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nightmareonfilmstreet · 6 years

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10 Movies We Can’t Wait To See At This Year’s Fantasia Film Festival

Ladies and Gentlemen, the 22nd Internation Fantasia Film Festival is upon us! This year’s lineup boasts from heavy hitters, including the World Premieres of Robert D. Krzykowski’s The Man Who Killed Hitler and then Bigfoot starring the legendary Sam Ellitot and Nightmare Cinema, directed by Mick Garris, Alejandro Brugués, Ryuhei Kitamura, David Slade and Joe Dante (who will also be recieving a lifetime achievement award). Also peremiering at the festival is David Robert Mitchell’s highly anticipted follow-up to It Follows, the neo noir Under The Silver Lake, the Spike Lee produced Tales From The Hood 2, and Dennison Ramalho’s (The ABC’s of Death) feature film debut, Among The Living.

There is no shortage of incredible, must-see films in this year’s lineup and it promises to be other banner year for genre film. The Fantasia Film Festival run from July 12th – August 1st in the heart of Montreal. Tickets are on sale now and can be purchased HERE.

Below are 10 movies that ewe can’t wait to see at this year’s Fantasia FIlm Festival. If you are going to be in attendance at the festival, let us know what your looking forward to seeeing in the comments below, on Twitter, Instagram, Reddit, and in the Horror Fiends of Nightmare on Film Street Facebook group!

Mandy

Director: Pananos Cosmatos Writter: Pananos Cosmatos, Aaron Stewart-Ahn Cast: Nicolas Cage, Andrea Riseborough, Linus Roache, Bill Duke, Ricard Brake

“The peaceful existence of Red Miller (Nicolas Cage) in the Shadow Mountains of 1983 is burned to the ground when a deranged religious sect fixates on Mandy (Andrea Riseborough), the love of his life and, as is soon made very evident, a significant grounding force in his universe. Things deteriorate into a tranced-out nightmare of insect venom, hard drugs and broken-minded delirium as Red journeys into hell in order to avenge the woman he once lived for. Blood will flow in rivers. Worlds will collapse unto themselves.”

Nightmare Cinema

Director: Alejandro Brugués, Joe Dante, Mick Garris, Ryuhei Kitamura, David Slade Writer: Sandra Becerril, Alejandro Brugués, Lawrence C. Connolly, Mick Garris, Richard Christian Matheson, David Slade Cast: Maurice Benard, Richard Chamberlain, Annabeth Gish, Elizabeth Reaser, Mickey Rourke

“At a forgotten, haunted bijou, a group of strangers have assembled to watch a series of macabre vignettes unspooled by the mysterious Projectionist (Mickey Rourke). Like the best anthology films (DEAD OF NIGHT, CREEPSHOW, TRICK ‘R TREAT), the stories’ tones range from truly deep, dark, psychological, demented horror to ones with a lighter, satirical spin. Witness a ghost story that will chill you to the bone; an exorcism story guaranteed to make your head spin; a B&W descent into clinical madness; a plastic surgery gone horrifyingly awry; and a cabin-in-the-woods slasher ditty with a unique twist you’ll never see coming.”

Under the Silver Lake

Director: David Robert Mitchell Writer: David Robert Mitchell Cast: Andrew Garfield, Topher Grace, Riley Keough, Zosia Mamet

“Silver Lake, Los Angeles. The city of angels. The dream factory where it’s all too easy to lose contact grasp of Earth and see nothing but stars… Take for example Sam (Andrew Garfield), a prototypical slacker in his mid-thirties, without ambition… though he does have an unpredictable temperament, a penchant for voyeurism, and an unhealthy obsession with pop culture. When a mysterious neighbor (Riley Keough) appears in the sights of his binoculars, then disappears overnight without a trace, the first-class geek cannot help but investigate – possessed, somehow, by the eternal spirit of the countless detectives who stalked the hot asphalt of LA before him. But a Bogart he is not. Sam’s unorthodox methods very quickly leave him confounded; through the looking glass and into the heart of a strange city where dog killers, owl-women, aspiring actresses and gurus rub shoulders, among other high-society demiurges pulling the strings of an entire culture…”

Terrified

Director: Demián Rugna Writer: Demián Rugna Cast: Ariel Chavarría, Maximiliano Ghione, Norberto Gonzalo, Elvira Onetto

“The lives of three neighbours in Argentina are turned upside down following a series of violent deaths in the area. For retiring inspector Funes, what was supposed to be an easy case suddenly takes a strange turn and he finds himself dealing with more than he can handle. Paranormal experts are brought in to assist in investigating what they believe to be haunted houses, where they will be tested by an evil the likes of which they have never encountered. As the night goes on and chaos is unleashed upon them, nothing, and no one, can be trusted.”

Tales From The Hood 2

Directed: Darin Scott, Rusty Cundieff Writer: Darin Scott, Rusty Cundieff Cast: Keith David, Alexandria DeBerry, Bill Martin Williams, Bryan Batt, Lou Beatty Jr., Martin Bradford, Kendrick Cross

“Horror is back in the hood! The sequel to the groundbreaking original film TALES FROM THE HOOD reunites executive producer Spike Lee (Honorary Academy Award® winner) and writers/directors/producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride and politics through tales with demonic dolls, possessed psychics, vengeful vixens and historical ghosts. Mr. Simms’s haunting stories will make you laugh… while you scream.“

The Witch In The Window

Director: Andy Mitton Writer: Andy Mitton Cast: Arija Bareikis, Alex Draper, Greg Naughton, Carol Stanzione, Charlie Tacker

“Divorced dad Simon (Alex Draper) brings his 12-year-old son, Finn (Charlie Tacker) out to Vermont to help him renovate an old house he recently purchased. Used to the speed of New York City, Finn has an impossible time slowing down to a smalltown pace, and he’s disappointed before even getting there. So is Simon (“I guess I was hoping I would catch you on the 12 side of 12, instead of the 13 side of 12”). Afflicted with a rare medical condition in which there’s a literal hole in his heart, Simon, ever resourceful, does what he can to make things good as he and his son attempt to repair what’s broken. Soon, a series of nonsensically terrifying happenings occur, nightmarish and incomprehensible. It becomes clear that they aren’t alone in the house. That there is more work to be done than either could be capable of grasping. That death is a partially living state. And that they are in a very special kind of danger.“

The Dark

Director: Justin P. Lange Writer: Justin P. Lange Cast: Nadia Alexander, Karl Markovics, Toby Nichols

“Once upon a dark, dark time, there was a girl, lonely, undead and bloodthirsty. Behind her a dark, dark past – a curse. Hidden in the dark, dark woods, she tirelessly haunts her childhood home. Mina (Nadia Alexander) is a damaged soul, and tears to pieces anyone who dares enter her hunting ground. When she meets Alex (Toby Nichols), a disfigured and blind boy, brought to her by mysterious circumstances, her animalistic cannibal instincts seem to strangely fade away. As this uncanny friendship grows, little by little, both of these lost children learn how to reach out to the hints of light left within.”

Cold Skin

Director: Xavier Gens Writer: Jesus Olmo, Eron Sheean Cast: Aura Garrido, David Oakes, Ray Stevenson

“In the early years of the 20th century, a young man (David Oakes) takes over the responsibility of surveying the weather of a secluded island in the Antarctic. Hoping for isolation and time for self-reflection, he instead finds a crazed and weathered person named Gruner, played by genre favourite Ray Stevenson (DEXTER, THOR, DIVERGENT). Gruner quickly reveals that there is more to this island than meets the eye and that below the icy depths, a terrible scourge lurks. The extent of Gruner’s madness slowly becomes more and more pronounced as his bloodlust for the creatures becomes apparent. Struggling for survival, the surveyor must choose between a madman and a legion of creatures he does not fully understand.”

Heavy Trip

Director: Juuso Laatio, Jukka Vidgren Writer: Juuso Laatio, Jari Olavi Rantala, Aleksi Puranen, Jukka Vidgren Cast: Johannes Holopainen, Minka Kuustonen, Ville Tiihonen

“Life has its downsides in a small, northern Finnish town. The local bros give long-haired, leather-clad Turo a tough time, and his job at the mental hospital is literally shitty. His crush on Miia at the flower shop is thwarted by the tacky lounge singer Jouni, and his band jams in the back of a reindeer slaughterhouse. In the plus column for Turo, well… there’s the band, even if these black-metal true-believers have never gigged in all their 12 years together (Turo’s concealed but crippling stage fright hasn’t helped). A miraculous crack at a major metal festival in Norway jumpstarts the quartet’s dreams, and Impaled Rektum set out on a metallic mission that will make them confront not only doubts, detours and difficulties, but also Vikings in longships (plus an elf), graverobbing, Swedish rocket launchers and wolverine-wrestling (dangerous… and awkward!).“

Dans La Brume

Director: Daniel Roby Writer: Guillaume Lemans, Jimmy Bemon, Mathieu Delozier Cast: Romain Duris, Olga Kurylenko, Fantine Harduin, Michel Robin, Anne Gaylor

“Mathieu (Romain Duris, DE BATTRE MON COEUR S’EST ARRÊTÉ) and Anna (Olga Kurylenko, QUANTUM OF SOLACE) are the parents of a girl (Fantine Harduin, HAPPY END) who suffers from a genetic disorder forcing her to live in a hermetic box that filters the air. This already vulnerable existence becomes even more precarious on the day Paris is hit by an earthquake, and then filled with a mysterious toxic gas that seems to come from below ground. Only those hiding on the higher floors and rooftops of buildings survive, but they are left stranded, without any resources. Wanting to check that their daughter remains safe in her “bubble”, Mathieu and Anna will have to face the fog.”

The Man Who Killed Hitler And Then Bigfoot

Director: Robert Krzykowski Writer: Robert Krzykowski Cast: Sam Elliott, Caitlin FitzGerald, Ron Livingston, Aidan Turner

‘The year is 1987. Calvin Barr (a too-great-for-words Sam Elliott) is not a violent man. But he is more than capable of violence if sufficiently provoked. What many don’t realize about the thoughtful, elderly bloke regularly seen at the neighbourhood tavern is that he’s a legendary WW2 veteran who many years ago assassinated Adolf Hitler, an incredible secret that he’s frustratingly unable to share. One day, just as he’s coming to terms with rounding out his life, Calvin gets a visit from the FBI and the RCMP. They know what he’s done, and what he can be capable of. They have a mission for him. After discovering that it harbours a disease capable of eradicating humanity… they need him to take out Bigfoot.”

Will you be in the Montreal area the next few weeks? Are you planning on seeing any movies at the 2018 Fantasia Film Festival? If so, let us know in the comments below, on Twitter, Instagram, Reddit, and in the Horror Fiends of Nightmare on Film Street Facebook group!

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mrmichaelchadler · 6 years

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The 20 Most Exciting World Premieres of TIFF 2018

For a few years now, there’s been a creeping sense that the Toronto International Film Festival was losing a bit of its luster due to major films premiering the week before in Venice and Telluride. For example, last year’s Oscar-winning “The Shape of Water” and “Three Billboards Outside Ebbing, Missouri” started their award-caliber momentum not in Canada but in Italy. Sure, there are always some major films that bypass Europe and Colorado to start in Toronto (“I, Tonya” did last year, for example), but could TIFF regain some of that power this year? It looks like that might be the case. Yes, there are films doing the earlier fests that will matter this year including “A Star is Born” and “Can You Ever Forgive Me?” (and we will hit those from multiple festivals) but the slate of World Premieres at TIFF 2018 is the best in the five years that I’ve been going. Alphabetically, the 20 films we’re most excited to cover for you, and come back for full-length reviews, dispatches, interviews and more by yours truly, Monica Castillo, Tomris Laffly, and Vikram Murthi.

“Beautiful Boy”

Fans of Timothee Chalamet’s Oscar-nominated breakthrough in “Call Me By Your Name” hope he builds on that with this year’s “Beautiful Boy,” based on a true story. Chalamet co-stars with Steve Carell, an actor clearly hoping for a big, possibly Oscar-inclusive Fall, with this entry and “Welcome to Marwen.” There are rumors in the ether that this was turned down by Venice—not a good sign—but let’s hope they just got this one wrong.

“Ben is Back”

Speaking of hot young actors who appeared in “Lady Bird,” Lucas Hedges is not even remotely close to letting the opportunities afforded him by his “Manchester by the Sea” Oscar nod pass him by. Hedges appeared in that Best Picture nominee in 2016 and landed two more in 2017 (Gerwig’s film and “Billboards”). Could he make it a hat trick in 2018? He appears in three TIFF films, one of which is actually premiering at Telluride (“Boy Erased”) and arguably looks the most promising of the three, and he’s in Jonah Hill’s directorial debut, “Mid90s,” which you’ll find further down this list. “Ben is Back” has a mysterious plot summary that’s really right there in the title. Hedges’ son Ben returns to Julia Roberts’ mother Holly after an extended absence. Watch for our review and we’ll offer some more hints on what happens next.

“The Death and Life of John F. Donovan”

Cannes golden boy Xavier Dolan couldn’t hold his latest until next year’s festival, choosing instead to World Premiere his English-language debut at his home country’s #1 festival. Love or hate the Quebecois enfant terrible of the cinema scene, you can’t deny the cast he’s assembled here, which includes Natalie Portman, Jacob Tremblay, Bella Thorne, Thandie Newton, Sarah Gadon, Kit Harrington, and Susan Sarandon. We’ll be there day one.

“Fahrenheit 11/9”

Anyone else surprised that it took Michael Moore almost two whole years to release his first film explicitly about the 2018 election and the unrest it unearthed in this country and around the world? One of Roger’s favorite documentarians, Moore is unapologetically releasing this Trump takedown in time to influence the mid-term elections in November. I’ve been a little cold on his last few works, but this project feels like it could bring back the heat of his best projects, films like “Roger & Me” and “Bowling For Columbine.”

“Gloria Bell”

Sebastian Lelio made waves last year with two films at TIFF 2018, the acclaimed “Disobedience” and the future Oscar winner for Best Foreign Language Film, “A Fantastic Woman.” A late announcement to this year’s line-up he returns with what could easily be another Oscar vehicle for star Julianne Moore in this remake of Lelio’s own 2013 film, which starred Paulina Garcia (and you really should see if you haven’t yet). A Moore star vehicle is always worth a look—after all, “Still Alice” premiered here in 2014 and earned one of the best living actresses her first Academy Award.

“Green Book”

Peter Farrelly, the auteur behind “Dumb & Dumber” and “Hall Pass,” may not seem like an obvious choice for a TIFF dramatic premiere, but here we are. The filmmaker helms this true story about a white bouncer driving a black pianist on a tour in the 1960s in the South. Hopefully, this is not mere manipulation but a film with something to say about race 50 years ago and today. The most promising thing about it? The two leads are played by Oscar winner Mahershala Ali and shoulda-been-an-Oscar-winner-by-now Viggo Mortensen.

“Greta”

He may not get the attention he did in the years after “The Crying Game,” but we’re here to tell you that a Neil Jordan movie is always something to which cinema fans should pay attention. Even some of his recent, less-seen films like “Ondine” have been interesting. And this thriller pairs the filmmaker with the timeless Isabelle Huppert, who plays a widow who befriends a younger woman, played by Chloe Grace Moretz. That’s about all we know and that’s all we want to know. A Neil Jordan thriller starring Isabelle Huppert? Sign us up.

“Halloween”

Is it really time for another remake of arguably the best horror film of all time? It hasn’t really been that long since the two Rob Zombie movies, has it? And what more could really be added to the original saga? Wait, you say Jamie Lee Curtis is returning? And David Gordon Green is directing? And Danny McBride is co-writing?!?! What the HECK is this going to look like? Even if it’s a failure, it’s almost certain to be an interesting one. Yeah, we can’t wait either.

“Her Smell”

Alex Ross Perry reunites with the star of his best film, “Queen of Earth,” Elisabeth Moss, for this mysterious project that casts the “Handmaid's Tale” Emmy winner as a “self-destructive punk rocker” (there are really no other kinds of rockers in movies). Perry found a different angle of Moss’ repertoire in their previous collaboration, and we’re hoping he does the same here.

“High Life”

Just as Xavier Dolan is doing with “Donovan,” Claire Denis, the recipient of this year’s Ebert Tribute, bypassed the European festivals for Toronto as the place to launch her English-language debut, which has one of the most intriguing plot summaries we’ve ever read: “A father and his daughter struggle to survive in deep space where they live in isolation.” The father? Robert Pattinson. The cast also includes Juliette Binoche, Andre Benjamin, and Mia Goth, but it’s the potential that it feels like Denis could tap in Pattinson that makes this one of the most exciting projects of TIFF 2018.

“Hold the Dark”

Jeremy Saulnier made waves with his previous two thrillers, “Blue Ruin” and “Green Room,” and he’s back with another adventure to the dark side in this adaptation of William Giraldi’s book by regular Saulnier collaborator Macon Blair. The star this time around is the phenomenal Jeffrey Wright, joined by Alexander Skarsgard, Riley Keough, James Badge Dale, and Blair in this thriller set in in the icy elements of the Alaskan wilderness. We can’t wait. (Note: Dale is also in another TIFF World Premiere called “The Standoff at Sparrow Creek,” which we’ll be covering. Nice to see him doing so well.)

“If Beale Street Could Talk”

How do you follow up the best Best Picture winner in years? What could Barry Jenkins possibly do after “Moonlight”? We’ll find out early next week when this adaptation of the James Baldwin novel hits Toronto for this highly-coveted World Premiere. It’s hard to put into words how excited most cinephiles are for this flick, so we’ll just the trailer do the talking for us:

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“In Fabric”

Peter Strickland’s “The Duke of Burgundy” made waves at TIFF back in 2014, and it’s taken four years for him to return with a just-as-kinky follow-up, this one about a cursed dress. There are echoes of Argento and Hammer in what promises to be one of the most divisive and truly strange World Premieres of TIFF 2018. It feels like one of the films this year that people will be talking about, love it or hate it.

“Jeremiah Terminator LeRoy”

Justin Kelly’s recent output has been a little mediocre (sorry, “I Am Michael” and “King Cobra” fans) and I wasn’t a big fan of the documentary “Author: The JT Leroy Story” about the fascinating story of JT Leroy, but there’s something about this that feels like the perfect blend of filmmaker and subject matter that has us intrigued. Of course, that intrigue is enhanced greatly by the participation of Laura Dern and Kristen Stewart in the lead roles. Like most logical people on Earth, we love both of them.

“The Land of Steady Habits”

Speaking of women we love, it’s been too long since Nicole Holofcener had a new movie, but her latest drops on Netflix before TIFF is even over, landing on the service on 9/14. The writer/director of “Enough Said” and “Please Give” directs Ben Mendelsohn, Edie Falco, Bill Camp, Elizabeth Marvel, and Connie Britton—an ensemble that could be called Actors We Love. We’ll have a full review and an interview with Holofcener right after the World Premiere.

“Loro”

Hiding in the Masters program is the latest dramedy from the writer/director of the Oscar-winning masterpiece “The Great Beauty.” Paolo Sorrentino’s latest reunites him with star Tony Servillo, the man who anchored his best films, “Beauty” and “Il Divo.” His last film, 2015’s “Youth,” was something of a disappointment, but this feels like an obvious bounceback flick, especially since it’s about Silvio Berlusconi, and Sorrentino excels at capturing insecure men in positions of extreme power.

“Mid90s”

Jonah Hill’s directorial debut is what sounds like a personal project in that it’s about a 13-year-old kid in L.A. in the titular decade when, well, Hill would have been a 13-year-old kid in L.A. Hill wisely avoids the likely draw of casting his celebrity buddies for an ensemble of largely fresh faces, allowing his involvement to be the major draw. Can he transition from being in front of the screen to becoming a major player behind it? We’ll know soon.

“Outlaw King”

The Opening Night film has been a movie that could most politely be described as “meh” over the last few years. Think “The Judge,” “The Magnificent Seven,” and last year’s “Borg vs. McEnroe.” But this year’s entry holds more promise than any of those because it’s directed by a Scotsman who has yet to make a bad film, David Mackenzie, the director of “Hell or High Water” and “Starred Up.” Reuniting Mackenzie with “Hell” star Chris Pine, this is a period piece about Robert the Bruce defeating the English army. Could this be Pine and Mackenzie’s “Braveheart”? Or will it fall victim to the TIFF Opening Night curse?

“Skin”

There are a few films at this year that seem to be speaking to the moment of race relations in 2018, including the aforementioned "Green Book," the adaptation of “The Hate U Give” and this drama about a skinhead (Jamie Bell) who decides to leave his life of hateful violence behind. Co-starring Danielle Macdonald, Bill Camp, and Mike Colter, and produced by the always-interesting Oren Moverman (“The Messenger”), this is one of those projects that feels like it could easily sneak up on people in Toronto.

“Widows”

There will be no sneaking for Steve McQueen’s long-anticipated follow-up to “12 Years a Slave.” Again, much like we did with Jenkins’ film above, it feels like the trailer can do all the hyping we possibly could in words. This movie looks incredible. Let’s hope it lives up to the 2:24 below:

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