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#this has EVERYTHING
leuchtstabrebell · 2 months
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just saw the Jesus Christ Superstar production in Nuremberg with a friend and thought i'd share some of my observations because this was WILD
details under the cut because i have a lot to say but this might be one of the queerest and boldest productions of JSC i have ever seen. the pope is herodes, nuns are participating in orgies, Mary is a mother, the catholic church is critizised every step of the way, hirarchies and power structures are questioned, and Judas wears a skirt. There are neon crosses and halos and a lot of blood, and so much thought and love put into this. The production value is very good as well. The cast is very young, especially the apostels and Judas and Jesus who are all in their early to mid-twenties, and the vibes are simply amazing.
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This production is set in modern day rome and the vatican. jesus and the apostels are queer leftists activists trying to reform/act against the catholic church. like, this is the central element of this production.
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(text on these signs reads, from l. to r.: No mandatory celibacy, God is a woman, Maria 2.0, #outinchurch, renewal now, the head of the fish is rotten. The banner reads "God is the love")
Many of these signs are references to reform movements inside the church and discussions around abuse of all kind in the catholic church, as well as demands for a more inclusive christianity (and society).
Jesus officates a wedding between two women apostels and everything is very gay. there are several rainbow flags involved. jesus is draped in a giant version of the flag at one point.
that being said, it is made pretty explicit that mary and jesus have some kind of relationship thing goin on??? They also sometimes seem removed from the rest of the group who have major found family vibes. they go on picnis and protests together, they care for each other, they dance, they sing, they cuddle. there was so much going on, I probably missed a lot of interactions between the apostels. Judas was very involved in the group, more than mary or jesus even, and judas and simon had a very cute friendship (they even play-fought in the beginning). They all hugged and kissed each other a lot as well. (Fun fact: many of the apostels are still in actors school and they did a cooperation with the staatstheater nuremberg which offered them the chance to participate in such a big production)
Now my thoughts on the individual characters:
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Mary: sadly, my least favourite character in this production. i didn't really vibe with the actress, although she was great vocally. She rarely interacted with the apostels and kept mostly to herself and the apartment she shared with jesus and her child (I don't like the decision to have them live together almost like a nuclear family). it also did not help that she was noticeable older than the rest of the group and her costume wasn't great either. i loved her kid though, she was really cute (apparently, the gender of the kid changes depending on the child actor that day, here it was a girl). The child also connects the group, there were some cute found family vibes (although they could have done so much more with this ahhh). there are also several moments where the child symbolizes a brighter future to come, and hope, and innocence. she was such a cutie!!!!
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This Jesus is a weirdo. Just a weird guy. Kinda Enjolras vibes, kinda angelic, kinda high as a kite beliefs in magic, depressed queer vibes. He would sometimes do weird motions with his hands to summon his powers to heal people????? his outfit was a statement as well.
I liked the acting, although the interpretation is one i had not seen before. The singing was pretty good, although the actors voice was a bit weak sometimes and he often had difficulty with belting higher notes. the actor has a very very soft voice in general??? it kinda contributed to the vibes of this jesus though and worked fine
I didn't like that they actually showed him being able to heal people, I like it more when it stays ambigious if he can actually do wonders/if he is actually the son of god. Interestingly, at the same time this Jesus felt very deserted by God to me? Gethsemane was very intense but also so absolutely defeated. it did not feel like a conversation with god but more pure desperation screamed into a void... This Jesus was really broken :( Also, the torture and whipping (which happens in the vatican???? kinda illegally???) was absolutely brutal and very bloody and he was sobbing in fetal position at several points of this production. also shaking like a little deer. in the last scenes, they filmed close-ups of his tortured face with a camera live and projected it on the large background screen which was very horrifiying and genius, especially during superstar. poor guy. he seemed very sad and burdened a lot of the time
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Judas: There he is!!! My boi!!!! He was my absolute fave. The acting and singing was amazing, one of my fav interpretations of this character. The costume choices for him were amazing ( I mean look at him in that skirt and these boots) and this production chose to portray him in a very sympathetic light. He is the soul of the group in this production, while Jesus is the brain and Simon is the heart. (Peter is the bedrock, and Mary and her kid are honey-grease holding them together)
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I mean, look at him!!! This judas cares so much, he contains multitudes. He is clearly loved by the people around and loves them back fiercely. He hugged people a lot and was very physical in general and the actor had so much charisma!!! In this version, Jesus and Judas also kind of seemed like two sides of the same coin, which I really liked. While Jesus is kind of otherworldy, charismatic, calm, and enigmatic, Judas is much more hands-on, real, passionate and energetic.
This Judas (like the whole production really) was very angry but he had every right to. In this production it also seemed like his anger at Mary and Jesus being with her was less about Mary (taking out some of the misogyny, luckily) and more about jesus retreating to something that could be perceived as a bourgouise lifestyle (my interpretation, at least). This judas seemed very queer but then again, most apostels in this production seemed to be queer. (The betrayal kiss was very passionate, btw)
Oh, and the cardinals waterboarded Judas with holy water in a church on wooden benches they put together??? And they also threatened and hurt him several other times??? I'm not sure what to feel about this because this makes the betrayal very very cooerced and that might flatten the character but it adds so many new layers as well. They also just push suitcase full of money on his arms and leave him there clutching the thing and sobbing??
Judas death ripped my heart out, it was so raw and cruel and also put emphasis on the cruelty of the catholic church and an uncaring or even cruel god?
and then he absolutely slayed in superstar. all the background dancers were the apostels (which was a deliberate choice because they had a huge cast they could have used for this), including Mary and they all had neon halos?? Judas descended from the ceiling. the staging was kinda similar to the 2012 revival with Judas as a show-caster and entertainer. there was golden glitter falling from the ceiling.
the whole production seemed very angry at institutionalized christianity and God himself but also full of hope and love, and superstar really examplified that.
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Herode is the pope. Just straight up the pope. At first I was a bit underwhelmed because the set was very minimal bit then they revealed the pope and started their amazing choreography and I really loved that! just a good solid portrayal, very sexual as well. (this production was very much about hypocricy and not about condemming lust, the opposite really. this production is pretty sex-positive) 8/10
Caiaphas and Annas were pretty solid, like all the other high priests they were cardinals. I thought the actors did a good job although would have liked a deeper base for Caiaphas and a higher tenor for Annas. I thought it was interesting how often the priests/cardinals crossed themselves and blessed people and did christian gestures, especially during "This Jesus must die". They were also pretty violent both towards the apostels and towards jesus and judas.
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Peter was really giving dark academia vibes except a bit more boring. I thought it was pretty funny that it was easy to tell that he was Peter just from the costume alone. he had a nice, warm voice and I liked the acting choices - he was very soft and calm, except for when he went absolutely wild on the SWAT team coming to arrest Jesus and broke a bottle to use a shard to cut of the ear (i suppose) of one of them. iconic. 8/10
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Simon: what an icon! at one point, he carries petrol and a lighter around to fucking burn the whole thing to the ground. he is passionate and kind and ready to punch someone at any time. his acting and singing were really really good. At the last supper, Simon sucker punches Judas in the face and calls him a "fucking traitor" before shakily ending the song on his guitar to try and comfort the other apostels because their whole world just fell apart. I really love this Simon
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Pilate: He had such a great voice and presence, and carried himself with a lot of gravitas. Pilates dream was very stripped down but it worked because of the actor. He seemed really desillusioned and kind but ultimately deafeated, conforming to the will of people around him (lower clergy and devout catholics in this version) (That reminds me, the ouverture was accompanied by various clergy making out in the vatican with each other while headlines about scandals in the church were projected in the background.
There are probably a lot of things I forgot to mention, and there were also some things I did not like about this production but overall, I am really really impressed and just happy that I got to see it live.
You can still see the production too btw, at least if you can make it to Nuremberg :)
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jimothystu · 6 months
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Helmet giveaway Sweden edition (x)
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{source}
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teex · 13 hours
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wake up tk enjoyers there's a new content <3 youtu[.]be/b2RfmcQCrYs
blessed be 😭😭😭
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youtube
Right on Time (In The Canyon Haze) - Brandi Carlile and the Hanseroth Twins
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ejunkiet · 11 months
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mrs. davis. what a batshit crazy show.
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ljblueteak · 2 years
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Wings in Club Sandwich no. 18, 1980. Photos by Graham Hughes
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female-buckets · 2 years
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Time to revisit my favorite minute of the 2022 season so far
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dropped-the-soap · 2 years
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Mafia II - Chapter 2: Home Sweet Home
I was driving all the time in the army! 
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sule-skerry · 1 year
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I allegedly got out of my queer activism thing and for good reason but God the drrrrrramaaaaaaaaaaaaaaaa 🍵☺️
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evidently-endless · 1 month
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i think we should remind musicians they can absolutely make up little stories for their songs btw. it doesn’t have to be about them at all. you can invent a guy and put him in situations to music. time honoured tradition in fact.
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dirtytransmasc · 7 months
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the men and boys are innocent too.
we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.
I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.
I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.
I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.
I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.
the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.
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poorly-drawn-mdzs · 2 months
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Must be a Sugondese joke.
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mckinlily · 7 months
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Plot armor but it’s Bruce Wayne’s wealth.
Bruce is one of the richest men in the world. Bruce does not want to be one of the richest men in world.
He starts by implementing high starting salaries and full health care coverages for all levels at Wayne Enterprises. This in vastly improves retention and worker productivity, and WE profits soar. He increases PTO, grants generous parental and family leave, funds diversity initiatives, boosts salaries again. WE is ranked “#1 worker-friendly corporation”, and productively and profits soar again.
Ok, so clearly investing his workers isn’t the profit-destroying doomed strategy his peers claim it is. Bruce is going to keep doing it obviously (his next initiative is to ensure all part-time and contractors get the same benefits and pay as full time employees), but he is going to have to find a different way to dump his money.
But you know what else is supposed to be prohibitively expensive? Green and ethical initiatives. Yes, Bruce can do that. He creates and fund a 10 year plan to covert all Wayne facilities to renewable energy. He overhauls all factories to employ the best environmentally friendly practices and technologies. He cuts contracts with all suppliers that engage in unethical employment practices and pays for other to upgrade their equipment and facilities to meet WE’s new environmental and safety requirements. He spares no expense.
Yeah, Wayne Enterprises is so successful that they spin off an entire new business arm focused on helping other companies convert to environmentally friendly and safe practices like they did in an efficient, cost effective, successful way.
Admittedly, investing in his own company was probably never going to be the best way to get rid of his wealth. He slashes his own salary to a pittance (god knows he has more money than he could possibly know what to do with already) and keeps investing the profits back into the workers, and WE keeps responding with nearly terrifying success.
So WE is a no-go, and Bruce now has numerous angry billionaires on his back because they’ve been claiming all these measures he’s implementing are too expensive to justify for decades and they’re finding it a little hard to keep the wool over everyone’s eyes when Idiot Softheart Bruice Wayne has money spilling out his ears. BUT Bruce can invest in Gotham. That’ll go well, right?
Gotham’s infrastructure is the OSHA anti-Christ and even what little is up to code is constantly getting destroyed by Rogue attacks. Surely THAT will be a money sink.
Except the only non-corrupt employer in Gotham city is….Wayne Enterprises. Or contractors or companies or businesses that somehow, in some way or other, feed back to WE. Paying wholesale for improvement to Gotham’s infrastructure somehow increases WE’s profits.
Bruce funds a full system overhaul of Gotham hospital (it’s not his fault the best administrative system software is WE—he looked), he sets up foundations and trusts for shelters, free clinics, schools, meal plans, day care, literally anything he can think of.
Gotham continues to be a shithole. Bruce Wayne continues to be richer than god against his Batman-ingrained will.
Oh, and Bruice Wayne is no longer viewed as solely a spoiled idiot nepo baby. The public responds by investing in WE and anything else he owns, and stop doing this, please.
Bruce sets up a foundation to pay the college tuition of every Gotham citizen who applies. It’s so successful that within 10 years, donations from previous recipients more than cover incoming need, and Bruce can’t even donate to his own charity.
But by this time, Bruce has children. If he can’t get rid of his wealth, he can at least distribute it, right?
Except Dick Grayson absolutely refuses to receive any of his money, won’t touch his trust fund, and in fact has never been so successful and creative with his hacking skills as he is in dumping the money BACK on Bruce. Jason died and won’t legally resurrect to take his trust fund. Tim has his own inherited wealth, refuses to inherit more, and in fact happily joins forces with Dick to hack accounts and return whatever money he tries to give them. Cass has no concept of monetary wealth and gives him panicked, overwhelmed eyes whenever he so much as implies offering more than $100 at once. Damian is showing worrying signs of following in his precious Richard’s footsteps, and Babs barely allows him to fund tech for the Clocktower. At least Steph lets him pay for her tuition and uses his credit card to buy unholy amounts of Batburger. But that is hardly a drop in the ocean of Bruce’s wealth. And she won’t even accept a trust fund of only one million.
Jason wins for best-worst child though because he currently runs a very lucrative crime empire. And although he pours the vast, vast majority of his profits back into Crime Alley, whenever he gets a little too rich for his tastes, he dumps the money on Bruce. At this point, Bruce almost wishes he was being used for money laundering because then he’s at least not have the money.
So children—generous, kindhearted, stubborn till the day they die the little shits, children—are also out.
Bruce was funding the Justice League. But then finances were leaked, and the public had an outcry over one man holding so much sway over the world’s superheroes (nevermind Bruce is one of those superheroes—but the public can’t know that). So Bruce had to do some fancy PR trickery, concede to a policy of not receiving a majority of funds from one individual, and significantly decrease his contributions because no one could match his donations.
At his wits end, Bruce hires a team of accounts to search through every crinkle and crevice of tax law to find what loopholes or shortcuts can be avoided in order to pay his damn taxes to the MAX.
The results are horrifying. According to the strictest definition of the law, the government owes him money.
Bruce burns the report, buries any evidence as deeply as he can, and organizes a foundation to lobby for FAR higher taxation of the upper class.
All this, and Wayne Enterprises is happily chugging along, churning profit, expanding into new markets, growing in the stock market, and trying to force the credit and proportionate compensation on their increasingly horrified CEO.
Bruce Wayne is one of the richest men in the world. Bruce Wayne will never not be one of the richest men in the world.
But by GOD is he trying.
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ruporas · 2 months
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dragon meat, you, and me
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hekuuu · 8 months
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my favorite genre of games is the one where you can gather a team of idiots and wander around with them doing sidequests
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