ecohoes

[ecohoes]

I drew cats from stardew valley :D

kofi | commissions | instagram

[ecohoes]

always so funny when Demetrius posts messages on the board like "there is a HUGE infestation of terrifying ROCK CRABS guys the place is just OVERRUN there's crabs EVERYWHERE like you would not BELIEVE" so you accept the quest to kill them and go to the mines and there's like. one (1) crab

like Demetrius. my guy. my buddy. pal. clown. dude got jump-scared by a single crab and called it an infestation it's the only explanation.

[ecohoes]

[ecohoes]

[ecohoes]

I’m obsessed with all the new furniture catalogs

#stardew valley #sdv #stardew 1.6 #stardew valley 1.6 #stardew update #modded stardew valley #modded sdv

[ecohoes]

In celebration of the new update, i made a bunch of stradew valley frogs out of perler beads!! :D im gonna make a whole army now

[ecohoes]

a little orchard🥭🍊

#stardew valley #stardew valley 1.6 #stardew 1.6 #sdv 1.6 #modded stardew valley #modded sdv #stardew update

[ecohoes]

reached perfection on my meadowlands farm today:) still crying about only having one giant cauliflower though:(

#stardew valley 1.6 #stardew 1.6 #modded stardew valley #sdv 1.6 #modded sdv #sdv #stardew valley #meadowlands farm #1.6 spoilers #1.6 update

[ecohoes]

reached perfection on my Meadowlands farm today. I’m still so upset over not getting a second giant caulflower😭

#stardew valley #stardew valley 1.6 #1.6 spoilers #1.6 update #stardew 1.6 #meadowlands #meadowlands farm #modded stardew valley #modded sdv #sdv #sdv 1.6

[ecohoes]

Quick List of References to Dante's Inferno in "Unreal Unearth" (Part One)

[ PART TWO ]

If I miss anything or get anything wrong, let me know! I'm so interested to know what everyone else thinks, too :]

Another long post, but I simply have too much to say.

"DE SELBY (PART ONE)" "You take in the blackness of air, the likes of a darkness so deep that God, at the start, couldn't bear." The theme of darkness is a repetitive one in Dante's Inferno, representing sin and it's deceiving behaviour. Particularly in the opening of Inferno, Dante and Virgil have to treck through a thick blackness after entering the gates of Hell.

"DE SELBY (PART TWO)" "Let all time slow, let all light go, I don't need to know where we begin again." DS(P2) is another song that references the absence of light, and would make sense being a continuation of DS(P1). "Let all time slow" references the eternal and infinite nature of a punishment in Hell, and "let all light go", again, show the darkness of Inferno. "I don't need to know where we begin again" is more a repetition of Hozier's own work with his multiple references of death not being the end - "Francesca", "Work Song", "All Things End", "Wasteland, Baby", etc. - but still references the idea of entering a new life after entering Inferno.

"FIRST TIME" "And the soul, if that's what you'd call it, uneasy ally of the body, felt as nameless as a river, undiscovered underground." It appears, in the track list, that we are now moving beyond the threshold of Hell. The mention of "a river, undiscovered underground", is a reference to the river Acheron that runs through Inferno. The river contains a ferry, ran by the Greek Psychopomp, Charon, who escorts the souls of the underworld. Dante is known for mixing different mythologies together in Inferno, so the mentions of "soul" and "river" and "undiscovered underground" all seem to be a reference to Charon and his role in Inferno.

"FRANCESCA" The whole song of Francesca is a reference to the story of Francesca da Rimini, who was sentenced to the second circle of Hell, 'Lust', after caught in an affair with her husband's brother, Paolo. Francesca claims that love has seized her so tightly that she can't stop loving Paolo, not even in Hell. The entire song references this story so I won't pinpoint these lyrics. "My life was a storm, since I was born. How could I fear any hurricane?" The second circle of Hell is plagued by violent winds meant to reflect the passions of reckless love. The winds are so strong that the inhabitants of 'Lust' find themselves thrown around and unable to stay in one spot. Hozier claims to not be afraid of these winds, saying that love has always felt this reckless, even in mortality, and death will not phase him. Whether he is saying this from the perspective of himself or Francesca is up for debate.

"I, CARRION (ICARIAN)" The whole song is very clearly about the tale of Icarus, and even has some mentions to the titan Atlas, "You have held your hands beneath. Once I had wondered what was holding up the ground. I can see that all along, love, it was you all the way down." Icarus and Titans are mentioned throughout Inferno, Hozier again hinting at the mosaic of mythology Dante created. In Inferno, Dante compares his own dread to the plummeting of Icarus, and Hozier now compares his love to the dreaming and hope of Icarus as he flew, making it a fitting song for the 'Lust' circle as well.

"EAT YOUR YOUNG" We now enter the third circle, 'Gluttony', and the song is very overt in its imagery of hunger. As far as I'm aware, the song has more political references than it does direct references to Inferno, but the song is very obviously about Gluttony.

"DAMAGE GETS DONE" The minimal lyrics we have for this song don't give me a lot, but I would say they definitely don't reflect hunger, so I think we have entered the fourth circle, 'Greed'. 'Greed' is categorised as one of the sins committed out of a lack of self-control, like 'Lust' and 'Gluttony'. However, Hozier seems to be fighting this idea in the lyrics, claiming, "But I know being reckless and young is not how the damage gets done." The idea of "damage" also reflects the circle of 'Greed', as the punishment for this sin is that the inhabitants are grouped into halves, and each half are forced to engage in an eternal battle that leaves them so injured, they are impossible to recognise.

"WHO WE ARE" I'll be honest, in terms of references, we don't have a lot for this song, although, as mentioned in the next paragraph, "Son Of Nyx" has to be about the fifth circle, 'Anger', so "Who We Are" is either another 'Greed' song or it's a second 'Anger' song. Although, we do have the lyric, "But it sharpens like a knife", which throws me back to the knife imagery of "Take Me To Church", a very biblical song in terms of imagery, and in the fourth circle, 'Greed', Dante sees varying members of the Clergy, so perhaps "Who We Are" is a similar song to "Take Me To Church", and takes place in 'Greed'. TMTC: "You can sharpen your knife", "My lover's the sunlight", "She demands a sacrifice", "Only then, I am human." WWA: "It sharpens like a knife", "We're born at night", "Darling, we sacrificed", "It's who we are." The biblical similarities could present this as a 'Greed' song, referencing the various clergymen who reside there. "SON OF NYX" Though we have no lyrics, we know the song after this is "All Things End", which is about the sixth circle, 'Heresy', so this song has to be about the fifth circle, 'Anger'. Nyx was a Greek Goddess who was the personification of night, once again referencing darkness in this album. Nyx has many offspring, all presenting various different things. Nyx, however, did inhabit the dark recesses of the underworld, respected and feared by even Zeus. We have no lyrics ( although, perhaps it is just this song renamed ? who knows ), so I can't say for certain how this relates, but a Goddess that resides in the underworld seems very fitting for Inferno.

---

Again, if I missed anything, please tell me! I'm already so obsessed with this album, I need to know if there is content I am missing, thank you soldiers. (ง’̀-‘́)ง

[ecohoes]

I work at a movie theater.

And personally? To be in the tickets booth, and see young girls, teenagers, adult women, coming in to see Barbie,

the most highlighter pink outfits, some of them coming in with the dolls they’re dressed as, laughing to each other, cheering for each other,

to see the men they’re coming to see it with, dressed in pink, cheering them on, taking their pictures with smiles and cheers in the lobby at the photo op

touches something so deep in me

I can’t say any nuances of the movie that haven’t already been said, but like, fuck man, love is so deep and so kind and to be able to see glimpses of it from behind my little ticket desk makes me a little less nihilistic.

[ecohoes]

I find the fact that the Barbie movie is simultaneously being criticized by the right as “too radical”, and criticized by the left as “too nice to men” and/or “too pandering”, quite funny, given that America’s WHOLE SPEECH was about how, no matter what women (like the director of the Barbie movie) do, it will simultaneously always be too little and too much.

[ecohoes]

hearing some of you say that barbie has a shallow take on feminism is so funny to me my sister in christ this is a blockbuster if you want to deepen your socio-political knowledge consider reading a book idk what to tell you

[ecohoes]

"Barbie is anti-men" bro shut up, ken's arc is literally how toxic masculinity poisons young boys' minds who grow up to be unbelievably insufferable because of what society teaches them.

[ecohoes]

Truths that Co-Exist

Barbie (2023) is a giant product placement that profits off nostalgia.

The writing is profound and life-changing and understands why we seek nostalgia in a way most nostalgia-driven entertainment doesn’t.

The film is self-aware about how even now, Barbie dolls set incredibly unrealistic beauty standards. Their “body diversity” does not even scratch the surface of what that phrase really means. I don’t expect this to change.

The film still made a beautiful statement with the scene on the bench about how societal beauty standards are narrow and restrictive! And that beauty comes from experiencing life and the marks it leaves on you!

Its feminist statements are validating. Many of us see our reality onscreen, and the great thing is that it includes how cishet men fall down a pipeline of toxic hypermasculinity. It also shows the solution, and allows men to express themselves despite what society expects them to be.

The film is a capitalist venture.

The cast (aside from the leads) and crew were probably overworked and severely underpaid during filmmaking.

We can still appreciate that something fun was made, and we all made another wonderful memory where we and our loved ones went to the movies color-matching in pink.

We should not feel guilty about seeing ourselves in this film.

Meanwhile, support the WGA and SAG-Aftra strike.

[ecohoes]

what really got to me about the barbie movie is how the movie is really about how there is still a little girl inside all of us, and when you walk around the movie theater and see all these grown women dressed in pink and visibly excited, it's a reminder of that. but moreso, it's how your mother is a little girl too. and that all comes together in the end when barbie meets her creator. barbie was made so ruth's daughter could be anything she wanted to be, and she named her after her. in the end when ruth helps barbie become human, she is her mother. and when in the end barbie introduces herself as barbara, she is her daugher again. you can be anything, but being human and mortal and imperfect is the greatest gift of all.

[ecohoes]

Barbie (2023) ✦ Dir. Greta Gerwig