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Mountain Fairies by Marthe Jonkers

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knuckle tattoos that say ANTI GONE

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"Omen" by Emile Corsi, 1886

#doesn't exist but it's a slay

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Will-o'-the-Wisp (detail) (Lev Lerch, 1888)

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Paco Rabanne | Fall/Winter 2020

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.g.h.o.s.t.g.i.f.e.r.s.

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Zuhair Murad Spring 2024 Haute Couture

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By Outrunyouth

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Philosophy - Dmitry Kochanovich, 2019 (1st) Oil on canvas, 100x120cm

Ideal - Dmitry Kochanovich, 2019 (2nd) Oil on canvas

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The Mirror-Faced Grim Reaper in Meshes of the Afternoon (1943), dir. Maya Deren, Alexander Hammid

“This film is endowed with an acute sense of restlessness and alienation; reflecting this uncanny estrangement in the doubling, tripling and quadrupling of its central character, and in its cyclic narrative, a structure that seems condemned to repetition. Why is the hooded Death figure constructed as a kind of mirror? Are we dealing with Nietzsche’s notion of ‘eternal return’? (…) You could go on forever about the meaning buried in this particular work. It invites and eludes analysis.” – CINEMA AND DREAM-LOGIC IN MESHES OF THE AFTERNOON

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𝘑𝘌𝘚𝘚𝘐𝘊𝘈 𝘊𝘏𝘈𝘚𝘛𝘈𝘐𝘕 𝘈𝘚 𝘓𝘈𝘋𝘠 𝘓𝘜𝘊𝘐𝘓𝘓𝘌 𝘚𝘏𝘈𝘙𝘗𝘌 𝘐𝘕 𝘊𝘙𝘐𝘔𝘚𝘖𝘕 𝘗𝘌𝘈𝘒 (2015) 𝘋𝘐𝘙. 𝘎𝘜𝘐𝘓𝘓𝘌𝘙𝘔𝘖 𝘋𝘌𝘓 𝘛𝘖𝘙𝘖 // "𝘕𝘈𝘕𝘕𝘈" (1862) 𝘉𝘠 𝘈𝘕𝘚𝘌𝘓𝘔 𝘍𝘌𝘜𝘌𝘙𝘉𝘈𝘊𝘏 (1829–1880)

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José Arpa Perea (1860–1952)

La musa ispiratrice, 1884