#and staring at still images of fat little potato mice in various poses trying to work out where the fuck the little shoulders are

[grison-in-space]

yeah all right I'm at s5e2 of this dumb firefighters show and look I'm sorry I haven't seen anything this intensely but unacknowledgedly gay without feeling the need to either no homo itself or engage with a very special episode subplot since, like... Due South. Or The Sentinel. It keeps using all the same tropes you see between the main love interests in an ensemble piece, just centered on two people who happen to be guys.

I'm weirdly convinced that this is a deliberate choice to probe the genre and play with the writing opportunities afforded by taking these really standard and familiar procedural tropes and storylines, and then mixing the genders willy nilly. After all, this show is... not subtle about making a habit of that throughout: it loooooooves to dig through familiar procedural subplots with gendered expectations and subversions. This is, in fact, the show that kicks its first arc off by exploring the possibilities for character decisions entailed by a loving, supportive marriage divorcing because one partner wants to come out as gay. It's a show that gives all its most traditionally masculine subplots to Athena, the most femme woman on the main cast! It really wouldn't be out of character for the show to move in that direction.

I'm not actually invested in canon Buck/Eddie per se— I've never needed that from my fandom time — but I'm fascinated by the storytelling opportunities afforded to it, and I'm keenly aware that writers rooms almost definitely include people in them now who have spent a significant time in fandom as participants, and who have thought deeply about the ways that gender can shape stories (particularly though the venue of always-a-gender! AUs). I'm also.... hm, how shall I put this...

That relationship is already textually queer. Wills have been modified involving custody and co-parenting agreements, okay, we are firmly in the territory of "immediate family" commitment levels. They could both be 1000% straight and cis and this would still be a relationship that queers normative expectations, particularly on men and especially on young men. I don't actually need it to do anything else to love it.

So I'm not coming from a place of wanting to see anything in particular in that respect, but I gotta say: it really feels to me that this show is playing with the ability to have its cake and eat it too in terms of the "will they/won't they" dynamic of the "main couple" in a television series: you can be as dramatic and iddy as you want, really dial up those emotional stakes, but at the same time your audience isn't huffing and whining that everything is so predictable because just by existing between two men you're subverting audience expectations.

It's really interesting. I'm enjoying myself a lot.

#9-1-1 #it's also possible I'm insane because I've spent a solid week with my head jammed up a cluster supercomputer's ass #trying to wrap up this fucking project and squeeze some data out of it #and staring at still images of fat little potato mice in various poses trying to work out where the fuck the little shoulders are #but I think it's just a very soapy procedural doing some cool things with writing and gender within its genre #while also being very much a resident of that genre