#Erik Gustavson

[motionpicturelover]

"Telegrafisten" (1993) - Erik Gustavson

Films I've watched in 2022 (95/210)

Let's be honest, if you're gonna cast someone to play a man who seduces pretty much every woman he comes into contact with, Bjørn Floberg is pretty perfect casting.

The glint he has in his eye, that smile, there's an energy about him which makes him very dangerous to a girl...

#films watched in 2022 #Telegrafisten #Bjørn Floberg #Jarl Kulle #Marie Richardson #Kjersti Homen #Gøril Mauseth #Elisabeth Sand #Odd Furøy #Svein Sturla Hungnes #Ole Ernst #Bjørn Sundquist #Erik Gustavson #film #norsk film #norwegian cinema #cinema #Knut Hamsun #motionpicturelover's screencaps #motionpicturelover's picture compilations

[juliana091215-blog]

FILM 1: EL MUNDO DE SOFÍA

DIRECTOR: Erik Gustavson

Fecha de estreno inicial: 6 de agosto de 1999

GUÍA DE ANÁLISIS

SINOPSIS: La película cuenta la historia de una adolescente de 15 años, la cual recibe diversas cartas ligadas a preguntas existenciales y filosóficas; ¿Quién eres?, ¿por qué estamos aquí?, ¿Existe el libre destino?, entre otras, las cuales a medida en que se desarrolla la trama de la película introducen al consumidor a una serie de reflexiones a través de Sofía (la protagonista).

IMAGEN CONCEPTO

Es una experiencia que permite representar un concepto, se puede decir que para que esta imagen se lleve acabo debe ser mediante un impacto en una experiencia, algo que da paso al mundo de una manera distinta, sin la necesidad de ser una experiencia estética.

EXPERIENCIA INSTAURADORA

Debido a los diversos viajes que realiza Sofía para su aprendizaje filosófico (viviendo las diversas preguntas planteadas en cada época) se denota el cambio de perspectiva que sufre, en especifico en el momento en el cual entra a la cabaña del profesor y ve que su reflejo le giña el ojo.

IMAGEN DEFINITVAMENTE IMPACTANTE

Por el viaje que realiza Sofia y su profesor, se pueden evidenciar distintos modos de pensar y de percibir el mundo lo cual genera un gran impacto no solo en lo emocional, sino también en lo psicológico, debido a que, siempre asociamos las verdades a nuestras creencias, y en este caso (como le paso a Sofia), debemos ver como se encuentra con múltiples verdades y todas tiene un cierto grado de valides.

CONCEPTO DE UNA IMAGEN

El lugar de una imagen concepto se puede dar de diversas maneras, y su representación por lo general es demasiado impactante, pero en el mundo de Sofia, nos podemos encontrar con su concepto de imagen en toda la película, pues, desde el comienzo evidenciamos la idea de una pregunta en un papel, una pregunta dirigía a una espectadora, así de igual iniciamos a recrear todas las escenas donde se da un mensaje de intriga y de cuestión de miles de principios. 

IMAGEN CONCEPTO ABSTRACTA E IMAGEN CONCEPTO LITERAL

Si bien las preguntas que se desarrollan al largo del texto son de carácter metafísico, en dirección que lo podemos ver representados al humano y lo que le su cese a este con su existencia, si es verdad que podemos definir un ideal literal atreves de la película y es el de el educador, del que esta de manera tangible evidenciado el procedimiento literal de la trama.

NO EXISTE CARÁCTER ESTÉTICO

En la película no evidenciamos una forma de definir lo bueno y lo malo, en cambio lo que se intenta es enseñar la filosofía a través de la idea una crítica u de reflexión, lo cual aleja la película de una determinación estética incluso ética.

Recursos académicos

La película se centrará en los conceptos previamente ya desarrollados por los filósofos en cuyo cual se debe a una gran línea de investigación, al pasar por autores como: Aristóteles, Nietzsche, Hegel, entre otros.

Para finalizar la película recoge las categorías de lo que es la imagen concepto, pues en efecto, la escenografía envuelve la trama y genera que el consumidor entienda el paso por las distintas etapas de la filosofía de una manera critica y reflexiva.  

Sus fieles creadores...

JB,DH,DV

#filosophy #films #existence

[cinetres]

Cinco películas para inculcar en los niños el gusto por los libros

Cinco películas para inculcar en los niños el gusto por los libros

Como un homenaje a los libros y sus autores, la UNESCO creó el Día Mundial del Libro y del Derecho de Autor, así como el Premio UNESCO de Literatura Infantil y Juvenil en Pro de la Tolerancia, que se celebran cada 23 de abril. En Cine3, con el fin de alentar especialmente a los niños y jóvenes a descubrir el placer de la lectura, les recomendamos cinco películas para inculcar en los niños el…

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#Brian Percival #Día Mundial del Libro #Erik Gustavson #Mara Wilson #Silje Storstein #Sophie Nélisse #Wolfgang Petersen

[toveberglund]

Photos from 123 -ja e inte me! produced by Estrad Norr, premier in the spring of 2022

On stage: Johanna Balsjö, Maria Eurenius, Erik Persson, Jakob Olausson Director / choreographer: Martin Hasselgren Costume- & make up design: Tove Berglund Music: Magnus Larsson Set design Jens Gustavson Photo: Göran Strand Producer: Camilla Rudolfsson

[thesparkjournal]

THE POLITICAL ECONOMY OF WIND ENERGY & OIL IN THE USSR & IN POST-SOVIET RUSSIA

By Dennis Bartels

[Wind power stations provide main and emergency power to areas located far from power lines. Solnechnogorsk region, Moscow Oblast, Russia. (2005) | Ruslan Krivobok (Creative Commons)]

Lenin’s slogan, “Communism is Soviet power plus electrification,” is well-known. What is largely unknown, however, is that the GOELRO plan included a significant wind energy component.

In 1920, Lenin spearheaded the establishment of the State Electrification Commission (GOELRO), and elaborated a ten-year plan for the electrification of the USSR. Lenin’s slogan, “Communism is Soviet power plus electrification,” is well-known. What is largely unknown, however, is that the GOELRO plan included a significant wind energy component. A 1925 poster shows Lenin with a hydroelectric dam, electric power lines, and a wind turbine.

“Among Lenin’s last letters [before his death in 1924] are correspondence with engineer P.A. Kozmin in which the feasibility of using wind turbines for the electrification of villages is discussed” (Patel 2013).

According to a 1931 Soviet elementary school primer, entitled New Russia’s Primer: The Story of the Five-Year Plan, wind turbines for production of electric power were tested at Moscow’s Central Aero-Hydrodynamic Institute (TsAGI). The primer’s description of Soviet plans for wind power is notable:

“If we… build… windmills throughout the country, we would capture more energy than the whole world requires today. In time, of course, the need will greatly increase. Then wherever strong winds blow windmills will be established. The entire country will be covered with a net of electrical wires. And all electric stations, as well as others, will work in this net. Windmills will be placed in regular order like figures on a chessboard…. Special stations will be constructed to collect and conserve the energy of the wind in order that it may be used during calm weather.

But all this is a task of future Five-Year Plans. The present plan sets the following task: to replace the old inefficient village windmills with the windmills of [TsAGI]. And during these five years to raise the strength of all our wind motors to 500 thousand horsepower” (Ilin 1931: 34-35).

The primer mentioned above was translated into English by members of the Teachers College of Columbia University of Columbia University, and published in New York by Houghton Mifflin (Ilin 1931). At that time, many leftists in the West contrasted rapid industrialization and economic growth in the USSR with capitalist depression/crisis (e.g., see Johnson 1940).

In 1935, wind energy research at TsAGI was transferred to the newly-established Central Wind Energy Institute. It produced an atlas of Russian wind energy resources (Badelin 2007).

“Soviet plans for wind power were not just theoretical. Thousands of multi-bladed, small windmills, mainly for pumping water and farm work [...] were produced and deployed in rural area by the end of the 1930s.”

Soviet plans for wind power were not just theoretical. Thousands of multi-bladed, small windmills, mainly for pumping water and farm work (e.g., fodder grinding) were produced and then deployed in rural areas by the end of the 1930s (Badelin 2007). A high-speed windmill was designed to produce power at Arctic weather stations. From 1931 to 1942, an industrial-scale wind turbine with a 30 metre, 3-bladed rotor was connected to the local electric power grid near Yalta (Elistratov 2014).

GOELRO planners and engineers were aware that wind energy sources are intermittent, and that energy storage would be necessary. In 1929, a wind energy storage system, designed by Vladimir Vetchinkin, was built at Kursk. Energy was stored in a 350 kg flywheel that was contained in a vacuum.

Soviet wind power experiments were curtailed by the Great Patriotic War/WWII. In the late 1930s, a 1000-kW turbine was designed and approved, but construction did not proceed after the Nazi invasion in 1941 (Elistratov 2014). The wind turbine near Yalta was destroyed in 1942 when Nazi forces occupied the Crimea. Kursk was near the site of the largest tank battle in history in 1943. Presumably, this terminated the operation of the flywheel energy storage system.

Interestingly, the Nazi invasion which largely destroyed early Soviet industrial-scale wind power experiments had roots that are related to Exxon`s suppression of evidence regarding greenhouse gas emissions and global warming, and to Exxon`s subsequent propagation of climate science denial. The Baku oil fields in Soviet Azerbaijan were the major objective of the Nazi conquest of Crimea. The Nobel family were major owners of the Baku fields before they were nationalized by the Soviets in 1920. Anticipating an overthrow of the Soviet state, Standard Oil of New Jersey bought Nobel`s shares in the Baku fields for $6.5 million shortly after they were nationalized. The negotiator for Standard Oil was Walter Teagle, who became a notable Nazi sympathizer (Higham 1983). His pro-Nazi activities may have been aimed, in part, at actualizing Standard Oil’s stake in the Baku fields after the Nazi conquest (Yergin 1992). (The failed Nazi thrust toward the Baku fields set the stage for the Nazi defeat at Stalingrad). Standard Oil was the predecessor of Exxon which concluded, after extensive research during the 1970s, that the carbon emissions from combustion of fossil fuels, were a major cause of global warming. Exxon covered up this conclusion and spent millions of dollars propagating climate science denial (Banerjee 2015; Oreskes and Conway 2014).

During the post-war period, the Soviet state produced more than 40 thousand windmills for cooperative and state farms. Several industrial-scale turbines were produced, culminating in the Raduga 1 during the 1980s (Elistratov 2014).

As economic dependence on fossil fuel exports increased in the post-war USSR, and, later, in post-Soviet Russia, interest in wind power development declined. A 1999 proposal to greatly expand wind power in Russia was stopped by the Yeltsin regime (Eliastratov 2014).

It is only recently that there has been a significant revival of interest in wind energy in Russia. Alexey Lossan writes,

“The government of … Yakutia, is building a [1-MW capacity] wind farm with the Japanese [firm] Komai Haltec Inc… .

“The Russian Energy Ministry and the State Grid Corporation of China are currently studying the prospects of building a wind farm in the Far East’s north. The project includes the transference of electricity along ultra-high voltage power lines to [heavily polluted coastal areas of China immediately north of Russia’s Far East]” (2016).

The Russian Republic of Karelia, in partnership with the Chinese energy company, Sinomec, will build Russia’s first offshore wind power complex in the White Sea (Wind Power Monthly, 19 January 2017).

Rusnano, a state-owned firm which mobilizes venture capital, plans to begin production of wind turbines (Wind Power Monthly, 7 Feb., 2017).

Rosatom, the Russian state-controlled nuclear energy company, is rapidly expanding into wind energy as part of a state-supported initiative to increase clean energy capacity in 2018-2020 (https://renewablesnow.com/. 11 July 1917).  

After the Bolshevik Revolution, there was no privately-owned national electricity grid, and there was no privately-owned wind turbine/windmill industry which could be nationalized. Instead, the Soviet state mobilized resources to build a national grid and to produce modern wind turbines and wind mills, all of which were unambiguously state-owned. In contrast, the Baku oil fields and their oil extraction and distribution equipment were privately-owned before the 1917 Revolution, and subsequently nationalized by the Soviet state. The wind power projects now operating or under development in Russia have a significant component of private ownership. The fossil fuel industry in contemporary Russia is characterized by a mixture of state and private ownership (Goldmann 2008; Gustavson 2012).

The degree to which Russia will transition away from fossil fuels toward clean energy, especially wind power, will significantly affect fossil-fuelled climate disruption.

[Two Soviet citizens examine a light bulb during electrification. “Lenin’s Lamp” (1925) | Arkady Shaikhet (Public Domain)]

_________________

REFERENCES

Badelin, Alexander. 2007. Large-Scale Integration of Wind Power in Russian Power Supply: analysis, issues, strategy. Kassel: Kassel University Press GmbH.

Banerjee, Neela, John H. Cushman, Jr, David Hasemyer, and Lisa Song. 2015. Exxon: the Road Not Taken. Inside Climate News, Brooklyn, NY.

Elistratov, V. 2014. ‘The Development of the Wind Power Industry in Russia.’ Pp. 443-453 in Wind Power for the World: International Reviews and Developments, vol. 3. Preben Maegaard, Anna Krenz, and Wolfgang Palz, eds. Boca Raton, FLA: CRC Press.

Goldmann, Marshall. 2008. Petrostate: Putin, Power and the New Russia. Oxford University Press.

Gustavson, Thane. 2012. Wheel of Fortune. Boston: Harvard University Press.

Hau, Erich. 2006. Wind Turbines, Fundamentals, Technologies, Applications, Economics. Berlin: Springer-Verlag.

Higham, Charles. 1983. Trading with the Enemy. NY: Dell.

Ilin, N.P. 1931. New Russia’s Primer: The Story of the Five-Year Plan. NY: Houghton Mifflin Co. Trans. By G. Counts and N. Lodge.

Johnson, Hewlett (Dean of Canterbury). 1940. The Soviet Power. NY: International Publishers.

Lossan, Alexey. 2016. ‘Russia and China Join Forces to Develop Green Energy.’ Diplomatic Courier (6 Sept.).

Oreskes, Naomi and Erik M. Conway. 2014. Merchants of Doubt. NY: Bloomsbury Press.

Patel, Sonal. 2013. ‘The Russian Power Revolution.’ Power, official publication of Electric Power. (www.//powermag.com) 01/01/2013).

Yergin, Daniel. 1992. The Prize. NY: Simon and Schuster.

***

Dennis Bartels is active in the renewable energy community in Ontario.

#Marxism #Leninism #Socialism #October Revolution #Wind Power #Renewable Energy #GOELRO #Russia

[automaticanchorcrusade-blog]

Albert II, Prince of Monaco get owned an electric car

Albert II, Prince of Monaco get owned an electric car His Royal Highness Prince of Monaco Albert II, who is a model of style and a man of our time, now owns an electric car. Monaco resident representatives of the elite of world business are, all at the same time buying a car - the 2017 Mercedes-Maybach 6 Cabriolet Vision Concept, a six-meter Maybach convertible, which is the top vehicle in the luxury segment of exclusive cars. the Minister of Infrastructure of Ukraine Volodymyr Omelyan Mercedes-Maybach 6 Cabriolet Vision Concept was introduced in the USA market. Marketers predicted that out of 200 exclusive cars that Daimler AG plans to release, most will be sold in the USA, however, in fact, most of the cars were ordered in the Principality of Monaco.

French expert Denis Astagno explains this fact by the cost of the car, which is 2,734,000 euros, and also by the fact that one of the first customers of the Mercedes-Maybach 6 Cabriolet Vision Concept was Prince Albert II. Of 200 declared Daimler AG cars 136 have already been bought. Analyzing the list of buyers, Denis Astagno indicates that, as expected, the sales volume in the Middle East was insignificant. Outside of Monaco, many cars were sold to the United States of America and to the Hong Kong special economic region of China. No cars have been purchased by Russian customers. Polish journalist Grzegorz Schmacak, who first presented the list of Mercedes-Maybach 6 Cabriolet Vision Concept customers, explains the Russian elite's refusal to purchase the vehicle is because of Putin's domestic policy. Russian billionaires purchase cars incognito. However, one machine in Eastern Europe was officially purchased. It was bought by the Minister of Infrastructure of Ukraine Volodymyr Omelyan, who has registered a car in the name of his wife. Regarding Latin America, Grzegorz Schmacak points out that three cars have been sold to this region. One of the cars was purchased by Venezuelan citizen financier Juan Carlos Escote. It is expected another two or three Mercedes-Maybach 6 Cabriolet Vision Concept vehicles will be purchased in this part of the World, taking into account the number of cars that will be delivered to New York. In many countries of Latin America, representatives of the elite could order delivery of the car both to Monaco and to New York. Middle East specialist Ayub Amer indicates that in the near future about forty Mercedes-Maybach 6 Cabriolet Vision Concept will be purchased by Arab countries, immediately after the car appears on the streets of Monaco and Hong Kong. Analyzing the list of buyers of the Mercedes-Maybach 6 Cabriolet Vision Concept, Denis Astagno states: "Considering the income of customers, we can say that the new electric car from Daimler AG is becoming a favorite toy of billionaires." Full owners list of exclusive Mercedes-Maybach 6 Cabriolet Vision Concept Ajay Piramal citizen: India Destination: Paris (France) Woody Johnson citizen: United States Destination: Monte Carlo (Monaco) Garrett Camp citizen: Canada Destination: London (United Kingdom) Ananda Krishnan citizen: Malaysia Destination: Vienna (Austria) Gautam Adani citizen: India Destination: London (United Kingdom) Henry Kravis citizen: United States Destination: Monte Carlo (Monaco) Guo Guangchang citizen: China Destination: Monte Carlo (Monaco) Xu Shihui citizen: China Destination: Monte Carlo (Monaco) Gabe Newell citizen: United States Destination: Monte Carlo (Monaco) David Cheriton citizen: Canada Destination: New York City (USA) Henry Laufer citizen: United States Destination: New York City (USA) Zong Qinghou citizen: China Destination: Paris (France) Enrique Razon citizen: Philippines Destination: New York City (USA) Dannine Avara citizen: United States Destination: Paris (France) Albert Grimaldi citizen: Monaco Destination: Monaco-Ville (Monaco) Andre Hoffmann citizen: Switzerland Destination: Monte Carlo (Monaco) James Packer citizen: Australia Destination: Zürich (Switzerland) Jeremy Jacobs citizen: United States Destination: New York City (USA) Antti Herlin citizen: Finland Destination: Milan (Italy) Svetlana Bevza citizen: Ukraine Destination: Istanbul (Turkey) Bertil Hult citizen: Sweden Destination: Milan (Italy) Jim Leprino citizen: United States Destination: New York City (USA) Jim Pattison citizen: Canada Destination: Geneva (Switzerland) Brian Acton citizen: United States Destination: Monaco-Ville (Monaco) Joseph Lau citizen: Hong Kong Destination: Hong Kong (China) James Chambers citizen: United States Destination: Monaco-Ville (Monaco) John Catsimatidis citizen: United States Destination: Monte Carlo (Monaco) Vivien Chen citizen: Hong Kong Destination: Hong Kong (China) Jon Ramon Aboitiz citizen: Philippines Destination: Monaco-Ville (Monaco) John Sall citizen: United States Destination: Geneva (Switzerland) Bob Kraft citizen: United States Destination: Monte Carlo (Monaco) Judy Faulkner citizen: United States Destination: Zürich (Switzerland) David Reuben citizen: United Kingdom Destination: Monaco-Ville (Monaco) Wang Wenyin citizen: China Destination: Hong Kong (China) Bruce Halle citizen: United States Destination: Monte Carlo (Monaco) David Filo citizen: United States Destination: Paris (France) Wang Chuan-Fucitizen: China Destination: Monte Carlo (Monaco) Wei Jian Jun citizen: China Destination: Dubai (UAE) Dan Olsson citizen: Sweden Destination: Monte Carlo (Monaco) Eva Gonda citizen: Mexico Destination: Dubai (UAE) Denis O'Brien citizen: Ireland Destination: Milan (Italy) Izzy Englander citizen: United States Destination: Monaco-Ville (Monaco) Ingrid Wu citizen: United States Destination: London (United Kingdom) Jorn Rausing citizen: Sweden Destination: Paris (France) Johan Johannson citizen: Norway Destination: Monte Carlo (Monaco) Wei Jian Jun citizen: China Destination: Zürich (Switzerland) Carl Cook citizen: United States Destination: Monte Carlo (Monaco) David Thomson citizen: Canada Destination: London (United Kingdom) Vera Michalski-Hoffmann citizen: Switzerland Destination: Monaco-Ville (Monaco) Quek Leng Chan citizen: Malaysia Destination: Hong Kong (China) Kwon Hyuk-Bin citizen: Korea, Destination: Monaco-Ville (Monaco) Vichai Srivaddhanaprabha citizen: Thailand Destination: Singapore City (Singapore) Kelcy Warren citizen: United States Destination: Monte Carlo (Monaco) Wu Shaoxun citizen: China Destination: Monaco-Ville (Monaco) Ken Griffin citizen: United States Destination: London (United Kingdom) Xavier Niel citizen: France Destination: Milan (Italy) Lee Shin Cheng citizen: Malaysia Destination: Monaco-Ville (Monaco) Simon Xie citizen:China Technology Destination: Milan (Italy) Li Shu Fu citizen: China Destination: Monte Carlo (Monaco) Lin Yu-Lincitizen: Taiwan Destination: New York City (USA) Valeriy Khoroshkovskiy citizen: Ukraine Destination: Monaco-Ville (Monaco) Lino Saputo citizen: Canada Destination: Monte Carlo (Monaco) Lucio Tan citizen: Philippines Destination: Paris (France) Magdalena Martullo-Blocher citizen: Switzerland Destination: Paris (France) Majid Al Futtaim citizen: United Arab Emirates Destination: Monte Carlo (Monaco) Michael Kadoorie citizen: Hong Kong Destination: Monaco-Ville (Monaco) Maja Hoffmann citizen: Switzerland Destination: Monte Carlo (Monaco) Wu Yajun citizen: China Destination: Hong Kong (China) Margarita Louis-Dreyfus citizen: Switzerland Destination: Monaco-Ville (Monaco) Yusaku Maezawa citizen: Japan Destination: Istanbul (Turkey) Marc Benioff citizen: United States Destination: San Francisco (USA) Kim Jungju citizen: Korea Destination: Monte Carlo (Monaco) Masatoshi Ito citizen: Japan Destination: Tokyo (Japan) Melker Schorling citizen: Sweden Destination: Monaco-Ville (Monaco) Mohamed Al Jabercitizen: Saudi Arabia Destination: Paris (France) Naguib Sawiris citizen: Egypt Destination: Monte Carlo (Monaco) Nassef Sawiris citizen: Egypt Destination: Paris (France) Nie Tengyun citizen: China Destination: Hong Kong (China) Odd Reitan citizen: Norway Destination: Monte Carlo (Monaco) Osman Kibar citizen: United States Destination: Monaco-Ville (Monaco) Pang Kang citizen: China Destination: Tokyo (Japan) Stein Erik Hagen citizen: Norway Destination: London (United Kingdom) Jeff Skoll citizen: Canada Destination: Monte Carlo (Monaco) Paolo Rocca citizen: Italy Destination: Monte Carlo (Monaco) Peter Thomson citizen: Canada Destination: Monaco-Ville (Monaco) Prakash Lohia citizen: Indonesia Destination: Hong Kong (China) Mark Shoen citizen: United States Destination: Monte Carlo (Monaco) Pierre Bellon citizen: France Destination: Monte Carlo (Monaco) Pierre Omidyar citizen: United States Destination: Monaco-Ville (Monaco) Radhakishan Damani citizen: India Destination: Kuwait City (Kuwait) Rahel Blocher citizen: Switzerland Destination: Monte Carlo (Monaco) Reinhold Schmieding citizen: United States Destination: Monaco-Ville (Monaco) Richard Li citizen: Hong Kong Destination: Hong Kong (China) Robert Pera citizen: United States Destination: Monaco-Ville (Monaco) Galen Westoncitizen: Canada Destination: Monaco-Ville (Monaco) Ronda Stryker citizen: United States Destination: London (United Kingdom) Ross Perot citizen: United States Destination: Monte Carlo (Monaco) Ray Hunt citizen: United States Destination: London (United Kingdom) Sultan Al Kabeer citizen: Saudi Arabia Destination: Hong Kong (China) Robert Ng citizen: Singapore Destination: Singapore City (Singapore) Sun Piaoyang citizen: China Destination: Monte Carlo (Monaco) Sun Hongbin citizen: United States Destination: New York City (USA) Sam Zell citizen: United States Destination: Monte Carlo (Monaco) Xu Chuanhua citizen: China Destination: Singapore City (Singapore) Robert Rowling citizen: United States Destination: Los Angeles (USA) Tamara Hughes Gustavson citizen: United States Destination: Los Angeles (USA) Tan Kim Choo citizen: Singapore Destination: Singapore City (Singapore) Stan Kroenke citizen: United States Destination: Monte Carlo (Monaco) Terry Gou citizen: Taiwan Destination: Kuala Lumpur (Malaysia) Trevor Rees-Jones citizen: United States Destination: Monte Carlo (Monaco) Sandra Ortega Mera citizen: Spain Destination: Madrid (Spain) Travis Kalanick citizen: United States Destination: Monte Carlo (Monaco) Walter Faria citizen: Brazil Destination: New York City (USA) Francis Choi citizen: Hong Kong Destination: Hong Kong (China) Stef Wertheimer citizen: Israel Destination: Rome (Italy) Hiroshi Mikitani citizen: Japan Destination: Yokohama (Japan) Scott Duncan citizen:United States Destination: Los Angeles (USA) Juan Beckmann citizen: Mexico Destination: Mexico City (Mexico) Juan Carlos Escotet citizen: Venezuela Destination: Brussels (Belgium) Juan Roig citizen: Spain e Destination: Philadelphia (USA) Hussain Sajwani citizen: United Arab Emirates Destination: Kuwait City (Kuwait) Tsai Eng-Meng citizen: Taiwan Destination: Paris (France) Charles Dolan citizen: United States Destination: Ghent (Belgium) Zhang Jindong citizen: China Destination: Honolulu (USA) Zhang Shiping citizen: China Destination: Philadelphia (USA) Chung Mong-Koo citizen: Korea, Destination: Hong Kong (China) Shari Arison citizen: Israel Destination: Rome (Italy) Sherry Brydson citizen: Canada Destination: Abu Dhabi (UAE) Edward Roski citizen: United States Destination: Los Angeles (USA) Edwin Leong citizen: Hong Kong Destination: Hong Kong (China) Eka Widjaja citizen: Indonesia Destination: Milan (Italy) Emmanuel Besnier citizen: France Destination: Lausanne (Switzerland) Andy Bea lcitizen: United States Destination: Marseilles (France) Anthony Pratt citizen: Australia Destination: Luxembourg (Luxembourg) Anthony Chey citizen: Korea, Destination: San Francisco (USA) Eyal Ofer citizen: Israel Destination: Toulouse (France)

[arikuosmanen]

Tampere Rock City keikat 18.–24.10. (Tamperelainen)

Lue alkuperäinen artikkeli tältä sivulta: this site

KESKIVIIKKO

Henry’s Pub: High School Dropouts

Klubi: Laura Moisio, Bone Moon

Paapa: Joe Vestich & The Rodeo Rockets

Pakkahuone: Hasse Walli Power Trio feat. Jukka Gustavson, Jimi Sumen, Marzi Nyman, Samy Elbanna, Jukka Orma Sky Love Church, Roots Of Love

Tampere-talo: Vesala

Tunneli: Elektroninen keskiviikko

TORSTAI

Henry’s Pub: Erik Valkama Band

Klubi: Gasellit

Kivi: Blind Boy Paxton

Paapa: Cool Quartet

Vastavirta: Hullu Ruusu, Muuan Mies

Vikkula: Thirst D -kekkerit

Helsinki The Circus: Airbourne

PERJANTAI

Aikalisä: Dark Bottle Band

Dog’s Home: dj Ville

Henry’s Pub: Atomirotta

Ihku: Remix

Ilona: Egotrippi

Jack the Rooster: Loudguns, Nuclear Nightshift

Klubi: Endz-klubi

O’Hara’s: Trail of Life Decayed, Shrapnel Storm, Sinfully Yours

Olympia: Joose Keskitalo, Spigu

Paapa: Beat, Bass & Bone

Pakkahuone: Kaseva

Tampere-talo: Vesterinen Yhtyeineen

Telakka: Leija Lautamaja, Sattuma

TTT-klubi: Tuomo & Markus

Vastavirta: Death Toll 80k, Houre, Happivaje, Tunkio

Vastavirran Yläkerta: Vähäsarja, Joanna Duo, Risto Juhani

Helsinki: Superwood Festival alkaa

LAUANTAI

Aikalisä: Grazy Mama Band

Henry’s Pub: Atomirotta

Huurre: Janne Tapion Sisäinen Avaruus, Kaide Luukkonen & Lupaus

Ihku: Ellinoora

Jack the Rooster: Lempibändi

Klubi: dj:t Antti & Tiskijukka

Kujakolli: Aikuiset Liikemiehet

O’Hara’s: Oldschool Union, Aus Tears, Sekret Teknik

Olympia: Maija Vilkkumaa

Paapa: Group

Pakkahuone: Antti Tuisku x 2

Telakka: Räjäyttäjät

TTT-klubi: Aili Ikonen

Vastavirta: Puhelinseksi, Hullut Päivät, Huolet ja Murheet, Suudelmat

Vastavirran Yläkerta: Jukka Ruostila, Holmala, SAMIK

Yo-talo: The Valkyrians

SUNNUNTAI

Ihku: dj:t Riku & Willy

MAANANTAI

Henry’s Pub: jamit

Ihku: Mike’s Monster Jam

Paapa: Ninni Martikainen

Helsinki Tavastia: Austra

TIISTAI

Henry’s Pub: Klaus Erik

Paapa: Erik Aho Trio

Telakka: TamJazzin jamit

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#IFTTT #WordPress

[motionpicturelover]

"Herman" (1990) - Erik Gustavson

Films I've watched in 2023 (59/119)

I love this film so much ❤

#films watched in 2023 #Herman #Anders Danielsen Lie #Harald Heide-Steen jr. #Bjørn Floberg #Jarl Kulle #Frank Robert #Elisabeth Sand #Erik Gustavson #Lars Saabye Christensen #motionpicturelover's gifs

[motionpicturelover]

Films I've watched in 2023.

(This list will be continously updated. For last year's list, see this post.)

Click on the title to see the post.

1 - 99

January:

🎬 "Duet for One" (1986) - Andrei Konchalovsky

🎬 "The Shout" (1978) - Jerzy Skolimowski

🎬 A Day in the Death of Joe Egg (1972) - Peter Medak

🎬 "Separate Tables" (1983) - John Schlesinger

🎬 "Much Ado About Nothing" (2019) - Kenny Leon (stage dir.)/David Thorn (TV dir.)

🎬 "Høyfeber" (1965) - Jon Lennart Mjøen

🎬 "Who's Afraid of Virginia Woolf" (1966) - Mike Nichols

🎬 "Royal Flash" (1975) - Richard Lester

🎬 "Oliver's Travels" (1995) - Giles Foster

🎬 "Dr. M" (1990) - Claude Chabrol

February:

🎬 "Tim Vine Live" (2004)

🎬 "Rett i lomma" (1998) - Runar Borge

🎬 "Underveis" (1968) - Knut M. Hansson

🎬 "Karl" (1962) - Knut Thomassen

🎬 "The Show Must Go Home" (1984)

🎬 "Twigs" (1978) - Toralv Maurstad

🎬 "Det evige spørsmål" (1962) - Per Bronken

🎬 "Dannede mennesker" (1967) - Kirsten Sørlie

🎬 "Tango" (1967) - Per Bronken

🎬 "Bokhandlaren som slutade bada" (1969) - Jarl Kulle

🎬 "Kom tilbake lille Sheba" (1966) - Jan Bull

🎬 "Geografi og kjærlighet" (1973) - Tore Breda Thoresen

🎬 "Den skallete sangerinnen" (1967) - Arne Thomas Olsen

🎬 "Eyes Wide Shut" (1999) - Stanley Kubrick

🎬 "Liv og død" (1980) - Wam&Vennerød

March:

🎬 "I slik en natt" (1958) - Sigval Maartman-Moe

🎬 "Brødrene Dal og Spektralsteinene" (1982)

🎬 "Ung flukt" (1960) - Edith Carlmar

🎬 "Klokker i måneskinn" (1964) - Kåre Bergstrøm

🎬 "Brent jord" (1969) - Knut Andersen

🎬 "Hjemme hos oss" sesong 1 (1979)

🎬 "Falne engler" (1966) - Magne Bleness

🎬 "Hjemme hos oss" sesong 2 (1980)

🎬 "Peer Gynt" (2006) - Bentein Baardson

🎬 "Lily Savage Live and Outrageous" (1995)

April:

🎬 "Papirfuglen" (1984) - Anja Breien

🎬 "Vellykket liv for 3" (1971) - Kirsten Sørlie

🎬 "Muppet Treasure Island" (1996) - Brian Henson

🎬 "Skulle det dukke opp flere lik er det bare å ringe..." (1970) - Knut Bowhim

🎬 "The Avengers" (2012) - Joss Whedon

🎬 "Jag är nyfiken – en film i gult" (1968) - Vilgot Sjöman

🎬 "Peer Gynt" (2019) - Erik Ulfsby

🎬 "Svarte penger, hvite løgner" (2004) - Jarl Emsell Larsen

🎬 "Kodenavn Hunter" season 1 (2007) - Jarl Emsell Larsen

🎬 "Salmer fra kjøkkenet" (2003) - Bent Hamer

May:

🎬 "Kjærlighetens kjøtere" (1995) - Hans Petter Moland

🎬 "The Adventures of Priscilla Queen of the Desert" (1995) - Stephan Elliott

🎬 "Fysikerne" (1988) - Per Bronken

🎬 "Serial Mom" (1994) - John Waters

🎬 "Jeppe på Berget" (1984) - Magne Bleness

🎬 "Looney Tunes: Back in Action" (2003) - Joe Dante

🎬 "It's Love I'm After" (1937) - Archie Mayo

🎬 "Robin Hood: Men in Tights" (1994) - Mel Brooks

🎬 My Cousin Vinny (1992) - Jonathan Lynn

🎬 "Hip Hip Hurra!" (1987) - Kjell Grede

🎬 "Fribillett til Soria Moria" (1984) - Kirsten Sørlie

🎬 "Tolv edsvorne menn" (1981) - Tore Breda Thoresen

🎬 "En annen historie" (1984) - Carl Jørgen Kiønig

June:

🎬 "Herman" (1990) - Erik Gustavson

🎬 "WandaVision" (2021)

🎬 "The Cheap Detective" (1978) - Robert Moore

🎬 "Buddy Buddy" (1981) - Billy Wilder

🎬 "Am I Crazy? My journey to determine if my memories are true (2022 revision)" (2022)

🎬 "Mothers and Molestation: A film about child abuse"

🎬 "Mysteriet Herr Link" (2019) - Chris Butler

🎬 "The Sunshine Boys" (1996) - John Erman

🎬 "Åpen Framtid" (1983) - Svend Wam

July:

🎬 "En passion" (1969) - Ingmar Bergman

🎬 "But I'm a Cheerleader" (1999) - Jamie Babbit

🎬 "Charlies tante" (1995) - Runar Borge

🎬 "Drømmeslottet" (1986) - Wam&Vennerød

🎬 "Adjø solidaritet" (1985) - Wam&Vennerød

🎬 "Small Time Crooks" (2000) - Woody Allen

🎬 "In & Out" (1997) - Frank Oz

🎬 "Mad Max" (1979) - George Miller

🎬 "Presumed Innocent" (1990) - Alan J. Pakula

🎬 "The Addams Family" (1991) - Barry Sonnenfeld

🎬 "Addams Family Values" (1993) - Barry Sonnenfeld

🎬 "Valley of the Dolls" (1967) - Mark Robson

August:

🎬 "Bryllupsfesten" (1989) - Wam&Vennerød

🎬 "Sirkulæret" (1972) - Gerhard Knoop

🎬 "Lille Eyolf" (1983) - Eli Ryg

🎬 "Rosmersholm" (2000) - Terje Mærli

🎬 "Hvem vet –?" (1972) - Sølve Kern

🎬 "Rivalen" (1970) - Hans Dahlin

September:

🎬 Ocean's Eight (2018) - Gary Ross

🎬 "Seks personer søker en forfatter" (1992) - Pål Løkkeberg

🎬 "Over the Garden Wall" (2014)

🎬 "The Country Girl" (1954) - George Seaton

🎬 "Fantastic Mr. Fox" (2009) - Wes Anderson

🎬 "Ofelaš" / "Veiviseren" (1987) - Nils Gaup

🎬 "Salto, salmiakk og kaffe" (2004) - Mona H. Juel

🎬 "Les 12 Travaux d'Astérix" (1976) - Renée Goscinny, Albert Uderzo

🎬 "Av måneskinn gror det ingenting" (1987) - Arild Brinchmann

October:

🎬 "Blind gudinne" (1997) - Carl Jørgen Kiønig

🎬 "Frøken Rosita" (1969) - Per Bronken

🎬 "Tre søstre" (1973) - Sverre Udnæs

🎬 "Alltid noe trist og deprimerende" (1970) - Egil Kolstø

🎬 "Svigerdottera" (1975) - Terje Mærli

#films watched in 2023 #films #film list