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rogerdeakinsdp · 1 day

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JENNIFER COOLIDGE & JENNIFER TILLY The 14th Annual GLAAD Media Awards – Los Angeles – April 26, 2003

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sci-fi-gifs · 3 hours

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PROMETHEUS (2012) dir. Ridley Scott

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animusrox · 1 year

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Batman Beyond S01E13 “Ascension”

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ethan-hawke · 1 year

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BRENDAN FRASER & KE HUY QUAN The 95th Academy Awards (March 12, 2023)

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filmgifs · 16 days

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King Kong (1976) dir. John Guillermin

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fruitblr · 6 months

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DONNIE DARKO (2001) dir. Richard Kelly

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dailyflicks · 3 months

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MR. & MRS. SMITH (2005) dir. Doug Liman

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ncutisgatwas · 5 months

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HOME ALONE 2: LOST IN NEW YORK 1992 | dir. Chris Columbus

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heistcinema · 5 months

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PAM GRIER as Jackie Brown in JACKIE BROWN (1997) dir. Quentin Tarantino

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junkfoodcinemas · 6 months

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TREMORS (1990) dir. Ron Underwood

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rogerdeakinsdp · 2 days

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Academy Award Winners for Best Cinematography: 2005 — Robert Richardson, ASC The Aviator (2004) Directed by Martin Scorsese Aspect Ratio: 2.39 : 1

“Prior to my involvement, Marty designed a color timeline that influenced every creative department. He wanted the progression from a two-color palette to a three-strip palette to approximate the technological advances of the film industry at that time, but more importantly, he felt it would mirror the characters’ emotional evolution. The first act, which covers Hughes’s early career in Hollywood, was supposed to have Technicolor’s two-color look. With the second act, which begins after Hughes sets a speed record flying across the continental United States [in 1937] and goes with Katharine Hepburn to Connecticut, we transition to that vibrant, three-strip look that most of us associate with the glorious Technicolor years. Then, when Hughes almost dies crashing the XF-11, we were going to cut into a more contemporary look without either Technicolor process applied.” — Robert Richardson for American Cinematographer, January 2005