ethereal-evanna

[ethereal-evanna]

Everything Ends

Greetings everyone. Hope y’all are doing fine. First off, I have a little announcement to make. These last few months or so have been incredibly busy. Truthfully, I haven’t been actively logged in since June 12th; occasionally, I have been checking up on the blog every three weeks. As it stands, life happens. I am currently in the process of working on an animated project (I’m afraid I can’t share too many details about that currently). On top of that, I will be working a part-time summer job. The majority of my time will be dedicated elsewhere. The admins here have put a lot of hard work into this blog for the last five years; however, due to outside commitments and not seeming to have enough energy to keep it going anymore, we think closing the blog at the end of the year appears to be in our best interests (the blog will not be deleted, although it will remain up as an archive). Emily (the original admin) and I would like to thank everyone for their unwavering support. I will still be around on Tumblr for the time being and may still post about Evanna from time to time on my main blog (as I have been on this site for almost 11 years now). Presently, all of my side blogs are on an indefinite hiatus. There are still some unpublished edits lying around in my drafts for this blog, so I’ll be sure to queue those in the coming weeks. It has been a pleasure creating content here, we thank you all for the follows and reblogs, and I wish all of you the best as we part ways.

Sincerely your admins,

Emily and J.D.

#reblog #final post

[ethereal-evanna]

Potter Girls + 2020

#hpcastedit #hpedit #tumblrusercassie #dailywizardwheezes #evanna lynch #emma watson #bonnie wright #hp cast #photoshoot #2020 #pottergirls #our edit #posts by jd night #final edit

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Evanna Lynch photographed by Eileen Yoon for Veerah Warriors (January 2020)

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Evanna Lynch, Daniella Monet and Scarlett Byrne at the Kinder Beauty Box One Year Anniversary Brunch in Los Angeles (31 January 2020)

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Potter Girls + black and white [2]

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Evanna Lynch Photoshoots: [17 / ?] └ © Iakovos Kalaitzakis

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msevylynch Beauty always brings me back ❤️ Whenever I have poured too much of myself in something or someone and it feels like I’m empty, like I’ve scratched the bottom and there is nothing left, I always get up and paint my face in rouge and emerald and sparkly bronzes and it’s as if I’m colouring myself back in with every stroke, reclaiming her in polychromatic defiance of the the feeling of nothingness. There she is, I think, blinking back under lashes and shimmer, pleased to see her again, looking herself. This is why beauty will never feel vapid to me. It’s always been a strong statement of ‘hello I’m here and I won’t be overlooked’. 🙂 (x)

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MY NAME IS EMILY (2017) dir. Simon Fitzmaurice / LADY BIRD (2017) dir. Greta Gerwig

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“When my mother died, she took away the light. They told me she’d gone to other places, better places… but I knew she hadn’t. She always knew where I was, no matter where I was in the house. Now, I couldn’t feel her anywhere. They told me she’d gone somewhere, but if she had I would have gone there, too. She was nowhere, and no one knew where I was. When you frown underwater, it makes a noise. You cannot cry. Sometimes, I can hear it, like a hurricane, like an underwater wind.”

EVANNA LYNCH in My Name Is Emily (2017) dir. Simon Fitzmaurice

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[ethereal-evanna]

“Have I had any disastrous relationships? Oh yes: most of them. Actually, now that I come to think of it: all of them.”

EVANNA LYNCH as Martha Wiggly in Games for Lovers (2019) dir. Anthony Banks └ The Vaults West End Play

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Evanna Lynch Photoshoots: [5 / ?] └ © Iakovos Kalaitzakis

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“I write mostly about my own mental health and obsessions. I do it to understand myself better. It’s funny, the things I love to read are usually smart, witty fiction and fairy tales and I find it annoying that my writing and subject matter is always firmly rooted in reality, but that seems to be the thing I need to talk and write about most so I’m letting that play out. But yes I mostly write about my demons because that’s the safest place to explore them. There’s a lot of ugliness in mental health, in the facets of your personality you encounter when you’re not at your best and writing is where I converse with those sides.” — Evanna Lynch (El Film Magazine, April/May 2020)

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Evanna Lynch photographed by Faye Thomas (May 2020)

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“Luna [Lovegood]’s very spiritual. She relates to people and animals I imagine just  on a deeper level than words. People are prejudiced against animals  because they’re different and they don’t communicate in the same way  that we do. I think, to a lesser extent, people are prejudiced against  Luna in the same way. She’s bullied for being different. And I really  think she would feel that affinity.” — Evanna Lynch

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“A few days ago I tweeted about a victory within the animal rights movement and in doing so was called out for being silent about the rights of black people. It was quite shocking because a) animal rights is an intersectional movement and b) it felt absurd that people should accuse me of being on the side of racists… And then I went to the park and read a fantasy book because I wanted the world to feel joyful again and that is when the penny dropped… I had the privilege of turning away from that ugliness if I felt like it. I had the choice to look elsewhere. I could turn off the racism in a way that Black, Indigenous and People of Colour never fully can. I was avoiding confronting the actual issues being discussed and highlighted because I didn’t want to confront my own complicity in white supremacy or racism. Confronting the fact that I’ve benefited from white supremacy is confronting my own villainy, which I don’t like to acknowledge but I have to because it’s the difference between performative activism (‘look how good I am everyone’) and transformative activism (‘look at all this ugliness inside me that I need to heal’)… I’m sorry for avoiding learning about this issue for so long. I’m going to show up and spend more time listening to people of colour. I am also committing to learning how to use my white privilege to help amplify the voices of BIPOC educators… I’m sorry for not acknowledging that I’m part of the problem until now. I’m going to correct that.” — Evanna Lynch [x]

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“I’d like a flat white, a day of pale skies and a real kiss. Inside an old house by the seaside, you can take off my blouse. But take it from me; I’m disorderly and you’d be off better writing someone else your love letter ‘cause I’m always on the road.”

EVANNA LYNCH in My Name Is Emily (2017) dir. Simon Fitzmaurice

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“There is a sadness in this country — in the cities, in the streets, in the fields and the trees, a sadnees we cannot hide. It’s the fact of losing the ones we love, the fact of being alone. But facts are only points of view, and points of view can change.”

EVANNA LYNCH in My Name Is Emily (2017) dir. Simon Fitzmaurice

#reblog