Like the looming shadow of a housekeeper's shoe, a memory from ages past surfaces with a terrible clarity.
"One day, child," his father had said, cradling his head with both sets of forefeet, in the droning tenor of a cricket run ragged by his sole offspring, "you will know, intimately, what suffering you have caused me."
"No, I won't," he had chortled, a contrary nymph even in this, "I'm never having children!"
Oh, to be young and foolish again.
(Amidst tiresome shenanigans and half-finished contemplations, Sebastian becomes further acquainted with his new charge.)
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"Good morning," Sebastian greets, because what else is he to do in the face of his home becoming a puppet becoming a boy.
"Goood morniiing," the child greets back. Its tone— his tone is everything his own isn't, bright and exuberant and much too chipper for this early hour of dawn. The earnest glee of it all prompts another greeting from him, if only to at least attempt to match that sincerity.
“Y-yes, hello, Pinocchio!"
"'Loooo," Pinocchio titters, swaying to and fro quite precariously from where he's perched. "Hello, Pin-oc-chi-o!"
(In the dim light of daybreak following a night of pained decisions and good intentions, Sebastian becomes acquainted with his new charge.)
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When fiction takes from reality: miscellaneous details in Del Toro’s Pinocchio
1.) Count Volpe is named after a real fascist count. Conte Giuseppe Volpi di Misurata, a staunch member of the National Fascist Party.
[Volpi was president of the Confindustria from 1934 to 1943. He was removed from this position and expelled from the Grand Council of Fascism after he opposed the continuing of the war and Italy's alliance with Hitler. He was arrested by the SS after trying to escape to Switzerland.
Volpi who was a leading figure of the National Fascist Party, underwent a series of legal proceedings for his responsibilities during the fascist regime after the war. His illness prevented him from appearing before the judges, but, thanks to the Togliatti amnesty he was acquitted of all charges, after a life spent at the top of the Fascist Party.]
2.) Spazzatura is a vervet monkey. Specifically an albino one, which is rare and often protected as poaching of albino animals / trafficking is very high.
The more "exotic" it looks, the more worthy of high pricing. Where do these monkeys come from? Ethiopia mainly. Which country got colonized by Italy starting 1935? ETHIOPIA!
This means Spazzatura, abandoned as a baby and captured in a cage, was found by Volpe and taking from his home in Ethiopia. So... the implication is that Volpe was probably a colonizer. So not only is he a fascist, an animal abuser, child exploiter, child abuser - but he's also a colonizer.
Another sad tidbit: vervet monkeys live for 30 years, but when in captivity they live for only 15 years. Spazzatura would have lived longer if not for Volpe's abuse.
3.) More background on Podestà:
[The Fascist regime created its own version of the podestà figure. In February 1926, Mussolini's Senate issued a decree which abolished the autonomous powers and functions of comunes (municipalities), including elected town councils and mayors. Instead, all comunes except for Rome were to be headed by a "podestà", an authoritarian mayor with full executive and legislative powers. He was appointed by royal charter (in practice, by the National Fascist Party) for a renewable five-year term (which could be revoked at any time with immediate effect). In Rome, a governor was appointed to head the local government. In larger communes, the podestà was assisted by one or two vice-podestà nominated by the Ministry of Interior, in addition to a board of advisors (consulta municipale) nominated either by the local prefect or, in the major cities, by the Ministry of Interior.
The decree was in effect from 21 April 1927 until 1945, when the entire system was abandoned with the return to democracy.]
4.) The youth fascist camp? Based off a real Italian fascist youth organization program from the early ww2 days. Gioventù Italiana del Littorio.
[The Gioventù Italiana del Littorio (GIL) (English: Italian Youth of the Lictor) was the consolidated youth movement of the National Fascist Party of Italy that was established in 1937, to replace the Opera Nazionale Balilla (ONB). It was created to supervise and influence the minds of all youths, that was effectively directed against the influence of the Catholic Church on youths.
The organization surpassed its purpose as a cultural institution that was intended to serve as the ideological counterpart of school, and served as a paramilitary group (training for future assignments in the Italian Army), as well as education in the career of choice, technology (including postschool courses for legal adults), or education related to home and family (solely for the girls). It carried out indoctrination with a message of Italian-ness and Fascism, training youths as "the fascists of tomorrow".
Moreover, the GIL took charge of all activities initiated by schools, and pressured teachers to enlist all students. Aside from the usual "Fascist Saturdays", children would spend their summers in camps (which included the national-level Campi Dux, reunions of Balilla and Avanguardisti).
Male children enrolled wore a uniform adapted from that of the Blackshirts: the eponymous black shirt, the fez of Arditi tradition, grey-green trousers, black fasces emblems, and azure handkerchiefs (i.e.: in the national colour of Italy). During military exercises, they were armed with scaled-down version of Royal Italian Army service rifle, Moschetto Balilla (the rifles were replaced with replica versions for the Figli della Lupa).
When Italy entered World War II, members of the GIL who were above the age of eighteen were called up to fight in the Royal Army of Italy but in 1943 after a string of defeats in The Eastern Front, Operation Torch and the Invasion of Sicily. Boys who were sixteen and over were called up to fight until the Armistice of Cassibile was signed. However, boys and girls of the GIL found themselves picking sides. Some served in the Italian Co-Belligerent Army, the National Republican Army or the Italian Resistance Movement after German troop marched into Italy and disarmed Italian troops, who refused to continue fighting and established the Italian Social Republic.]
Becomes more sinister when you see that the kids' uniforms weren't much different in film.
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list of things about this movie that i can’t get out of my head or scream enough about to my partner:
please look at carlo’s little scooter!! because it gets put away up in the attic after he dies :’)
carlo is a bright young artist who really likes filling in the sky! that, or his favourite colour is blue. you can see at least four of his pieces in his shared bedroom with geppetto. three of them are pinned to his wall (the last being on geppetto’s), one of which depicts a smiling sun identical to the smiling suns that become pinocchio’s signature. it’s still there, years later, right where pinocchio would be able to see it as he turns over in his bed on his first night alive.
there’s this little hop-skip-step carlo does that is just. such little kid movement. it only happens two times (once as he’s being gifted his schoolbook and another time as he’s entering the church) but it’s so consistent in how they animate it?? god. i love stop-motion!!
the way carlo’s pinecone flies out of the church and is the only thing that survives its bombing (intact) is visually echoed later by pinocchio, when he flies out of the fascist youth camp and is the only person we see that survives that bombing (intact)
LOOK AT SEBASTIAN’S CUTE WALNUT SHELL BED. now look at the framed picture by his lantern because it gets replaced in the epilogue with a lovingly crafted portrait of his joyfully smiling/laughing family...all of which is in pinocchio’s heart...[weeps]
haha, you know what else geppetto couldn’t stand to tuck away for years in his heartache despite his home being so barren of a child’s frivolity compared to how it looked in the film’s beginning? carlo’s scarf (and we know it’s his because it’s. literally the same prop)
during the i came to church scene, where the townsfolk are spitting their scorn at pinocchio after he tells his first lie, you can hear geppetto defending him as he pulls him into his side: “no no no, no, he’s harmless!”
geppetto never stopped being a parent and it’s made so clear in the little instinctive motions and things he does. the way he answers pinocchio’s questions despite being so very overwhelmed; the way his entire being softens when he sees pinocchio curled up in the storage space; the way he makes to catch him and eventually does catch him when he staggers over his own feet; and more...it doesn’t make him a real parent, not in the way pinocchio has always been a real boy, but the care and love and innate inclination for it never left...he just needed to break in those shoes again
you ever think about how much cleaning geppetto (with pinocchio’s help, i’m sure) would’ve had to do on that first night? childproofing by way of finally throwing out those empty bottles, of actually tidying up and putting away the breakables (and mementos)
the fact that nearly all the songs in this film were also leitmotifs except ciao papa, because the composer explicitly wanted to leave that melody untouched and especial. just for pinocchio and geppetto. i’m going to riot
spazzatura being so casually tactile with geppetto even after only meeting him for the second time will forever live in my head rent-free...they’ll be patting or touching or holding onto that old man (THEY GAVE HIM A LITTLE KISS ON THE HEAD!!) and that old man will just let them! what the hell! my fucking heart!! it’s probably smth carried over from being all over volpe but it’s just. so sweet to see with geppetto instead [sobs]
every single time geppetto runs his thumb over pinocchio’s cheek or the back of his head, i burst into tears (even when i don’t have tears to burst into)
the storybook we see pinocchio handle in the epilogue is the same one geppetto used to read to carlo and. the way everything is set as we see him open it. he absolutely reads these stories aloud to his papa and spazzatura and sebastian by the hearth...and his signature is so beloved that it’s even framed and placed smackdab in the middle atop the fireplace! the centrepiece!! i canNOT deal with this movie AUGHH
pinocchio gives tulips to everyone! including carlo <3
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