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aspirationalpeony · 3 months

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Lucky Me

Summary: You and Mel do a little experimenting after she shares a disappointing truth about her past relationships. Content Warnings: Lots of smut. :) This fic is loosely set in the same world as "Finding Beauty," but can be enjoyed independently. AO3 Link

"He wasn't good at it," Melissa says. "Joe. Makin' me come." She blushes.

It's so not her--tough, capable Melissa, fearless and demanding. You touch her cheek, brush a strand of red hair back behind her ear. She hasn't had a touch-up in a while, and there's a streak of gray growing in at her temple. You love that she can be vulnerable with you, admitting these little truths about herself, in words, in body.

"Really?" you say. You have a well, duh moment in your own head: the last time you saw Joe, he interrupted you constantly, derailing your thoughts to tell his own stories, never letting you get to the punchline of a joke. He just feels like a bad lover, inattentive and untrustworthy. Plus, you know the stuff he said to Melissa about her body.

"Yeah." She plays with the band of her smart watch, then leans forward off the couch toward the coffee table, picking up her wine glass. (It's a weeknight, so the liquid inside is grapefruit-flavored sparkling water.) "And 'specially later on, I couldn't get wet, he'd get so frustrated."

"Even though you were telling him what to do?"

Putting her glass back down, she cuts a look at you for the assumption, but it breaks out into a smile, a little sheepish. Your heart does a flip-flop at the sight. "Well, yeah."

Your fingertip traces the shell of her ear. She shivers. You can't believe Joe would get frustrated, impatient, bored of trying to give this woman pleasure. Every inch of her has some private sensitivity: the lobes of her ears, the small of her back, behind her knees, below her navel. Getting to learn these secrets has been the most incredible privilege. And it's been fun.

It's taken her a while to learn to let you, rather than tell you; to give you a chance to explore. She's so used to controlling every moment, organizing her own pleasure and yours. You love when Melissa is the boss, but you also love when she gives up the authority; when she melts into the feeling and lets you be in charge.

"What about Gary?" you ask.

She snorts. "Gary who?" Her mouth twists and she shakes her head, at the question, at herself. "I mean, sometimes I'd take his mustache for a ride, but that's about it. He didn't have, y'know. It." Her eyes flick up to yours again. You haven't missed the way they've been down this whole time, unable to hold your gaze; how her chin is tucked toward her chest, her shoulders up. "It doesn't... Bother you? Talkin' about them?"

You check in with yourself, but end up shrugging. "Not really." You've spent time with Melissa and Joe together, and there's no heat between them, just the friendly chemistry of two people who've known each other half their lives. Gary you did see once, and he looked kind of like an uncooked ham. What is there to be jealous of?

You study her face. She's still pink and a little twitchy. "Does it bother you? You don't have to talk about it if you don't want to." You drop your hand to her nape, rubbing your thumb comfortingly along the column of her neck. She sways into you with a sigh.

"I wanna," she says. "Talk about it. I feel like I..." Her lips pinch. "Owe ya."

"No," you say, straightening up. The plastic of the couch creaks with your movement. "Melissa, you don't owe me anything. I want to talk about it if you do, but--"

"Nah, that's--" she shakes her head. "It's not what I meant. I mean, I... It's like, it's a part of... Me. Y'know." She pushes her hair back from her face. "And 'cause I love you, and--" she laughs a little--"cause you're stuck with me, I..."

Your always-active heart gives a tremor, hearing the cautious vulnerability of her voice. You slide your arm around her and pull her in.

"It ain't that big a deal," she says, muffled, lying, against your shoulder.

Even if she can't admit it--your tough-girl sweetheart, not wanting to let her soft heart show--you can. "It is to me," you say, and squeeze her.

You loosen your grip, and she tucks herself against your side. It always surprises you how small she really is. Every day she's like a cat that's making itself big, back up, fur on end, daring anyone to come at her; here she gets to shrink back down, turn back into herself, become your kitten.

"I don't get it," you say after a few minutes of comfortable silence. "It's fun making you come. I love it."

"Lucky me," Mel says, very smugly.

"I sometimes think about--" you stop. This really isn't the moment for your fantasies: yeah, you guys were talking about sex, but not in the dirty sense; it was Melissa sharing something important, something emotional, and...

"Yeah?" she says. Her voice has two registers when she's turned on: airy, almost girlish, usually when you've surprised her, and throaty, a rasp. Now it's that fainter, breathless one. The sound of it sends a tickling frisson down your spine.

"Um," you say, and it's your turn to blush. "I think about... A lot of things."

"I'm waitin'."

You huff an embarrassed laugh. It's one thing to fantasize, another thing to tell the object of your fantasy all about it. "Sometimes I think about," you say, and clear your throat, "how sensitive you are. And I want to know how many times I can make you come."

You can feel the way her breathing speeds up, her body against your side, but she doesn't speak.

"We usually stop at two," you say, "but I think you can take more. I think you can take a lot more. And--sometimes, I think about how little it takes, like, when you're right there. Like I can just breathe on your clit and you'll come. I think about getting you there and telling you 'no.'"

Her breath catches.

"I bet you'd go crazy." You're smiling a little. You touch your mouth, tapping your lower lip, thinking of it. "You'd cuss me out, you'd yank my hair. You'd probably try to finish yourself off. I might have to tie you up to stop you."

"Oh," she says.

You risk a glance at her face. She's looking up at you from where she's leaning against your side, her green eyes glassy, her cheeks pink, her lips parted.

"You like that, baby?" You slide your hand down her back and feel the muscles shift as she moves, pushing herself up, then throwing a leg over you, settling onto your lap.

Having her like this is perfect. She used to hold herself up on her knees, not letting you take her weight, until you got her to understand that you loved the pressure of her body against yours, that there was no such thing as too much of her.

She dips her head and kisses you. It's not a starter kiss, warming you up; she kisses you like you're inside her now, deep and filthy, putting her tongue in your mouth with no foreplay. You groan as her hand cups your neck, feeling the prickle of her manicured nails against your skin.

"You think about me like that a lot?" she asks you when she's letting you catch your breath. The words are low, your faces close, like it's a secret someone could overhear.

"Yeah," you admit. Your hands slide over her hips to grip her ass. She gives an encouraging little motion when you squeeze. "I love thinking about what I could do to you..." Her breath hitches again. "What you'd enjoy."

"You get off on it?"

"Yeah, I do," you say. "I get off on getting you off."

Her eyelashes flutter. She makes a noise like a whimper. You have a flash of inspiration, and before you can second-guess yourself, you take her hand from your neck, the other from your shoulder, and pull them behind her back.

She gasps. It's an arrow of electricity right to your clit. Her eyes open wide, searching for yours, as you gather her wrists into one hand. It's not a very strong grip--she could yank away from you easily--but it pulls her shoulders back and leaves her chest thrust forward.

"Is this okay?"

She nods.

"You have to tell me."

"It's okay," she says. Her voice has dropped into that second register of pure arousal, throaty and low. "It's... It's good."

"Did Joe ever do this to you?" You don't know what makes you bring him up. Not jealousy, but... Maybe curiosity. Maybe wondering if he ever took the time to catalogue Melissa's reactions, to think through what would really turn her on, if he ever gave that much of a shit.

She chuckles breathlessly. "Like to see him try," she mutters. Her blush is traveling down her throat and blotching her chest.

You follow its path to the three buttons at the front of her blouse. You watch her chest start to heave as you work them open with your free hand. They expose the center gore of her bra and a hint of the silky curve of its cups.

You palm one breast roughly, squeezing. She groans. You can just feel her hardening nipple through the layers of fabric separating you. You thumb it, pinch hard, to make sure she can feel it, turning her next moan into a whine.

Her hips rock into your lap, trying to get friction. You lean back to look at her: disheveled, red, her hair spilling everywhere, her lip gloss blurry from kissing.

"You're so fucking sexy," you tell her, voice low, making her moan again.

You'd love to finger her, but there's no lube, and she's in leggings pulled up high over her hips, with not a lot of room between the two of you to get inside them. You slide your hand between her legs and over her covered sex.

She pushes down into your palm, hard, as you nose the tender inner curve of one breast, tracing your lips against the edge of her bra. Pressing through her leggings, you can feel the plump shape of her cunt. You trace those folds down, then up, over her clit.

"Oh, fuck," she breathes as you start rubbing. "Oh, fuck..." She shifts restlessly; you think she might pull her wrists away, but instead she arches toward you, drops her head back, inviting a bite to her throat, which you give. You suck soft skin into your mouth, scrape of your teeth, nibble, move down, find another spot, repeat. You can't leave marks, but there are blotches of satisfying pink where you've touched her.

"You getting close?" You work your thumb against her clit.

"Uh huh," she says, weak and needy. She picks her head up again and there's a lost, fogged look of pleasure on her face as she meets your eyes.

You hold her gaze. "Tell me when you're there," you say. "When you're right there. Okay?"

Her brow creases as she tries to focus. You wonder if she's ever tried to do this before, parsing out stages to her pleasure, or if she's always just gone up and over, never thinking about how she got there.

"I--I--I think I'm--" her voice is wobbly.

You pull your hand away. She whines and her hips jab down toward your lap, seeking a touch that isn't there. You rub her thigh, slide your hand up, over the soft curve of her belly and down to press against her mons; her hips jolt again.

"Fuck you," she says feebly.

You rub your thumb back and forth, far above where she wants it. You know she can feel the contact here in her cunt, a phantom pressure to remind her how empty she is, how close she was.

"More?" you ask.

She squirms and nods. When you give her no response, she huffs a sigh, rolls her eyes, and says, "Yes, fine, yes, more, oh--shit--"

You've found her clit again. You know this time she'll already be sensitive, and she might not be able to tell you when you need to stop. You focus on watching her: the glazed look in her eyes before she shuts them, her parted lips, her frantic breaths, her rocking hips.

You time it; you pull your thumb away. She gives a frustrated cry and squirms in your lap. You take pity and give her a distraction, rubbing your cheek against her breast, finding the hint of her pebbled nipple, the one you neglected before, and biting hard. You feel the elasticity of her bra's cup more than you feel her flesh, muting the sting of your teeth, but it makes her keen.

"You've got no fucking clue how hot you are," you tell her. You bite again and tug, drawing out another delicious sound. "I haven't even taken your clothes off. Look at you. I want to do this to you forever."

Your thumb at her clit again, this time so lightly it barely counts. "You want to come, don't you?"

Her wrists twist in your grasp, but don't pull away. She says, all breathless, angry bravado, "What do you think?"

"I think I could stop right now." She gasps, though you don't stop gently rubbing her clit. "Even though I want to make you come. And after that, I want to take you upstairs and eat you out. I want to suck on you and get you all over my face. I want--"

"Oh, shit, I," she says weakly, her hips starting to twitch.

Realizing, you say, "Just from this?" She's really almost there again? "Fuck, you're incredible. Should I stop?"

"No," she whines.

"You want it harder?"

"Yes!"

You give her what she wants. Finally, she pulls her wrists out of your grip so she can grab your hand and shove it fully against her cunt, letting her ride your palm to her orgasm. Melissa's always noisy, but this time, she's loud, the sound of her desperate cry huge in the living room.

"Oh, fuck," she says faintly as she sags down onto your lap. "I, oh..."

"You did so good," you murmur to her and rub her back, grateful to have both hands again. She buries her face in your neck and clings to you, breathing hard. She mumbles something. "What, baby?"

She picks up her head a little. "I said, 'yeah, you too.'"

It makes you snort. It's a funny mix of tenderness, affection, and gratitude you feel, knowing that even after an orgasm that took her like a runaway train, she'll still make sure to remind you of your place. Can't ever get too smug around Melissa.

You trace a hand up and down her back, finding the hem of her blouse and rucking it up so you can touch her bare skin underneath. She's hot against your palm and it makes you sigh.

"You want to go upstairs and keep going?" you ask, mouth against her ear.

"I wanna recover first," she says blearily. "What the hell was that?" She sits up a bit in your lap and you have room to reach around her and pick up her water from the table.

"A little taste," you say.

She brings the glass to her lips and sips, eyes narrowed, watching you the way kung fu heroines watch their enemies, prepared to bust out their fists at any moment.

"Of what I've been thinking about," you add. You rub her lower back. "I think you liked it."

"I think you gotta be crazy to get off on somebody not letting you come," she says, then scowls. "Which I guess makes me crazy."

"I guess it does." You can't smother your smile. "You're okay, though?"

"What do you mean? I came, didn't I?"

"I mean, sometimes emotions can get weird," you say, "after doing that kind of stuff. You get a lot of hormones and chemicals in you and they can make you feel..." You shrug.

"You got a lot of experience with 'this kind of stuff'?" Now her gaze is accusing. "You been holdin' out on me?"

"No, not a lot of experience. A little, maybe." You hold her hips, rubbing your thumbs over their soft curves. "A little experience. And a lot of things I want to do to you."

Her whole body shudders. She reaches back to put her water down, then loops her arms around your neck and kisses you. It's her post-coital kiss, lazy and loving, the hunger more muted.

"Gee," she says breathlessly when you part, and repeats herself, a grin curving her lips: "Lucky me."

#melissa schemmenti x you #melissa schemmenti x reader #melissa schemmenti #sorry for any editing mishaps... i just really wanted to write but WIPs were a struggle!#so fired this off very quickly #i hope you can enjoy even though it's quite short/slapdash

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aspirationalpeony · 3 months

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Genuinely cannot think of any higher praise than being told my writing got you writing again ❤️❤️❤️

Dark Horse

Summary: As a cameraperson on the Abbott documentary crew, you've always had a good working relationship with Melissa Schemmenti. One flirtatious night at her home sends you spinning as you try to figure out if this is really real—not to mention how everyone at Abbott seemed to know about Melissa's crush on you, long before you ever did. (See author's note at the end for prompt credit.) Content Warnings: Lots of smut, a bit of emotional confusion, and me having absolutely no idea how filming anything works. I just faked my way through it, very horribly. Oops! :) AO3 Link

It all starts with a late shoot.

It's just you and the mic guy and one other crew, and your camera trained on Melissa Schemmenti. She talks, in a way she's done rarely so far. A season and a half and she's always conscious of the stare of the lenses, quick to dart around a corner or cut herself off if she knows the opps are listening.

She takes big sips, almost gulps, from her wine glass. She leads you back and forth across her house, reaching over tables or pointing along walls to find a photo here, another there, and talks. "Me'n Kristen-Marie... This one—" pause for more wine—"from my college graduation." It's the two of them, almost mirror images of each other at that age, with a tall man whose lean face makes you think he has to be their father; on the other side of the girls is their Nana.

There's no trick in this photo: no wedding dress, no blood, no hint of drama between the sisters at all. They just look hopeful and desperately young. This feels private, that Melissa could have been so young—something that shouldn't be content for the show—and you feel an impulse to duck the camera away, hide her secret. When you look at Melissa again, she’s watching you; there’s a glitter in her green eyes you can’t interpret: not hostile, and not the look she gets when she’s hustling someone, either. The gaze she’s giving you is strangely soft.

“Whaddaya think?” she says, to you, not to the camera.

You swallow. Nothing you say will make it to the final cut, but the editors will hear your answer, so you can’t tell her she’s beautiful in that picture. “I think I’m lucky you’re showing me this,” you say at last.

Her eyes move over your face. You feel it almost like a touch, intimate and slow, and you aren’t making it up: her gaze stops at your mouth and hovers there. She bites her lower lip before she lifts her wine glass again for another pull. “Maybe I like ya,” she says. “Maybe you’ll get luckier.”

You’re still blushing when you wrap for the night. You sit on your couch at home—you’re always insomniac after shooting at night, your brain and body still buzzing with the work—and put on Netflix on low volume and you don’t watch, just feel your cheeks still burning, thinking about her lipstick on her wine glass.

Of course, the whole crew knows the story by the next morning. When you turn up, Pedro, your best friend on the crew, says, “Look at you! Dark horse!” and it makes your face sear with heat all over again. He lowers his voice, leans in and nudges you. “C’mon, nothing in the contract about that. You deserve a little fun. Let your Italian mama take care of you.”

You cringe. “Please,” you say, “never say ‘Italian mama’ to me again. Okay?”

“Just sayin’,” he says, and leaves it alone.

Of course, it doesn’t leave you alone. You’ve learned the best way to sneak up on a conversation with Melissa and Barbara is to come at it around a corner, so you’re hovering down the kindergarten hall, camera on the two women, when you hear your name, making you stiffen.

“You said that?” Barbara’s voice is incredulous, sharp. “What did she say?”

“Nothin’, really,” Melissa says, “she was on the clock, y’know.” The smile starts in her voice before it grows on her face. It’s a Cheshire smirk bigger and deeper than you’ve ever seen. “She got all flustered. It was cute. You think she knows I was shootin’ my shot?”

“I think you could have ‘shot your shot’ with a little more dignity,” Barbara says crisply. “Like an adult does. Politely. Pleasantly.”

“Soberly,” Melissa says. “Listen, if it works, it works. I just gotta find out if it did, y’know. Work. She’s kinda shy.”

“I didn’t know you cared for that.”

"What, the quiet ones?"

You have to pull away. You're going to miss the rest of the conversation, but your face is burning again, your heart is pounding, and you're grappling with the reality that Melissa and Barbara are talking about you, that you're subject enough between them to be chatted about so casually, that all this footage is... God, are you ever going to live this down?

You'll go shoot some Janine and Gregory. That's always a crowd-pleaser; the audience loves the sweet tension between them, the way the space between their bodies turns tangible the longer their eye contact holds. You try not to think about Melissa's gaze on yours last night. You try to do your job.

That goes as well as you might expect. Fifteen minutes into some uninspiring quiz-grading ("oh, I never fail anyone," Janine says, "I just give 'em a different colored star—they like the gold ones best, so—") Pedro comes to find you.

"Hey, listen," he says, "I need you to come take care of your Calabrian chili pepper."

"What?"

"You know, your spicy linguini. Your Italian ma—"

"Stop." Your head whips toward Janine at her desk and then back to Pedro. The only thing you can think of to say, your heart thumping all over again, is "She's Sicilian, not Calabrian."

"She's giving us nothing. You got to come do her talking head. She keeps trying to square up to Kai and he doesn't wanna fight her."

"What makes you think she won't fight me?"

He gives you a look over his glasses.

The change in Melissa is instant when she sees you approach. Those folded arms, her squared shoulders, her broad, foot-planted stance—it all melts. She leans into the wall, her head tipping, one booted foot lifting for her toe to play in idle lines along the floor, and, yeah. Whether you picked her or not, this is your Sicilian chili pepper, and you swallow hard as you approach.

"Heya, hon," she says, "who's this clown they got me workin' with? Don't they know I only do this with the professionals?"

You mumble a little as Kai looks between the two of you, rolls his eyes, and backs off.

"We were talking about her Friday night plans," Pedro says. "It's school game night and she's not going."

"Yeah, the kids are too easy to hustle," she says, "it ain't even fun. What, do I look like I wanna spend all Friday winnin' their, I dunno, their Yu-Gi-Oh cards?"

Now's when Pedro should prompt her, ask a question. You glance at him; he nods his permission. "Not sure those are a thing anymore," you say.

"Their Pokemon cards," she says. "Whatever. Point is, it'd be like taking candy from a... Jacob."

You don't look at her; you focus on the camera. It's easier than holding her green gaze. "Is that where you draw the line?"

"Gotta draw it somewhere," she says.

You can't help it. Cautiously you look up, try to make your voice neutral: "So how are you going to spend Friday night?"

She lolls her head to one side and looks at you. She sticks her tongue into her cheek. "Prob'ly practicing tricks," she says.

"Tricks?"

"Yeah," she says. "With my magic wand."

You don't really remember the rest of the interview. You sure you babble some other questions, and she gives you some smirking answers, but your head is full of white noise and a singular image: Melissa Schemmenti with a vibrator between her legs.

You're sure other things happen that day. Pedro definitely ribs you some more, you and Kai go get lunch and he complains for a while, Gregory and Janine have one of their not-flirting conversations where he draws up a tightly-plotted itinerary for game night, trying to prove it's possible to run a children's event without delays (it all goes back to his father, of course), at some point you go home and numbly resume your post on the couch in front of your TV screen, trying to make sense of it all.

That picture won't leave your head. You think of the look she gave you that night at her house—intimate, caressing—and how she'd look deep in her pleasure, drunk eyes half-open, her face pink, her hair wild. Does she get naked when she touches herself? She seems too impatient—more like a jeans around her thighs kind of woman—but for a night she's planning ahead—a night she's set aside, just for her pleasure...

Your head drops back and you shut your eyes to see her more clearly. You can imagine the scattering of freckles over her shoulders and chest, the shift of her heavy breasts and the hard peaks of her pink nipples—how does she like to be touched there? Maybe she grabs one breast while she uses the vibrator, plays with a nipple, imagining the rough, confident hand of a lover. You can see the soft field of her belly, the abundance of her hips, her thighs, picturing her cunt, the head of the vibrator against her clit—she doesn't tease, can't tease herself, you imagine, not Melissa.

You can almost smell her sex, you think, until you realize it's yourself you're smelling. Your cunt throbs. You could shove a hand into your underwear now and just take care of it, but...

Your small toy collection lives in a box under your bed. It's nothing fancy, but you do have a small wand vibrator. You peel off your trousers and underwear and drop onto your bed, back against the pillows, holding the purple toy in one hand. Does Melissa have one this size? Or a big, classic one, the kind that could buzz your clit right off? You click the toy on and draw it up your thigh. As it nears the sensitive crease between your leg and your sex, your thigh twitches without meaning to, your clit aching, and you think, okay, no foreplay.

You can't help but wonder as you delve the thrumming head between your folds: does she know you're doing this? Was that the idea—plant herself in your head, grow over everything, including your common sense and your inhibitions, until your whole world flowers Melissa? Could she be doing the same—getting a head start on Friday's plans—thinking of you, right now? You're normally quiet when you do this, but that makes you groan aloud. Your clit pulses.

How does she do this, on a school night, like tonight? Back to the image of her with her trousers halfway down her legs, her hand and her toy crammed into the space between the fabric and her body. You can't help but see her in the outfit from today, that green, clinging top, the black blazer discarded somewhere, slacks caught just above her knees, her hair mussed and tangling against the pillows as she works the vibrator over her clit. No playing games for her, either; just getting the job done, hard and fast.

You come, watching her in your head, her name on your lips; you hope she comes tonight, too, thinking of you, of what she’s doing to you.

The next day, Janine, Gregory, and Jacob are in hushed conversation by the supply closet. You pick an angle from just inside the nearest classroom and train your camera on the slight crack of the open door and you can hear them, even though they think they’re being quiet—classic them.

“I don’t know, what do you think?” Janine is saying. “I think it’s kind of nice.”

“I think,” Gregory says, “it’s like…” He pauses, picking his words. “Like watching a dog shake a chew toy.”

“I think it’s very brave of Melissa,” says Jacob, and your heart drops into your stomach. “Considering the historical era in which she grew up and started her teaching career, being openly bisexual in the workplace must be a very—”

“Please don’t let her hear you call her ‘historical’,” Gregory interjects.

“It’s cute she has a crush on the camera lady,” Janine says. (“Cameraperson,” Jacob corrects.) “I just want it to turn out nice. You know, the vending machine guy didn’t work out, so. And now he doesn’t stock Gushers anymore.”

“Maybe she’ll be a little more relaxed,” Jacob says. “A little more… Open, fun—”

“She’s not going to start liking you because she’s dating somebody.” Gregory, with characteristic bluntness.

“One can hope,” Jacob says.

“The camera lady—person—is so quiet, though,” Janine muses. “Melissa is so intense.”

“Bet that’s what she likes,” Mr. Johnson says, making them all jump. He steps out from the supply closet; he’s holding a Teachers Without Borders coffee mug you know has to be Jacob’s. He takes a long, slurping sip, making sure everybody sees the logo on the cup. “Melissa gets a sweet little thang to take care of. Camera lady gets an Italian mama.” He says it eye-talian. (Where is everybody getting this phrase from?)

“Please don’t say ‘Italian mama’ again,” Gregory says, giving you a little flush of vindication.

“Why not?” Mr. Johnson says. “When I was on tour in Rome—”

That’s enough for you. You decide the rest of the conversation can go unrecorded. You check the time and it’s nearly lunch—thank God, because you don’t want to make eye contact with any of them for a while; you don’t know how to feel about them all talking about you. You know it’s not you, really, they care about. It’s Melissa, her caginess at odds with how boldly, openly she’s been flirting with you, an attraction so obvious even the younger teachers that she’d never confide in can see it.

Something light and effervescent swirls in your stomach, but there’s a leaden weight there, too. Nerves. And desire. You let Pedro know you’re taking lunch and leave your camera behind, finding Kai a block down, away from the school, hitting his vape. He passes it to you and you take a pull, letting candy-scented vapor out of your nose. You don’t really smoke anymore, but anybody would need a little comfort under these circumstances, you think.

“So what are you going to do?” he asks.

“What?” You didn’t know Kai cared about that. “I mean, I guess I’ll talk to her, maybe give her my number, then see—”

“For lunch.”

“Oh.”

You get hoagies together, eating them over a public trash can, standing up. Back at the school you scrub your hands clean in the bathroom and duck Pedro and your camera and you find your way down the second-grade hall to the classroom that's usually the noisiest. It's quiet now: the kids are at the library doing a reading circle with the librarian. Maybe it says something that you know their schedule.

She's in there, glasses low on her nose, working. You pause just on the threshold of the open door. You try to piece together everything you know about her, to make it all fit into the person you see, just a small woman with a love of pleather and a never-ending supply of high-heeled boots, a baseball bat taped under her desk (you've seen it), a guitar propped in one corner of the classroom (does she ever play?), how now she's focused and reading with scrupulous intensity, doubling back on a sentence from time to time, her manicured hand coming up to twitch away a lock of red hair.

You knock on the open door. You see her hand pass under the desk toward the bat before she realizes who's standing there. She cracks a grin, lifting her glasses up to the top of her head. Her eyes travel up and down your body in another look that feels like a touch.

"I was wonderin' when you'd stop by," she says.

You give a little hum. You cross the room to lean against a student's desk, just opposite hers.

"No camera?"

"No," you say, "I wanted it to be just us."

"Huh." She taps her pen on her paper a few times. "You here to let me down easy?" She lifts her chin. The look she gives you isn't intimate now: it's far-removed and challenging, like the gaze of a duelist across a plain. You've seen this before, the way she starts closing herself off, armoring up.

You shake your head. There's a shift in her expression, but the walls don't quite come down. "I guess I wanted to ask what you want."

"That ain't obvious?"

"I mean..." Your arms come up, folding over your chest. "You know, I was here last season, when you were dating that guy... Hulk Hogan."

It surprises a laugh out of her. "Yeah, Gary."

"You asked him out and it was... Different. I mean..." You can't think of how to say it. At last, you say, "Do you take me seriously?" No, that's not it. "I mean, are you just trying to hook up with me? Because, I..." You're starting to burn up again. You rub the back of your neck. "That's not the kind of... Listen, you're beautiful, and sexy, but that's not what it would—I mean, to me, it—"

"You're so cute when you're all shy," Melissa says, sounding equally mystified and amused. She stands. "Look... Maybe I did this all wrong." She circles the desk. "Kinda treated you like a piece of meat."

"Just a little bit," you say.

"I take you serious, hon." She doesn't cross the gap between you two, but mirrors your pose, leaning on the edge of her desk, arms crossed over her chest. "Look, Gare was a nice guy. But he didn't have, you know... He didn't make me wanna..."

You think of Gregory's metaphor. "Shake him like a chew toy?"

Another laugh. "Yeah, that. And I guess I felt... You know, I'd kinda uncorked the bottle, datin' him, when I thought all that part of my life was done, and when you were at my place the other night, you just looked so good, and I just wanted..."

You smile, eyes down. The cold uncertainty is trickling away and there's warmth pouring into the spaces it's left behind. "Okay," you say.

"Okay?"

When you look up, she's moved a little closer. You can smell her perfume again, warmed on her skin over the course of a long day. You've had the privilege of seeing her in detail, so many times: the fine, thin skin around her eyes, the creases at the corners of her mouth that forecast her smile, the tiny hint of gray growing in at her temples, the mellow warmth of her green gaze, the slope of her nose crooking slightly to her left. It's different with no lens between the two of you, when you're close enough to touch.

"Yeah, okay," she says to whatever she sees in your eyes. She lifts her chin and drops her gaze to your mouth. It's a clear request.

You answer it. You dip your head; there's a moment where your noses nearly bump, but you change your angle, catch her lips with yours. There's a tackiness from her lip gloss and an incredible softness underneath. The warmth of her almost shocks you, vivid past your imagining. Her hand pets at your jaw; you feel the other curl into the collar of your shirt. She pulls you closer by the fabric and you gasp.

You renew the kiss, lips sliding over hers. Your hand rubs down her lower back. You can feel the divot in her spine where it meets her pelvis, just above the generous curve of her ass. Before you can overthink it, your palm is gliding over that curve, your fingers digging into its lushness, Melissa gasping against your mouth as you squeeze.

"Oh," she says faintly when the kiss is over and you're catching your breath. "Huh." Her look is glazed and a little bewildered.

"I, um, I don't want to send mixed messages," you say, "but about Friday..."

"Friday?" she echoes.

"Yeah." You bite down on your smile, watching her try to remember what the hell you're talking about. "I was thinking... I know a few magic tricks of my own."

"Oh," she says again. You watch her eyes spark with understanding, her smile appear slowly, then all at once. "I guess you could come over and show me your stuff." Her hands tighten in your shirt and pull you back in for another kiss.

"Hey, gimme your phone," she says, much, much later, when you're wearing more of her lip gloss than she is. "I want to give ya my number." You don't think before you're unlocking it and passing it into her hands. She lowers her glasses from the top of her head to the bridge of her nose and thumbs her way around your phone, creating a contact for herself.

You have a flash of nerves—what if she opens your Instagram and sees all the stupid accounts you follow? A vision comes of her seeing all the dog-using-buttons-to-talk videos you've liked, her libido instantly withering... Then she's giving you back your phone and smirking at you, wiping at your lip with her thumb. "Might wanna stop in the bathroom before you get back to work, hon," she says.

When you leave her classroom, it's like floating; you've never felt so light. You stop in the bathroom and you wipe all the lip gloss off your smiling mouth. You catch yourself humming as you and Kai catch some footage of Ava pretending to organize game night, Gregory trying to involve himself, Janine admitting to a little competitive streak.

Your phone buzzes, chimes. "Sorry," you say to Janine and Pedro, who's leading the interview. You wait until you can lower the camera lens to check the notification. You always keep it silenced during the day—did Melissa turn the ringer on?

Italian Mama iMessage

Your face burns. You take a corner away from Pedro and unlock the phone.

Italian Mama You made me real happy

Your blush intensifies; something flutters in your chest. The phone vibrates in your hand as another message comes.

Italian Mama Don't know how I'm going to wait until Friday

The echo of your own thought in her words makes your heart flutter again. You bite your lower lip and type back, Me neither. An electric spark of daring moves you, makes you send her, Maybe I'll practice some magic just to make sure I'm on top of my game.

Is that too much? You hope not. You've basically made a sex appointment with her for Friday—sex appointment, you think, and wince at yourself, your own awkwardness; it's a date—and you don't—your breath hitches as three dots appear on your screen, showing that she's typing.

Italian Mama Oh yeah?

Italian Mama Better practice hard

You feel a pulse low in your belly. You're ready to type a little more flirtation when another message arrives and makes you gasp aloud, quickly clamping your hand over your mouth before Pedro or somebody else can hear you.

She's sent you a photo. It's herself pulling down the scoop neck of the hot pink blouse she's wearing today. You can see just the tip of her nose, her chin, the proud line of her soft neck, her freckled sternum, and, holy shit. She's showing you her breasts cradled in a bra made of black lace. And you stare. And you stare.

Italian Mama Little incentive for you

Your mouth is watering. You can see the rosy shadows of her nipples against the lace. You barely register yourself typing back, You're perfect.

Italian Mama Thought you'd like em

You're typing before you can stop yourself. All I'll be able to think about now is what I'm going to do to you.

Three dots appear, then disappear. Appear, then disappear. Your confidence wavers.

Italian Mama I want you to tell me

You've never imagined you'd be turned on in the halls of Abbott Elementary, but suddenly you're so aware of your cunt, you can't stand it. You're throbbing. You peer around the corner; Pedro isn't even looking your way, he's talking something over about the schedule with another producer. You have time. You glance up and down the hall; nobody except an aide going into a room at the far end.

Your fingers fly over the keys. If you stop to think, you'll psych yourself out, so you blurt out every thought, the iMessage equivalent of babbling—what you'd be doing in Melissa's ear if you could have her right now, in your arms, again...

You're so fucking sexy

I've thought about you so much

I touched myself thinking about you the other night

I'm going to kiss you until you go crazy and you're so turned on you can't take it

I'm going to undress you and I'm going to kiss every fucking inch of you

I'm going to play with you until you're begging

Do you like it rough or gentle?

Three dots.

Italian Mama Little of both

You're typing again in a flurry. You can feel your heart pounding, your breath coming in harder. You probably only have a couple minutes left to really make her feel it.

I'm going to be so gentle with you until you beg me to be rough

I want to bite you

Do you like being bitten?

Italian Mama Yeah

I know you do

On your neck, on your breasts

I'm going to bite your thighs before I eat you out

"Homie, you coming?" Pedro says, with the best and worst timing—and phrasing—he could possibly have.

"Yeah, one sec," you say, and you're proud of how your voice doesn't wobble at all. "Let me just send this. Sorry."

I have to get back to work

Italian Mama Fuck you

Italian Mama How am I supposed to teach like this

Italian Mama Come here and finish what you fuckin started

You laugh, breathless and surprised. You text her, YOU started it! If she hadn't sent you that picture... You scroll back up and look again. In the bit of her face you can see, she's smirking, because of course she is. The luscious curve of her breasts—you can almost feel them, what it would be like to drag your nose down between them, mouth at the soft skin...

Pedro's waiting. You send her a bunch of blowing-kiss emojis and put your phone away again. You're still buzzing with arousal, but you feel a strange satisfaction, knowing that Melissa is a few halls away, squirming behind her desk, thinking about all the promises you've made.

The day passes, somehow. It's a strange mixture of slow, syrupy boredom and electric, frenetic activity as more preparations are made for game night, and your phone periodically buzzes with another message from Melissa. Thankfully (for your pussy—you think it might fall off if it keeps aching like that), the two of you leave the subject of sex, and just talk.

She asks you your birthday, your favorite food. Where did you grow up? What's your favorite color? Each one makes you smile. You feel like you're on the receiving end of a Schemmenti interrogation, a mob boss with her goons behind her. You get her answers back in turn: July 19. (You respond in shock, You're a water sign??? and you can almost hear her voice when she dryly responds, I got no clue what that means, hon.) Pasta con sarde. Grew up here in South. Pink.

Your heart flutters with every new thing you learn. Even though you go home (and rub one out) alone, she's a presence with you, not just in your fantasies; you find you're texting her until you fall asleep, phone sliding out of your hand onto the bedspread. And when you wake up the next day, preceding your alarm by a bit, you find a text from her waiting for you, just a few minutes ago: Good morning, baby.

You levitate all the way through Thursday. You spot Melissa a few times that day, but it's a packed day for her two classes, so mostly it's in the hall as she marches lines of students to and fro. She gets you back for yesterday, though: pauses in the doorway of her classroom as she's filing the kids in after lunch, and gives you an up-and-down look of such searing intensity that your body heats, scalp to toes. She smirks before she vanishes into her room.

She makes you crazy. God, she's incredible. You're texting her every chance you both can get, though she's sparser while she's with the kids; it's all light stuff. Get lunch here today, she tells you, Shanae made beef patties, and when Shanae slips you a couple of golden-crusted pastries, you bite into them, smelling warm, floral curry, savory beef on your tongue, and think of how Melissa it is, feeding you from a distance.

That afternoon, just after dismissal, she calls, "Hey," to you from her classroom door. You try not to jump to attention. "I gotta do a lot of work," she says, playing with the strap of her Apple Watch, "or I'd ask you over, but..." Strangely, her eyes drop. It's a hint of shyness and it makes your heart patter, tenderness and affection for her pouring into your chest. "I was thinkin', why don't we go out and get, like, food or a drink or somethin' tomorrow? You know, before you come over."

"Okay," you say. Her eyes flick up and as soon as she sees your goofy grin, her shyness melts away, turns back into the smirking self-assuredness you're more familiar with.

"You pick the place," she says, knocking the wind out of you at once.

Oh, crap. You remember what it was like with her and Gary: he tried to take her to a shitty spot for their first date, and she flicked him away from her like a bug. She's challenging you, you think, asking to be impressed.

You can do that. Dark horse, right? "Okay," you repeat. "I'll pick."

She leans back against the doorframe. All at once she's in that lolling, casual, flirtatious posture that she assumes for you and only you, her face tilted up, gaze intimate and a little sly. "You headin' out? I get a goodbye kiss, or what?"

"Okay," you say a third time, and you can barely kiss her, you're smiling so widely. You take your fill of her, in every sense, one more time before you leave for the day, nerves and excitement and that thread of arousal all tangling together, like a knot of live wires.

You're texting her later, because of course you're texting her later. Do you want it to be a surprise?

Italian Mama I dunno

Italian Mama Surprises never seem to work out for me

That gives you a little twinge. You find yourself running the tip of your finger up and down the side of your phone, the way you'd touch her hand or her cheek, if you could. How about just this one? you ask. And if you hate it, I'll never surprise you again?

You wish you could see her face. It would help you know if she's resigned or wary or scared. You don't want her to be antsy or nervous going into tomorrow; you want her to feel like she makes you feel: like you've got balloons and not bones, like a wind could catch you and carry you off, you're so light and so happy.

Italian Mama Ok

Italian Mama I'm gonna trust ya

It makes your heart do its now-familiar flutter in your chest. It's like there's a bird in there, some delicate fledgling thing eager to start flying. It wants to soar, holding its precious cargo: Melissa Schemmenti's trust.

The next day. Friday. Friday. Somehow, the school day rockets past you. Game night preparations have gone disastrously, and it's time for a patented Ava save, with the help of Janine and Gregory.

"Wow, who could've guessed," Kai mutters to you, and fidgets in the pocket you know holds his vape.

Your hand fidgets in your own pocket, around your phone. You and Mel exchanged good morning texts, a few kiss emojis, promises to meet up before dismissal to solidify your plans, but you haven't had a chance to see her at all.

"I don't know," you say, "I think they'll get it figured out."

"I think she's probably going to use it to mine Bitcoin somehow," Kai says.

Honestly, that sounds plausible. You shake your head anyway and make an excuse and scoot past Pedro. He's not encouraging Ava to stream game night live on Instagram, per se, but everybody knows that will guarantee some Coleman-style silliness, so he needs to get her there somehow. (Can you mine Bitcoin through Instagram?)

You don't need to send any directions to your feet; they're already walking you toward the second grade classrooms. Mel doesn't have lunchroom duty today, so you know she'll probably be catching up on two classes' worth of quizzes, or restocking art supplies, or prepping the next lesson's props and tools. Her door is shut and you peek in through the window.

She's writing on the whiteboard, looking back and forth from a worksheet in her hand, glasses on her nose. You knock. When she sees you, the narrow-eyed look of interrupted concentration melts away; she gives you a smile that shows her teeth, the kind that changes her whole face, turning her girlish, almost a little goofy. It makes your heart melt.

You open the door. "Hey," you say as she puts her glasses on top of her head and caps the marker. Being in the room with her, after not seeing her all morning, feels like coming out of the cold to a blazing fire. "Uh, hi. You look beautiful today." Then, for the third time, stupidly, adoringly, "Hi."

"You missed me, huh?" she says, putting down the marker and paper. "C'mere."

As soon as you're in grabbing distance, she takes two handfuls of your ass and pulls you in for a kiss. You're lost in it for long, long seconds.

She pulls back after giving your lower lip a bite that makes you squeak. She tucks her hands squarely in the back pockets of your jeans, holding you against her. "You look beautiful today too."

"Thanks," you say, barely registering the compliment, the way you're chasing more contact, kissing the corner of her mouth, nosing at her cheek. She's so warm in your arms. She's wearing one of her tough-girl outfits, a blazer and matching top in military green, and you sneak your hand under the jacket, finding a little stripe of bare skin between her shirt and her slacks. You touch her there with a teasing trace of your fingernail.

She shivers. Is she sensitive on her lower back? You file it away to investigate later tonight. The thought of being able to have her all to yourself tonight—hours and hours—sends sparks skipping through you. You have to kiss her again.

"You think it's unprofessional, doin' this at work?" Mel asks you breathlessly when you part again.

"I don't know," you say, "but whatever Gregory and Janine have been doing is worse, kind of."

"Yeah, that's for sure," Melissa says, and gives you a third kiss; this time, the delicate muscle of her tongue laps at you, little frissons of heat that go right between your legs.

"I came to talk about dinner," you say at last, when you think you can survive without kissing her.

"Oh, yeah," Mel says, "right. What am I wearin'?"

"Uh..." You hadn't considered it. You're just going in your usual date outfit—a button-up, a nice pair of trousers. "Business casual?"

"Okay, easy. Do I get a hint where we're goin'?" One eyebrow goes up. Her gaze acquires a competitive glint, one you've seen a hundred times through your camera. "I bet I can guess it."

"Here's your hint," you say, "it's not Italian."

"Smart cookie," Melissa says, which leads you both into another kiss, and then another. "It ain't a sandwich shop, is it?"

"No," you say, "I can't beat cousin Rocco."

"Soul food," she says.

"No. I'll come pick you up, is that okay?"

"Yeah, come, like, at five. I gotta change and do my face and stuff." She leans back, giving you a squint-eyed look of scrutiny. "Tell me it ain't French."

"It ain't," you promise, and seal it with a kiss. "I have to go. I'm pretending to be in the bathroom."

"Oh, shit," she says, eyes going wide, "we gotta catch up on this freakin' math unit and I forgot, I haven't peed in, like—"

"Go, go," you say with a laugh, letting her extract her hands from your pockets.

When you return, Kai narrows his eyes at you. You shrug at him and you're ready to get back to work, when he reaches across and plucks something off your shoulder: a single red hair. Crap.

"Damn," he says. "Dark horse."

"What's up?" Pedro glances over at you two. Fuck, you don't know if you can take his teasing today—you know he'll want all the details, and you love him, but you want to just get through work and get to Melissa...

"Nothing," Kai says, and drops the hair. He gives you a nod.

You nod back, warmth and gratitude making you smile. He doesn't smile back—you don't think you've ever seen him smile, actually—but you think you see the corner of his mouth curve up, just a little, as he peers into his camera.

Dismissal, a quick goodbye kiss with Melissa, home to get ready. You're normally an all-black kind of girl—it's just easy—but you pause in your closet and find a pink button-up. It's a mellow, soft shade, the same color as a silky blouse you've seen Melissa wear.

You put on your cologne, you style your hair. You look at yourself in the mirror. It’s funny: this is the same face you’ve always had, but three days of Melissa have done something to you. Your eyes look larger, softer; there’s a smile on your lips, small but persistent, that’s been there all day.

You haven’t always been lucky with women. You have love in your heart—God, a lot of it. Sometimes it feels like the water of an ancient lake, going down almost infinitely deep, and yet somehow about to overflow. You spent years going around offering it to anyone who would take it, and once they’d drunk their fill, they just moved on, satisfied, never giving a thought to you, never thinking you might want something back, even just gratitude.

So you pulled away. You just hurt too easily: keep them at arm’s length, never close enough to bruise. The quiet one, the shy one; that’s who you became over time, knowing that if you gave out of your abundance, you’d only be depleted. No one’s ever filled your cup.

You find yourself chewing your lip, staring at yourself. You want this to be different. You want this to be something else. Can it be?

You park your car in front of Melissa’s and find yourself wondering: text, or knock? You’re starting to get out of the car when the front door opens, and a rush of surprise and pleasure comes at the thought of Melissa waiting, watching for you. Then your breath catches hard in your throat.

She’s wearing a little red dress that… “Wow,” you say, before she’s even close enough to hear. The square neck of the dress is cut lower than her usual wear, and shows an abundance of skin that makes your mouth water. There’s a princessy quality to the cap sleeves, a delicate detail that’s perfect for Melissa: blazing, challenging red, with a hint of sweetness. The hem stops just above her knees. The fabric shows her body in intimate detail, the delicate rounding of her stomach and the flare of her hips, straining across the perfect shape of her thighs.

Her hair is down. Even late in the day it has a bit of curl. Her green eyes are like gemstones in the early evening light. Her heels have got to be four inches, but she walks with the steadiness of a queen. She’s the most beautiful woman you’ve ever seen.

You circle the car to get the passenger side door. “Hey,” she says, surprised, coming closer, “it’s pink,” and touches your sleeve. It’s not even contact with your skin, barely contact, period, but it sends tingles up and down your arm. “That’s my favorite color.”

“Yeah, I know,” you say, grinning like a fool.

Her eyes drop—that hint of shyness again, that tenderness that makes your heart strain against your chest, trying to reach her—before they flick back up. “How do I look?”

“I could look at you for hours,” you tell her honestly.

"I'd kiss ya, but you'd mess up my face," she says. "Here, you get one." She turns and offers her cheek.

You're smiling as you lean down to kiss the offered skin. She's soft and warm, and you get the powdery scent of her makeup, the richness of her perfume.

"Now, c'mon, feed me," she says, and you laugh and open her door.

You drive. She's exactly the kind of passenger you expected: "Hey, check it," every time she sees a car nosing out past a stop sign, or "On your left," when you're trying to merge. "Hey," she barks when somebody cuts you off, a gesticulating, accusatory hand in the air, "cazzo, you wanna watch where you're fuckin' going?"

Melissa. Abrasive, loud, bossy, and you don't feel bulldozed at all. You feel charmed. The smile won't leave your face. You don't know if she could be more herself than right now, in your ancient Volvo, wearing the sexiest outfit you've ever seen on her, looking simultaneously bold and delicate and delicious, and hollering out the window like an angry truck driver.

She's checking her phone as you pull up outside the restaurant, and doesn't look up again until you're opening her door. "Oh," she says, surprised, looking at the place: it's a red brick building, no sign; just a single hanging red lantern beside a white door. You can see her trying to puzzle it out, glancing at you and back to the door.

"It's a bar," you explain. You open the door to your favorite izakaya. Low, golden light and warmth spill out with the Jrock playing over the speaker system.

Melissa cocks her head and looks at you curiously. You only notice that her hand's in her clutch purse when she draws it out again; you hear the rattle of her keys dropping back to the bottom. "Thought you might'a been about to take my other kidney," she says. "I was gonna fight ya."

You blink. It's one of those Melissa-isms, delivered in her dry voice, that you think might be a joke, but it might not be, either. "I wouldn't win if you did."

"You sure as hell wouldn't, baby," she says, and lets you hold the door for her as she steps inside.

You love this place. It feels a bit like your first apartment after you left home, a lot of exposed brick, shoddy white paneling creating an accent wall, and decor that's a little vintage, a little silly: a big, ornate mirror that might have once decorated a cheap theater, brass sconces for lights, Gojira posters in the style of classic ukiyo-e. There's booths on one side of the room and a mirrored bar on the other, with a wall of sake and Japanese whisky.

The hostess recognizes you, waves hi, gestures toward the room for you to seat yourself. It won't start filling up until a little later, so you have your pick of the booths; you take the side that puts your back to the door, letting Melissa have the sightline to the exit.

The low light flatters her. Any light flatters her, but there's something about the dim, intimate, golden warmth of it that makes you stare as she studies the menus, first the drinks, then the food; her eyelashes cast delicate shadows on her cheek, the curve of her lips carving lines there.

She looks up and catches you. The thoughtful twist of her mouth turns into a smirk. The question, though, isn't what you were expecting. "What made you pick here?"

Huh. "I..." You rub the back of your neck, dropping your gaze. "I really like it." That's a start, but not all of it. "I thought you might not have this kind of food all the time. I never see you eating it and I wanted you to have a nice change. And..."

"I come here alone a lot." You shrug. "I have... Good memories here." They are good memories: people-watching, trying new drinks and food, chats with the bartenders, a karaoke night where you fell in with a group of laughing, drunk women who all worked at the same office, who tried to persuade you to bar-hop with them until last call.

But it's always been you, alone; sometimes folded in with somebody else out of goodwill, sometimes noticed for your familiar face and your generous tips, spared a few more minutes of a busy mixologist's time, but always a separation, a glass wall between you and the rest of the room. No one's been on this side of it with you before.

"I wanted you to have a good memory," you say, finally. "I wanted to share it with you."

You glance at Melissa. She's watching you with a look you recognize. It's the one she gave you that night at her house—just earlier this week, but it feels like a lifetime ago. It's tender and intent. It's encouraging. Like she's watching a flower bloom.

"It's already a good memory for me, hon," Melissa says. Something nudges your ankle. It's her foot in its killer heel, gently insinuating between both of yours. You feel her knee against yours, your calves aligned together. She smiles at you. "We're here together."

Your heart does one of its aerial flips.

"You sure get shy for somebody who was talkin' about suckin' my tits before, though," she says.

You choke on nothing. Your face and ears burn. She laughs, her head dropping back, the light glinting on her saints' medals.

"Biting," you squeak, when you can get air. "We were talking about biting."

"Biting," she says, "right. How come you can say all that to me but you're nervous tellin' me you like a bar?"

It's not a bad question. You trace the grain of the wooden tabletop for a second or two, eyes down. "I'm used to giving other people what they like," you say. "I don't mean—it's not that I was lying or faking. No way. I meant it, I mean it, everything I say to you. So much, Melissa." You dart a look up to make sure she understands. "I mean, it's easy for me... For other people, I can express..."

Her hand finds yours on the table and stills it. Her manicured finger gently swipes along the curve below your thumb, down to the sensitive inner skin of your wrist, and traces slowly there, back and forth. She's giving you that look again, gentle and focused and intimate. "I get it," she says simply.

A rush of relief fills you, settling the rattle of your anxious nerves. You turn your hand over and hers settles into yours.

The server appears for your drink orders. You order the house sake, and Melissa says, "Yeah, me too." With your small glasses of sake, the two of you pore over the menu, picking a few things Melissa knows, a few things she's never had before.

The first few plates come out: shumai, hamachi, a bowl of spicy pickle. She gets pieces of toro, unagi, and salmon, and you get a roll and a plate of chashu buns. She gives those a look of pure lust.

"Take one," you say, and push the plate toward her.

She doesn't hesitate. At her first bite, she lets out a guttural moan that goes right between your thighs. You're suddenly much more aware of her ankle still caught between both of your own.

"You think I could get this recipe?" she says of the chashu after the bun has vanished.

"I think you can get whatever you want." Especially from you, especially if she keeps making those noises.

"I sure can," she says with a flirtatious bat of her eyelashes.

You've seen Melissa eat before, scraping the last bite of salad out of a tupperware or sipping from a Stanley Tucci mug, but it's different like this, sharing a meal. You love watching her small, plump hands with her chopsticks, her drinks; you love her expressive eyes, the way they widen or flutter shut at a perfect bite. Everything she tries she makes you try—insistent, "Here, you taste," like you're not the one who's had the whole menu before, and you oblige, trying to taste it for the first time, like her, letting each one blossom over your tongue, letting yourself fall under her spell.

The bar is packed by the time you're through and she's nibbled her way through a couple of frozen mochi. "We gotta come back here," she declares as the two of you leave, hand in hand. "I wanna try more. You got good taste."

"Yeah, I do," you say, looking at her. It's full dark now, but the streetlights and the moon illuminate her, outlining her red hair in silver, the shape of her hips.

"You gonna take me home now?" she says. She moves closer. "You made a lotta promises, you know."

"I know." Your hands settle on her hips. She tilts her head up; you catch her lips, tasting the plum wine you two shared. It's your first real kiss of the night, and she's mellow, soft, delicious. Still, you tell her, "We don't have to, tonight. I want to, but I don't want you to think..."

"I know," she says, and gives you another kiss. "If I thought you were buyin' dinner to make me put out, I would'a had way more food." Another kiss. "Come on, let's go. Or maybe you don't wanna get lucky?"

You drive back to Melissa's place, her hand on your thigh the whole way. Back over the welcome mat that reads GO AWAY, into the picture-lined place where it all started over a glass of wine.

Melissa takes your coat and her own and gives you her back, hanging them up in a closet by the front door. "I can get you another drink," she's saying, but all you can see is the back of her dress: the silver line of the zipper running from collar to hem, almost invisible.

You move closer and she stiffens when she feels you there, your chest to her back. You gather her hair, move it aside. Above the collar of the dress you can see the line of her nape and the muscle where her neck and her shoulder join. You lean down and kiss it.

Breathing in, you can smell her perfume again, her makeup again. Now, her skin. It's a scent you couldn't begin to describe, something living and animal and sensuous. And her hair: warm, intimate, a little bit of hairspray. You kiss the side of her neck.

"You have no idea," you say quietly. You nose against the shell of her ear. Its soft cartilage is cold from the night air outside, but warming quickly, flushing pink as you kiss it. "You have no idea how gorgeous you are. You don't know what you've been doing to me."

You lift your hands and find the tongue of the zipper. Her breath hitches. You slowly draw it down. The rasp of it is loud between your bodies.

The band of her bra. Red lace. Down her back to the luscious curvature of her hips. You're holding your breath. Her panties are red lace, too, a high-waisted thong that hugs her belly and hips but, oh, fuck: leaves her ass almost totally fucking bare. Of course, in that clinging dress. Couldn't risk panty lines.

"Jesus fucking Christ," you say, and slide the dress fully off her body. It's a puddle of red fabric on the floor. You push her chest-first against the closet door and drop to your knees.

"Oh my God," she says weakly as you hold her hips and kiss your way up the back of one thigh, then the other. The flesh here is dimpled with cellulite, a mark of her perfect abundance. You nose over the curve of her ass and bite one cheek and she squeaks and gives a weak, "Huh," afterward, like she'd surprised herself, and you bite the other cheek and her hips rock back into you.

She's still in her heels. You're starting to smell her sex. You think about having her bend over and put her hands against the door and let you eat her from behind until her knees shake and give out. Fuck, you want to, but you've been making promises; you have plans.

You straighten back up, brushing kisses up the line of her spine. "I want to see your bedroom."

"Fuck," she says dizzily. "Okay. Uh..." She starts to step away from the closet door and for the first time all night, she wobbles in her heels. She gives a little growl of frustration that's so Melissa you can't help but laugh, making her glower your way as she toes out of the shoes.

She leads you up to her bedroom. The big bed is made, but there are plenty of signs of life: the vanity against one wall, scattered with makeup; the bedside table with a dog-eared book and a pair of her glasses; there's a bra tossed over the cracked closet door.

She turns to face you, unself-conscious, and grabs you for another kiss, deep, dirty, her tongue licking into your mouth. "Can't believe you wore my favorite color," she says breathlessly, and starts fumbling with the buttons of your shirt. "God, you look so hot."

Your shirt's halfway open when you get your mouth on her neck. She groans, hands loosening on the fabric. Soft, right along the line of her jaw, under her chin, down her throat where you feel a moan vibrate through the skin. "Harder," she says.

You stay soft. The hollow of her throat, her clavicle. You nose one strap of her bra. She whines, "Harder," and grips your hair.

"I told you," you say. "I'm going to make you beg." She gasps. Your cunt pulses. You wonder if the same thing happened in her classroom that day, if she sat at her desk squirming, little hitches of her breath betraying her.

You squeeze her ass and she sways into you. Your hands shape her hips, up her sides, over her back, feeling the landscape of it, the valley of her spine. You trace the band of her bra. It's so pretty, you almost don't want to take it off.

"Where's your vibrator?" you ask.

"Huh?"

"Your vibrator," you patiently repeat, and lean back. You see in her eyes when it clicks. She leans away from you toward the nightstand, pulling open the top drawer. Inside, there's a pack of melatonin gummies, a lavender and chamomile room spray, a mini bottle of Jack Daniels, and a hot pink wand vibrator. Her sleep aid drawer, you realize.

You pick up the toy. It has a good weight, and the silicone is almost as soft as her skin. You find the power button, click it on, and cycle with a few presses through the three strength settings. You settle back on the first one and test it against the inside of your wrist, feeling the rumble against the sensitive skin there.

You look up again and Melissa's sitting on the edge of the bed. She's breathing hard, staring at you, and she's blushing.

"Lay back against the pillows for me, baby."

She scoots back, gives you a challenging look, and spreads her legs. You can really smell her, a thick, rich, saline scent that makes your mouth water. The drawer's still open and you spot a small bottle of lube; you take it out just in case, then slide the drawer shut.

"You gonna get naked?" she says as you join her on the bed.

"Not yet," you say and kiss her again. And again. The vibrator sits on the mattress, turned off, and you want to make her forget it's there. You take your time, licking at the serrated edge of her teeth, sucking on her lower lip until she's whimpering.

You couldn't have imagined that sound coming from Melissa Schemmenti. You chase it, have to have it again. Her lipstick is smeared, almost gone. She keeps tugging on your hair as you kiss her, starting to squirm beneath you, saying things like "More," and "Harder," but not please—not yet.

She slides down against the pillows, laying herself more fully under your body, and the motion makes the vibrator roll down the mattress to bump her side. Her breath speeds up all over again, and her eyes flick from it to you.

You pick up the toy and click it on. "Keep your legs spread."

"Oh, fuck yes," Melissa says, then whines aloud when you touch the vibrator not to her clothed pussy, but to the inner crease of her thigh. "Fuck, c'mon."

"C'mon, what?" You trail the vibrator up the inside of her thigh, toward her knee, and back down again.

"You know—" her breath stutters when you switch legs. "You know what I want."

"And you know what I want."

That makes her moan. Her head drops back, her chest heaving. You lean down to kiss her sternum, to finally nose against one perfect breast, the way you've hungered for it since that photo. The lace of her bra scratches your cheek. You can feel her nipple through the cup, taut against the fabric. You bring the vibrator up and tease its rumbling head over that peak, making her shudder, then replace it with your mouth, letting her feel the heat and wet, just barely, still separated from you by her bra.

"God, fuck," she says, "fuck you," and you switch breasts, teasing her other nipple to aching stiffness. You nuzzle the skin that her bra offers up, the plump perfect roundness of her breast, part your lips, drag your teeth over it. She's so soft here, so much, and it's perfect. Your hand drops with the vibrator and you trace it over her hip toward her sex, making her squirm, as you busy yourself with soft bites and sucks.

You change your angle a little, propping a hand against the pillows so you can lean over her. Your body casts a shadow and her green eyes look up at you from beneath it, somehow both pleading and mutinous. You idle the vibrator back up along the waistband of her underwear and then slowly down toward her cunt, playing it over the plumpness of her mons.

"Fuck," she says, "fucking fuck you, okay, please," and you smile. "Please, I said please, will you fucking please—"

You bring the wand down over her pussy. Her head rolls back and she groans, starting to squirm. "Pull down your bra for me," you say.

"What?" Her voice, face, are foggy and vague, but after a few seconds she understands, lifting her hands to tug down the bra's cups, showing you her perfect breasts. They're begging for your mouth, and you promised her you'd give her what she wanted when she begged, didn't you?

You drop your head. Kiss over one breast, then the other. Mouth at the flesh—so fucking soft, so good against your lips, sucked into the wetness of your mouth. The tops of her breasts have a small scattering of freckles that you have to dust in turn with adoring kisses. Her hard nipple brushes your cheek and you draw it past your lips as you trace the wand vibrator up and down, from her clit to the entrance of her cunt, back again, never letting it linger.

You switch to her other nipple, leaving her breast damp and reddened from your mouth. Her head tosses back and forth against the pillows as she whines, squirms, moans, says, "Fuck," and, voice breaking a little, "You're still fuckin' teasin' me—please, please, I said it, please—"

The words, her need, are electricity surging straight to your aching clit. Your voice is a rasp to match her own when you lift your head and breathe in her ear, "You sound so good like this, Melissa." She gives a broken whimper. "You're so perfect. I'll give you more. I promise. I'll take care of you. Take your panties off for me, sweetheart."

With a grateful sob she lifts her hips and shoves her underwear down her thighs, no further. You flash on that fantasy you had of her, getting off after a school day, slacks and panties around her knees as she fucked herself. Looks like you were right.

"You might need," she starts to say, but you're already reaching across to pick up the bottle of lube. You click off the vibrator and let her watch you drip the lube over your fingers, slicking them up. She's panting harder and harder just watching you.

With your other hand freed from the vibrator, you can pull the thong all the way off her legs, leaning back on your knees to do it. You push one thigh then the other wide apart. Her pussy is plump and gorgeous, red and swollen, her own wetness gleaming from between her spread labia. You add to it: the softest touch of your fingertips against her sex, trailing up and around the peak of her clit, not touching it directly.

She makes a noise you can barely describe, a groan of misery and arousal and desperation. Sliding your fingers back down toward the heat of her cunt, slipping one slowly inside, watching her as you do it. Her eyelashes flutter, her lips parting. Once you're sure she's wet enough, you add a second finger. The lube and her own gathering wetness makes a slick, dirty sound as you begin to stroke inside her, all delicacy, all torment.

"Oh, fuck," she says, "don't stop, Jesus Christ, please, don't stop, I need it, I, I..." Now she's babbling, the way she's made you do, one hand fisted in the bed covers, the other grabbing your wrist. "I need it so bad, I need you to fuck me, I've been waitin', please..."

"You've been waiting?" It occurs to you that this version of Melissa, already begging, might be willing to tell you some embarrassing truths. "How long?"

"Since we met," she gasps. "Since—oh, fuck..."

Since you met? That was the very first day of shooting—getting all the establishing shots, the very first moments and interviews. She intimidated you—her and Barbara both did—but Barbara, at least, gave a little, showed a bit of herself to the camera. You remember how Melissa was, arms folded over her chest, cool and hostile with Pedro as he tried to coax her out, get her to introduce herself.

Her eyes had moved from him to you, looking past the camera. "You Sicilian?" she'd asked you. She smiled at you that day and it transformed her sullen, cagey face, turned her, however momentarily, sweet. "Italian?" she'd continued, then her eyes darted from you to Pedro, over to the boom mic guy, trying to get a read on all of you. "You from South?" Her smile vanished. Her voice tightened up again: "Okay, you guys workin' with the cops? 'Cause you gotta tell me."

You reward her for the honesty with a press of your palm against her clit. Her hips jerk up. "I remember that day."

Her head drops back again, her eyes squeezing shut. The words leave her in a breathless rush: "You were so cute'n I hated the cameras but whenever you were there I would just—and you were always so, you were gentle, and—I always knew when you were lookin' at me—"

"I was looking at you every chance I got." You watch her face as you begin to ease a third finger inside her. This one has to burn a little; you can feel her body, resistant at first, starting to stretch to take it, and you don't push; you wait to see her eyes open again, their needy, yielding look. She lets go of the covers to grab one leg under her knee and pull it wider apart to help you. You add a little more lube, just in case, not wanting to hurt her.

"I was always looking at you, Melissa." She stares up at you. There's a crease between her brows, her swollen lips parted; she looks stunned, overwhelmed, face pink, as you slide that third finger inside her.

"I was always looking at you," you repeat, and begin to gently fuck her. Her cunt opens for you and desperately clenches against your fingers, grasping and irregular, trying to keep you. "You're so beautiful. I always wanted you. I thought you were the sexiest, meanest—" that surprises a panting laugh from her—"woman I'd ever seen. You were so smart, so funny—you protected everyone, and you took care of everybody—" her eyes squeeze shut. "Let me take care of you now."

You reach over and pick up the vibrator. You click it on. Her eyes open again at the sound of its buzz. You press the button again, then a third time, bringing it to its strongest setting. Melissa's eyes are huge. She's panting, staring, knowing what you're about to do, and the look of vulnerability and desire on her face, her smeared lipstick, her messy hair, she's perfect, so perfect, and you need to make her come now.

"I need it," you tell her, holding her gaze. "I need it. Let me feel it, Melissa." You bring the vibrator to her swollen, begging clit.

A moment of nothing but her breath caught in her chest and her wide-eyed gaze on yours. Her pussy clamps down around your fingers and you feel the ripples of her orgasm start before she drops her head back and gives a wounded, animal cry.

You chase the waves of her climax, fucking her through them, coaxing them toward you; you rub the head of the vibrator along her slippery clit. Her head tosses back and forth on the pillow like it's too much, but her hand still grasps your wrist, keeping you right where you are, and her hips are working, riding your fingers.

"I can't," she starts saying when she can heave a breath back into her lungs, "I can't, I can't, oh, please—" you click the vibrator off and throw it aside; it nearly rolls off the mattress. You spread the lips of her pussy wide and you lean down and bite one shaking thigh, then the other, then seal your lips over her swollen, tender clit.

Fuck the vibrator: this is your new favorite toy. You play with it and play with it and Melissa comes again, or keeps coming, you're not sure which. One leg goes over your shoulder and her hips twitch and writhe until you have to hold her down.

"Oh my G—oh my God, oh, baby," then, just chanting over and over again, like you could ever tell her no again, like you can deny her anything in the world: "Please, please, please..."

Anything she wants. The whole fucking world, if it were yours to give. You suck and lick at her cunt as her hands find your hair and yank.

How long can she go for? How many times can you make her come? You want to know. You want to fuck her until she faints. But that's not for tonight—not without planning, not without her consent—so when she starts making airy noises that are weak and almost pained, you ease off, slowing your mouth and fingers, letting her come down.

You rub her hips and thighs and her soft belly, and give light kisses to the mound of her pubis. She stops pulling on your hair, grip going slack at first; then, as she comes back into herself by slow degrees, she scratches her nails gently against your scalp.

Kisses for her stomach, her ribs. "Here, baby," you whisper, and reach under her body; she lifts up so you can unhook her bra, sticky fingers brushing her skin. You ease it off and drop it to wherever her panties went. She's nude under you now, flushed all over, body loose and relaxed against the mattress; you pet every inch of her you can reach.

You cup her cheek. Her head turns into the contact. There's sweat gleaming along her hairline and her upper lip. Her eyes, mascara and liner blurred, open to meet yours; her gaze is bleary at first, then sharpens.

You expect another fuck-you, or a joke, or even a "thanks, I needed that," but what she says is, "Now you sit on my face."

Your mind whites out. It's possible you forget the English language for a second or two. When you're back from wherever your soul departed to, she's pulling on the buttons of your shirt, brow knit and wearing an impatient little scowl, yanking the last ones open. "What?" you say weakly.

"I said," Melissa says, fully herself again, no longer the begging, needy, squirming creature of minutes ago, "now you sit on my face. C'mon. Get this off." She grabs the buckle of your belt and works the tongue out of it with a metallic clink.

"I," you say, "I," and she drags your trousers down your legs. You have to lean back off her to get them and your underwear all the way off. Your shirt still hangs open, showing your bra, your bare stomach. She leans up to kiss your sternum with an open mouth, tongue flickering hot against your skin.

"I told you," she growls against your neck, "to sit on my fuckin' face," and there's no more of anything in your world but her, you scrambling up onto your knees, spread wide, her sliding down the bed to get under your cunt.

You falter for a moment; she grabs your hips and yanks you down. There's no playing, no teasing. She drags the flat of her tongue up the folds of your pussy and takes your clit into her mouth and sucks. Her green eyes are open and staring up at you and you see your own dazed pleasure reflected in them.

It takes about five embarrassing seconds before you come in her mouth. She moans loudly against you and tries to hold you where you are, but your legs are shaking badly; imagine if you broke her nose the first night, God—you lift one knee so you can get off of her and drop onto your back.

She follows you. Clambers on top of you intently but unsteadily, still wobbling from her own orgasms, and kisses sloppily down your stomach to get back to your pussy.

"Melissa—" you're gasping, and she's putting her tongue inside you, angling her head to get it in as far as she can. She licks, sucks, wraps her arms around your hips and holds you against her as you try to buck away. The wet noises of her mouth against your cunt are obscene.

You come again, and maybe one more time, you're not sure; your mind blanks again. When you can think, feel, process again, she's giving little kitten licks to your sensitive sex that send shudders up your whole body.

"Okay," you say. Your throat hurts a little—how much noise were you making? You clear it. "Okay. You win." You tap out on the mattress like a boxer. She's wearing a look of supreme satisfaction as she lets you go, her face covered in slick wetness, her makeup a disaster, her hair a messy tangle. She's so beautiful. Your heart does a now-familiar backflip.

She crawls up your body and flops onto her side next to you, curling onto your chest. There's long minutes of just you two breathing, the sound filling the room, a tingling starting in your pussy that you know is the herald of after-sex soreness, her damp fingertips tracing idly on your skin.

You start to smooth out her hair. It'll take a shower and a comb to really fix—maybe you'll suggest it. You trail your fingers down and follow the freckled curve of her shoulder, the roll of flesh on her side along her ribs, the dip of her waist before it opens onto the perfect field of her hips and ass.

Her eyes flick up to yours. They're softer and happier than you've ever seen them; the look on her face is gentle and content. You bring your questing hand up to cup her cheek. She kisses your thumb.

"I'm hungry again," she declares.

A laugh bursts out of you, full of affection. "What?" she says, clearly about to be offended, but before she can go any further, you pull her fully into your arms, wrap around her and squeeze.

You press your face into her neck and inhale, smelling her sweat and skin and sex. "You're perfect for me," you say into that warm curve, muffled against her skin. "You're just perfect." You peck a kiss onto her jaw and lean back to touch her cheek again. "Should we make something? Do you want pasta?"

She grins at you. It's that big, Cheshire smile you saw on her face a few days ago, telling Barbara about how she shot her shot, full of preening satisfaction. She leans in and brushes your nose with hers.

"I knew I picked right," she says, simply, happily. She laces her fingers with yours. "Come on, I got a robe you could wear. You like carbonara?"

She leads you off the rumpled bed. You can see you've left a blurry pink bite mark on one cheek of her perfect ass. She brings you a fuzzy shortie robe ("I like your legs, baby, lemme see 'em") and puts on a silk one herself, and takes your hand again as she opens the bedroom door.

You feel good. You're happy. You realize as she brings you to the kitchen, to the very heart of her home, that you're not alone anymore.

-- -- -- -- -- -- -- --

Author's Note:

I received the following prompt from an anonymous reader on Tumblr:

"can you write some fluffy smut for Mel x reader where everyone thinks Mel would be in charge in the bedroom because she’s so tough and reader is so shy. but actually reader takes care of Mel."

Back when Season 2 was airing, I saw a few fan posts saying that Lisa Ann had suggested there was a cameraperson on the crew that Melissa thought was cute, which led to the rare scenes where Melissa opens up to the camera. I'm not sure if this is accurate to what she said, but that idea has stuck with me. When I received the above prompt, it went into a blender with that thought, and this is the smoothie that resulted.

I hope I've done justice to this lovely prompt!

#thank you so so so so much

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