I don't actually know very much about Taylor Swift so take all of this with a grain of salt and also keep in mind I'm not claiming to be correct this is just what I think based on what I do know. Anyway
I really do think taylor swift has a level of insecurity about her vocals which you can kind of hear in the progression of her music; how she tried incorporating more complex ad libs into her final choruses on like reputation or whatever and she isn't doing that anymore which of course is down to the styles she's playing with lately and it becomes kind of a chicken-egg thing (is she doing that less because she's using different styles or is she using different styles so she can do that less) but I also think this is reflected in her emphasis on herself as a writer/storyteller and her pivot into less vocally-demanding genres. (Inhale) I also think you can hear this in her commitment to style over technique, leaning into diphthongs, making no effort to alleviate the tension she holds in her throat; it's a genius business strategy because there isn't anything generic about her voice. Her sound is distinctive and that helped her build and maintain her recognizability. I also think she has spent her career being scrutinized and criticized by people who are looking for her weak points, which of course her raw vocal ability IS a weak point (LET ME BE CLEAR I'm not saying she's a BAD singer I just think she doesn't have enough raw vocal talent to have built a career on pure vocals and I think she knows that. She has a lot of vocal strengths but that isn't what this post is about), and the feedback loop this eventually created is that she thought she had to look to her writing and lyricism to stand out as an artist, which has also been important to her success but I think recently she's pivoted wayyyy too far and is trying to completely rely on what she and other people think is her greatest strength when really it's not her greatest strength at all. Her greatest strength is in the ability to make a tight pop song with accessible progressions, concise hard-hitting lyrics that make no attempt at being overly poetic, and a STRONG MELODIC HOOK. She has abandoned even trying to compose an earworm and I think that's one of her biggest problems. We need to ban her from streaming platforms and make her reliant on getting on the radio again
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hello! I really liked that one ask where the farmer was a dragon, can we have that one with all the sdv bachelors? even some npcs and/or the bachelorettes if you want? thanks!
Heya! You mean the reaction to Dragon!Farmer? Sure, why not! ☺️ (Hope you don't mind if I'll do sdv bachelors only).
Only that past ask specified a male Farmer, but since there's no clarification here, I made Farmer neutral (they/them). Thanks for the ask!
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"Well, now I know exactly what I'm going to call the next chapter of my autobiography." Farmer had to give Elliott credit: their ginger haired husband held his own, not fainting or screaming in terror when they appeared before him in dragon form. Though they realized from the exhausted smile and pale face that it was better to stay close to catch the writer's body at any moment.
Shane kind of quit drinking.... And he never took any of other stuff thar can make so hallucinate. Then why the hell is there a giant reptile flying over his head right now calling him "darling?" That's what only the Farmer calls him.... And now this overgrown lizard landed in front of him and turned to his favorite spouse again, looking at him with a guilty smile. Just a regular Tuesday for Shane, for fuck's sake...
A tense moment for the Farmer themselves as they finally reveal true form to Sebastian, love of their life. They wait for his reaction, what he will respond, shock and horror on the emo's face. But in the end, Sebby's brain goes to autopilot and he spews out, "I've seen bigger." What... Now it was Farmer's turn to gasp in shock. "Have you seen other dragons?" Farmers don't know if they asked it out of surprise or even jealousy, while Sebastian was still stunned.
It seems that Sam's bewilderment and shock passed very quickly, because anyone else would have started showering him with questions: how long or why didn't you tell me before? But not the young guitarist, because the first thing that came to his mind was "Will you take me for a ride? This would be cool!" On the other hand, things got around without panic, so that's good.
Harvey, as a doctor with experience, was mentally prepared for anything. Apparently, not everything, because the poor man fainted at the sight of a huge dragon on the place where just a minute ago Farmer was standing. The local doctor wakes up with a headache, and the first thing he sees is Farmer's worried face, already in human form. Phew, so Harvey was imagining things and it was just a dream, right? Heh, poor Harvey...
"Now what am I going to tell my grandma?" Somewhat surprisingly, Alex uttered those words not because he was surprised by the Farmer's true form itself, but because they scared him so badly that the athlete dropped a dozen eggs. "Honey, we live on a farm, we have plenty of eggs. And anyway - there's a dragon in front of you." "Dragons later, chicken eggs for Grandma first." And he added that they were the weirdest and coolest person in the whole world, and that he loved them. But don't let the Farmer scare him like that again.
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chocolate covered strawberries are a dangerous food because theyre one of those foods that are so insanely good that itll have you black out and come back to consciousness looking like this except its chocolate and strawberry juice
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I was going to post a funny joke about characters not being doomed by the narrative but the narrative being doomed by them but I thought about it a little bit too hard and now Im like... Well does a character having complete agency in their doomedness matter when that agency is in of itself a product of the narrative theyre in. what came first... the chicken or the egg... the narrative or the character...
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