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zippityzap · 3 years

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Sonic Tarot Card Project: explanations for character picks

Recently I completed a summer-long project where I created Sonic themed versions of the tarot major acana. I put a lot of research and thought into what characters to assign to which cards, and I wanted to explain my rationale behind each one! (Everything’s under the read more cut because this is a very long post!)

To start off, let me explain why I did this project in the first place. This summer I watched Jojo’s Bizarre Adventure for the first time, and in Part 3, Stardust Crusaders, the majority of the stand abilities are named after the tarot major arcana. Thanks to cultural osmosis I vaguely knew the meanings of a few of the cards and I realised that one of the characters suited his assigned card pretty well. I was curious if this matched anyone else and so once I finished watching that part, I did research on tarot and found that yeah, a lot of them do match! That got me interested in tarot and since I like combining things I’m interested in, I decided to make Sonic versions of the cards.

I do want to note that while Jojo did inspire this project in a lot of ways, I tried not to let my character picks be influenced by Stardust Crusader characters, although there did end up being some picks that did coincidentally happen to match nicely anyway. Also, I’m not gonna lie, ever since picking these card choices I’ve been highly tempted to draw Sonic as Polnareff.

Anyway, on to my explanations for character choices!

0: The Fool (Charmy Bee)

The Fool represents innocence, spontaneity and recklessness. I believe Charmy’s happy and carefree nature, along with the simple fact that he’s essentially just a little kid who likes to have fun makes him a great fit for this card

1: The Magician (Infinite)

The Magician represents creation and strength, but also manipulation and narcissism, a good match for Infinite and the powers of the phantom ruby. (I was also very pleased to notice that the traditional art for the card has an infinity symbol- everything lined up very well!)

The Rider Waite version of the card also depicts a sword, a wand, a cup and a pentacle; the suits of the minor arcana. I have attempted to depict these with various objects from the Sonic series, namely Infinite’s sword from the IDW Forces prequel comic, the sceptre of darkness from '06, a chaos emerald, and a ring respectively.

2: The High Priestess (Princess Elise)

The High Priestess represents secrets, repression, and the unknown, which I believe fits with Elise’s initial desire to control her emotions and her sadness. (Admittedly this is one of the looser character/card connections for this project, but my two other picks for this card I felt were better suited to different cards)

3: The Empress (Vanilla the Rabbit)

The Empress represents nurturing, fertility and childbirth, all traits that I believe make this card a good pick for a kind, caring mother like Vanilla

4: The Emperor (Dr Eggman)

A card fitting for the leader of the Eggman Empire! The Emperor represents authority, power, and tyranny, all traits Dr Robotnik desires, if not possesses in many continuities.

5: The Hierophant (Espio the Chameleon)

The Hierophant represents wisdom and tradition, and in both upright and reversed forms it has large connections to the concept of social conformity. Perhaps I’m drawing more from the various comic versions of Espio, but he comes across to me as someone who is hyper-aware about how he presents himself.

Fun fact: a hierophant is essentially another word for a religious leader, although I’ve never seen it used outside the context of tarot. I assume the religious connection is the reason why in the OST of the Jojo part 3 anime, Kakyoin’s theme is called Noble Pope.

6: The Lovers (Amy Rose)

The Lovers represents love, communication, and passion; and Amy is certainly a character who wears her heart on her sleeve! She’s a good example of a character who I feel fits a number of different cards, however there are no other characters who suited The Lovers quite as much as her.

7: The Chariot (Sonic the Hedgehog)

The Chariot represents journeys, wanderlust as well as the ambition and willpower to achieve your goals, which I believe is the perfect match for Sonic’s adventurous and heroic spirit. This was one of the first cards I decided on and it’s probably the one I’d defend my interpretation of the most.

If you’re wondering why there’s dark and hero chao in the artwork too, it’s because the original card art depicts the titular chariot being pulled by black and white sphinxes, and this is my way of calling back to that.

8: Strength (Maria Robotnik)

This card pick might seem unusual at first if you take the word ‘strength’ at face value, however considering the original card art depicts a maiden peacefully taming a lion, perhaps the Strength card represents inner strength, courage and determination rather than physical strength. These are traits that I believe Maria possesses.

9: The Hermit (Knuckles the Echidna)

The Hermit signifies awareness and independence but when reversed can mean isolation and resignation, traits that parallel well with Knuckles and his duty to be the protector of the Master Emerald

10: The Wheel of Fortune (Big the Cat)

The Wheel of Fortune represents fate, karma and luck! This is admittedly a bit of a cheeky dig at myself since I’m awful at the Big fishing levels in SA1 and mostly got through them through luck. But that’s not to say the card doesn’t apply to Big himself! His frequent cameos do have a bit of a fate/destiny vibe to them and in IDW Big is lucky enough to manage to avoid the metal virus for quite a long time.

11: Justice (Vector the Crocodile)

The meaning of the Justice cards is… pretty much what it says on the tin: fairness and clarity. Of course the Team Chaotix detective agency represents this as a whole, but that trait especially shines through with Vector himself. He may be a little money oriented, but doing what is morally right always takes priority.

12: The Hanged Man (Shadow the Hedgehog)

The thing about Shadow is that he’s a fairly complex character which means there are a number of cards in the Major Arcana that match him well, but I knew early on when tackling this project that I wanted to assign Shadow to The Hanged Man. This card represents change, release and sacrifice, which all align well with the character arc that Shadow goes through during the course of SA2 and beyond.

13: Death (Tikal the Echidna and Chaos)

Despite the morbid name of the card, (and the admittedly macabre scene I’ve depicted) the Death card is not an inherently negative card to draw. Yes, it can mean endings and grief, but it can also mean letting go and new beginnings. The story that Tikal and Chaos go through in SA1, their anguish and how they later find peace, is something that I think pairs well with this particular card.

Fun fact: this is the only card in this project that has two significant characters on it rather than just one. I felt I needed both of them to be on the card in order to fully represent its meaning

14: Temperance (Blaze the Cat)

The Temperance card signifies balance, harmony and patience, which matches Blaze’s very poised and graceful demeanour. Admittedly I had a little bit of trouble deciding on a card for Blaze since the High Priestess and the Hierophant are also good matches for her.

15: The Devil (Rouge the Bat)

The Devil card represents temptation, seduction, and materialism and well… look, Rouge is one of my favourite Sonic characters, I’d be one of the first people to tell you that there’s a lot more to her than what initially appears, she is so much more complex than just sex appeal and a gemstone obsession. However, I felt there was no other character that matched the traits of this specific card better than Rouge, and so my choice was decided by that.

16: The Tower (E-123 Omega)

The Tower card represents a number of things; disruption, disasters, sudden changes etc, however the trait that made me believe that Omega would be the best selection for the card was violence.

17: The Star (Miles ‘Tails’ Prower)

Tails’ character arcs normally centre around him gaining independence and self-confidence and learning to believe in himself. He is also largely characterised by his unyielding faith and trust in Sonic. These traits are the reason why I believe The Star card represents him well, as it symbolises hope and faith.

18: The Moon (Shade the Echidna)

The Moon card symbolises mysteries and the unknown, and when Shade is first introduced in Chronicles, she and the rest of the Nocturnus Clan are certainly presented as mysterious. The Moon can also represent misconception, which fits well with how Shade was initially unaware of the true nature of Ix’s plans.

19: The Sun (Cream the Rabbit)

The Sun, when drawn in an upright position, has a lot of positive meanings! Freedom, fun, happiness, good luck etc. Cream’s cheerful and optimistic disposition makes her a good match for this card

20: Judgement (E-102 Gamma)

The Judgement card symbolises liberation, awakening, redemption and second chances, all of which I believe represent Gamma and his character arc in SA1 well

21: The World (Metal Sonic)

In the upright position, The World card symbolises triumph, completion, strength and happiness while in reversed position can mean failure, anxiety, lack of self-confidence etc. I had both positioning of the card in mind when connecting it to Metal Sonic; he is devoted to the tasks given to him and is self-assured in his belief that he is the true/superior ‘sonic’ yet he repeatedly finds himself at the hands of failure. But he doesn’t let previous failures hold him back, thus starting the cycle anew. (Another connection to the World card as it also symbolises cycles)

#sonic the hedgehog #tarot cards #I'd be curious to hear if people agree/disagree with my choices

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eleutheramina · 4 years

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Is Scoopshipping Good Writing? An Extremely Long Text Post

This is partially a response post to criticism of the ship and Jack’s development in the Dark Signers arc, and partially my own analysis of Jack and Carly’s relationship--specifically whether it is congruous with Jack’s Fortune Cup characterization and whether it says anything meaningful besides just invoking the Power of Love.

Introduction

It’s been over 10 years since 5D’s first aired, which is surreal. I still remember thinking the whole concept was ludicrous at first, but it eventually became my favorite Yugioh series (though I usually ignore the series post-episode 64 and consider the first 64 episodes by themselves). It was really primarily because of these two fools that I started watching in earnest:

I shipped them big time. Even now, I still really adore their relationship. Most of my ships I end up becoming less obsessed with over time, but Jack/Carly continues even to this day to captivate my heart and imagination.

Recently, though, I’ve been thinking about the question, is their relationship good writing? Especially in how consistent it is with Jack’s characterization in the Fortune Cup arc, and whether or not it works to develop him as a character afterward.

(Of course, my personal stakes in the question is, should I be shipping them? While ships obviously don’t have to be well-written in canon or anything like that for someone to ship them, it’s significant to me because so much of the reason I liked Jack/Carly in the past is because it did feel decent character development, especially in contrast to what came after the Dark Signers arc.)

Why I’m Writing This

This sense of doubt about the writing of their relationship is especially spurred on by this character analysis of Jack:

“A lot of people seem to think that the introduction of Carly and the whole romancey subplot developed Jack as a character and for the better. I could not disagree more. If there's one word I'd associate with Jack prior to his entire development and dignity as a character going down the crapper, I'd have to say it's 'ego'. How did Rex/Jaeger get him to sell out his friends, steal Yusei's stuff and join him? He appealed to Jack's ego. How did he persuade him to stay after his first loss to Yusei? By telling him about the signer and reassuring him, again, that he was special. Overall, Jack just struck me as a very focused and driven character, intent on achieving his own goals on his own. He actively pushed away everyone who tried to get close to him, most obviously Mikage, who is consistently worrying over him but whom he never spares as much as a thought or a kind word for in return. Ever. This egocentric attitude is also, at the risk of over-analyzing, consistent with Red Dragon Archfiend, both in its moving away every defensive obstacle in its way and in its actively destroying any monsters that didn't join it in attacking. I generally don't like going onto this level of symbolism because it so easily devolves into semantic nonsense, but given the parallels here and the similarly fitting effects of Yusei's Stardust, I thought it worth mentioning. This would also lend a bit of further significance to him handing the card over to Yusei before the tournament, not only affirming his egocentric wish to beat Yusei at his strongest (and thus redeem himself for their last duel) but also his rejection of the self-sacrificing/others first mentality that the card represents. His obsession with Red Dragon Archfiend after that duel is also consistent with this interpretation, with Jack pushing himself even harder to prove to himself that his way is correct.

“Overall, I don't object to the notion of Jack learning to be less ego-centric as development, but the way the dark signer arc handled it was beyond contrived and ham-fisted, pushing him into an impromptu romance that was completely inconsistent with egocentric personality thus far and completely glossing over the far more interesting questions of how he'd rebuild his ego after essentially losing his entire self-image as the king in front of everyone. Instead, apparently all he needed was for a crazy lady to abduct him from hospital, blackmail him for the sake of her own career, then give a few lines of generic encouragement and invoke the power of love. From where I'm standing, it was obvious that he was intended to be Yusei's main foil, representing a pragmatic, egocentric worldview to contrast with his idealistic views on bonds and friendship, but equally clear that that idea was quickly scrapped in favor of shipping bait and deifying Yusei.

“Jack Atlus, he deserved a far better closure to his development than Stockholm syndrome.” --Aea (http://neoarkcradle.net/forum/showthread.php?tid=26&pid=735)

Before I get to what I think is actually pretty solid about this analysis, I want to address some points. The idea of Carly being “crazy” is pretty hyperbolic. Calling what she did “abduct[ion]” is just inaccurate--after all, Jack asks her to take him out of the hospital, and he also refuses to return when Mikage and Ushio go to get him. Of course, he tries to leave her place in episode 31, but he also seems to willingly return there at the end of the episode. Because she wasn’t really kidnapping him or holding him at her home against his will, their relationship isn’t Stockholm syndrome.

I do think there’s some validity to the idea of her blackmailing him for her career. She does try to draw attention to him when they’re out in public in episode 31 in order to get him to stick around so that she can get a scoop from him. As comically as it is presented in the episode, that’s nonetheless what she does (and she also tries to leverage his lack of gratitude, too!). But she does ultimately feels remorse for that and resolves to not write any article that would hurt a duelist (even despite the fact that Jack lets her write what she wants about him), which is glossed over in this analysis of Jack.

I also don’t think that the encouragement she gave Jack was super original. Here’s the exact quote (which she says in response to Jack divulging his past to her):

“If you get the picture that much, why don’t you just start your life over again? The old Jack died in that battle with Yusei. Now it’s time for the real Jack Atlas to live. Plus, it’d help you in becoming a real King, right?”

Essentially, she tells him that he can get back up again after his loss and be even better than he was before. Yeah, at face value, it is pretty generic. But I do think that it does speak into a lot of what he was struggling with, at least as it is depicted after his defeat. Now, whether these are things that make sense for him to struggle with is a different issue that I’ll discuss in a later section.

And finally, I do think that Jack/Carly invokes the power of love trope. At least, Jack invokes it himself when he is talking back to Godwin in episode 63: “No matter how much I deny it, I cannot escape from what’s known as ‘bonds.’ And what helped me understand that was one woman’s love!” I don’t think the power of love is necessarily a bad thing, and I think it makes sense for someone who gave up their bonds from the past to pursue his own goal to be able to be moved and changed by someone genuinely caring for them.

Now, whether or not it was a good decision to have love be the driving force in Jack’s character development during the Dark Signers arc is a different question, which brings me to the points of Aea’s analysis that I find really compelling and want to grapple with.

What I read Aea as primarily saying is that Jack in the Fortune Cup arc is depicted as a highly egocentric person, and that his plotline with Carly in the Dark Signers arc is a) inconsistent with that previous characterization and b) not as interesting as a plotline in which his egocentrism could continue to serve as foil to Yusei’s worldview.

I think a lot of that makes sense. I do think Jack was driven by his ego, and I do think that it might’ve been more interesting if his self-driven worldview were able to be given as much validity as Yusei’s idealistic, others-driven worldview, which is ultimately what is privileged. I can also see how Jack being primarily motivated by saving Carly during the latter half of the DS arc may be incongruous with his egocentrism just 20 or so episodes before.

At the same time, though, I think there are a lot of directions 5D’s could have gone which have the potential to be more interesting than the one it actually went, so rather than wondering about what could have been, it would be more worthwhile to examine Jack/Carly’s plotline and see whether or not it is inconsistent with Jack’s previous characterization, and also to see if it has any merit of its own as far as it develops Jack’s character.

Particularly, I am going to argue that a) although perhaps not as well executed as it could be, it made sense for Jack’s character to need to change after the Fortune Cup arc, and the way it changes is not incongruous with his previous characterization. Indeed, Jack’s character development in the Dark Signers arc centers around him reconceptualizing what being a King is.

Also, b) Jack and Carly’s relationship ultimately deals with and says interesting things about the idea of being driven by oneself that, rather than totally undermining the mentality that initially drove Jack to abandon his friends to become King, gives it some nuance.

Point A: It made sense for Jack’s character to need to change after the Fortune Cup arc, and the way it changes is not incongruous with his previous characterization. Indeed, Jack’s character development in the Dark Signers arc centers around him reconceptualizing what being a King is.

So throughout the course of one arc, Jack goes from being a man who is motivated primarily by himself and his desires (to the point of being willing to put down others for them), to a man whose main reason for action is someone else’s well being. It does seem like a stark change. Rewatching the Jack/Carly duel, the sheer amount of concern for Carly that Jack shows is pretty astounding.

But I think that it’s understandable for there to need to be a change. For one, the particular reason why Jack lost to Yusei in episode 26 in the first place is because he tried to win using the same strategy as before--he wanted to redeem himself for his first near loss. Clearly there is a need for a change: Jack loses not once but twice to Yusei in the same season, and Yusei also cites Jack’s pride as a King as his reason for his loss.

The drama between Yusei and Jack during the Fortune Cup arc is driven by Jack losing to Yusei and needing to duel and beat him again to redeem himself and prove he’s the better duelist--that he truly deserves the title of King. In episode 6, when Jack realizes he would have lost to Yusei, it’s clear that he’s not driven by how his fans perceive him. While his fans have no idea that he lost, he’s nonetheless still bothered because he, the King, knows. In episode 8, Jack feels like he’s not the King anymore, even though Mikage says he still seems like one. The cheers of his fans sound hollow because he knows he doesn’t deserve them.

Something I find interesting is Jack’s awareness of his counterfeit Kingship revealed through his calling himself a clown. After his initial defeat, Jack asks Mikage if he’s a clown in episode 8, in episode 25 he asks Godwin to release Rally and co as “reward for a clown,” and in episode 31, he also uses the language of a clown when he talks to Carly: “Back then, I gave up everything, and what I gained from it was the path to being a King who continually acts like a clown as he lies about his true identity.”

Because of this, the way I see Jack’s character is that his identity as the King was made counterfeit at almost the very beginning of the series (episode 5). He then spends the entire rest of the Fortune Cup arc trying to regain his original conception of his King identity, only to ultimately fail. From Jack’s own language, I think we’re meant to see this as Jack’s foolishness. While it may have seemed fine for two years, the King identity that he had held onto no longer worked for him. When confronted by someone from his past, his King identity starts to crumble--first he’s defeated not once but twice, then it’s revealed he’s actually from Satellite, etc. In episode 25, he even shows awareness that Godwin baited him with the idea of being a duel king; when Godwin asks if that isn’t what he wanted, Jack says that he wanted to rule as “the King [he] truly desired to be.” Indeed, it’s revealed that he wasn’t even valued by Godwin for himself, but rather as a means of getting to Yusei. It makes sense, then, that his development after his defeat should center around letting go of his original conception of his King identity and discovering something more true.

All of these realizations are those that Jack comes to more or less on his own; Carly even says that Jack already “get[s] the picture.” So I do think it is congruous with Jack’s Fortune Cup characterization for him to need to find a new way of being King in the Dark Signers arc. Hence the need to start over, as Carly suggests. (And which is revisited in episode 37 when Jack talks to Mikage again, episode 59 when Carly does her fortune telling stuff, etc.)

I think it’s because Carly gives him hope after he loses his King identity that she makes such a mark on him and effectively becomes his main motivation in the DS arc. And I mean, Jack in the DS arc is still pretty aloof and pushes others away—he makes it clear to Yusei that he “hasn’t become anyone’s friend” in episode 45, and he really doesn’t rely on anyone else even as he angsts over Carly. No one even knows the identity of the Dark Signer he’s fighting. While Yusei still draws on his friends for strength, we see Jack continue his independent streak. Heck, he even pushes Carly away! (And she honestly probably would have been better off and not have gotten killed if she had just stuck with him, but that’s for another AU...)

An aside - I sometimes read people saying that they think Mikage could have filled the same role Carly did. Maybe, if written differently, she could have. But I think it’s notable that when Jack is angsting about having lost his sense of being a King in episode 8, Mikage is not really able to understand or speak to him in a way that actually meets him where he is. She clearly cares about him, but I think she’s not able to get past the image of the King that she and his fans project on him. I think Carly is able to empathize with his pain more. When Jack calls himself foolish and a clown, Carly doesn’t try to convince him he’s wrong--instead, she says something more like, “Sure, that’s true--but that doesn’t have to still be who you are.”

Point B: Jack and Carly’s relationship ultimately deals with and says interesting things about the idea of being driven by oneself that, rather than totally undermining the mentality that initially drove Jack to abandon his friends to become King, gives it some nuance.

I would argue that this is because Carly’s own character, as well as their relationship in general, deals a lot with themes of selfishness. While not presented as starkly as Jack’s self-drive is, it is obvious that Carly is someone who is self-driven and desires to achieve her goals, not completely unlike Jack. Her first appearance has her going past a swath of reporters to talk to Godwin, and her subsequent interaction with her boss shows that her job is precarious and that the scoops she seeks after are at least in part to keep her job. Like Jack, she came from a lower class background (although “the streets” rather than Satellite), and she doesn’t seem to have any close ties (Angela the reporter might count, but that’s a stretch). And when she goes to talk with Yusei and Dick Pitt after their duel, her concern is not with their wellbeing but about getting information from them for a scoop. “Straight ahead is the only way for me,” is something she repeats, showing that she knows where she wants to go and is determined to get there.

Indeed, Carly would not have met Jack at all if she had not snuck into the hospital trying to learn if he was truly from Satellite. She is someone who is driven primarily by herself, albeit more innocuously than Jack is. This also underlies why she was willing to “blackmail” Jack into going to the amusement park with her. She needs a scoop and is ready to do what it takes to get it.

But, we see how in the same episode, she starts thinking less of herself and more about another--Jack. She thinks, “He’s really hurting inside. And here am I trying to write an article about it. Am I a bad person for that?” She considers what he is going through, rather than just her own needs. When she defends Jack to Angela, she is driven not by her desire to keep Angela from getting her scoop, but a genuine care for Jack. And when she figures out he’s going to the tower to look at Satellite, it’s only by inhabiting his point of view and thinking about what he may want. Yet the question she asks herself--whether or not it’s bad to be writing a scoop about him (after all, it is her job, as Angela points out)--is an important one for her.

As self-driven as Carly is, she realizes she has limits--that is, she would not go as far as to hurt another person to achieve her own goals. Jack, on the other hand, has already done that, putting Rally in peril and taking Yusei’s card in order to get to Neo Domino City and become King.

We see again how Carly can be self-driven when she tries to get closer to Jack after he leaves, and when it is ultimately an illusion of happiness with Jack that causes her to fall back into her Dark Signer persona. Yet even then, it is clear that she does not want to hurt anyone, and Jack repeatedly reiterates this.

This culminates in the conversation she has with Jack before she dies: Carly: I loved cheering people on who tried their hardest like you, Jack. Despite that, because I tried to wish for such selfish happiness, I must’ve been wrong for doing so, huh? Jack: That’s nonsense! Everyone has the right to wish for happiness. If you’re saying that’s a crime, then I’m just as guilty!

Carly says herself that she was motivated by her own desires. Jack, in affirming her desire to obtain happiness, also affirms the ambition that drove him to abandon his friends. However, we see in how Carly is reluctant to hurt others that while it is not bad to want to pursue one’s goals and happiness, it is important to consider the impact on other people. It wasn’t bad for Carly to want to be with Jack, but it would obviously be bad for that to necessitate the deaths of many; it’s not bad for her to want to write a successful story, but it’s bad for her to take advantage of duelists’ like Jack’s pain to tell that story. This allows us to view the Jack in the FC arc in a new light: his desire to escape Satellite and become a King wasn’t bad, but it wasn’t right of him to harm others in order to get there.

Ultimately, Jack and Carly’s relationship is about two people learning how to pursue their happiness and also learning to put each other’s happiness first.

#jack atlas #carly nagisa #scoopshipping #meta #yugioh 5d's #i have way too many thoughts about this card game anime #retributionshipping #carly carmine #yugioh #otp: you can't even ride the monorail

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writerloading · 4 years

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Here’s my brief analysis on why I think Klaus is the best written character in the TVDTO universe - why he brings such an impact. If you’d like to add anything else, please do!

First thing I want to say about The Originals is that it answers a big question that all screenwriters focus on when first beginning a story. The question is “What is your story about?” And when I ask that, I don’t mean, tell me the plot of your story. I mean, what is the theme, the meaning - what are you trying to say. For TO it’s: Family is power, Redemption, and The ability to change. Each story should have an A and B plot. A plot is the story and B plot carries the arc. The show builds a structure for itself. I also feel unlike other shows, TO doesn’t drag its story. It ended right at the best time and finished its story. A lot of fans were angry that Klaus died, but I think after the path that his character went through, it was time for him to die. After being the inevitable, the one who was the most indestructible hybrid that ever lived, the one who couldn’t die, the one who couldn’t love, he became the man who finally was able to die and love. And he died for the love of his daughter.

For what your story is about, most people are wrapped up about the plot, they don’t think about the person going through the plot. They don’t see the change. In order to be successful in your A story, you have to be successful in what your story goes through in general. What is your main character going through, what is their goal? For Klaus his goal was to be the most powerful by gaining his daughter. Even though he already was. From an outside perspective, everyone already saw him as one who can’t be defeated. He, however, didn't see that. By the end of the story, his goal was to make sure his daughter was saved. The goal began from his daughter and ended with that, but from a different ideology. When writing a story, your story should begin and end the same way - but the goal should be different. If I start my story with a shot of a cross and end the story with that same cross being burned, the story ends in the same way but with different intentions. Within that space, you should be able to figure out what happened in the story that caused that outcome.

Elijah’s goal was to gain Klaus redemption, and that is what he received. I think their relationship is one of the most important in the show, especially the way they develop as brothers. The way they develop tells us a lot in the cinematography.

Here, as you can see, they begin very far apart from each other, but as the seasons go by, they become closer until they are finally able to hold each other to show their love.

The Originals is a very character driven story. Klaus’ actions initiate another problem, which initiate another problem and so on. Without him, the story doesn’t go on. Everything revolves around who he is and what he does. Klaus’ inner conflict has a good way of being external. What Klaus feels about himself gets addressed through his anger and his actions. One thing about Klaus’ character is that he never used his abuse or his neglect of his father as the reason to justify his evil to other people. It was always because “He’s a hybrid. I can’t be killed.” or “I am Klaus Mikaelson!” People saw his high power because of his status, not because of what he went through.

When Cami admitted to him that it’s because of his past or because of his siblings, he always denied it and even though we all know that it’s because of that from what we see on screen, Klaus doesn’t see that. He is in heavy denial. I think that’s an important factor to his character because a lot of villains are like “Oh yeah, I’m like this because of you.” They use exposition to justify who they are, while Klaus is trying to run away from his problems and make himself a ruler because if he daggers everyone, then he doesn’t have to face why he’s lonely or why he’s angry. Klaus’ emotions weren’t just there to just show his character and who he was, but his emotions moved the story forward. His anger or his grief added a scene or created a different plot, which added consequences, and these consequences pushed change in his character or someone else around him.

One detail about Klaus redemption I’ve recognized is him showing affection. I don’t mean having sex with different women, I mean the kind of affection that shows your vulnerability. I’ve never seen Klaus sleep the entire show unless he was daggered or spelled or hurt. There’s one scene where Klaus sleeps for the first time and it’s next to Cami. Cami is the character he really exposes his vulnerability to. I think that is a really well written quality in his character. I truly believe Cami is the character in Klaus’ life that he really loves, really fell in love with and accepted. Now, I’m not saying he didn’t love Caroline. I think he does love Caroline, but his love for Caroline is completely different than his love for Cami. I think Caroline allows Klaus to love her and Cami - being the psychologist that she is - opens up Klaus to his feelings. Cami instigates Klaus to love. She tells Klaus to not be afraid of taking in love - that he’s deserving of it, and I think that’s one of the big things that draw him towards her. She was brave enough to push him - to make him see that he’s worthy of people. Cami is also one of the only people that Klaus has held hands with, besides Hope. Which is another vulnerable affection moment besides sleeping.

Klaus is one of the villains that knows his limits and even with his actions, he somehow cares for others more than he thinks. He portrays himself as someone with no capability for redemption, but the thing is, he’s been trying to redeem himself since the beginning of his time. And that’s another well written factor about his character. To reach your end goal, you need to be able to introduce that goal from the start. One example is Klaus saving Marcel from slavery. Or when Hayley was hitting him and said fight me and he didn’t want to hit his baby’s mom. Or saving Detective Will Kinney from suicide.

It’s really well written how The Originals “showed but never told” that the reason Klaus constantly made sure Rebekah never fell in love with anyone was because he wanted her for himself. Because if she fell in love and left then he would be alone and he wanted his siblings with him all the time. Which is why he also always kept them in coffins next to him. So they’re always with him even when they’re not. He also daggered them because when he saw a flaw in them that didn’t match his perception of how he saw him, it was just easier to just stab them than face his problems. Which is also why Klaus made hybrids for himself. He said he was making a hybrid army to keep himself safe, which didn’t make sense because he’s stronger than all of them, but it was also because he didn’t want to be alone. I think the writers did a great job in showing that in his character.

The story’s parallels display really well in Klaus’ redemption. When Klaus first became a hybrid and began turning, his father always saw him as an abomination. As someone who wasn’t worthy of being comforted during his transformations. When Hope had her first transformation, Klaus made sure that Hope wasn’t alone. He made sure that she was worthy of being a hybrid and that he was proud of her for it.

Tagging the people in the previous post that were interested :) @true-unicorn-queen @g531 @saltybisexual @barnes-107th @adrianadmirer @nevermoreraven1 @i-lady-ink @imburtmaklinfbi @angelwingsnaya @wilt23 @lina-neena @anotherporpoisetofind @quirkymarvelstan @mrs-potato-head-stuff @sweetcakes-n-milkshakes @sztodo @caprica99 @senatorblitz @hargreves @gloster @aurea-corde @giraffe-sickle @salazar-slytherins-lavalamp @gracemyface @elijahs-wife @sherlockednerd @spn-obsessed-dean @darklights11 @thedorkphoenix @mrshaleyjames @ashinouterspace @theircrookedheart @fangirlonaroll @overwhelmingly-hufflepuff @bravura-cameos @eleanorgeorgia123

#klaus mikaelson #the originals #joseph morgan #klamille #hope mikaelson #hayley marshall #elijah mikaelson #phoebe tonkin #daniel gillies #cami o'connell #leah pipes #rebekah mikaelson #claire holt

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