popular Content

We know there’s a lot on TV at any one time. Still, how exactly has this Dave Holstein-created weekly half-hour (currently airing on Showtime) that’s executive produced (and often directed) by Eternal Sunshine of the Spotless Mind visionary Michel Gondry and stars his muse, Jim Carrey, not caught fire? Carrey plays Jeff, who also happens to play a Mr. Rogers-like character named Mr. Pickles on public television. He’s good and he’s decent, but he’s also burdened by a personal tragedy, pining for his ex-wife Jill (the terrific Judy Greer) and dealing with his tyrannical father/boss Seb (a never-better Frank Langella), the sum total of which culminates in what could be described as personal awakening by way of total breakdown. Kidding is, as the title teases, very funny, but without the cringy-ness and ironic distance typical of modern cable comedies. Carrey is excellent, but the show is an ensemble feat and has only grown more confident in its, and Mr. Pickles’s, mission of bringing joy and jarring candor to the masses. 

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[laurelkrugerr]

Shows to Binge During the Pandemic That Aren’t ‘Breaking Bad’ or ‘Fleabag’

If you feel like you’ve already seen everything, here are some under-the-radar TV options to tide you over as we weather coronavirus together.

Opinions expressed by Entrepreneur contributors are their own.

Being informed about the spread of COVID-19 and its devastating effects on the global community is critical. But we can all acknowledge that staying attuned to the news every waking hour has only heightened our collective anxiety and sense of foreboding. One of the few salves for those fortunate enough to have reliable WiFi and access to cable and streaming services has been the chance to catch up with TV shows that had previously passed us by and might offer momentary respite from the coronavirus and its attendant confinement. 

But before one more website or well-meaning friend reads you the riot act for having never seen Breaking Bad or The Wire, or parrots the popular thinking that Fleabag is comedy manna (not that it isn’t), we thought we’d recommend a handful of superlative, binge-able series that have been relatively neglected by the culture at large. And while living through fictional characters’ everyday circumstances might seem like a counterintuitive way to cope with a very real period of isolation, the five shows below might actually offer some useful perspective. (Click through each show title for access to it via Netflix, Amazon or Hulu.)

This little-seen, under-marketed Sundance TV gem from creator/writer Ray McKinnon has earned its share of critical praise and some cult appreciation thanks to Netflix but remains inexplicably sidelined from most popular conversation about great modern dramas. The premise — small-town Georgia man Daniel Holden (Aden Young) gets exonerated after years on death row for the murder of his high school girlfriend and attempts to reassimilate into normal life — might sound moribund. But Rectify abounds with soulful insights on guilt, innocence, love and loss. The cast (also including Abigail Spencer, Clayne Crawford and J. Smith-Cameron, etc.) are terrific in service of characters charting a hyper-realistic course toward solace and redemption against extraordinary odds. 

Related: 18 Movies Every Entrepreneur Should Watch

Kudos to Starz for giving creator/writer Mike O’Malley’s groundbreaking dramedy four seasons to spread its wings. Survivor’s Remorse is nominally about pro-basketball star Cam Calloway (Jesse Usher) and his adaptation to life as an A-list celebrity, but it’s ultimately a dysfunctional-family sitcom with the outlaw spirit of Curb Your Enthusiasm and heart of Schitt’s Creek. That it never benefited from the latter’s groundswell of support is a shame, but it’s not too late to make good and — if nothing else — bear witness to Tichina Arnold’s (Martin, Everybody Hates Chris) career-best turn as the take-no-prisoners, wildly profane Calloway matriarch Cassie.

Nothing can prepare you for how weird this comedy/drama/mystery-thriller buddy series gets in a hurry. The broad strokes of Hap and Leonard are that it’s based on a series of novels by Joe R. Lansdale, set in the 1980s, features first-flight actors including Michael Kenneth Williams (speaking of The Wire), James Purefoy and Mad Men‘s Christina Hendricks. Purefoy is Hap, a conscientious Vietnam objector and smart aleck who literally pulls no punches. Leonard is his best friend, still scarred from having fought in the war and dealing with day-to-day life as an openly gay black man in East Texas. Over the course of three seasons, they find themselves in the crosshairs of lovestruck sadists, child killers and politically embedded Klansmen. They’re kind of like the Dukes of Hazzard, just far more tender with one another and up against much graver life-or-death odds. It’s not hard to see how this one was a hard sell, but trust us that it’s worth buying in.

You’d be forgiven for being out of the loop about creepypastas, which are basically internet-user-generated campfire stories that seeped into mainstream consciousness via forums like Reddit. (The infamous Slender Man tale is a frequently cited pillar.) But they also served as a bedrock for the SyFy network’s Channe Zero anthology series. Each of the four installments — from 2016’s initial Candle Cove to ’18’s concluding Dream Door — creates a Twilight Zone of its own somewhere between lucid dreams and waking strange, searching for closure to open wounds. It’s eerie, artful and the closest thing to what Nightmare on Elm Street auteur Wes Craven might have concocted for the 21st-century disaffected set.

Related: Netflix Finally Adds Top 10 Lists for Its Most Popular Content

We know there’s a lot on TV at any one time. Still, how exactly has this Dave Holstein-created weekly half-hour (currently airing on Showtime) that’s executive produced (and often directed) by Eternal Sunshine of the Spotless Mind visionary Michel Gondry and stars his muse, Jim Carrey, not caught fire? Carrey plays Jeff, who also happens to play a Mr. Rogers-like character named Mr. Pickles on public television. He’s good and he’s decent, but he’s also burdened by a personal tragedy, pining for his ex-wife Jill (the terrific Judy Greer) and dealing with his tyrannical father/boss Seb (a never-better Frank Langella), the sum total of which culminates in what could be described as personal awakening by way of total breakdown. Kidding is, as the title teases, very funny, but without the cringy-ness and ironic distance typical of modern cable comedies. Carrey is excellent, but the show is an ensemble feat and has only grown more confident in its, and Mr. Pickles’s, mission of bringing joy and jarring candor to the masses. 

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source http://www.scpie.org/shows-to-binge-during-the-pandemic-that-arent-breaking-bad-or-fleabag/ source https://scpie1.blogspot.com/2020/03/shows-to-binge-during-pandemic-that.html

[riichardwilson]

Shows to Binge During the Pandemic That Aren’t ‘Breaking Bad’ or ‘Fleabag’

If you feel like you’ve already seen everything, here are some under-the-radar TV options to tide you over as we weather coronavirus together.

Opinions expressed by Entrepreneur contributors are their own.

Being informed about the spread of COVID-19 and its devastating effects on the global community is critical. But we can all acknowledge that staying attuned to the news every waking hour has only heightened our collective anxiety and sense of foreboding. One of the few salves for those fortunate enough to have reliable WiFi and access to cable and streaming services has been the chance to catch up with TV shows that had previously passed us by and might offer momentary respite from the coronavirus and its attendant confinement. 

But before one more website or well-meaning friend reads you the riot act for having never seen Breaking Bad or The Wire, or parrots the popular thinking that Fleabag is comedy manna (not that it isn’t), we thought we’d recommend a handful of superlative, binge-able series that have been relatively neglected by the culture at large. And while living through fictional characters’ everyday circumstances might seem like a counterintuitive way to cope with a very real period of isolation, the five shows below might actually offer some useful perspective. (Click through each show title for access to it via Netflix, Amazon or Hulu.)

This little-seen, under-marketed Sundance TV gem from creator/writer Ray McKinnon has earned its share of critical praise and some cult appreciation thanks to Netflix but remains inexplicably sidelined from most popular conversation about great modern dramas. The premise — small-town Georgia man Daniel Holden (Aden Young) gets exonerated after years on death row for the murder of his high school girlfriend and attempts to reassimilate into normal life — might sound moribund. But Rectify abounds with soulful insights on guilt, innocence, love and loss. The cast (also including Abigail Spencer, Clayne Crawford and J. Smith-Cameron, etc.) are terrific in service of characters charting a hyper-realistic course toward solace and redemption against extraordinary odds. 

Related: 18 Movies Every Entrepreneur Should Watch

Kudos to Starz for giving creator/writer Mike O’Malley’s groundbreaking dramedy four seasons to spread its wings. Survivor’s Remorse is nominally about pro-basketball star Cam Calloway (Jesse Usher) and his adaptation to life as an A-list celebrity, but it’s ultimately a dysfunctional-family sitcom with the outlaw spirit of Curb Your Enthusiasm and heart of Schitt’s Creek. That it never benefited from the latter’s groundswell of support is a shame, but it’s not too late to make good and — if nothing else — bear witness to Tichina Arnold’s (Martin, Everybody Hates Chris) career-best turn as the take-no-prisoners, wildly profane Calloway matriarch Cassie.

Nothing can prepare you for how weird this comedy/drama/mystery-thriller buddy series gets in a hurry. The broad strokes of Hap and Leonard are that it’s based on a series of novels by Joe R. Lansdale, set in the 1980s, features first-flight actors including Michael Kenneth Williams (speaking of The Wire), James Purefoy and Mad Men‘s Christina Hendricks. Purefoy is Hap, a conscientious Vietnam objector and smart aleck who literally pulls no punches. Leonard is his best friend, still scarred from having fought in the war and dealing with day-to-day life as an openly gay black man in East Texas. Over the course of three seasons, they find themselves in the crosshairs of lovestruck sadists, child killers and politically embedded Klansmen. They’re kind of like the Dukes of Hazzard, just far more tender with one another and up against much graver life-or-death odds. It’s not hard to see how this one was a hard sell, but trust us that it’s worth buying in.

You’d be forgiven for being out of the loop about creepypastas, which are basically internet-user-generated campfire stories that seeped into mainstream consciousness via forums like Reddit. (The infamous Slender Man tale is a frequently cited pillar.) But they also served as a bedrock for the SyFy network’s Channe Zero anthology series. Each of the four installments — from 2016’s initial Candle Cove to ’18’s concluding Dream Door — creates a Twilight Zone of its own somewhere between lucid dreams and waking strange, searching for closure to open wounds. It’s eerie, artful and the closest thing to what Nightmare on Elm Street auteur Wes Craven might have concocted for the 21st-century disaffected set.

Related: Netflix Finally Adds Top 10 Lists for Its Most Popular Content

We know there’s a lot on TV at any one time. Still, how exactly has this Dave Holstein-created weekly half-hour (currently airing on Showtime) that’s executive produced (and often directed) by Eternal Sunshine of the Spotless Mind visionary Michel Gondry and stars his muse, Jim Carrey, not caught fire? Carrey plays Jeff, who also happens to play a Mr. Rogers-like character named Mr. Pickles on public television. He’s good and he’s decent, but he’s also burdened by a personal tragedy, pining for his ex-wife Jill (the terrific Judy Greer) and dealing with his tyrannical father/boss Seb (a never-better Frank Langella), the sum total of which culminates in what could be described as personal awakening by way of total breakdown. Kidding is, as the title teases, very funny, but without the cringy-ness and ironic distance typical of modern cable comedies. Carrey is excellent, but the show is an ensemble feat and has only grown more confident in its, and Mr. Pickles’s, mission of bringing joy and jarring candor to the masses. 

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Delray Beach SEO

source http://www.scpie.org/shows-to-binge-during-the-pandemic-that-arent-breaking-bad-or-fleabag/ source https://scpie.tumblr.com/post/613310620687810560

[scpie]

Shows to Binge During the Pandemic That Aren’t ‘Breaking Bad’ or ‘Fleabag’

If you feel like you’ve already seen everything, here are some under-the-radar TV options to tide you over as we weather coronavirus together.

Opinions expressed by Entrepreneur contributors are their own.

Being informed about the spread of COVID-19 and its devastating effects on the global community is critical. But we can all acknowledge that staying attuned to the news every waking hour has only heightened our collective anxiety and sense of foreboding. One of the few salves for those fortunate enough to have reliable WiFi and access to cable and streaming services has been the chance to catch up with TV shows that had previously passed us by and might offer momentary respite from the coronavirus and its attendant confinement. 

But before one more website or well-meaning friend reads you the riot act for having never seen Breaking Bad or The Wire, or parrots the popular thinking that Fleabag is comedy manna (not that it isn’t), we thought we’d recommend a handful of superlative, binge-able series that have been relatively neglected by the culture at large. And while living through fictional characters’ everyday circumstances might seem like a counterintuitive way to cope with a very real period of isolation, the five shows below might actually offer some useful perspective. (Click through each show title for access to it via Netflix, Amazon or Hulu.)

This little-seen, under-marketed Sundance TV gem from creator/writer Ray McKinnon has earned its share of critical praise and some cult appreciation thanks to Netflix but remains inexplicably sidelined from most popular conversation about great modern dramas. The premise — small-town Georgia man Daniel Holden (Aden Young) gets exonerated after years on death row for the murder of his high school girlfriend and attempts to reassimilate into normal life — might sound moribund. But Rectify abounds with soulful insights on guilt, innocence, love and loss. The cast (also including Abigail Spencer, Clayne Crawford and J. Smith-Cameron, etc.) are terrific in service of characters charting a hyper-realistic course toward solace and redemption against extraordinary odds. 

Related: 18 Movies Every Entrepreneur Should Watch

Kudos to Starz for giving creator/writer Mike O’Malley’s groundbreaking dramedy four seasons to spread its wings. Survivor’s Remorse is nominally about pro-basketball star Cam Calloway (Jesse Usher) and his adaptation to life as an A-list celebrity, but it’s ultimately a dysfunctional-family sitcom with the outlaw spirit of Curb Your Enthusiasm and heart of Schitt’s Creek. That it never benefited from the latter’s groundswell of support is a shame, but it’s not too late to make good and — if nothing else — bear witness to Tichina Arnold’s (Martin, Everybody Hates Chris) career-best turn as the take-no-prisoners, wildly profane Calloway matriarch Cassie.

Nothing can prepare you for how weird this comedy/drama/mystery-thriller buddy series gets in a hurry. The broad strokes of Hap and Leonard are that it’s based on a series of novels by Joe R. Lansdale, set in the 1980s, features first-flight actors including Michael Kenneth Williams (speaking of The Wire), James Purefoy and Mad Men‘s Christina Hendricks. Purefoy is Hap, a conscientious Vietnam objector and smart aleck who literally pulls no punches. Leonard is his best friend, still scarred from having fought in the war and dealing with day-to-day life as an openly gay black man in East Texas. Over the course of three seasons, they find themselves in the crosshairs of lovestruck sadists, child killers and politically embedded Klansmen. They’re kind of like the Dukes of Hazzard, just far more tender with one another and up against much graver life-or-death odds. It’s not hard to see how this one was a hard sell, but trust us that it’s worth buying in.

You’d be forgiven for being out of the loop about creepypastas, which are basically internet-user-generated campfire stories that seeped into mainstream consciousness via forums like Reddit. (The infamous Slender Man tale is a frequently cited pillar.) But they also served as a bedrock for the SyFy network’s Channe Zero anthology series. Each of the four installments — from 2016’s initial Candle Cove to ’18’s concluding Dream Door — creates a Twilight Zone of its own somewhere between lucid dreams and waking strange, searching for closure to open wounds. It’s eerie, artful and the closest thing to what Nightmare on Elm Street auteur Wes Craven might have concocted for the 21st-century disaffected set.

Related: Netflix Finally Adds Top 10 Lists for Its Most Popular Content

We know there’s a lot on TV at any one time. Still, how exactly has this Dave Holstein-created weekly half-hour (currently airing on Showtime) that’s executive produced (and often directed) by Eternal Sunshine of the Spotless Mind visionary Michel Gondry and stars his muse, Jim Carrey, not caught fire? Carrey plays Jeff, who also happens to play a Mr. Rogers-like character named Mr. Pickles on public television. He’s good and he’s decent, but he’s also burdened by a personal tragedy, pining for his ex-wife Jill (the terrific Judy Greer) and dealing with his tyrannical father/boss Seb (a never-better Frank Langella), the sum total of which culminates in what could be described as personal awakening by way of total breakdown. Kidding is, as the title teases, very funny, but without the cringy-ness and ironic distance typical of modern cable comedies. Carrey is excellent, but the show is an ensemble feat and has only grown more confident in its, and Mr. Pickles’s, mission of bringing joy and jarring candor to the masses. 

Website Design & SEO Delray Beach by DBL07.co

Delray Beach SEO

source http://www.scpie.org/shows-to-binge-during-the-pandemic-that-arent-breaking-bad-or-fleabag/

[themegamenarablr]

The Superb Features Of A Rugged Hardened Tablet

By Amy Jones

There are large scale and heavy duty applications that demand the superlative from our equipment and devices. They require a more qualified operation compared to standardized procedures. A rugged hardened tablet is one that is designed to function reliably well in harsh environments and with heavy uses. Mobile devices like cell phones and tablets are very much the mainstays of many and sundry applications. They have come to be prerequisites in the undertakings of a lot of businesses and operations. It is little wonder, then, how they are widely customized and equipped with singular characteristics based on the field they operate in. The most fundamental use that can be attributed to these handheld devices is, simply, personal use or recreation. In that case, its pretty much understandable that they arent really ultra and super in their features and capabilities. Adequacy is the keyword here. As long as its good enough for basic purposes, theres no need for crying out foul. After all, thats one of the key tenets of consumerism. Its totally an ongoing, continuous cycle of supply and demand. These technological gizmos arent really cut out for immortality, let alone for longevity. Theres simply no way that a tablet, or any device for that matter, is synthesized so as to have a shelf life of at least ten years. Compound that with all the other factors that are inherently deleterious to the device, such as falls, knocks, and even innocuous elements such as water. The consumer really has to be very conscientious in handling the device, and must be careful to craft his lifestyle around the environment in which he operates. Rugged tablets, on the other hand, proffer the alternative aim and approach. In that it isnt the client that does all the legwork and sops up all the concerns when it comes to taking proper care of his devices. Rather, the device is intrinsically manufactured in order to withstand highly stressful and potentially damaging environments. The CPU of the device is very much powerful, in that it can handle a huge collection of apps that may come useful to your business. The screen also supports multi touch technology, through which you can simultaneously press all ten fingers on the screen, and all the action will be read by the tab. Depending on whatever app you are looking for, you have options to equip your tab with whatever suits your fancy, such as barcode scanners, for those working in the logistics sector, or else with biometric security technology in order to keep your data safe and confidential. Hardened tablets were built with very singular considerations in mind. They are suited and crafted around the needs of certain operations and lifestyles. It all boils down to the importance of mobile devices in this fast paced Information Age. Industries where rugged units are used include the military, field sales and service, manufacturing, healthcare, transportation, and agriculture. They are also important in construction, land surveying, forestry, mining, environmental sciences, and other scientific researches. Recreational activities by individuals also make up a considerable portion of the consumer base. Given their extremely useful and advantageous features, it can be pretty much deduced that they are anything but cheap. The thing to keep in mind, however, is the long run. The initial outlay can be quite dispiriting, but then, one would have to factor in all the other aspects, such as the need for repair and maintenance. Rest assured that these will be precluded for the long term. Therefore, there would be quite a long career and partnership to look forward to with your handy helpmate. Its technically goodbye to timeouts and downtimes with a trusty, reliable, durable, and reputable gizmo.

About the Author:

When you are searching for information about a rugged hardened tablet, come to our web pages online today. More details are available at https://ift.tt/2P0zJiW now.

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Critical Review of Fried Green Tomatoes

hot up Green Tomatoes is a  soundly enjoyable movie-going experience, replete with laughter, tears, triumph, and tragedy. Unfortunately, it has been  make clean and Hollywoodized, with the relationship between the  2 1930 female leads left ambiguous, and a few too  some scenes going over-the-top to  see to it an emotional reaction. So, while providing two-plus hours  expense of solid entertainment, director Jon Avnets picture,  alter from Fannie Flaggs novel, lacks the crucial  gene that would have lifted it  preceding(prenominal) the level of a tearjerker to that of the extraordinary.\n\nThe acting, however,  sens easily be counted among deep-fried Green Tomatoes strengths. Especially notable  ar the performances by bloody shame Stuart Masterson as Idgie and Mary-Louise Parker as Ruth, who makes their  character references   improbable friendship come alive. Masterson is  terrific as Idgie. Her snappy  character reference gives Idgie enough spirit for  tetrad or five  primal screen  women. Parker portrays Ruth with a rare warmth and practicality that   wish the marvelous energy of Masterson. Jessica Tandy brings the   intelligence of her years as  shit Thread dangerouse. Tandys delivers her lines with a wonderful  experience of humor. Evelyn, played by Kathy Bates, is a hungry audience and in concert these pairs of women make marvelous cornerstones for this film.\n\n hot up Green Tomatoes is two stories in one, both of which ultimately  fix as well as they can, given what the film is  as rank to do. It should be noted, however, that the present-day scenes arent as involving as those that take  sit in the   thirty-something. The structure is unusual, with the  advanced day scenes framing the flashbacks. Because the differences in the time periods are so marked, this may have not been the best way to  adhesive friction the dual storylines. There are some awkward moments when the 1930s/90s parallelism seems to be forced.\n\nThe  superlative flaw of this movie is tha t Avnet tries relentlessly to get his viewers to  clear up for the box of tissues. A  elflike manipulation is expected in any melodrama, but   heat Green Tomatoes goes overboard. Thats not to say that the audience is likely to be weeping through the  stallion film, but Avnet isnt particularly  problematical about what hes trying to do.  and then again, for those who like a good cry, this may be the  improve picture.\n\nBecause of its strong sense of character development, Fried Green Tomatoes touches a plethora of emotional chords. At times, it is...If you want to get a full essay, order it on our website: Custom essay writing service. Free essay/order revisions. Essays of any complexity! Courseworks, term papers, research papers. 100% confidential! Homework live help. Custom Essay Order is available 24/7!