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#These thoughts have plagued me since S1 E1
syncopatedid · 8 months
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That feeling that you can't even write fan fiction for Link Click until the finale of the 10th season because canon will threaten to unravel every headcanon you wrote by the next episode.
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thefirst3chapters · 3 months
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There is so much going on with the parallels in this gifset (Rory and Jess's first kiss and Jess's infamous "I love you"). This got long so it's under the cut.
Both of these scenes happen after Rory or Jess's parent(s) announce a new relationship: For Rory, she just talked with Christopher and is happy about the prospect of her parents being together. This family reunion is seconds away from being over, but Rory is hopeful that it will last. For Jess, he just met TJ, was not impressed, and does not want to be a part of the situation at all. He is jaded from seeing Liz repeatedly getting involved in destructive relationships and is frustrated that Luke thinks they can change her mind. It is interesting that both Rory and Jess's history of abandonment is highlighted as they abandon each other. (Similar to how Jimmy showed up and ran out on Jess in the same episode that Jess left.)
Both of these scenes happen at an event that commemorates love: The kiss is at Sookie and Jackson's wedding, and the "I love you" is at the Firelight Festival, which celebrates a star-crossed love story from Stars Hollow's history. The wedding is joyful and marks a beginning while the festival has a more bittersweet undertone. This holiday is when Dean breaks up with Rory in S1 and when Rory is heartbroken by Logan's disinterest in S5, but the scene with Jess is the only one of the three that happens at the festival itself. (Rory really can't catch a break with this holiday.)
Both of these scenes have surrounding events that contrast their aesthetic: The scenery of Rory and Jess's first kiss is of course beautiful and is fit for an Austen-esque drama. It's springtime, and Rory and Jess are both wearing blue. The beauty is undercut by the impending Lorelai/Christopher fallout, Rory’s inner turmoil and disloyalty to Dean, and Jess’s pain as he moved back for Rory only to see her run away; the seeds of communication problems and abandonment that will plague their relationship have been sown among the blossoming flowers. The "I love you" scene happens on a cold, dark winter night. Rory and Jess are both wearing neutral colors, and it's clear from their facial expressions that despite what they both told Lorelai, they are emotionally torn up by their estrangement. The darkness is undercut by the Firelight Festival’s faith that love will eventually conquer its obstacles; among the twinkle lights, Luke and Lorelai find each other (it’s not their time, yet) and Liz tells Luke she is hopeful that Jess will be okay and TJ will be a good partner for her (the rest of the show proves that this faith was well-placed). Rory and Jess's obstacles of failed communication and abandonment remain, but so does hope.
Rory and Jess respectively reveal what they did to their parental figure when they return to town months later. The aesthetic contrast is interesting. Lorelai and Rory have this conversation in public and in broad daylight. Lorelai and Rory's "default setting" is being best friends, but this is something significant that Rory kept from her. Lorelai, who is still upset over what happened with Christopher, tells Rory that the situation isn't fair to Dean but ends up focusing more on Dean's feelings than anything else. Luke and Jess have this conversation alone and in the dark. It's their breakthrough moment where they realize how much they really care about each other, and Jess divulging something so personal is a big deal. Luke just had the revelation that he loves Lorelai, and his advice is more focused on trying to help Jess. The dialogue is so similar:
Lorelai and Rory in S3 E1: "Well, I thought it was over. I mean, you haven't talked with him since..." / "Sookie's wedding." / .... / "Okay, so he crashed Sookie's wedding, and..." / "And nothing. He told me he was back in town, that he'd moved back, and..." / "What, Rory? Come on." / "And we kissed, okay?"
Luke and Jess in S4 E21: "No. Rory, still? That's ancient history. You haven't seen her in a year." / "I saw her when I was here a few months ago." / "I didn't know that. So, what happened?" / "Nothing... I told her, uh..." / "What?" / "I told her I loved her."
Both of these reunions bookend a third Literati reunion (of sorts) at the End of Summer Madness Festival: In S3 E1, Rory just told Lorelai that she is joining her in not speaking with Christopher, which contrasts her talking with him at the wedding. Rory was surprised to find Jess under a tree at the wedding, and here she is surprised to find him under a tree kissing Shane. The setting here is also a stark contrast to the other two scenes. It is late summer, the music is loud and irritating, red is a prominent color, and lots of people are present. The body language of Jess and Rory's first kiss was so affectionate, but Jess and Shane appear far less emotionally invested. These contrasts all enrich the comparison of Rory’s clandestine enchantment at the wedding to her disappointed jealousy at the summer festival.
Looking at all three of these scenes together, there is this poetic sequence of Rory and Jess's relationship from a beautiful spring day to an overbearing summer afternoon to a bleak (but not entirely so) winter night, and it's really compelling.
It is notable that all three of these reunions happen outside, and so do a lot of their other scenes together. The idea that Rory and Jess find freedom to be themselves when they are together is brought up often, and the fact that so many of their scenes are outside could be reflective of that. Being outside gives them space to breathe and grow away from the confines of what other people expect of them, but it also leaves them more exposed to the elements and more at risk of being left out in the cold, which makes vulnerability frightening for both of them. They don't quite have the emotional skills to weather those challenges (yet).
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