holmesmikotoba

[holmesmikotoba]

I’ve read absolutely hilarious fic with no curse AU, where Megumi somehow comes to the conclusion that Choso is Yuji’s secret boyfriend, and after that starts suffering from jealousy and unrequited love. Plus it turns out Choso’s cheating on Yuji with some woman - what a bastard! https://archiveofourown.org/works/35614435

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[holmesmikotoba]

Two types of people on Queering the map:

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I’m meathead

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ocs

#ocs #original character #percart #calykoni #keana

[holmesmikotoba]

this is how their duel went, right

[holmesmikotoba]

more blue eye samurai posting

[holmesmikotoba]

Strong and cold

[holmesmikotoba]

🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.

Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church.

Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.

Nina Cried Power is an homage to various civil rights activists from the US and Ireland and a call to follow their path.

Be specifically criticizes anti-migrant policies and Trump and his ilk.

Jackboot Jump is about the global wave of fascism.

Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.

Eat Your Young is about the ruinous way the 1%/capitalism prioritizes short-term profit over everything else to the detriment of the youth/99%.

Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.

If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.

[holmesmikotoba]

🙃 Regular reminder that while Hozier has amazing love songs, he is ALSO very outspoken about his leftist politics, specifically anti-fascism, anti-racism, reproductive rights, Palestinian rights and more.

Take Me To Church and Foreigner’s God are scathing critiques of organized religion, specifically the Catholic Church.

Moment’s Silence is about oral sex but it’s ALSO about how that specific sexual act is often distorted to a show of power rather than that of love.

Nina Cried Power is an homage to various civil rights activists from the US and Ireland and a call to follow their path.

Be specifically criticizes anti-migrant policies and Trump and his ilk.

Jackboot Jump is about the global wave of fascism.

Swan Upon Leda is about reproductive rights and the violent colonial oppression of Ireland and Palestine.

Eat Your Young is about the ruinous way the 1%/capitalism prioritizes short-term profit over everything else to the detriment of the youth/99%.

Butchered Tongue is about Irish and other indigenous languages being suppressed and erased by imperial powers.

If any of the above surprised you, please, please delve deeper into Hozier’s music, you’re missing such an important part of his work.

[holmesmikotoba]

got suspended on twitter dot com

[holmesmikotoba]

vote for cecil 💯

LEMON DEMON OC TOURNAMENT

Round 1: Match 8

Cecil Nelson: Belonging to @ame-in-the-rain, Cecil, otherwise known as #002, is the only successful attempt at Dr. Warren Ferron's plan of creating an all-powerful being by combining Kaleidoskull DNA with a human body. However, her body was attempting to reject the DNA, making her extremely frail and unable to participate in most of the experiments Ferron wanted to run on her. When stressed, Cecil enters a form where several bone-ish spikes shoot out, which she can use as projectiles.

Pepsi: Belonging to @year2000electronics, Pepsi is a robot living in the Storefront Kingdom that was upgraded from a vending machine after years of being neglected in favor of other places in Storefront.

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mentally never left the vacation island from OTNWAS by @jjackfrost 💫

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skibidi toilet xDDDDD

EXPLODE ‼️

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idgaf

idgaf

[holmesmikotoba]

shut the fuck up

kill yourself