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#The whole point was Miranda testing her ability to make her own vessel for Eva by testing it on the Duke and the Rose copies
hamartia-grander · 2 years
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It's fine to be disappointed about not seeing the Lords, but dear God stop shitting on the DLC because of it. Just because you wanted to see them doesn't mean it was gonna happen. This DLC isn't about the Lords, and it never was. It's about Rose. It's about her journey to accepting her powers, accepting that she's a little weird but that's OKAY and it's worth it because she can do cool things and she has the best dad ever. Overcoming her insecurities, learning to care for herself and know she's worth love because Ethan loves her so fucking much. It's about Rose learning more about herself. It's about Rose getting to talk to her dad, just once. Getting to hear him say "I love you". It's about Rose learning more about the events that led to her father sacrificing himself to save her, which she was apparently never told. It's about Rose gaining confidence in herself, in her abilities. It's about Rose finding a passion to fight back, to survive, to not conform. It was never about the Lords.
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aguagua · 3 years
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haha fuuuuuc I wrote a novel of headcanon for possible backstory for Donna B from re 8. I don’t really wanna share it in the tags. I just wanted a place to put it bc she is my beloved. Read it under the cut if you want 👊🤪
content warning : suicide and a lot of death
Donna Beneviento :
Born - 1947?
1950s - Sister passes, parents commit suicide
1986 - Claudia born
97 - Claudia passes
Approx. 97/98 - Joins M. Miranda
—-
Family / History / Backstory :
Benegario - Family ancestors branch off from Village and migrate to Italy —> Alps regions // Lombardy, Capo Di Ponte, Val Camomica
Leonardo Beneviento - Father
Andrea Fioralba - Mother
Leonardo was a puppet and mask maker, as well as a costume designer for operas staged at La Scala in Milan, and other more local theaters. His work was commissioned by many. He would also travel to Venice to sell and make masks for Carnevale. Eventually, he would begin to make toys, for his children, and sell them when they’d move to Village.
Bernadette Beneviento - Sister, b. 1942. Sickly child on and off.
Donna, b. 1947. Leonardo + Donna are close. He mentors her in making puppets + masks, she has an affinity for puppets. Spent many times in the backs of theaters, helping her father fit masks, alter costuming, and repair puppets. She loves opera. She’s gone to Carnevale w/ her father as well to make masks.
Possibility of move?? Bernadette is very sick?? M.M. Constantly reaching out to Benevientos anyway to get them to return to village. Possibly convinces them to move by saying she will help their daughter.
Father eases Donna’s nerves and tries comforting Donna about the move (leaving her friends and life behind) by crafting her Angie, a friend she will always have wherever they go. Donna is six.
Bernadette obviously does not survive MM’s experiments. Late 1957. Parents are both in hysterics. Andrea commits suicide in the following weeks, Donna witnesses this. Leonardo finds them both and is beside himself. Donna picks up the knife that Andrea used to end her life. Father tries to take it from her bc he doesn’t want her hurting herself. She freezes up and it’s like wrestling to get it out of her hands and accidentally, Leonardo severely wounds Donna. In immediate response, Leonardo in a state of pure lunacy, losing his eldest daughter, his wife and now assuming he had killed his youngest, ends his own life in front of her. Donna witnesses this too. This all happens extremely fast. It’s really volatile // reactive.
Donna just barely survives but her face is scarred and partially blind in her right eye. Clearly traumatized horrifically by the incident, she’s taken care of by the staff of the estate and Mother Miranda checks in often ((keeping her influence there))
Donna cannot communicate anymore herself, she’s latched onto her puppet, Angie and uses her to speak. Has bouts of isolation and has difficulty growing up w/o a family and navigating a very intense injury.
Inspired by MM’s “tireless work” to help save Bernadette and her being a sort of constant in her life now, she delved into studies of medicine and plants. Wanting to help other people who are sick.
Doll making, though, is a very sacred and special hobby to her and a craft she continues to hone privately. She’s extremely attached to Angie, treats her as her own sister. It’s all she has left.
Extremely sensitive about her facial scar + right eye, hides the right side of her face as much as possible.
Becomes a sort of medic to the Village. She sells salves, ointments, and medicines through Duke. Gives him toys and dolls she’s made to also sell, occasionally.
Beneviento staff raised her and helped her to slowly come out of her shell. Still very awkward, socially, and reclusive though. But, in becoming more social, she began to take patients in-house. Helped plenty, most of the time free of charge. This is how she had come to meet her eventual boyfriend, which was a very clumsy relationship that ended with her being pregnant, him leaving her and her trust broken.
Though, that resulted in Claudia being born! 1986. Donna is 39. Motherhood is what pulled Donna out of the dark. Even bringing her to much better communicate without Angie, though she still uses her. She’s a loving and very giving mother to Claudia who is very talkative and curious. Donna doesn’t mind all the chatter, she loved to listen to Claudia speak. There was a liveliness in the Estate and in Donna that hadn’t existed in a long long time. Claudia also adored Angie, Donna was at first hesitant and protective of Angie, but eventually permitted Claudia to take Angie and play with her however she wanted. Because of Claudias love for Angie, Donna began to make dolls for Claudia, often. Brilliant and beautiful toys with elegant and carefully detailed features + clothing. They’d even, a few times, gone down to the Village. Socialized some. Donna felt very Secure and in control for once.
But, like her sister Bernadette, Claudia was also sickly. Donna was just more equipped at giving Claudia the care and medicine she needed to live life happily. But, it came to a point in late 96, when no medicines or health care seemed to work anymore and Claudia was always bedridden and weak. Seemed only way to help Claudia at this point was to make her dolls that comforted her, But did not help her. In an act of desperation, being at a loss at what to do to save Claudia anymore, Donna turned to her idol, her new mentor of sorts, Mother Miranda. She pleaded for her to help Claudia and save her.
And MM did what she does best (lol).
** I think also MM might have been interested in using Claudia as a vessel for Eva so that doesn’t help either.
Donna snapped and snapped hard. Completely regresses to the way she was before. Is an Intense Agoraphobe. MM used the situation to her advantage. Manipulated her way further into Donnas heart empathizing w her Loss w her own and got her to join the family.
——
Post Cadou :
97 - Receiving the Cadou did not help her mental state. Actually became frightened of her own face At first because of the Cadou overtaking her scar and eye. reliving many traumas. this is an especially bad year.
Highly anxious, a manic depressive, still wont leave home unless it’s to see MM.
Attempts in some way to still cope with Claudias death by making and perfecting her dolls, has filled the whole house. She eventually learned of her ability to spread her Cadou amongst her dolls. Immediately does this with Angie + Angie very quickly became her own entity, Donna’s guardian, and lifelong companion.
Begins to experiment with what also she can use her Cadou for. She futzed with various plants and medicines, Angie once suggested she try reanimating the dead (that didn’t work) but Donna did end up accidentally making herself hallucinate, inhaling some pollen of an affected plant and she briefly saw Claudia. Began carefully studying this yellow flower and experimenting with it to see Claudia again. Tested it with her gardener, who then saw his late wife. Finding it worked, Donna, she tells the Gardener to come back again and she will show him the rest of his family. Before then she used the pollen to see Claudia again, but when she did it left her thinking :
“This is not Claudia, she will never be Claudia. I will never get her, my parents or sister back ever again. Why not just join them?”
—> in this hysteric state, she has a nervous breakdown, and when the gardener arrives, she doesnt end her own life. Instead, she took his. Donna still shows him his lost loved ones one last time, controlling the hallucinations to lure him around and out of the house and fall off of the cliff, crashing with the waterfalls.
She gave him the Gift of joining them. After taking the Gardener’s life, she fashioned a doll in his likeness and strung it up in a tree as if reaching toward the heavens.
She began to do this to any villager, who fell prey to Angie, who would come down to the Village, convincing them to experience Donna’s Gift, seeing their lost loved ones and subsequently tossing them to their own demise to be with them.
“None of her playmates have ever come back from that dank old estate.”
*** Donna really believes she’s doing these people a favor, “giving them a gift,” by luring them to the estate and killing them. It’s ultimately what she wants herself but won’t bring herself to act upon. ***
Okay woof holy shit that was a lot. I’m done for now. 😚
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