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leighlim · 3 years

Photo

If you were to ask me about ‘Hitch’ this would be the most likely scene that would come to mind...

(Hopefully by this point you’ve finished all 118 minutes of ‘Hitch’, the kind of person who isn’t bothered by spoilers, or are just deciding if you still want to keep watching.)

...or the epilogue (dance off!)

PS: Still...as good as advice this was...I’m still liking what was in ‘Moxie’. Sean doesn’t ‘hold’ or ‘go 90′ while they were in the casket...but he instead gives Vivian the message when there is ample room between them (and bonus: he shares how he’s feeling).

--------

HIGHLIGHT:

EXT. SIDEWALK - DAY

HITCH and ALBERT are on their way to ALBERT's house. HITCH is holding a copy of The New York Post with the photo with Albert and Allegra.

HITCH

I need you to tell me how this happened.

ALBERT

What? There were some photographers.

HITCH shows him the front page.

HITCH

Look, does this even look like dancin' to you?

ALBERT gives it a good look.

ALBERT

That's just a little bit of me bein' me.

A slight strut from the accountant. Proud of what he's achieved.

HITCH

No, Albert, that's you bein' a lot of bit of somethin' you don't need to even be again.

ALBERT

What? It's just one dance.

HITCH

No.

HITCH turns to him. They are now at the stoop of ALBERT's home.

HITCH

One dance, one look, one kiss. That's all we get, Albert. Just one shot to make a difference between happily ever after and: 'Oh, he's just some guy I went to some thing with once.'

He lets this sit.

HITCH

All right?

HITCH is about to go on his way but turns back and sees ALBERT standing there, worried.

HITCH

What?

ALBERT

You...You said 'kiss'.

HITCH walks back towards him.

HITCH

Is that a problem?

ALBERT

It's not...

He sighs

ALBERT

It's not a problem...but I don't know, this is Allegra Cole.

HITCH

Albert, Eight out of 10 women believe that the first kiss will tell them everything that they need to know about a relationship. And believe me, she has definetely thought about it.

ALBERT's eyebrows shoot up.

ALBERT

She has?

HITCH

Oh, of course. I mean, not that she's gonna act on it. So it's no real big deal.

ALBERT

All right, well, it's no big deal then.

HITCH

(shrill)

It's a very big deal, Albert!

ALBERT

Huge.

HITCH

Monumental! You are not listening...

HITCH sighs and puts a hand on ALBERT's shoulder.

HITCH

I need you to wrap your head around this: Tomorrow night, Allegra Cole could have her last first kiss

ALBERT blinks, takes out his nebulizer, and inhales.

HITCH smiles and can't help but be amused.

HITCH

All right, come on, uh, just, uh, show me what you got.

ALBERT

What do you...What do you mean?

HITCH

Just show me how you would kiss me.

ALBERT blinks.

ALBERT

Well, I wouldn't kiss you.

HITCH

I'm not me. I'm Allegra.

ALBERT blinks a couple of times more. He looks at HITCH closely and smiles weakly. It's kind of difficult to picture him as someone else.

ALBERT

But you're really not, so...

HITCH

Okay, Albert, end of the night, you're droppin' me off at home.

HITCH looks at the front door then at ALBERT.

HITCH

Show me the magic.

ALBERT looks around.

ALBERT

You know, I'm not comfortable with this.

HITCH grabs ALBERT's hand.

HITCH

God, Albert...

He's Allegra now.

HITCH

I had such a wonderful time with you.

ALBERT

Oh, Geez.

Arms playfully swinging. Just like when a date goes well. They walk up the steps.

EXT. ALBERT'S HOME (FRONT DOOR) - CONTINUOUS

ALBERT

Yeah, how about those Knicks, huh?

HITCH uses his other hand to reach into his pocket.

HITCH

You see what I'm doin'? All right.

He glances at ALBERT.

HITCH

This is a signal, okay?

The keys jangle in his hand.

HITCH

I'm fiddlin' with my keys. All right, a woman that doesn't want a kiss takes her keys out, puts them in the door, goes in the house. A woman that wants to kiss, she fiddles.

The keys are up now. More jangling.

HITCH

I'm fiddlin'.

ALBERT

Okay, you have a good night now...

He starts to walk down the steps but HITCH stops him and pushes him against the doorway, inches away from ALBERT.

HITCH

You see what I'm doin'?

ALBERT

Robbin' me?

HITCH

No. See, this is what most guys do. They rush in to take the kiss. But you're not most guys. See, the secret to a kiss is to go 90% of the way...

HITCH leans in closer.

HITCH

...and then hold.

A small nod from ALBERT.

ALBERT

But, for how long?

HITCH

As long as it takes for her to come the other 10%.

HITCH smiles and nods.

ALBERT

Okay, 90-10. Got it.

A curt nod.

HITCH releases him and steps back.

HITCH

Yeah, okay, come on. Shake it off. It's your turn.

ALBERT sighs.

HITCH gives him an overexcited smile and gives his keys a shake.

HITCH

I had a really nice time tonight, Albert.

ALBERT hesitates for a moment...but...what the heck---

ALBERT

I had...a great time tonight, too, Allegra...with a beard.

HITCH just looks at him. Still playing an SNL version of Allegra.

ALBERT nods.

HITCH nods.

ALBERT sighs and takes a few more steps closer.

Slight hesitation, then he leans in to go the first 90%.

HITCH just stands there. Amused and bursting to see what this guy would do next.

ALBERT gives him a nod. HITCH shrugs. He's not sold.

ALBERT inches closer leans in, eyes closed, and lips puckered. Now it looks like he's done the 90%.

ALBERT opens his eyes. HITCH still isn't sold.

ALBERT

What's up?

HITCH shakes his head.

HITCH

I'm not feelin' it.

ALBERT

What do you mean? I...I came 90.

HITCH

I'm just, I'm not feelin' like you want it.

ALBERT is starting to lose his patience on this exercise.

HITCH

Look, I'm Allegra Cole, the woman of your dreams.

This seems to have an effect on ALBERT, his eyes gloss over.

HITCH

The woman who's green eyes are limpid pools of desire. Now, show me the magic, Albert. Show me the magic...

ALBERT closes in the rest of the 10. HITCH recoils.

HITCH

What the hell was that?

ALBERT

I'm showing you the magic!

HITCH

(livid)

No, I said come 90 and then I come 10! You don't go the whole 100! My mouth was open, Albert.

ALBERT

Oh.

HITCH walks down the steps.

HITCH

You overeager son of a...

HITCH hocks and wipes off his mouth.

ALBERT

Other than that, how was it?

He chases after HITCH.

--------

My verdict of the film: 7/10

Link to the timestamp commentary: None (Maybe if there are requests...)

A Formal Review: TBA (It’s likely going to be in ‘Comedy To Watch’)

More of my comments about the film: No plans (unless requested)

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theworldsmosthatedakacr7 · 7 years

Quote

It would be great to get every single player together. I’ve spoken to Ronaldo but it’s the Champions League final the day before. Who knows. There’s a reason I can’t say 100 per cent who everyone is going to be there. But most of them will be there.

Michael Carrick on his Manchester United testimonial

#bisch im crying #isn't there a way to put this to another day????#i want baby to go home #and meet his big bros #noooo #:(((((((((((((((#michael carrick #cristiano ronaldo #cr7 #real madrid #manchester united

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whats-a-michaelclifford · 7 years

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fun dare do all the fucking questions

YOU LIL RASCAL

1) Put your iTunes on shuffle. Give me the first 6 songs that pop up.

Rock Me - 1D, Heartbreak Girl - 5SOS, Jasey Rae - 5SOS Cover, Break Out! Break Out! - ATL, Valerie - Amy Winehouse, Beside You - 5SOS

2) If you could meet anyone on this earth, who would it be?

PHIL LESTER

3) Grab the book nearest to you, turn to page 23, give me line 17.

“In truth, I wasn’t being good out of love or respect for their…” - Buffering: Unshared Tales Of A Life Fully Loaded by Hannah Hart

4) What do you think about most?

Getting out of my dumb ass town.

5) Ever had a poem or song written about you?

No, pft I wish

6) Do you have any strange phobias?

Besides clowns?

7) What’s your religion?

EHHHHHH?????

8) If you are outside, what are you most likely doing?

Tanning or helping with the yard

9) Simple but extremely complex. Favorite band?

5SOS or 1D

10) What was the last lie you told?

I’m single

11) Do you believe in karma?

Yeah bitch you best believe

12) What does your URL mean?

Honestly though, what IS a michael clifford

13) What is your greatest weakness; your greatest strength?

Weakness? Loving too much… Strength? Being able to love????

14) Who is your celebrity crush?

In mainstream media? Michael Clifford. In non-main stream? Phil Lester

15) How do you vent your anger?

Writing

16) Do you have a collection of anything?

Books, lots of them

17) Are you happy with the person you’ve become?

Decently, she could use some work tho

18) What’s a sound you hate; sound you love?

Hate? Yelling. Love? My friends laughter

19) What’s your biggest “what if”?

What if I never met my best friends? OR What if i just don’t go back to college?

20) Do you believe in ghosts? How about aliens?

Yes and yes

21) Stick your right arm out; what do you touch first? Do the same with your left arm.

Right arm? Bookcase is out of reach. Left arm? My lamp

22) Smell the air. What do you smell?

My house?

23) What’s the worst place you have ever been to?

Haunted house with clowns

24) Most attractive singer/s of your opposite gender?

Niall Horan, Harry Styles, Liam Payne, Louis Tomlinson, Michael CLifford, Luke Hemmings, Calum Hood, Ashton Irwin, Alex Gaskarth, Troye Sivan, ect

25) To you, what is the meaning of life?

Fuck if I know. I’m just trying to survive mijo(a)

26) Do you drive? If so, have you ever crashed?

Yes and I once bumped a pole but never crashed

27) What was the last movie you saw?

ROGUE ONE: A STAR WARS STORY

28) What’s the worst injury you’ve ever had?

Broke my big toe

29) Do you have any obsessions right now?

Youtubers always

30) Ever had a rumor spread about you?

Uh, not that I know of

31) Do you tend to hold grudges against people who have done you wrong?

Yeah, depends tho

32) What is your astrological sign?

Capricorn

33) What’s the last thing you purchased?

Toilet paper and eggs

34) Love or lust?

Love

35) In a relationship?

Sí

36) How many relationships have you had?

Counting this one 3

37) What is your secret weapon to get someone to like you?

Fuck if I know

38) Where is your best friend?

Their both in school

39) What were you doing last night at 12 AM?

Cuddling my girlfriend, WASUP

40) Are you the kind of friend you would want to have as a friend?

At times yes

41) You are walking down the street on your way to work. There is a dog drowning in the canal on the side of the street. Your boss has told you if you are late one more time you get fired. What do you do?

GET FUCKING FIRED BISCH

42) You are at the doctor’s office and she has just informed you that you have approximately one month to live. a) Do you tell anyone/everyone you are going to die? b) What do you do with your remaining days? c) Would you be afraid?

A) No B) Make the most of it C) YES

43) What’s a song that always makes you happy when you hear it?

Any 1D or 5SOS song. So many good memories man

44) In your opinion, what makes a great relationship?

Actually liking each other

45) How can I win your heart?

Buy me books, let me talk about things i love even if you don’t care ( shout out to my girlfriend @alltimeblowz who hears me constantly talk about Star Wars, Yuri on Ice and DanandPhil waaaaaayyyyyy a lot)

46) Can insanity bring on more creativity?

Sure, look at every wonderful creation out there

47) What is the single best decision you have made in your life so far?

Back in 6th grade when I joined band. Best years of my life

48) What would you want to be written on your tombstone?

To quote Dan Howell, Pinof 7, “UGH”. No but really just something really nice

49) Give me the first thing that comes to mind when you hear the word “heart.”

Heartache on The Big Screen by 5SOS i’MSORRYYY

50) Basic question; what’s your favorite color/colors?

Purple

51) What is your current desktop picture?

Well I have 4 different ones. Dan, Phil, a Tatinof Picture, and a screenshot ofmy instagram in Grace Helbig’s video

52) If you could press a button and make anyone in the world instantaneously explode, who would it be?

Probably D*nald Tr*mp……….*cough*

53) What would be a question you’d be afraid to tell the truth on?

Won’t know till I hear it

54) You accidentally eat some radioactive vegetables. They were good, and what’s even cooler is that they endow you with the super-power of your choice! What is that power?

I can motherfucking do something I don’t know WHY THIS ONE SO HARD

55) You can re-live any point of time in your life. The time-span can only be a half-hour, though. What half-hour of your past would you like to experience again?

MEETING GRACE HELBIG OR PATRICK STUMP

56) You can erase any horrible experience from your past. What will it be?

There’s a couple but wouldn’t that alter time

57) You have the opportunity to sleep with the music-celebrity of your choice. Who would it be?

Hey Halsey or Michael HMU

58) You just got a free plane ticket to anywhere. You have to depart right now. Where are you gonna go?

England

59) Ever been on a plane?

Yeah when I was tiny

60) Give me your top 5 hottest celebrities.

Halsey, Michael Clifford, Niall Horan, Zoe Sugg, AND SO MANY PEOPLE ARE SO HOT

….I DID IT!

#anon #long af #good things

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wutbju · 5 years

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Dr. Richard Hitz Brady, 86, pastor and musician, went to be with the Lord on August 9, 2018, in Springfield, Illinois. For nearly sixty years, he was the husband of Janice (Brough) Brady with whom he had five children. The family now includes fifteen grandchildren, and two great-grandchildren.

Dr. Brady was born in Indianapolis, Indiana. He was the oldest of three children of Harold Weeks Brady and Fanetta Hitz Brady. After graduating from high school, Richard left the family home and attended Bob Jones University in Greenville, South Carolina. There he received his Bachelor of Arts degree in Piano in 1955, his Master’s degree in Christian Education in 1957, and his Doctorate in Pastoral Theology in 2007. After Richard completed his Master’s degree, he served as Assistant Pastor and Minister of Music from 1957 to 1960 at First Baptist Church of Freeport, Illinois. He was ordained into the ministry in 1960.

Richard married Janice L. Brough on September 5, 1958. After their marriage, they settled in Owatonna, Minnesota, where he taught Bible and was head of the Piano Department at Pillsbury Baptist Bible College for seven years. God then led him to Springfield, Illinois, where Richard started Grace Baptist Church in 1967. He faithfully pastored the church for forty-five years and retired in 2012. In 1973, Richard and Janice started Grace Baptist Academy of which Richard was the Administrator for thirty-nine years. He also served as a board member of Baptist College of Ministry. For over five decades his excellent teaching blessed many.

Dr. Brady is survived by his wife, Janice; one brother, Dr. Stephen W. (Phyllis) Brady and one sister, Sandra K. Brady; his five children, Stephen M. Brady (and his wife Jane and their children Daniel, Elizabeth (Julian) Balatbat, and David), Lisa C. Baggett (and her husband Kerry and their children Michael, Markus, Lauren, Erin, and Zachary), David R. Brady (and his wife Sonja and their children Micah and Julia), Dianne M. Brady-Peters (and her daughter Isabella), Jonathan P. Brady (and his wife Judi and their children Abigail, Brianna, Danielle, and Jackson); and two great-grandchildren (Reagan and Brady Balatbat).

A funeral service will be held at 11 a.m. Saturday, August 18, 2018, at Grace Baptist Church, 2812 S. Walnut, Springfield, Illinois. Dr. John R. Van Gelderen will be speaking. Burial will follow at Roselawn Memorial Park. The family will receive friends on Friday, August 17, from 4:00 pm – 7:00 pm at Bisch Funeral Home West, 2931 Koke Mill Road. Memorial contributions may be made in honor of Richard H. Brady to Grace Baptist Church. Please visit the online “Life Remembered Story” at www.bischfuneralhomewest.com.

#Richard Hitz Brady #Bob Jones University #Class of 1955 #Obituary #Hall of Fame

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salon-du-salon · 5 years

Photo

#064 - 09 - “Poste peinture” WE ARE THE PAINTERS Original painting on 105 x 148 mm 350g white cardboard. Peinture originale sur carte blanche 350g format 105 x 148 mm.

Pièce unique.

Production Salon du Salon / Carte Blanche 2018.

VENTE EN LIGNE : http://editionsdusalon.com/064-08-Poste-peinture-We-Are-The-Painters-105x148mm-peinture-gouache-et-acrylique-2018_WATP10_Salon-du-Salon.htm

ABOUT :

“POSTE PEINTURE” est une série de 21 cartes UNIQUES peintes par le duo d'artiste WE ARE THE PAINTERS et produite par SALON DU SALON 2018.

“POSTE PEINTURE” is a series of 21 UNIQUE cards painted by the artist duo WE ARE THE PAINTERS and produced by SALON DU SALON 2018.

WHERE ?

1 / L'ensemble du travail “Poste peinture”, WE ARE THE PAINTERS est visible sur le site de MULTIPLES et PUBLICATIONS D'ARTISTES de SALON DU SALON : editionsdusalon.com/064-08-Poste-peinture-We-Are-The-Painters-105x148mm-peinture-gouache-et-acrylique-2018_WATP10_Salon-du-Salon.htm

2 / Une sélection de 6 cartes est visible à la librairie du Frac Paca,

20 Boulevard de Dunkerque

13002 Marseille

Décembre 2018 / février 2019

3 / Un ensemble de cartes sera présenté lors du salon “MULTIPLES ART BOOKS"

Salon du Salon

21 avenue du Prado

13006 Marseille

du 16 au 20.12.2018 - ouverture le DIMANCHE 16.12.2018 à 16H

Quelques textes à propos du travail de WE ARE THE PAINTERS :

We Are The Painters

We Are The Painters est un duo d’artistes formé par Nicolas Beaumelle et Aurélien Porte. Leur nom sonne comme une affirmation, un slogan : ils sont peintres. Depuis la formation de leur groupe en 2004, ils pratiquent une peinture inclassable. WATP fonctionne sans que l’on sache qui des deux artistes produit un geste. Leur pratique se compose à partir d’allers retours constants entre leurs quatre mains, le plus souvent à partir de figures obsessionnelles. Leurs portraits de femmes sont dotés de coiffures et des visages similaires ; elles semblent sorties d’une époque indéterminée. Ils peignent et repeignent le motif du Mont Chauve, une grande colline située au nord de Nice. Ils peignent également sur les deux faces de chaises de bistrot qu’ils renversent au sol afin de pouvoir les contourner. On retrouve également dans plusieurs de leurs tableaux une sorte de béance, comme l’ouverture d’une grotte. Et puis, il y a ce film sur lequel ils travaillent depuis plusieurs années. Paint for Ulma raconte l’histoire « d’un petit chevreau qui devient une œuvre d’art et intègre la collection d’un musée. » Dans sa quête, neuf muses le guident « de paysages en paysages et de peintures en peintures jusqu’à son ultime territoire : le musée. » Une odyssée. Leur peinture n’est jamais clinquante, toujours à l’économie de moyens, mais toujours intrigante par les mondes primitifs qu’elle représente et par les techniques mises en place. Des grands aplats de couleur occupent généralement la toile : des couleurs chaudes, couleurs froides (primaires, secondaires, tertiaires), complémentaires ou dissonantes. Un état naturel de l’art et du monde. Un monde singulier. Extrait du texte d’exposition "Come To Us” à la Villa Arson // École nationale supérieure d'art - Centre…

- We Are The Painters

par Pedro Morais

“Whisper to the Landscape”, 40mcube, Rennes, 11.02 — 28.04.2018

Où en est-on du débat esthétique sur la peinture ? Est-il encore utile de réfléchir à l’art en termes de spécificité de médium ? Il n’y a pas en France, certes, l’équivalent d’une école avec la réputation de la Städelschule de Frankfurt où plane l’influence des peintres Michael Krebber ou Amy Sillman et l’ombre du passage de figures comme Immendorff, Kippenberger ou Bayrle en plus d��un lien à la théorie avec Daniel Birnbaum ou Isabelle Graw, fondatrice de la revue Texte Zur Kunst. Le débat français se fait donc au gré des affinités de groupes d’artistes, souvent réunis autour d’artist-run-spaces, ou lors des rares expositions collectives qui s’attaquent au sujet. Dans le cas des dernières, « Voici le temps des assassins », proposée en janvier par le curateur Alain Berland à la galerie Michel Journiac, s’intéressait à la figuration pour la mettre en tension avec la notion d’image « et à ce qu’elle engage de réel ou de fictionnel », tandis que « Paris Peinture » proposée par Nicolas Chardon et Karina Bisch au centre d’art Le Quadrilatère de Beauvais se positionne plutôt du côté d’une communauté d’affinités, réunissant de nombreux peintres exposés à Palette Terre à Paris. C’est le cas de We Are The Painters, duo formé par Nicolas Beaumelle et Aurélien Porte et l’une des aventures picturales les plus remarquables de ces dernières années. Leur travail semblait parfois se jouer des malentendus qui l’entourent : est-ce que la peinture n’était pour eux qu’un prétexte pour des virées sur les routes de montagne, ponctuées de leur humour et d’une posture de cowboys solitaires ? Pourtant, plutôt que de démystifier la figure grandiloquente du peintre solitaire, ils ont fini par lui associer un imaginaire d’aventure et d’excès plus familier de l’univers d’un groupe de rock — ou plutôt de métal, la musique qu’ils écoutent dans leur atelier et qu’ils utilisaient aussi pour une performance rituelle dans une église déconsacrée de Copenhague. Ils y avaient accroché une immense toile découpée en forme de chevelure, rappelant aussi une vulve ou une montagne, d’où ils faisaient sortir (ou accoucher) trois performeuses hiératiques, parées comme dans leurs peintures, libérées du mur et rendues vivantes, personnifiées. Et en confondant chevelure, montagne et performance, ils introduisaient un désordre dans trois genres picturaux séparés historiquement : la peinture de paysage, le portrait et la nature morte. Il y a dans leur travail une manière d’assumer que les objets agissent sur nous, qu’ils nous « produisent » autant qu’on croit les produire — processus parfois nommé affordances ou agency dans le cadre de recherches sur les biographies d’objets en archéologie et anthropologie. C’est cette intuition qui les a amenés à peindre sur le dessous de chaises — pratique restée longtemps cachée, ne changeant rien à leur usage quotidien et dévoilée à l’occasion de l’exposition collective « Back to the peinture » à La Station à Nice en 2017 (autour de l’influence de Supports/Surfaces sur les artistes contemporains). À 40mcube, à Rennes, ils introduisent un mélange de chaise et de mouton, prolongeant le désordre animiste entre le statut d’objet et la figuration d’un animal. Car ce qu’on n’avait peut-être pas saisi jusqu’ici dans leur travail concerne leur effort permanent pour décentrer l’œil anthropocentré. Quand ils se lançaient dans la peinture en plein air, sur toile panoramique, partis en camion à la recherche de la montagne Hochwechsel, on y a d’abord vu leur goût de la culture rurale, folk et redneck. Pourtant, il y a surtout une forme de romantisme à vouloir faire une telle performance de peinture — sans spectateurs, si ce n’est des animaux (à l’instar de Paint for Sheep l’une de leur premières réalisations en 2005) — qu’ensuite ils laisseront sur place abandonnée aux êtres qui y passent – humains ou non-humains. C’est sans doute ce qui explique aussi leur odyssée depuis de nombreuses années pour réaliser un film autour d’Ulma, une chèvre Boer devenue leur « alter-ego animal », racontant l’histoire « d’un petit chevreau qui devient une œuvre d’art et intègre la collection d’un musée ». Si le romantisme de We Are The Painters intègre alors le burlesque, le prosaïque et le casse-gueule, il est toujours empreint d’une passion du réel.

Source Zéro deux : https://www.zerodeux.fr/reviews/we-are-the-painters/

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