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all-souls-matinee · 1 year

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A Ghost Story for Christmas

Throughout the 1970s the BBC ran a holiday special that adapted the works of M.R. James into made-for-TV-movies; celebrating the ‘tradition’ of telling scary ghost stories at Christmastime. They later included a few exceptions to the James rule, and then rebooted it for limited releases in 2005. James is a horror staple; even if you haven’t read his stuff you would recognize the setups and themes of his stories because he was widely publicized in 1910s Cambridge and came to have a ton of influence on the genre. I’ve always been pretty indifferent towards his writing, only familiar with ‘Casting the Runes’ and ‘Rats’ (neither adapted here), but was so charmed by this thing’s existence that I picked out seven episodes that sounded the most interesting and watched in a randomly generated order. All of them are available for free on YouTube/Tubi and run from 30-60 minutes if you’d like to check it out for yourself.

A View from a Hill (2005), story by M.R. James

An archeologist visits a bankrupt squire at a country estate to assess his family’s collection of local archeological finds. Against the protests of his servant, the squire lends our protag a pair of binoculars from the collection.

The editing on this one sucks so hard. There’s a ton of potential in using binoculars as a kind of adder stone that allows you see both shadowy figures and an entire building that isn’t there, and it’s too bad that it’s just flashing images and jump-cut edits. We do get a taste of James’ penchant for stories within stories, usually conveyed by a wise old man, which I love. A certain je ne sais quoi in inviting the unpaid manservant to sit down and talk about how the local weird guy was gallows-robbing and boiling skeletons in a big pot and then went crazy, made a pair of magic binoculars, and got killed by ghosts. Respective reactions to this were to take a long drag on a cigarette say “that didn’t happen” and take a sip of wine and say “it’s an interesting story.” Thank you British people for my life.

The Ice House (1978), original teleplay by John Bowen

A man vacationing to cope with the death of his wife begins to suspect brother-and-sister resort owners are up to something when they show him a mysterious vine growing on their property.

The concept of gothic horror set at one of the country health clubs that were popular in 70s England is honestly very clever. A forbidden room, a mysterious object, the image of a middle aged man wandering around at night with a candle instead of a young woman, it all mostly works, but doesn’t ever quite get anywhere. These are simple stories intended for sharing around a hearth or at a sleepover so shouldn’t want for things like character development or complex filming, but because this one was so ambitious you can feel how lacking it is. Gothic horror also isn’t my thing even at its best, and here its definitely... not (tw for incest.) The biggest point in its favor is the ending, which is at least a natural resolution to the story Bowen was trying to tell.

The Ash Tree (1975), story by M.R. James

Squire Richard inherits a beautiful estate from his distant uncle Matthew, only to be troubled by the sins of Matthew’s past as a ruthless employer of witch hunters.

The framing of Richard-as-Matthew was confusing, the lighting and editing off, and I really dislike the witch genre so was predisposed against this one. I did like the wise old man character (the mild affect he has while explaining that anyone who touched Matthew’s body was physically wounded in bizarre ways??), and will give it credit for going from the most boring to the most insane one of the bunch. All of these are pretty tame so it was kind of a shock to have them cut to a topless witch torture scene and then to have an ending where he’s mauled by, um, spiders made from human baby heads. The titular cursed tree does burn down at the end, so that’s all good then.

Whistle and I’ll Come to You (2010), story by M.R. James

Pressured to take space from his wife’s care home, an old man goes to stay at a seaside hotel and finds a mysterious object™ while beach combing.

John Hurt is putting in such a powerhouse performance that it almost feels unfair to compare this to the cheaper 70s stuff. Cinematography and set dressing convey a subtype of loneliness that feels like scum on glass, and tension is built up wonderfully with nasty audio, a scary statue, the image of a pillow slowly dragged under a door. A figure on the beach is made frightening only through film techniques. It also strays much further from the source material than other adaptations, but that’s not without purpose. Hurt’s aside that losing someone to dementia is the opposite of our concept of a ‘ghost’ is more chilling than any of these goofy little vignettes have a right to be; no wonder they replaced the whistle with a wedding ring.

Stigma (1977), original teleplay by Clive Exton

Katherine and her teenage daughter take a trip out to their summer cottage, stopping to watch a team of workers attempt to remove a boulder from the property. Katherine is exasperated with her family, distracted by the workmen, and while cooking dinner finds her hand covered in blood. Only problem is she hasn’t cut herself.

This one was so fucked up and bizarre and I really liked it. As a kid one of my favorite ‘true’ stories was about a house in the Southern U.S. that inexplicably dripped blood from its walls, and this reminded me of that with an added human element. There’s a lot packed into the runtime and characterization considering how simple the plot is. Something both very charming and very chilling about amateur acting and grainy film stock that’s then transformed by moments of pure pathos and truly beautiful shots. The image of blood welling from skin with no visible wounds made me physically shudder; my only issue is that it over-explains itself at the end. So close.

Lost Hearts (1973), story by M.R. James

A preteen named Steven is sent off to live with a distant relation, an eccentric, kindhearted old man obsessed with the occult, and keeps seeing mysterious children around the grounds of his estate.

This one surprised me because I can’t stand the premise, but it really grew on me with time. Even though there’s no mystery (’those children you’re seeing definitely Aren’t little dead ghost children, why, the old man loves kids he adopted two orphans that mysteriously vanished’), it had the best pacing out of any episode I watched. There are some truly arresting and memorable shots like Steven’s benefactor clipping a flower with garden shears and grazing over a cherub statue, or his untimely demise filmed entirely in silhouette. The ghost children’s makeup has them in grey body paint with long vampire fingernails (and, later, open rib cages), which would have terrified me as a child. Even as an adult the image of them tapping on glass windows and humming a leitmotif is memorably creepy.

The Mezzotint (2021), story by M.R. James

Curator Edward Williams comes into possession of a print, a mezzotint, depicting a country estate. When a friend takes a look at it there’s something ever-so-slightly different about the image. Maybe Williams simply missed the moon peeking between the clouds and the figure stepping onto the lawn (spoiler alert: he didn’t.)

The prosthetics that traumatized so many kids who watched The Witches in the 90s never bothered me growing up, but that painting in the beginning gave me nightmares for months, ergo The Mezzotint is the most compelling of any James story. A deep-seated fear of something moving when you can’t see it is just so deliciously scary; I wish it hadn’t had such an unimpressive filming style (Mark Gatiss wrote/directed, and you may remember him from another show), but the pacing, the acting, and the mezzotint itself were great. The wise old man in this one is even played by an old woman- #feminism!

#i had a lot of fun with this- might do it again next year especially if people are interested #if you check out any of these definitely make it one of the last three #it really was a random order so funny that they improved as my list went on #long post

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