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#also just fyi I updated the eliot part of this metafic
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it’s the queen’s gambit job (lev 4x10) and they are sitting around a table in mcrory’s eating takeout. running down the con.
and nate’s last minute addition of salt to parker’s equipment wasn’t plan b. no, it was plan m.
which is the plan hardison usually dies in. that is if he hasn’t already died in plans c, f, or m thru q. which hardison is VERY concerned about. after all that’s like 27% of the time. it’s a little too close to home.
eliot and parker don’t die in any plans, tho eliot could be permanently disfigured and blinded in one.
nate DOES NOT ANSWER for sophie.
so they are bickering and being found family (and seriously hoping this is just nate messing with them) and parker proposes a toast. to a glass eye.
and I am gonna headcanon that this becomes a kinda inside code. maybe not plan m, but bad. tho the level of bad is never discussed. after all it’s just a joke. right?
so it’s years later and parker’s the mastermind. she regularly assures hardison that there is no plan m. it’s not even in her alphabet. eliot teases her that her plans span different languages. hardison mutters about binary code and quadratic equations. there’s no m in cuniform, right?
and most the time their cons go off without a hitch. parker’s good like that. the best. her plans are like ballets spun between rotating laser beams. both planned to the smallest movement and completely on the fly. set to violin symphanies, country ballads, and christmas carols.
but sometimes the cons go wrong. eliot gets injured. hardison can’t hack the code. she gets trapped inside a building. and sometimes the cons go wrong bad. sometimes it gets bloody.
that’s when they say it. the first time was eliot. he’d been fighting with the mark’s security goons when the gunshot had rung out over the comms. followed by a grunt of pain and the sound of a body hitting the floor. then a terrible silence. parker hates that she knows what it means.
she flips around in the air duct. barely manages to keep her voice low. the cons over. I’m coming to you eliot. the only sound on the comms is the clack of hardison’s lightspeed typing. a buzzing static. do you hear me eliot? I’m coming to get you.
eliot? hardison’s voice sounds so small. that’s when parker remembers that they’d hacked the cctv footage. hardison had seen the whole thing. I-- he-- hardison stutters before rushing out he’s been shot. it’s bad. you got to get to him parker and you got to get to him. now. 
eliot’s gruff drawl interrupts them. I think this might be a glass eye scenario, sweethearts.
hardison’s typing never falters, but his breath hitches over the comms and his voice is strangled—like he swallowed his soda wrong—when he tells eliot to shut up, I am trying to save your ass. you already look mean enough without any damn glass eye.
it’s classic hardison. talking right over all his internal fears. trying to manifest his words into being. eliot’s huff of laughter tho. it’s strained but it’s also the most beautiful thing she’s ever heard.  
parker’s still in the air vent. she’s moving as fast as she can without rattling the ducts. she whispers into her comms. you should have hardison make it bionic. put a laser in it. and after dealing with a tricky corner dip, also it should be green.
more pained laughter, followed by a groan. my eyes are blue, parker. then hardison’s, guess we’ll just have to save you then. keep you from going all 6 million dollar-terminator-borg on us. keep your baby blues blue. parker smiles. she knows her boys. knew they always focus better when they are bickering.
and in the end it’s okay. parker gets to eliot with the first aid kit and patches him up. hardison hijacks them an elevator and they get out safely. eliot’s glass eye is evaded.
the next time it’s hardison. he’s snatched from lucille 5—right out from under their noses. they can hear his squawk of surprise over the comms. the shuffle of bodies and the distinct sounds of fists hitting flesh.
eliot growls deep and menacingly. parker can hear him instantly switch gears—from grifting the mark to protecting the team. his heavy footfalls are followed by offended protestations as he knocks people out of his way. the con is blown but parker doesn’t care.
because there’s snow fizzing in one ear and a polite automated error message in the other telling her all she needs to know. hardison’s gone. taken.
it’s an excruciating 28 hrs later when a text message from an unknown number chimes thru on parker’s backup burner phone. it’s only two words: glass eye.
parker sidles right up to eliot. bumps their shoulders together and shows him the message. it’s hardison. we can track his location if we move quick.
good. eliot’s voice drops from it’s usual honeyed whiskey to bloody gravel. it always does when he’s in hitter mode. tell me where he is. I swear if they’ve hurt him I’ll rip their lungs out. parker nods, hardison’s spare laptop already open on her lap. I’ll help.
hardison’s in bad shape when they find him. but not as bad as his captors once eliot’s thru with them. they’re on the highway speeding toward a hospital when hardison finally opens his eyes. parker can see him smile up at eliot in the rearview mirror before he glances up at her.
it’s my peoples. knew you’d come get me. eliot uses a corner of his bandana to wipe the blood away from hardison’s face. course we did, alec. can’t have you getting any glass eyes. wouldn’t suit you. eliot leans down and stage whispers in his ear, his voice warm and smooth again, you’re not nearly badass enough.
hardison sputters in outrage and parker lets out the breath she didn’t know she was holding. drops the hard line of her shoulders. lets up on the gas. if her boys are bickering then she knows everything is going to be okay.
hardison will be okay. they will be okay. no glass eyes today.
and eventually it’s parker’s turn. it’s not even a proper job—she’s scaling an elevator shaft for recon when a support gives way. and it’s silly. she’s fallen 3 floors and her leg is definitely broken. and she can hear eliot’s voice in her ear saying it was a very distinctive crunch but all she can think is that this is her glass eye.
she must’ve said that out loud because hardison is babbling on about scars and lasers and talking about numbers. seven and nine what? she vaguely thinks it might be some sort of new concussion protocol tho she can’t quite focus enough to make it make sense.
something warm and wet is pooling under her cheek, blocking her vision. oh and that’s it, isn’t it? hardison’s still muttering under his breath and eliot is grunting her name over the comms. c’mon parker you gotta talk to me! I’m coming to get you dammit but you gotta talk. to. me.
can I have a snowglobe in my glass eye? hardison sputters before stuttering—woman I swear you will be the death of me. and she thinks he sounds a little bit relieved. but it doesn’t stop his voice from warbling when he asks, you okay mama?
parker lifts her face out of the tacky puddle it’s in, starts to nod and then immediately throws up. she can’t focus. eliot’s don’t move parker, you have a concussion is followed by a sympathy gag from hardison.
her head is throbbing and her leg feels like it’s on fire. but she can hear her boys breathing over the comms. can hear them cajole her to talk more. they’re coming to get her.
but they’re not bickering. and that feels wrong. that feels wrong bad.
and then there’s a metal scraping sound as the elevator doors above her are pried open. light floods the shaft and parker blinks into it. I can see you she whispers. and she can. they are silhouetted in a rectangle of light above her.
and then they are setting up ropes and climbing down toward her. just like she taught them. and it’s kinda beautiful. even if it’s plan m and a glass eye. I think I broke the pretzels.
when she wakes up it’s two weeks later and she’s hooked up to a hospital bed. her left leg is in a cast and her arms are covered in bruises and rope burn. there’s a bandage blocking half her vision.
but then she sees eliot. he’s asleep in a chair next to the bed, his hand wrapped gently around hers and his head resting on hardison’s shoulder. he looks exhausted. his hair is frizzy and he hasn’t shaved. hardison doesn’t look much better. his mouth is open and he’s half snoring. his clothes are dark and rumpled.
she smiles. she’s always enjoyed catching her boys like this—soft and quiet and together. it’s the next best thing to hearing them bicker.
that’s when she sees it. a sparkle of light, almost like a diamond, on the medical cart between them. nestled in a padded velvet box is a glass eye.
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