It Takes a Village (And a Bunch of Norwegians)
By Anders Tornsø Jørgensen
One of my projects during my internship is conducting a series of interviews with a long line of people who have shaped and impacted the museum in different ways. These interviewers will be a part of the Museum of Danish America’s 40th anniversary next year. So, this week I travelled to Decorah, Iowa, to interview two former board members, while also returning an exhibition to the Vesterheim Norwegian-American Museum.
After a drive of about five hours from Elk Horn, Iowa, I arrived in beautiful Decorah. The town of Decorah is located in the Driftless Area, which comprises northeastern Iowa, but also southwestern Wisconsin and southeastern Minnesota. The region was never covered by ice during the last ice age, which have shaped its geologic characteristics: steep hillsides, narrow valleys, bluffs, and forested ridges. Also, when I visited, fall was arriving, which created beautiful shades of brown and orange in the trees.
Decorah made national news with the Decorah Bald Eagles website, where you could watch live streaming of a bald eagle nest. As such, spectators could see eagle parents feed their children, and protecting them from predators and harsh weather. The Decorah Eagles became an Internet phenomenon and was the most viewed live-stream of all time when the website reached 250 million views on Ustream in 2011, with roughly 2.4 million views per day.
Anyway, back to my trip. My first stop was at the Vesterheim Norweigan-American Museum, where I had a guided tour after I returned the items. My favorite exhibition was a dolls collection, which included a set of Barbie dolls with a Norwegian twist, but I also enjoyed the rosemaling displayed. Rosemaling (rose painting) is the decorative folk art of rural Norway that flourished in the 1700's and 1800's, but continues to survive in Decorah due to its folk art school where participants can take different art classes. Also, having worked with a lot of the Museum of Danish America’s history during my internship, it was quite interesting to experience Vesterheim, as many of our founders were inspired by this Norwegian gem in the corner of northeast Iowa.
In the 1850s Decorah became a center for Norwegian-American culture. A few years later, in 1861, Luther College, a Lutheran liberal arts institution, was established. In 1877, the Norwegian-American Historic Museum (later Vesterheim, meaning “western home” in Norwegian) was created, thereby solidifying the area’s Norwegian heritage – a heritage that still deeply impacts the town as evidenced by the annually Nordic Fest celebrated each July, but also by the various statues, businesses and sports teams associated with Viking culture. My favorite was a Viking with a pie, which I found quite cool.
After my visit to the wonderful Vesterheim museum, I went out to explore Decorah’s downtown area. I visited during Decorah Pride Festival, so most of the city was covered in lovely rainbow flags and a lot of interesting events was taking place.
Normally, June is the traditional month for LGBTQA+ Pride festivals, commemorating the June 1969 Stonewall riots in New York City. However, in Decorah, it was rescheduled in order to ensure that Luther College Students were back on campus and could participate in the festivities.
This meant that I had a chance to enjoy my first drag show experience at a local arthouse. The performers were locals and Luther students, and they did a magnificent job. I enjoyed the music, the costumes, the makeup, but what truly made an impact was the self-confidence and how they embraced themselves, being their best version. I truly admire their inspiring might.
My driving around the Midwest has made me realize how much a significant majority of small-towns are struggling economically. However, the combination of energetic college students, dedicated citizens, and a vibrant and healthy Main Street business community has shown to be a great recipe for success in Decorah.
I also enjoyed a lot of hiking as the Driftless Area provides a lot of scenic beauty very close to Decorah. One of Iowa's best hidden treasures is Dunning’s Spring Park, which is home to a lovely 200-foot waterfall surrounded by trees and limestone cliffs. I also visited the nearby Ice Cave, which according to locals, gets its name from layers of ice that form every year in January and last through August. There was no ice when I visited, but it was still really cold. The cave was really captivating, and quite frankly, a bit spooky. I must have watched to many horror films, because I imagined some kind of troll living deep down in that cave. Anyway, some people say that Iowa is flat and only consist of cornfields, but they have been to hilly Decorah (or the Loess Hills of western Iowa for that matter).
I was hosted by wonderful friends of the museum, for whom I am very happy to have met. Their home was located in an area filled with historical homes, but also access to Phelps Park, another source of wonderful hikes. Walking around the neighborhood was wonderful and I felt like I was walking in a film set, and I loved the combination of picture-perfect small-town America mixed with Norwegian culture.
My interviews also went well. I met up with 89-year-old Jim, who took me on a walking tour of Luther College. Earlier in his life Jim served as president of our board. I must admit, that it simply astonishes me that Jim was born two months before Franklin D. Roosevelt’s first term as president – yet Jim is as fresh and sharp with details as ever before. Also, Jim was influential in getting the campus listed on the National Register of Historic Places, which succeeded in 2021. It turned out that Jens Jensen, a renowned Danish-American landscape architect, did a full landscape plan for Luther College in 1911. With great passion, Jim expanded my knowledge of Jensen. Most of Jensen’s works were landscapes for people's homes, including Henry Ford, and city parks, the most famous examples can be found in Chicago. However, Luther College is the only college he did a landscape plan for.
Also, it is quite appropriate that the Museum of Danish America now has a look somewhat similar to Luther College in that Jensen's legacy is well represented by the relatively new parts of the Museum grounds which reflect his ideas in landscape architecture. The Jens Jensen Prairie Landscape Park, installed in 2012, is named after this Danish immigrant who ended up becoming one of America's most important landscape architects.
As Decorah is located close to the border of Wisconsin, I also ended up doing a day trip to Devil’s Lake State Park. My last trip to Wisconsin was back in the end of July, and America’s Dairyland really made an impact on me, so it was wonderful to get back.
Devil’s Lake State Park is the largest and busiest state park in Wisconsin and offer unmatched beauty with its super cool cliff and rock formations. Some of them truly looks out of this world with their clean, sharp edges. The park is also part of the Ice Age National Scenic Trail, which is a thousand-mile footpath that highlights glacial landscape features. Around 16 miles of this trail is located in Devil’s Lake State Park. However, be warned, the many quartzite rock formations can be quite slippery.
After hiking, I went to Sauk City to visit the original Culver’s, which opened in 1984. This Wisconsin icon has long been a favorite of mine, and it was a great way to end a great weekend with another milestone of my Midwestern pilgrimage.
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Comprehensive Exam Readings
My research “question”:
Many writers of U.S. fiction insert nonfiction documents into their narratives to critique how marginalized citizens are excluded from their rights to equal protection granted by the Fourteenth Amendment of the U.S. Constitution. I’m interested in how African American authors and other writers of color have employed these strategies since the end of World War II; for example, the inclusion of real warrants for runaway slaves in Colson Whitehead’s The Underground Railroad, or passages from U.S. treaties with Native American tribes featured in Watershed by Percival Everrett. In the essay, I will identify, historicize, and examine some of these conventions, and drawing upon Assemblage Theory and Third Space theory, explore how these subversions of the fiction genre might allow authors of color to highlight historical truths, erase some of the distance between literary and political realms, and possibly affect political change.
To be completed by September 2020. (note: Strikethrough is complete / Bold means I intend to cite them in my comprehensive exam)
U.S. Fiction (Post ‘45): Major List
Guiding Questions:
How do works of geopolitical American fiction since the end of WWII explore the ways in which American exceptionalism has subjugated people of color? Specifically, how do these works examine the ways American colonial rule define U.S.–indigenous relations; and how do these works continue to engage with race in America since the Civil Rights movement?
Adichie, Chimamanda Ngozi. Americanah. Anchor, 2014.
Akwaeke, Emezi. Freshwater. Grove, 2018.
Alvarez, Julia. How the Garcia Girls Lost Their Accents. Algonquin, 2010.
Aswany, Alaa Al. Chicago. Harper, 2008
Baldwin, James. Giovanni’s Room. Vintage, 2013.
Barthleme, Donald. “Concerning the Bodyguard,” Sixty Stories. Penguin, 2003.
Beatty, Paul. The White Boy Shuffle. Picador, 2001.
Chabon, Michael. The Amazing Adventures of Kavalier & Clay. Random House, 2012.
Cisneros, Sandra. The House on Mango Street. Vintage, 1991.
Clemmons, Zinzi. What We Lose. Viking, 2017.
Currie Jr., Ron. God is Dead: Stories. Penguin, 2008.
Diaz, Junot. The Brief and Wondrous Life of Oscar Wao. Riverhead, 2006.
Egan, Jennifer. A Visit from the Goon Squad. Anchor, 2010.
Ellison, Ralph. Invisible Man. Vintage, 1995.
Everett, Percival. Watershed. Beacon Press, 2003.
Gay, Roxane. Ayiti. Grove Press, 2018.
Gibson, William. Pattern Recognition. Berkley, 2005.
Greene, Graham. The Quiet American. Penguin, 1980.
Habila, Helon. Travelers. W.W. Norton & Company, 2019.
Hagedorn, Jessica. Dogeaters. Pantheon, 1990.
Hamid, Mohsin. The Reluctant Fundamentalist. Harvest, 2008.
Herrera, Yuri. Signs Preceding the End of the World. And Other Stories, 2015.
James, Marlon. A Brief History of Seven Killings. Riverhead, 2015.
Jarrar, Randa. A Map of Home. Other Press, 2008.
Jen, Gish. Typical American. Harcourt, 2014.
Johnson, Adam. The Orphan Master’s Son. Random House, 2013.
Johnson, Mat. Pym. Spiegel & Grau, 2011.
Kaulfus, Ken. A Disorder Peculiar to the Country. Harper Perennial, 2006.
Kingston, Maxine Hong. The Woman Warrior. Vintage, 1989.
Kushner, Rachel. The Strange Case of Rachel K. New Directions, 2016.
Lahiri, Jhumpa. Interpreter of Maladies: Stories. Mariner, 1999.
Lapcharoensap, Rattawut. Sightseeing: Stories. Grove Press, 2005.
Le Nam. The Boat: Stories. Vintage, 2009.
Lee, Chang-rae. Native Speaker. Riverhead Books, 1996.
Luiselli, Valeria. The Story of My Teeth. Coffee House Press, 2015.
Mathews, John Joseph. Sundown. University of Oklahoma Press, 1988.
Mbue, Imbolo. Behold the Dreamers. Random House, 2017.
Mengetsu, Dinaw. How to Read the Air. Riverhead, 2011.
Momaday, N. Scott. House Made of Dawn. Harper Perennial Modern Classics, 2010.
Ng, Celeste. Everything I Never Told You. Penguin Books, 2015.
Nguyen, Viet Thanh. The Sympathizer. Grove Press, 2015.
Nguyen, Viet Thanh. The Refugees: Stories. Grove Press, 2018.
Okada, John. No-No Boy. University of Washington Press, 2014.
Orange, Tommy. There There. Vintage, 2018.
Otsuka, Julie. The Buddha in the Attic. Anchor, 2012.
Ozeki, Ruth. A Tale for the Time Being. Penguin Books, 2013.
Packer, ZZ. Drinking Coffee Elsewhere: Stories. Riverhead, 2004.
Pena, Daniel. Bang. Arte Publico, 2018.
Reed, Ishmael. Japanese by Spring. Scribner, 1993.
Reed, Ishmael. Mumbo Jumbo. Scribner, 1972.
Rekdal, Paisley. Intimate: An American Family Photo Album. Tupelo Press, 2012.
Salesses, Matthew. The Hundred-Year Flood. Little A, 2015.
Sebald, W.G. The Emigrants. New Directions, 2016.
Shamsie, Kamila. Burnt Shadows. Picador, 2009.
Silko, Leslie Marmon. Ceremony. Penguin Books, 2006.
Washington, Bryan. Lot: Stories. Riverhead, 2019.
Williams, John Alfred. The Man Who Cried I Am. Harry N. Abrams, 2004.
Wright, Richard. Native Son.Harper Perennial Modern Classics, 2005.
Vonnegut, Kurt. Slaughterhouse Five. Dial Press, 1999.
Vonnegut, Kurt. Breakfast of Champions. Dial Press, 1999.
African-American Iconoclast Fictions: Minor List
Guiding Questions:
What methods do African-American fiction writers use to interrogate racial subjugation for people of color in the United States and across the Global South?
Adjei-Brenyah, Nana Kwame. Friday Black. Mariner Books, 2018
Baldwin, James. Go Tell it On the Mountain. Everyman’s Library, 2016.
Baldwin, James. “Sonny’s Blues.” Going to Meet the Man. Vintage, 1995.
Beatty, Paul. The Sellout. Picador, 2016.
Bell, Derrick. “Space Traders”
Brooks, Gwendolyn. Maud Martha. Third World Press, 1992.
Butler, Octavia. Dawn. Aspect, 1997.
Butler, Octavia. Kindred. Beacon Press, 2009.
Cole, Teju. Open City. Random House, 2012.
DuBois, W.E.B., “On Being Crazy.”
Dumas, Henry. Goodbye Sweetwater.
Ellis, Trey. Platitudes. Vintage, 1988.
Everett, Percival. Erasure. Graywolf Press, 2001.
Gaines, Ernest J. A Lesson Before Dying. Knopf, 1993.
Hannaham, James. Delicious Foods. Back Bay Books, 2016.
Hopkinson, Nalo. Falling in Love with Hominids: Stories. Tachyon Publications, 2015.
Hopkinson, Nalo. Midnight Robber. Grand Central Publishing, 2000.
Hughes, Langston. “One Friday Morning”
Hughes, Langston. “Salvation.”
Hurston, Zora Neale. “Sweat”
James, Marlon. The Book of Night Women. Riverhead, 2010.
Jones, Edward P. The Known World. Amistad, 2006.
Keene, John. Counternarratives: Stories and Novella. New Directions, 2015.
Kincaid, Jamaica. “Girl”
Larsen, Nella. The Complete Fiction of Nella Larsen: Passing, Quicksand and The Stories. Anchor, 2001.
Laymon, Kiese. Long Division. Agate Bolden, 2013.
Mackey, Nathaniel. Late Arcade. New Directions, 2017.
MacPherson, James Alan. Hue and Cry: Short Stories. Harper Collins, 1969.
McFarland, Jeni. The House of Deep Water. Putnam, 2020.
Miller, Keith D., Joyce Lausch and Kevin Everod Quashie. New Bones: Contemporary Black Writers in America. Prentice Hall, 2001.
Morrison, Toni. Beloved. Vintage, 2004.
Morrison, Toni. Jazz. Vintage, 2004.
Morrison, Toni. Paradise. Vintage, 2004.
Reed, Ishmael. Flight to Canada. Penguin, 1976.
Ross, Fran. Oreo. New Directions, 2015.
Scott, Rion Amilcar. The World Doesn’t Require You: Stories. Liverlight, 2018.
Senna, Danzy. New People. Riverhead, 2017.
Shuyler, George. Black No More. Penguin Classics, 2018.
Thompson-Spires, Nafissa. Heads of Colored People: Stories. 37 Ink, 2018.
Toomer, Jean. Cane. W.W. Norton & Company, 1988.
Toure. The Portable Promise Land. Back Bay Books, 2003.
Whitehead, Colson. Sag Harbor. Anchor, 2010.
Whitehead, Colson. The Underground Railroad. Doubleday, 2016.
Widerman, John Edgar. American Histories: Stories. Scribner, 2018.
Wideman, John Edgar. Phildelphia Fire. Vintage, 1991
Wideman, John Edgar. Fanon. Houghton Mifflin Company, 2008.
Theory: Assemblage & Third Space Theory
Guiding Questions:
Can fiction be used as a tool to engender a new sense of belonging while rejecting a stable state of being? If so, how can this framework of assemblage be applied in fiction to highlight the ways local identities intersect with shared global perspectives? Can an assemblage approach to fiction encourage accountability for civil rights without state sanctioned legal status?
Agamben, G., 1998. Homo Sacer: Sovereign Power and Bare Life. Translated by D. Heller-Roazen. Stanford, California: Stanford University Press.
Anzaldua, Gloria. Borderlands / La Frontera: The New Mestiza. Aunt Lute Books, 2012.
Anzaldua, Gloria. Light in the Dark/Luz en lo Oscuro: Rewriting Identity, Spirituality, Reality (Latin America Otherwise). Duke University Press Books, 2015.
Appiah, Kwame Anthony. “The Case for Contamination." The New York Times Jan. 2006. 5 Nov. 2012. http://www.nytimes.com/2006/01/01/magazine/01cosmopolitan.html
Bakshi, Sandeep, Jivraj Suhraiya and Silvia Posocco. Decolonizing Sexualities: Transnational Perspectives, Critical Interventions. Counterpress, 2016.
Belletto, Steven and Joseph Keith. Neocolonial Fictions of the Global Cold War, University of Iowa Press, 2019.
Bhabha, Homi K. Nation and Narration. Routledge, 1990.
Bruynell, Kevin. Third Space of Sovereignty. University Of Minnesota Press, 2007.
DeLanda, Manuel. Assemblage Theory. Edinburgh University Press, 2016.
DeLanda, Manuel. A New Philosophy of Society: Assemblage Theory and Social Complexity. Continuum, 2006.
Dubey, Madhu. Signs and Cities: Black Literary Postmodernism. University of Chicago Press, 2003.
Fanon, Frantz. The Wretched of the Earth. Grove Press, 2005.
Gates, Henry Louis. The Signifying Monkey. Oxford University Press, 1988.
Gwaltney, John Langston. Drylongso: A Self-Portrait of Black America. The New Press, 1993.
Goyal, Yogita. The Cambridge Companion to Transnational American Literature. Cambridge University Press, 2017.
Goyal, Yogita. Romance, Diaspora, and Black Atlantic Literature. Cambridge University Press, 2015.
Goyal, Yogita. Runaway Genres: The Global Afterlives of Slavery. NYU Press, 2019.
Knadler, Stephen. Remapping Citizenship and the Nation in African Literature. Routledge, 2010.
Lorde, Audre. Zami: A New Spelling of My Name: A Biomythology. The Crossing Press, 1982.
Lorde, Audre. Sister Outsider. The Crossing Press, 1984.
Machado, Carmen Maria. In the Dream House: A Memoir. Graywolf, 2019.
Madsen, Deborah L. Beyond Borders: American Literature and Post-Colonial Theory. Pluto Press, 2008.
Munoz, Jose Estaban, Disidentifications: Queers of Color and the Performance of Politics. University of Minnesota, 1999.
Okker, Patricia. Transnationalism and American Serial Fiction. Routledge, 2012.
Omi, Michael and Howard Winant. Racial Formation in the United States from the 1960s to the 1990s. Routledge, 1994.
Puar, Jasbir. “I would rather be a cyborg than a goddess: Becoming intersectional in Assemblage Theory.” philoSOPHIA, vol. 2, no. 1, 2012, pp. 49-66.
Puar, Jasbir. The Right to Maim. Duke University Press, 2017.
Puar, Jasbir. Terrorist Assemblages. Duke University Press Books, 2007.
Rosen, Jeremy. “Literary Fiction and the Genres of Genre Fiction.” Post45, Aug. 2018. http://post45.research.yale.edu/2018/08/literary-fiction-and-the-genres-of-genre-fiction/
Rutherford, Johnathan. "The Third Space Interview with Homi Bhabha." Identity: Community, Culture, Difference, Lawrence and Wishart, 1990, pp. 207-221.
Said, Edward W. Culture and Imperialism. Vintage, 1994.
Scott, James C. Weapons of the Weak. Yale University Press, 1987.
Shackleton, Mark. Diasporic Literature and Theory – Where Now? Cambridge Scholars Publishing, 2008.
Shamsie, Kamila. “The Storytellers of the Empire.” Guernica, Feb. 2012. <http://www.guernicamag.com/features/3458/shamsie…>
Sharpe, Christina. In the Wake On Blackness and Being. Duke University Press. 2016
Shklovsky, Viktor. “Art, as a Device.”
Soja, Edward. Thirdspaces: Journeys to Los Angeles and Other-Real-and-Imagined Places. Blackwell Publishers, 1996.
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