kellykswift

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guysss that nurse in the fortnight video has got to be karlie like i'm dyinggg... that person is tall and slender and the body proportions look just like her omg

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has it been pointed out 🥴

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doesnt miss americana seems so far away right now??

man, i am getting old in this asylum.

#taylor swift #onlythe young #ttpd

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they told me all of my cages were mental / I just learned these people only raise you to cage you / you caged me and then you called me crazy / you wouldn't last an hour in the asylum where they raised me / my town was a wasteland, full of cages, full of fences / this cage was once just fine, am I allowed to cry? / I dream of crackin' locks / each new enemy turns to steel / they become the bars that confine you in your own little golden prison cell / but I knew you, living in a gold age, sneaking to my bird cage / gold cage, hostage to my feelings / cause they got the cages, they got the boxes / 2 years of labor, locks, and ceilings / it was the great escape, the prison break / fresh out the slammer

taylor swift x cages

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these outfits 😍

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when exile ends, she’ll be her first call

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🥹🥹🥹

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Taylor Swift shares video rehearsing for The Eras Tour!

"A Fortnight til Paris 🤍 Brought to you by YouTube Shorts #ForAFortnightChallenge"

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Happy 1 week ttpd. what ive learned so far

1) you cant get fucking sick of this masterpiece

2) rep (my all time fav) is chased at the finish line but my hopes for those lowercase letter vault tracks are like 🌶️

3) nothing seems like we get from „just“ reading the lyrics. dig deeper. get a dictionary

4) at one point we all tortured poets

5) taylor is fucking mad, as she should be!

6) maybe i ve spent too much time in this asylum (kaylor tumblr)

7) just because you hear ttpd in your head all the time doesn’t mean there is actual music playing

8) fuck the mainstream - this is so much deeper/ bigger

9) i am a writer and drank more wine than usual but i am not that wine mom!

10) taylor do whatever you want as long as you deliver like a bitch post mortem goddess man poet!

11) iykyk we love the muse and perspectives of some songs.

aaaaaand mark as many tortured poets as u like! i need all of ur opinion!

so feel free to add ur 2 cents @kwyw @kaylorfossil @9w1ft @theprologues @corneliastvendor @chosetherose @daisyswift3 @industryhearts @iwanthermidnightz @bettys-cardigan143 @spade-riddles @chickawah23 @rainbowdaisy13 @roamertv

#taylor swift #ts ttpd #kaylor #ttpd

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the power of coming into yourself! and yes sophia, we been knew 😉

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REBIRTH 🦋🥹

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wow. this kinda confirms the theory that Peter is Taylors alter ego

https://x.com/theylore_swift/status/1783192859971367070?s=46&t=hz-3iMiy9AnFJDG22sfvdQ

#tolerate it #peter #vocals

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Casually listening to Guilty As Sun and

Lowercase…

Inside a vault…..????

Longing for someone (during rep era) that you have to hide. That makes you feel guilty, like you’re sinning….

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*excerpts below — but I highly recommend reading the full article in link above*

Hit Me Hard and Soft dunks us headfirst back into that universe, from the deepest wallows of depression to the exhaustion that comes with the world speculating about her every move. There are no arachnids where they shouldn’t be, but getting in touch with her darker side has Eilish finally feeling like herself again. “I feel like this album is me,” she says. “It’s not a character. It feels like the When We All Fall Asleep, Where Do We Go? version of me. It feels like my youth and who I was as a kid.”

Although 2019 felt like a whirlwind of madness at the time, she has found herself missing it. “It was the best time of my life,” she says. “This whole process has felt like I’m coming back to the girl that I was. I’ve been grieving her. I’ve been looking for her in everything, and it’s almost like she got drowned by the world and the media. I don’t remember when she went away.”

The title Hit Me Hard and Soft derives from a conversation she had with Finneas, when she mistakenly thought the name of a synth in Logic Pro was called Hit Me Hard and Soft. “I thought it was such a perfect encapsulation of what this album does,” she explains. “It’s an impossible request: You can’t be hit hard and soft. You can’t do anything hard and soft at the same time. I’m a pretty extremist person, and I really like when things are really intense physically, but I also love when things are very tender and sweet. I want two things at once. So I thought that was a really good way to describe me, and I love that it’s not possible.”

Eilish and Finneas call Hit Me Hard and Soft “an album-ass album.” It’s not a concept record, but it is a self-consciously cohesive set of songs, inspired by auteurist works from the past 15 years or so, like Coldplay’s Viva La Vida, Lana Del Rey’s Born to Die, Tyler, the Creator’s Goblin, Marina and the Diamonds’ Electra Heart, and Vince Staples’ Big Fish Theory.

“Lunch,” a complete 180 in both sound and subject content. It’s a sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likens sex with her to devouring a meal. Finneas remembers playing this moment for Interscope and witnessing the team shift in their seats. “What’s funny about starting the album with [the opener] is that it is a total false promise,” he says. “If you’re remembering ‘What Was I Made For?’ and then you hear [it], you go, ‘Oh, OK. I understand this world.’ Then the drums come in [on “Lunch”], and it really is the kill-the-main-character-type beat. It’s like Drew Barrymore being in the first five minutes of Scream and then they kill her. You’re like, ‘They can’t kill Drew. Oh, my God, they killed Drew!’”

Eilish and I spend a lot of time talking about the new era she is about to kick off, and how she’ll promote Hit Me Hard and Soft while prioritizing her mental health, privacy, and well-being. With all of that in mind, I wonder if she’s ready for journalists to pepper her with questions about the album’s subject matter, particularly the sexual nature of “Lunch.” “That song was actually part of what helped me become who I am, to be real,” Eilish says. “I wrote some of it before even doing anything with a girl, and then wrote the rest after. I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina. I was never planning on talking about my sexuality ever, in a million years. It’s really frustrating to me that it came up.”

Eilish is referring to her interview with Variety last fall, in which she mentioned she was attracted to women. The quote — “I’m attracted to them for real” — became a national headline. The following month, Eilish attended Variety’s Hitmakers event in L.A. While on the red carpet, she was asked if she intentionally came out in the story. “No, I didn’t,” she told them. “But I kind of thought, ‘Wasn’t it obvious?’” Eilish then posted about it on Instagram, with a caption that read, “Thanks Variety for my award and for also outing me on a red carpet at 11 a.m. instead of talking about anything else that matters. I like boys and girls leave me alone about it please literally who cares.”

Looking back, Eilish admits she overreacted with the Instagram post. “Who fucking cares?” she says. “The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it. Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”

As for that red-carpet quote that made all the headlines, Eilish says she tried to think of a response that would be entertaining for her fans and the internet. “I went into Billie Eilish interview mode, [like], ‘Oh, I don’t care. Yeah, I’ll say whatever. Wasn’t it obvious?’” she says. “And then afterwards I was like, ‘Wait. It wasn’t obvious to me.’”

Thinking about it now, she draws a bigger lesson from that moment. “I know everybody’s been thinking this about me for years and years, but I’m only figuring out myself now,” she says. “And honestly, what I said was funny, because I really was just saying what they’ve all been saying.” She adds that she liked the journalist she was talking to and didn’t want to be rude. But she still felt exploited. “Bro, I have asthma out here,” she says. “I fucking can’t take a breath.”

If Eilish had the opportunity to do it over again on the red carpet, she says, she wouldn’t have answered the question. But she acknowledges it could have been worse. “I’m lucky enough to be in a time when I’m able to say something like that and things go OK for me,” she says. “And that’s not how a lot of people’s experience is.”

Eilish has officially decided to make some changes to the way she presents herself to the world. “This album, to me, feels like a way to restart, in terms of my sharing,” she says. So let’s take a second to reintroduce Billie Eilish, the home-schooled bohemian who captured our attention as a teenager. She’s 22 now, yet she’s more self-aware than people twice her age. She would like some space to grow, to figure out exactly who she is — no label required. She is not the poster child for anything. And she is not, she’d like to note, a TED Talk speaker. So where does that leave us? Eilish sums things up with four simple words that point to her desire for normalcy and acceptance.

“I’m just a girl.”

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KAYLORS I JUST DECIPHERED THE PR MESSAGES FROM PRESENT 🎁 ANON AND AM NOW VERY CERTAIN THEY’RE LEGIT TOO. So we started receiving these very interesting anon messages exactly 2 months before the release of TTPD (release was 4/19)

We were told to keep our eyes peeled for a present or gift we would be receiving and well we got it

There are P's and R's repeated in the messages. "The hint is in the words." P = PETER. R = ROBIN. Those songs are a gift to us kaylors. They're separated by just one song, the Bolter (which I'm 99% sure is related to the 8th 🎃 message bc Taylor almost drowns and a bolter is a coward which was the main point of the message); and Taylor mentions CPR in So Long, London which means they're all related. Bc Cassandra = Taylor, Peter = her second kid, Robin, = her first kid. They're related bc they're a family. I think it's possible those are the actual names of her two kids

"This is not the manuscript" i.e. the manuscript (closing track) is not the gift, it's the songs right before it! Robin is the 2nd to last song, Peter the 4th to last, and Cassandra the 5th to last. "It has been hidden well, look where the above may find you." They can be found in the track titles themselves. "Plausible deniability. Think of the one we continue to revisit"--K and T have plausible deniability since everyone thinks those are JK's kids. BUT "the volcano will soon rupture, whoever is to defame" which means that one day all the truth will come spilling out regardless of the defamation that will happen. "Restful, reticent, restraint. And PUBLISH!"--perhaps a tell-all memoir??

"The predecessor was the crumb" in other words peace "I'd give you my wild, give you a child" (see this post) was just a faint hint but now she's getting really close to revealing everything which is what the volcano 🌋 represents! THE DANDELIONS IN THE ROBIN LYRIC VID. Robin is the single dandelion floret (secret) she was so worried abt sending into someone else’s yard in the 7th 🎃 message (see this post). She was afraid that sending this song out into the world could expose the truth she’s worked so hard to protect before she’s ready but she did it anyway. “Once you blow a dandelion, you never get it back. It isn’t yours anymore.” “But the story isn’t mine anymore.” 🎃 mentions how the recipient of the dandelion would also blow and spread the florets which might mean kaylors would catch on and spread the secret. The 8th message also mentions a dandelion that the enemy has and spreads but I’m not yet sure who this person is—also this person could be the “recipient” and not kaylors but I’m not sure. And I’m not sure if this means they’d like us to kinda keep this to ourselves and not use Robin as a gotcha since it’s meant to be more of a seed planted for future use (no pun intended). But it definitely seems like they aren’t ready to reveal everything just yet

"As the neighbor holds the lamp to witness her Goodbye" = "Now you're in my backyard turned into good neighbors" and "But the woman who sits by the window has turned out the light"

"Reach those lanterns a little bit higher for you shall receive a metaphor so dire"--a jack-o-lantern like pumpkin anon? These metaphorical messages will help us to understand K and T's entire complicated situation?

"When I cannot see words curling like rings of smoke round me"--"breath of fresh air through smoke rings." Haven't quite figured out what this part means yet but it reminds me of blowing smoke which means to deliberately confuse or deceive (lavender haze mv)

This is as far as I've gotten w decoding the messages. This all adds a lot of context to those 🎃 messages and makes them a little more clear. There’s definitely more clues in there we have yet to decipher so pls share your thoughts

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damnnnnnnn ure right!

Plus she told us: wait for the signal!

what if after dark is after she released rep tv? trpd was only the beginning of her post-mortem reign!

UMM so cruel summer and a lot of other songs are making a lotttt more sense now that I’ve realized the “devil” that Taylor keeps referring to is actually the music industry as a whole thanks to @keepingsecretstokeepyoutk (see this post). “He looks up grinning like a devil” // “I would’ve stayed on my knees and I damn sure never would’ve danced w the devil AT 19” // “Dear reader if you aim at the devil make sure you don’t miss.” Do you remember the Top Global Artist vid that spotify released that had cruel summer as the background song and had a bunch of cruel summer references? Yeah go back and watch that again w this context in mind 😃 Taylor (the angel) has had enough of the games and is gonna end them once and for all which is very Katniss Everdeen of her—hello the archer 🏹 if any of you have read or watched the hunger games you know how the story ends

And you'll also remember that Katniss escapes the games twice by cheating--the first time w poison berries and the second time by destroying the arena itself (which was a clock) WITH itself using a lightning strike current at midnight that shot thru her arrow -> "And there was one prize I'd cheat to win." Not to mention Katniss was the mockingjay, a symbol of rebellion and resistance. And the fire symbolism in this trilogy was meant to represent how that rebellion can spread from a spark of hope. Snow lands on top but fire melts snow. Taylor is a huge hunger games fan so I wouldn't be surprised at all if these parallels were intentional. Also I'm not the first one to notice the hunger games connections, I saw some other gaylors point this out so I can't take full credit for that

“You play stupid games you win stupid prizes” // “Devils roll the dice” // "Baby let the games begin" // The scrabble instagram post // The mastermind chess board // "You see all the wisest women had to do it this way, cause we were born to be the pawn in every lover's game" // "No more keeping score now I just keep you warm. No more tug of war now I just know there's more"

I think it's possible Taylor knew that her masters were gonna be sold hence all the game imagery and songs abt heartbreak on lover

She's literally gonna take down the industry as a whole and expose everything. This is the reason for all the cryptic messages and meticulous planning. AND THIS IS WHAT THE ALBATROSS IS ABT TOO. “She’s the albatross she is here to destroy you.” They tried to keep her locked away in cages and towers and closets and tried taming her and pulling out her teeth but it didn’t work

“Devils that you know raise worse hell than a stranger” SHE’S the devil now and she’s abt to make their lives a living hell

“She’s the death you chose” i.e. the music industry chose to kill Taylor (which is why TTPD is a post-mortem album) so now she’s coming back to haunt them hence the ghostly Victorian attire. “We gather here we line up weeping in a sunlit room and if I’m on fire you’ll be made of ashes too.” THIS is the karma she’s talking abt that will happen at midnight!!

“You’ll see me in hindsight tangled up w you all night burning it down”

I am the APPARITION. I am the LINE OF POETRY. THAT’S TAYLOR. SHE’S THE GHOST WRITING POST-MORTEM POETRY

Literally feel like I am abt to explode from all the earth-shattering revelations I’ve just had

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😭

https://twitter.com/Quadl0r/status/1781713494590775704

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