I was very lucky to work on this commission!!
They're so cuteeeeeee
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Yandere Xiao’s love is Extreme.jpg
Beneath the harsh and rigid exterior of the Guardian Yaksha is a soft, gentle creature who likes eating almond tofu, who holds duty and responsibility close to his heart, who will pick crystalflies for you and go a little pink when you accept them. Here I’m going by the JP and CN Xiao; from his voice alone it’s less moody teenager and you can truly feel like an immortal Adepti is speaking. He is noble and regal, a pure being that you thought existed only in myths. Rational, harsh, cold, distant – this is the same Yaksha who falls in the sinkhole that is you and love.
He blushes from little affection. He almost loses control of his speech. He finds himself yearning for your presence. He wishes to see your smile. He wishes to protect you from harm and make sure you live a life free of malignancy. The Guardian Yaksha who falls in love is a smitten, flustered, lovesick mess who is more dangerous and trigger-happy than he has ever been.
In a romantic setting where Xiao loves you, loves you, loves you. He’s so in love it drives him quietly insane. He has to know where you are, he has to know if you’re safe and okay, he has to know if you’re happy or sad or lonely and when are you going to look for him again? It used to drive him crazy how pathetic he was to yearn for your visits, but now he’s crazy for you. The insanity is something he isn’t even aware of sometimes, and it’s something that’s not easily seen by everyone. His fellow Adepti do not find it weird to be so “protective”. Humans only see the image of a fearsome Yaksha. You only see a quiet, distant, maybe even shy Adepti offering you crystalflies and Qingxi flowers.
Depending on whether his love interest is a fighter or non-fighter his fear and paranoia can either escalate or straight out consume him. He wants to respect your decisions, but if you’re a fighter, he will quietly worry himself sick and he is high key distressed from any wounds you get. Any life-threatening wounds can set him off into mass murder of anything that harmed you – or collateral of nearby monsters. If you’re a civilian, well, he will make sure to make an extra round on the areas you work in to sweep out the danger. He will worry himself just as much, but his anger can be easier to trigger because you as a civilian are much more fragile.
The thought of never seeing you again terrifies him. It terrifies him more so to be the cause of your death. He wants you to forever smile at him and greet him happily whenever you see him.
Maybe it isn’t karmic debt that will drive him mad. Maybe it will be you.
(Maybe you already did.)
Xiao will still uphold his duty as a Guardian Yaksha, but as a yandere Xiao will go to extreme measures to do so.
I imagine him to be the kind of Yandere that you consider to be a sweet, loving, if tsundefeish lover, but unknown to you the love that he has for you has reached a terrifying level and there’s not much he wouldn’t do for you. He’s quiet, and that makes it easier to protect you wouldn’t it?
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I FINALLY BEAT TOTK!! After like 3 detours for other Zelda games lmao
And I did it in the Twilight Armor set. because I could 😌
It was alright! Honestly, I don't know if I liked it more than BoTW, I'd need to replay that one. It's been a bit. But that last fight was more Zorah Magdaros than I was expecting (iykyk) and not in a good way. Idk, I think people are focusing purely on the spectacle when they say it's amazing, which is fine! Dragons are cool and it's cool that you get to ride around on your girlfriend, but mechanically it's just Colgera again. And yeah, the ending felt like a big ass-pull, I'm sorry lmao. zelda just suddenly isn't a dragon anymore?? With no lasting effects of giving up her entire being? Which clearly wasn't true, but she doesn't even remember any of it?? Link doesn't get to keep the arm?? Or isn't at least down one?? Where even was Sonia before that last bit?? Could they have done that the entire time?? And Link didn't even hug her???!? Also did the ancient sages even have names???? Idk, suspension of disbelief and all that but the little things the devs don't address add up and take me out of it. It'd be easier to ignore if there wasn't so much, or if the rest of the game made up for it and it doesn't for me lol.
That is not to say I didn't have fun with it, honestly I spent more time running around on foot than I did in BoTW (mostly because I wanted to complete the map but still) but I only pushed myself to finish it so I could justify replaying Okami since I already took so many breaks and, well. I don't know how to put it better than that. Solid game, others are better, 7/10
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okay but for real, spending an ungodly amount of time in the past 3 years around intellectually deadening media and people who mistake familiarity with brilliance has mostly made me feel insane, but it has also helped me develop the most straightforward approach to media i've had in years. Like, it's gotten very simple for me to gauge where i stand with people's creations and i love the sense of foundational simplicity i've found regarding my taste in media, like
you see, i need the art to tell something new, creative, distinct and interesting. If it cannot do that, then i need it to say something kind, compassionate and useful. and if it can't achieve that either, i find zero value in it, period. I've had so many people approaching me with the implication that demanding creativity and originality from media is somehow "wrong" and "weird" and "too much to ask for", as if i'm the problem for needing and expecting variety and novelty from art, the unspoken idea being "is it not enough that it's pretty? is it not enough that there are conventionally attractive able-bodied & socially sanctioned "hot" people fucking in it?" and no. the pervasive and invasive superficiality in your interpretation of stories and art is utterly boring to me, i really dont care how much "thin hot fuck young person" and "pretty aesthetics" you stick on your utterly dead and deadening narratives. I approach a piece of media and ask "is this telling something new? is this asking a different question whithin an intriguing framework?" and then i'm going to ask "is this kind and understanding of its subject matter? is it curious and openminded? is this information useful to our understanding of the world right now?" and if it cannot answer either question i'll drop it as fast as i picked it up.
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