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soveryanon · 5 years

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Reviewing time for MAG136!

- In a very interesting way for an episode dealing with The Web (both as an active force outside of the Institute and… very close to it: Annabelle sending Alison there, Jon being unable to focus on his lighter), this episode dealt, in a lot of small ways, with the idea that members of the Archives team are… regaining control of themselves and their lives?

Melanie is attempting therapy! She’s cautious about it but she’s taking measures to try and get better, she’s putting efforts into it, she wants to feel better!

(MAG136) ARCHIVIST: If you don’t mind me asking, [STATIC:] where are you off to…? MELANIE: Therapy. [STATIC ENDS] … Wait. ARCHIVIST: Oh…! Oh, God, Melanie, I’m, I’m sorry, I didn’t mean to, uh… MELANIE: [EXASPERATED SIGH] It’s fine. I would probably have told you eventually, anyway. ARCHIVIST: Even so, I shouldn’t have– MELANIE: Just… forget it. [SILENCE] ARCHIVIST: [SIGH] It’s good, though. I–I’m glad you’re getting help. MELANIE: Yes, well. We’ll see. There’s a… a lot of crap therapists out there. ARCHIVIST: I guess. Still, it–it is a good step.

Jon is right on this and… there was already something hopeful in the way that Melanie didn’t explode at Jon for accidentally compelling her; she wasn’t pleased by it but… she could have shut the conversation down. Instead, she tried to minimise a little what Jon had done and asserted her boundaries, which she did again with the therapist, but without cutting either of them out. She’s clearly not in the bestest of places, was uncomfortable with the topic… but I’m so glad and proud of her for taking this “step”, for deciding that she had to deal with her demons – possibly from way before she even came to the Institute for the first time?

Meanwhile: it wasn’t so much about Jon’s actions but about what he finally admitted – that he’s aware that he made a choice, that he’s actually had… a very twisted and casually self-destructive way of facing the coffin and of considering his own life since he’s woken up:

It has been a process for Jon, too; the theme of “choice” has been sneakily prevalent in season 4 so far, following up on season 3:

(MAG087) Georgie: [SIGH] Look I’ve, I’ve got work to do. You listen, or don’t listen, or cross-record, or whatever you want, just… just think about it first, okay? You can choose to leave it alone. [DOOR CLOSES] ARCHIVIST: [SIGH] [TAPE PLAYER IS LOADED] [CLICK]

(MAG092) ARCHIVIST: I never chose this! ELIAS: You never wanted this, no. But I’m afraid you absolutely did choose it. In a hundred ways, at a hundred thresholds, you pressed on. You sought knowledge relentlessly, and you always chose to see. Our world is made of choices, Jon, and very rarely do we truly know what any of them mean, but we make them nonetheless.

(MAG111) GERRY: Thing is, it’s harder than it looks. What’s out there doesn’t care about blood. […] But they care about your choices, your fears.

(MAG117) ARCHIVIST: [SIGH] You– you know what, no. I’m… I’m done with that. No more paranoia. It’s almost got me killed more than once, and… Georgie was right. If I am… slipping, then I need people I can trust. And I… I don’t think that can happen naturally for me an–anymore, so… I’m making a decision. I trust them. All of them. E– except Elias, obviously, that’s not– I mean…

(MAG121) OLIVER: The thing is, Jon, right now, you have a choice. You’ve put it off for a long time; but it’s trapping you here. You’re not quite human enough to die, but – still too human to survive. You’re… balanced on an edge where The End can’t touch you – but you can’t escape him. I made a choice. We all made choices; now you have to– […] Make your choice, Jon.

(MAG132) DAISY: I don’t want t–to be a s–sadistic predator again… I–I don’t want to… hobble around, like some pathetic, wounded prey either… I don’t know which would be worse. And I’m sc–scared, now, that I’ll never get the choice… ARCHIVIST: One thing I’ve learned, Daisy, is that we all get a choice. Even if it doesn’t feel like one.

(MAG134) PETER: … Look. I’m not gonna pressure you into doing anything you don’t want to. It won’t even work unless you’re willing to commit.

(MAG136) DAISY: Get over yourself! You’re always talking about choices – we all made ours. Now I’m making the choice… to get some drinks in. Coming?

So, although his memories are still missing and he might not remember Oliver either (Jon has never mentioned him so far, and given how Jude had been able to kick Jon out of her dreams, he might have done the same thing despite giving a live-statement), Jon is aware that he made a decision – maybe without knowing in the details what was at stake (there could be a few things we could still scream at Elias in MAG092 re: informed consent :w), but he was faced with two options and elected one over the other. It has its own shades of tragic undertones and heartbreak, but it’s also… his own choice, this time around, and still more controlled than “sign papers to become Head Archivist of an eccentric Institute (sells your soul to a Fear god that you’ll now have to feed through other people’s terrors or your own)”. By pushing and questioning Jon, Daisy had been able to make him say what he chose to do (and as seen above, why), and his handling of the coffin was one of such things. Even if, indeed, the Web sent him in that direction (leaving MAG131’s tape for him, maybe manipulating him to some extent through the lighter), Jon, like Martin, is still appropriating what they did as being his own decision:

(MAG134) PETER: What does puzzle me, though, and I mean that genuinely, is… why you were piling tape recorders onto the coffin, while Jon was in there. [PAUSE] It’s a question, Martin, it’s– it’s not an accusation. MARTIN: I don’t know. And I just… felt like it might help. He’s always recording, I thought… it–it might help him… find his way out. PETER: Interesting. Were you compelled? MARTIN: [SULLEN] … I don’t know. … M–maybe? I–I, I definitely wanted to do it… PETER: But? MARTIN: I’m… I’m not sure where the idea came from.

(MAG136) ARCHIVIST: I… [SIGH] I don’t feel like I’m exactly in the best place to judge the… intersection [CHUCKLE] between free will and humanity. Still trying to figure that out myself. [SILENCE] DAISY: Jon… when you went into the coffin. Was it you choosing to do that? Did you actually think you could save me, or was… that something telling you to do it? [SILENCE] ARCHIVIST: It was me. I was… drawn to it, I’ll admit, but it was my decision.

Jon agreeing to Daisy’s proposition to go get drinks may also be going in his own right direction – back in season 1, Jon would have probably shrugged off the offer? But as Helen told him, “people change” and right there, Jon had a micro-choice; he could have refused and, still, after a small hesitation, decided to go along with it instead.

Of course, when it comes to reclaiming their life back in this episode, the most striking was Daisy; Daisy, who had already explained who she wanted to be (MAG132: “I d–, I don’t… I don’t know who I am without, without the chase… I just know… that I… I don’t like who I was back outside. I don’t want to be her again. I want… to be… better…”) and who, so far, has managed to stick to that; Daisy, who handles herself as best as she can even (especially!) though it requires other people because she wants to avoid being alone for PTSD reasons:

(MAG133) [CLICK–] DAISY: You sure? ARCHIVIST: No, uh, it’s, hum. It’s fine. DAISY: It’s just… Basira’s busy.

(MAG136) MELANIE: Well… uhm. Daisy’s been, erm… I’ve been keeping her company. Er, while… while Basira’s busy. She’s, er… ARCHIVIST: Oh, no, I, uh… I–I know. […] DAISY: [QUICKLY] You’re not babysitting me, alright?! I know that’s what the others think, sometimes, but… that’s not it. I just… don’t like… being on my own if I can help it. You know. Flashbacks, panic attacks, the usual. Just trying to avoid it if I can. ARCHIVIST: I know, Daisy, I–I do. It’s hard. DAISY: Yeah, well. Don’t let me get in your way.

There is currently something so strong in what we’re seeing of Daisy? In the way she’s aware of her limitations and manages to prevent the conditions leading to potential breakdowns? I feel like she’s following the same logic as when we knew her as a Hunter: when she was seeing a problem, she would just… neutralise it. Hence beating up Mike, hence immediately going for Jon’s voicebox; hence her Cold Factual Violence overall against spooks/vampires/“monsters” of various kinds. Basira had said that she liked Daisy because she was “solid”, because of her certainty, and this is still the same Daisy – though not hurting others anymore! And she pulled an incredible power move:

(MAG136) ARCHIVIST: It, uh… Hm. Is, uh… Weird question, but… I… [EXHALE] I haven’t seen you in my dreams? The last couple of weeks? DAISY: … Oh, uh, no. I… I work here, now. I figured it seems to protect the others, so… ARCHIVIST: Oh. Right, so… Wait, did you talk to Lukas, or…? DAISY: [CHUCKLE] Broke into Elias’s old office. Found an employment contract; filled it in, and signed it. ARCHIVIST: And that worked. DAISY: Seems so. ARCHIVIST: And you’re not… worried about… DAISY: Basira’s trapped here. So are you. Not gonna be going anywhere anyway. ARCHIVIST: … I suppose not. So… no more dreams. DAISY: Not of you and your weird eyes. Just the coffin. ARCHIVIST: Is that better…? DAISY: ’T’s mine. ARCHIVIST: … right.

She weaponised what they have gathered, through experiences and guesses, to get free of the dreams she hated! It’s not absolutely clear whether she signed to become an Archival assistant or a regular staff member; on the one hand, Jon’s concern hints towards archival assistant, since as far as we know, the Archives seemed to be their own business, including trapping their staff (though damn, I remembered MAG102 being more explicit on the matter but: actually, no, since Martin saying that regular crew are able to quit was immediately followed by “Hannah just left to have her baby, though.”: was that “though” a “by the way” or a way to tamper what he had just said, and this is the most they can do, but still not quite quit…?); on the other hand, Daisy hasn’t specified what it was.

Anyway: it’s such a POWERFUL MOVE to… 1°) break into Elias’s office, 2°) just sign herself up like that?, 3°) ESPECIALLY given how Elias had initially coerced Basira into signing herself up to avoid turning the scene into a bloodbath, even before being told of the repercussions (that she couldn’t quit, that Elias dying meant that they would die too). What Daisy did sound like a direct answer to MAG092, and I’m loving it, loving that Daisy… just used what they had learnt of the dreams’ mechanism to protect herself and chose to bind herself to the Institute while exactly knowing what it meant, without anything blackmailing her into it. Elias hadn’t bothered to tie her down for who she was? Watch as she’ll decide that for herself.

This is also the first person of Extended Team Archive to… have given herself to The Eye fully knowing what she was doing. You better be grateful for the gesture, Big Eyeball!!! The others had to be misled or coerced into serving you, and Daisy, of all people, chose to give herself to you!!!

(- If Daisy became an Archive Assistant: I hope that she’ll get to read a statement at some point? Well, technically, best thing would be for nobody to read a statement but. Martin did it a few times (and read one in MAG134!), Tim ALMOST did it, Melanie did it twice, Basira did it once… it’s a bit of a Tradition. (And who wouldn’t want to hear Fay Roberts for almost an entire episode outside of Daisy’s own live-statements?! I’m a simple woman, okay.))

- I’m really curious about how Elias and Daisy would interact, now. Would it be biting/tense/mutual snarling, or taunting about Daisy still being a “rabid dog” at heart…? Or precisely not anymore: because Daisy acknowledged in front of Jon that Elias had not been that off about her (MAG132: “Did you ever hear the, the story Elias told me? About what I did. How I am… He, he didn’t get a detail wrong. The Hunt… Hunger was in me all my life.”)…? I also… get the feeling that maybe, the current Daisy might be perceiving her encounter with the Institute as a chance, since it ultimately led to her snapping out of the Hunt (though she would have reasons to want to break Elias’s arm for the fact that Basira got trapped because of him).

- I wonder if Martin saw Daisy’s name pop up amongst the new staff members? Or if Peter just told him right away what she had done? Is Daisy now actually getting a salary from the Institute? (I’m not sure that Elias “We really don’t have the budget for that” (MAG067) had even bothered to pay her when he was using her ~services~ so… drain Peter’s money, Daisy, gogogo!! And Use Your Powers to give everyone in Team Archive a raise, Martin :w)

- The fact that Daisy said that she had broken into “Elias’s old office”… Well, Elias’s office had been characterised by the clock in the background; since we could hear one in MAG126, I was assuming that Martin and Peter were in there (especially since Martin was doing Peter’s directorial work) but had noticed that there was no such sound in MAG134. Were they outside of the Institute? Or has Martin stopped working in Elias’s office since Daisy had forcefully gone inside of it, deeming it unsafe?

- Anyway: Jon-Melanie-Daisy seem to be creating an awkward support network, right now, and it’s ADORABLE and good (+ extra cookies to Melanie for seeking therapy!). They still have trouble talking: there were sooo many pauses and silences when Melanie was in front of Jon; Daisy is still not… super at ease speaking about how she feels (while she’s way chiller when it comes to describing how she broke into Elias’s office. Daisy, ilu.); Jon searched for his words a bit to describe how he was perceiving himself at the moment… But they’re trying and still getting those words out and explaining themselves to each other a bit. And it’s PRECIOUS, godsdamnit.

- ALRIGHT, NOW TO DIVE RIGHT INTO THE SILK-STICHED MEAT OF THIS EPISODE:

(MAG111) GERRY: Nice lighter. You a spider freak, then? ARCHIVIST: What? Oh! Er, no. I-I never really, uh… I never really thought of it. I–I’m Jon. I’m with the Magnus Institute.

(MAG136) DAISY: [SCOFF] She’s… Web. Spider’s sneaky like that. [PAUSE] Like that lighter you’re always using. Where’d you get that? ARCHIVIST: Mm. [STATIC] Good point. We should keep our eyes open. Anyway, how’s Basira doing?

………………. It was impossible to tell whether or not there was static back in MAG111 (at least for me: there was a constant static-y background due to Gerry being there), but here, yep, there was some. So something is DEFINITELY preventing Jon from lingering too much on the lighter (like an oily surface his attention keeps slipping on?) and what it means. … And apparently, he still has it with him – I had wondered if he hadn’t lent it to Martin for MAG118’s plan, burning statements? I mean, maybe he did and the lighter found its way back to Jon anyway, or it was still with Jon during the Wax Museum explosion, but Jon still has it with him at the moment.

How many silken strings have tied around Jon’s body and head without him noticing, I wonder… the episode was about a “Puppeteer”, after all (or… maybe a bit more about the puppets.)

……………….. Sounds like Jon is back to smoking again, too, given Daisy’s comment? And Jon’s smoking habits have been Smelling Like Web Spirit: he had apparently stopped around the time he began to work at the Institute (since he told Leitner he had “been quit for five years now” in MAG080, in February 2017); Elias had ranted about Jon smoking in MAG039 (“He’s not smoking again, is he?”: was it because he knew of Jon’s smoker history? Or because Jon had gone back to… smoking a lot since he discovered that the lighter had been delivered to him in MAG036?); Tim implied that he might have noticed that Jon had been smoking again recently at the end of season 2 (MAG079: “he’s going to do something, and it’s going to be bad. And I don’t mean like ‘sneaking a cigarette’ bad. Like properly bad.”); Jon ~conveniently~ felt the urge to smoke a cigarette and left Leitner alone to face his death (Elias.) in MAG080 (Jon minimised it at the time, but… it means that he had cigarettes on him.); and after that, we only got the mention from Daisy digging through his stuff in MAG091, and him offering Gerry a cigarette in MAG111.

One thing that makes me Hysterical every time:

(MAG091) DAISY: One wallet, brown leather, no cash. One packet cigarettes, Silk Cut. One lighter, gold, spiderweb design.

OF ALL THINGS, JON SMOKES “SILK CUT”

“SILK

CUT”

COME ON, SPIDER, COULD YOU TRY TO BE A BIT SUBTLE WITH THAT BOY?!

- Actual footage of Jon forgetting about his lighter (ft. Daisy):

- I find it very interesting that Daisy was able to notice the lighter and Jon’s lack of oversight about it since… when Daisy was introduced through Basira’s words, Basira explained that Daisy had first been sectioned over a Spider-related case:

(MAG043) BASIRA: […] Daisy was sectioned years before I was even on the force. She’s never been that forthcoming about any of her own experiences. Takes Section 31 very seriously. The most I could get out of her was that she was originally sectioned for something she referred to as “spider husks”. The way she described it, it sounded like she’d found a bunch of shells. The sort crabs leave behind when they grow, but… I could never figure out if it was meant to be the husks of people-sized spiders, or the spider-like husks of people? And Daisy never seemed like she wanted to clarify. I’m sure she mentioned vampires once as well, but… I think she was joking. … Probably. … Maybe…

We have learned, since then, that it wasn’t exactly true: Daisy’s first section’d case had to do with the coffin, but Daisy also told Jon that only her superior had known about it prior to Jon's pulling the story out of her (MAG061). So Basira couldn’t have known that Daisy had lied or dodged to tell the truth, but still… one of Daisy’s first cases had to do with Spiders.

(And Daisy has been ~taking care~ of the vampires, too, which are known for their mind-controlling powers. When Trevor had met a Spider-Woman, he had mentioned that his experience with vampires had probably helped him to identify that the compulsion to get out and get high wasn’t his own… So it seems like Hunters might have a little immunity or at least resistance to manipulation. I’m EVEN MORE RELIEVED that Jon got Daisy back.)

(… And afraid, oh so afraid for Daisy’s life-expectancy, since she’s already so important when it comes to potentially dealing with threats, and being a presence which allows the Archive team to re-form a bit.)

- MAG110 and MAG136 are quite good to listen to one after another, besides Neil Lagorio’s existence – they dealt with the same movie-making world, of Web apparently, and there were some tiny things which were quite interesting? Both statements were given by women isolated from their peers and put into a situation they probably wouldn’t have picked if they’d been allowed to retain more options and Choices:

(MAG110, Alexia Crawley) “I’d held some ambitions about directing myself one day, but it soon became obvious that that wasn’t going to happen. Maybe if I’d got a feature under my belt before I was outed as trans, it might have been different, but… as it was, this revelation burned too many bridges, and when the dust had settled, it was made abundantly clear to me that I was never going to get a movie of my own. And it was either cinematography, or nothing. So I stayed.”

(MAG136, Alison Killala) “He even kept in contact when I left to have my baby. It wasn’t planned […]. Anyway, even once I’d sorted out childcare arrangements, I found myself… more and more unwelcome in the industry. It wasn’t that people weren’t willing to hire me – by this point I had a hell of a special effects resumé – but the hours you were expected to be working, the way shoots were set up, the culture of drinking, networking… none of it was really possible alongside parenting.”

There was, also, the obvious theme of… the fictions reshaping reality, or becoming a reality: Dexter was obsessed with a Spider that seemed to only exist in his dream of a story, and he recreated it on the set in the end. Neil managed to finally recreate his last story with himself:

(MAG136, Alison Killala) “he would twist his fingers into all sort of bizarre, intricate shapes, until I could see the strings flowing over them… ‘We made them dance,’ he would say, wonder and nostalgia in his voice. ‘Oh… how we made them dance.’ […] He told me later his… greatest regret was not being able to finish his final film. An arthouse piece simply titled Dancer. He never explained what it was about, nor do I think it actually… came out in the end. […] And as I walked away from Neil, the last time I saw him alive… he was dancing. The cables shifting, and moving him in a graceful, sweeping ballet. And he was crying with joy.”

On the theme of “smoking” as related to the Web, it’s ~curious~ to note that it was also present in MAG110 and MAG136’s statements, and not in moderation either:

(MAG110, Alexia Crawley) “[Brandon Alma] took to the role immediately, with a gravity and a weariness that I don’t think could have been entirely feigned. He was the only one who didn’t seem excited by the movie, and spent his off-hours smoking and reading quietly in one of the trailers.” (MAG136, Alison Killala) “I had to fight every instinct inside me, everything that wanted to burst out in admiration for his work and his… profound effect on my life. But instead I chain-smoked and laughed, trying my best to come across as my hero’s peer…!”

So, hum. Smoking hadn’t been exclusively a Web-thing before (there was of course the Anglerfish’s baiting, and its shells smoking to disguise the odour of death), but I still find that noticeable.

- There is an OBVIOUS problem with the timeline of Neil’s death, from MAG110 and MAG136’s given mentions:

(MAG110) MARTIN: Martin Blackwood, archival assistant at the Magnus Institute, recording statement number 0121403. Statement of Alexia Crawley, given March 14th, 2012. (MAG110, Alexia Crawley) It seems like a sick cosmic joke that that was the day the press broke the news of Neil Lagorio’s death. Half an hour after the cast walked into that building, one of the grips stumbled across the news story whilst idly checking his phone. Lagorio had been privately suffering from Parkinson’s for almost a decade, and had been bedridden in his Connecticut home for the last year.

(MAG136) ARCHIVIST: Statement of Alison Killala, regarding her time as friend and carer to special effects artist Neil Lagorio. Original statement given 1st December, 2012. Audio recording by Jonathan Sims, the Archivist. (MAG136, Alison Killala) “It was almost six months ago when the woman came to our door. […] I don’t know how long I was watching those films. They don’t… It was hard to keep track of time. According to my daughter, I was missing for five months. When Annabelle let me out, Neil was dead. […] She told me to come here. She told me to give them to you. I resisted for some time, but I’m done now. She’s won. And I’d… very much like to go home.”

If Annabelle visited Neil’s house six months before Alison gave her statement, it should have been in June; while Alexia’s statement put Neil’s death before March (presumably February, since Martin added as part of the follow-up that “Apparently, over the last five years, every February, a corpse is found washed up on Redondo Beach.”). It’s not clear either if Alison lived in the UK but she did mention the “UK press” at some point; while according to the official version given by Alexia, Neil had lived and died in the US.

So what happened…? Has someone in the Archives been purposely messing up with the dates regarding The Web…? Were there two “Neil Lagorio”s towards the end…? Did The Web messed up the files a bit through someone? (Noticeable, too: Jon who ~listens to all the tapes~ didn’t mention the echoes with MAG110’s statement, which was read by Martin. Did he listen to this one, or had the tape… disappeared when he went back?)

(I know that the popular theory regarding MAG114’s statement and what was happening in Hill Top Road is “parallel worlds”, but it always sounded textbook Spiral to me – we also have been demonstrations of entities rewriting reality to erase people or twist people’s memories, see the Not!Them and what happened to the statement-giver’s husband in MAG038. But I’m a bit short on explanations regarding the obvious problem of timeline in MAG110 and MAG136……………..)

- Relistening to MAG110, I just realized that someone had completely flown under my radar: Brandon (Brendon?) Alma, the main actor, who… was the one controlling the story and the set, actually?!

(MAG110, Alexia Crawley) “Most impressive to me though, was a guy named [Brandon Alma]. He was playing the closest thing the film had to a protagonist, a… homeless ex-Methodist minister who’d found himself on the island by chance and served as a connecting thread, wandering between the scenes and the vignettes of the inhabitants, after each ended with their march to the Spider. Brandon took to the role immediately, with a gravity and a weariness that I don’t think could have been entirely feigned. He was the only one who didn’t seem excited by the movie, and spent his off-hours smoking and reading quietly in one of the trailers. It was a shame because, for whatever reason, he also seemed to be the only one that Dexter would listen to. I only saw them talking once or twice but every time, Dexter would be wrapped, nodding at… whatever Brandon might have to say. […] [Dexter] then gathered up the cast and, with Brandon leading them, took them through a small door in the side of the workshop. And they disappeared inside.”

He was playing a character who was the “CONNECTING THREAD” between people getting eaten by the spider, Dexter “would be WRAPPED” and agreeing to everything Brandon told him, and Brandon was the one to lead the actors into the workshop where they were all killed/consumed/drunk hollow, UHUHUHUH. Maybe the book that Dexter had found wasn’t actually the (only?) thing that messed up everything? Or did Brandon come from the book? Was he actually the spider himself, or just there to ensure that the spider would emerge and be fed…?

(MAG110, Alexia Crawley) “I don’t know when he first mentioned his spider film. It didn’t… bubble out into a full obsession until two years ago, but I know he talked about it plenty before that. […] [蜘蛛が食べている] (Kumo ga tabeteiru). I think that was the name, anyway, something like that; he was normally slurring quite badly when he said it. He thought it translated to “The Spiders That Devour” but a Japanese friend once told me it was actually closer to just “Spiders Are Eating”. According to Dexter, Kumo was an old tokusatsu movie which, he believed, had come out sometime in the mid-to-late sixties. It was about a Spider – just the one, despite the title – that grew to a colossal size and terrorized a small unnamed island off the coast of Kagoshima. What struck him about it, though, was the utter absence of anything resembling a hero or a protagonist. No one fought against the monster, and although there were vignettes in the lives of those under the Spider’s shadow, they all ended the exact same way – with the character in question marching slowly, and calmly, into its waiting jaws.”

(And it would sound EXTREMELY Web to have all the attention focused on Dexter… while the true puppeteer would be somewhere else, hidden.)

- Something striking in many Web mentions is that: it likes Order (… and apparently drinking people hollow – requiring the fluids to sustain itself? To be able to moult and grow in size?)

(MAG127, Breekon) “We had some luggage once. A thrumming, silk-wrapped thing of The Spider, hiding away in an old steamer trunk. We stepped heavy through the dining car and found an old woman near the caboose. 'Something strange in the luggage car,' he said, and I finished as was our way. 'You should come and see it.' She stood and walked with us readily enough, though tears flowed silent down her cheeks and pattered onto the faded carpet. The Spider’s always an easy job – no fuss, no complication, everything planned and prepared. It knows too much to truly be a Stranger, but hides its knowing well enough to endure. We knew she wouldn’t scream as she was hollowed out and drunk.”

(MAG110) MARTIN: Apparently, over the last five years, every February, a corpse is found washed up on Redondo Beach. It will be a shrivelled husk, with all moisture and internal organs apparently removed.

(+ Daisy’s early Section 31 case with the “husks” of people/spiders/etc.)

On the matter of order: the victims in Kumo (MAG110) also weren’t making a fuss when they marched off to get eaten, it was the same behaviour as what Breekon described. Regarding Alison’s story, it seems like although she was officially the puppeteer of Neil’s body… SHE was the one who had been puppeteered around:

(MAG136, Alison Killala) “I became his carer a few months later. It just seemed to make sense. A frugal life, lucrative career and… prickly personality had left him with lots of money but no real support; while my life had left me in a position where I cared… deeply about his well-being and was in… desperate need of money. Everything just… lined up so neatly. […] he threw himself into a new project, one I would never have expected, but that suited my engineering background perfectly. […] I protested, of course! This man was my hero, I–I loved him, and there was no way I could subject him to this… awful indignity. But my objections were ignored, as always, and Neil insisted that this was what he wanted. So I built that… strange contraption. Using the skills I had developed across my whole life, to fill every corner of Neil Lagorio’s house with wood, and steel, and cable. […] I barely even noticed when the harnesses were no longer necessary; when the loops for those hooks were now embedded directly into his body. I must have asked him about it. But at the time, it just seemed like… such a natural progression.

Neil had exactly the Right Person available for what he needed when his body started to shut down; Alison wanted to refuse and ended up accepting. Even before Annabelle came in, it… doesn’t really sound like Alison had been the one in control in that whole situation.

And on the matter of people being at the right place at the right time for The Web’s purposes: SQUINTS at the fact that 2012 was when Jon started working at the Institute. We witnessed Melanie, Basira and Daisy’s first steps there, we know that Tim went to get a job there because he was looking into his brother’s death, Sasha might or might not have been interested in the supernatural for years (it could have been the Not!Them rewriting that bit; we at least know that Sasha wasn’t particularly well-off so… maybe she just plainly needed the money); we know that Martin just happened to be hired after submitting his CV everywhere he could (the question of why ELIAS, who PERSONALLY INTERVIEWED HIM, hired him is… another Big Question), but… why did Jon start working at the Institute? He didn’t particularly expect to Georgie to identify what the Institute was, so it wasn’t a life-long dream of his that he would have mentioned many times as a student…

(Re: the Web and Order, SQUINTSSQUINTSSQUINTS again towards the one particular person who has mostly been associated with that: “loves scheduling”, has specific days on which he eats lunch with the Institute’s librarians, insisted on Tim doing the paperwork for his absences, That One Thing About Keeping Receipts If You Want To Claim Your Expenses (Unless You Die)… that guy.)

- I still wonder how the Web works on people exactly, though… especially given all the talks about making choices and decisions, it would seem a bit odd to end up concluding that “anyway, the Web will make you want and do whatever IT pleases, you can’t do anything about it”…? (Though yeah, THAT is frightening.)

Given that Alison compared herself to Frankenstein, I wonder, in her case, if despite her ~adamant refusal~ to puppet her friend and idol…

(MAG136, Alison Killala) “Even pyrotechnics, while… impressive and visually spectacular, they just didn’t give me the same sharp joy as making something that could move, that came alive, directed and controlled by my hand… I always felt Frankenstein should have been an engineer, not a medical student, as reading that book I couldn’t help but see myself in that obsession. But I suppose everyone’s already done the-monster-as-the-robot, haven’t they?”

… some parts of her didn’t actually want it? And this is how The Web might operate overall? Humans are complex, we’re always mixing up emotions and different desires at the same time; maybe The Web mostly just brings to the surfaces the ones it needs to push people in the direction it wants…? (In that case, re: Trevor and the Spider Woman… it wouldn’t be surprising, as an ex-heroin addict, that some part of him would still feel the tinge of the craving…)

- What was Neil, in the end? Was he a Web avatar who found a way to feed his god mostly through fictions? Was his ex-partner “Gabe” Gabriel, the Spiral’s Worker-In-Clay…? Was he a plain person, able to use some powers here and there? The thing is:

(MAG136, Alison Killala) “his satisfaction with his latest and… as it turned out, last… foray into horror, with The Harvestman. He’d always had a fondness for spiders, he told me. And I of course reminded him that harvestmen… weren’t technically spiders.”

She is right! Though this could be a case of misleading us to focus on the symbols rather than their effects; Neil’s work was… indeed clearly linked to the idea of hidden control:

(MAG110, Alexia Crawley) “he claimed to be working with Neil Lagorio to make the Spider. Now you might never have heard his name before, but I guarantee you you’ll have seen his work. From the mid-seventies right into CGI, Lagorio was THE name in Practical Creature Effects: suit work, stop-motion, animatronics, whatever the method, he was the master. […] I’d had the pleasure of working with him way back in 1989 on Orbit – a medium-budget sci-fi vehicle for some… aging action star. Neil was working on a twelve-foot tall animatronic robot that featured heavily in the climax. The picture was, unsurprisingly, a flop; but I still remember his work. How he brought a… lump of wood and steel to life. Th–the huge, intricate mechanisms that allowed his crew to puppet it into motion that was so natural you could forget that the back of it was completely hollow…!”

On the one hand, he sounded pretty harmless. On the other hand, there were these “original cuts” (and the cruel broken SMILE you could hear on Jon’s face when he mentioned them while reading the statement was… gosh.). Was Dexter Banks invited to one of those screenings, and is that why he was haunted by the memories of a movie he couldn’t find again…?

-… So, what does it mean for ANNABELLE to send these original cuts to the Institute?

(MAG136, Alison Killala) “There were two sorts of people in the world as far as Neil saw it: those who were worth his time, and those who were not. And if you were in the latter group, he honestly couldn’t care if you lived or died. Not that most people could tell which side of the line they fell on; there were even days that… I wasn’t sure myself! Sometimes, I remember, he would invite people over to his studio that I was sure he hated, for screenings of his “original cuts”. I was quite… jealous of this at the time, as I’d never got such an invitation. But it was probably for the best. I didn’t… realise it back then, but… [SIGH] those guests… they never quite looked the same afterwards. […] She told me to take the films. His… “original cuts”. She told me to come here. She told me to give them to you.”

[…] ARCHIVIST: [INHALES] Statement ends. Hm. Neil Lagorio… You ever see any of his work? DAISY: No. Not really into films. ARCHIVIST: Oh, they were… Well, let’s just say that it’s not a complete shock there was something unnatural to them. Didn’t know we had copies in the Institute, though; let alone original cuts. [CHUCKLE] Records indicate they [PAPERS RUSTLING] ended up in… Artefact Storage. DAISY: Probably best that they stay there. ARCHIVIST: … Yeah. Yes, of course.

(…………. You could HEAR that Jon was dangerously close to going to check them out if Daisy hadn’t reminded him that Jon, No.)

At the time, Gertrude was still running the Archives… but, again, it’s also around that time when Jon integrated the Institute as a researcher. (He said he had been working there for “four years” in MAG001, which was set sometime in the second half of 2015 – though I wouldn’t past it s1!Jon to round up, like, 3 years and 20 days to “four years” to sound… more impressive. However, we know for sure that Jon was working at the Institute in 2012 (MAG051: “One of my first cases as a researcher for the Institute in 2012”).) So why did Annabelle send the “original cuts” to the Institute, and who were they for…? Was it to send a message to Gertrude? Was it because the Web was veeeeeeeeeeeerrrry aware that the boy who had ~gotten away~ (el-o-el) was now working there (and was apparently a bit versed in Neil Lagorio’s work)? Was it a way to sneak into the Institute? Was it for Elias? Was it to avoid the “original cuts” affecting innocent bystanders? Was it a proclamation from Annabelle – demonstrating that the older generation was fading out and now she was taking over?

That last point is something that I really felt with Annabelle’s visit and Neil finally dying (… or moulting like a spider). It’s interesting that in both MAG110 and MAG136, there was something about the character the story was about… not having a keen relationship with modern technology:

(MAG110, Alexia Crawley) “And so it was for the first few weeks. Dexter… clearly wasn’t sleeping. He had insisted on using old equipment and avoiding digital almost entirely, to the point where several of the crew were using pieces of kit they’d never even seen before. This meant that workprint had to be made manually for the dailies, something he refused to let anyone else do.”

(MAG136, Alison Killala) “We stayed in touch over the next few years, even worked together on the Wire-Runner, his one, underwhelming foray into CGI.”

We saw in MAG123 that Annabelle had started working using Internet, though using someone else to achieve it. I don’t have many theories or speculation about that one – I only find it curious that, given how MAG065 had introduced the idea that tape recorders… are digital, too, we’re still not sure about what it is that prevents Spooks from recording on Jon’s computer. Gertrude had commented that the tape recorders were a bit ~old-fashioned like her~ to defend her use of them to Lucia (MAG130), so… I don’t know! But potentially, I wonder if there might be something about the younger generation of avatars being more fit to use modern technologies, because some elements are their own idiosyncrasies while older techs were their predecessors’.

- Hi, do you sometimes get just PUNCHED IN THE GUTS by Jon.

(MAG136) ARCHIVIST: My– [PAUSE] [INHALE] [SIGH] My memories of the coma are not clear. But I know I made a choice; I made a choice to become… something else. Because I was afraid to die. But ever since then, I… I don’t know if I made the right decision; I–I’m stronger now, tougher, I can… … If I do die, now, or get sealed away somewhere forever… I don’t know if that’s a bad thing. And I don’t want to lose anyone else so, if I can maybe stop that happening, and [DRY CHUCKLE] the only danger is to me, I– I’ll do it in a heartbeat; worst case scenario… the universe loses another monster. DAISY: That’s messed up. ARCHIVIST: [LOW SELF-DEPRECATIVE DRY LAUGHTER] … Yeah. I suppose it is. DAISY: Did you know the coffin wouldn’t kill you? ARCHIVIST: I– guess I thought imprisonment wouldn’t… wouldn’t be as bad as it was. DAISY: [SHAKY SIGH] ARCHIVIST: And it’s a lot easier to make that choice than it is to actually… endure the result. You might have noticed when I was in there with you, I… I had regrets. DAISY: Yeah. I remember. ARCHIVIST: Plus, I thought… [PAUSE] W– [SIGH] Well, I didn’t know what being down there had done to you. DAISY: You thought I was gonna kill you? ARCHIVIST: I was a possibility. DAISY: Guess so. […] ARCHIVIST: I am alone, Martin is– DAISY: Busy. doing. paperwork. Not like he’s dead. Beside, he’s not the only other person here, you know. There’s me; Melanie; Basira– ARCHIVIST: Traumatised; traumatised; and paranoid, because of me.

;; I’m worried about these missing memories and what it means / what happened… Jon had told Basira that he could remember most of The Unknowing:

(MAG122) ARCHIVIST: My turn. What… what happened to me? BASIRA: How much do you remember? ARCHIVIST: I don’t… Music. Everything was wrong. Gertrude was there, and then… dancing. I think? Then… pain. And I was somewhere else. Dreaming. BASIRA: Dreaming. ARCHIVIST: Yes. …

(MAG123) ARCHIVIST: Two years ago. … That doesn’t seem right. It doesn’t feel like… … There’s just this… great… gap of time, where I wasn’t.

Back in MAG122, I had feared that he would have gotten something cauterised in the process, probably guilt, hence Tim’s death being erased… But no, it’s FAR from being the case: Jon has been a guilt-ridden ball of softness and caring and heartbreak since the beginning of season 4. So why are these memories still absent…? What happened in his dreams, for him to not remember exactly how he got to choose…?

(EXTRA-WORRIED since Elias had told Basira that Jon was “at a very delicate stage right now” in MAG127; and as much as I think that Elias probably doesn’t want to risk Jon managing to successfully compel him or extract a statement out of him right now… I’m Really Worried about the fact that he described Jon as being in transition. Choosing should have been the end result, right? So… so what is the next step……………)

Sobbing a lot about the fact that Jon isn’t sure that coming back was worth it, and that he’s been very casually self-destructive about the coffin. He kind of finished his sentence from MAG132 here:

(MAG132) ARCHIVIST: I’m… I’m scared. [SHORT CHUCKLE] When does the fear go away…? A–anyway, I–I’m sorry. You too, Basira, if you’re hearing this. I know you’d… stop me. You’d be right to, but… But if this goes wrong, all you lose is– … I’m not risking anyone else.

“If this goes wrong, all you lose is” / “worst case scenario… the universe loses another monster”. A o u c h. He’s been the most outrightly emotional we’ve ever seen him in season 3 and 4, he was so afraid of becoming inhuman starting MAG092, he finally chose (and is aware of it) the avatar option because he was afraid to die (that’s one of the most human things he could possibly admit…?), and, since he’s woken up, he has dealt with rejections one after another: Georgie was thrown-off by him badly enough to leave (clearly dissatisfied with… the fact that Jon kept saying he was “fine”, when a normal human being shouldn’t have been), Basira was extremely cautious and still refuses to trust him, slaughter-infused Melanie BLAMED HIM FOR TIM&DAISY’S DEATHS, Martin avoided him time and time again:

(MAG122) ARCHIVIST: Honestly, I… I, I think I’m alright? I mean, that’s… good, right? I… GEORGIE: After a six months coma? No. It’s not. This isn’t how it’s supposed to go, Jon. ARCHIVIST: I… What? Y–you, you’d prefer I was… brain-damaged? Dead? Or– […] Georgie, I– GEORGIE: Jon. If this really is a second chance… please, try to take it. But I don’t think that it is. ARCHIVIST: Georgie, I don’t und– GEORGIE: Take care of yourself. ARCHIVIST: [SIGH] [DOOR OPENS AND CLOSES] [SILENCE] ARCHIVIST: … What about you? Disappointed to see me alive? … Basira? BASIRA: We can deal with that later.

(MAG123) MELANIE: Tim is dead. Daisy is dead. And you, what? You’re just fine? ARCHIVIST: No, I’ve been in hospital for six months! MELANIE: Something has been in hospital. Something that’s got your face like– I warned Basira, I said not to let you back in here, but she just doesn’t listen! [STOMPING? AND FURIOUS STRANGLED NOISES] ARCHIVIST: Melanie, Melanie: it’s… it’s me. MELANIE: Oh! Okay, so what, “Hi Jon, how are you, get anyone killed lately?” ARCHIVIST: … I… MELANIE: Wipe that look off your face. Like you’re not the reason all of this is happening. Like you’re any better than– ARCHIVIST: [MESSY STUTTERING] MELANIE: –than him! ARCHIVIST: Basira said Elias was gone!

(MAG124) MARTIN: … Look, Jon, I, I’ve really got to go, so… ARCHIVIST: Oh, er, okay… MARTIN: I’m, I’m sorry that you– ARCHIVIST: Wowowow, it was… good t–, it was good to see you. MARTIN: … Yeah. [STEPS LEAVING] ARCHIVIST: … yeah… [CLICK.]

(MAG129) MARTIN: Please, stop finding me. ARCHIVIST: … What happened, Martin? [SILENCE] MARTIN: You died. ARCHIVIST: I came back. MARTIN: Yeah. [OPENS DOOR] I’m not gonna let it happen again. ARCHIVIST: … wait… Wait! W– [DOOR CLOSES] [SIGH] [CLICK.]

(YES, GRATUITOUS QUOTE-COMPILATION, BECAUSE THAT’S A LOT.)

It’s been a rough two months since he woke up, alright. I’m so glad that he managed to get Daisy back: not only it was a victory that actually felt like one (the removal of Melanie’s bullet meant that things got… strained), but Daisy has been asking the right questions and they’re so… like-minded? kindred spirits? lately, two Survivors able to understand each other, that it feels good and… a bit more hopeful.

(- I still want Jon to get the chance to have a discussion with Georgie, to explain himself and what happened, to explain that even though he decided something she’s disapproving of… he still wants to do some good, as much as he can? é_è To thank her for having watched over him and having given him so much valuable advice? For Georgie to accept that Jon did the best he could do in the situation he was in? Basira used to listen to Georgie’s podcast while in the car with Daisy so maybe Daisy heard some bits of it. Let Georgie and Daisy meeeeeet too!!)

- So much for Jon getting a stronger hold on his power, he still accidentally slipped and compelled:

Still too curious and not the best at self-restrain, though… he had been doing way better lately. I think the last time he had accidentally compelled was in MAG114, with Tim? On the other hand: it looks like his Insights are a bit more controlled since, unless he reveals that he has Known for a while, he… doesn’t seem to know about Basira’s activities. So maybe sternly forbidding him from peeking worked with that one, given that he had motivation to not screw things up (even more) between them…? He was a bit more relaxed with Melanie this time around! (Well. And Melanie was way more relaxed around him too, which… says something considering their previous exchanges.)

- What is wrong with Jon’s body. This makes the second mention of casual weirdness, after Jared commenting about Jon’s rib:

(MAG131) JARED: Huh. That’s a weird one. Not sure I like it. Still. Mine now.

(MAG136) DAISY: Not of you and your weird eyes.

Too many eyes, or something else…?

- I’m so emotional over the fact that Daisy is… currently giving back to Jon? Telling him that his way of thinking or his overall situation is “messed up”; reminding him that he’s not responsible for everything that’s happened to Melanie, Basira and herself; pushing him to snap out of it and have a nice time…? The fact that she included herself in the (short) list of people around Jon, and that:

(MAG136) ARCHIVIST: And you’re not… worried about… DAISY: Basira’s trapped here. So are you.

She listed him alongside Basira when justifying why her decision to tie herself to the Institute was worth it – they’re in this together and it’s not only just “with Basira” in her mind. It includes Jon.

- … and not Melanie there, BUT!! PROGRESS:

(MAG112) DAISY: Yeah. Couldn’t find Tim, but he’s gone with Martin and… the other one. BASIRA: Melanie. DAISY: Sure.

(MAG136) ARCHIVIST: I am alone, Martin is– DAISY: Busy. doing. paperwork. Not like he’s dead. Beside, he’s not the only other person here, you know. There’s me; Melanie; Basira–

She marked a verrrry slight pause before saying Melanie’s name but still: Melanie is now her own person in Daisy’s mind!

- And I’m SO EMOTIONAL OVER MELANIE OVERALL but also so proud that… apparently, she took it upon herself to take care of Daisy, and went as far as to go ask Jon to replace her when she couldn’t do it?

(MAG136) MELANIE: Well… uhm. Daisy’s been, erm… I’ve been keeping her company. Er, while… while Basira’s busy. She’s, er… ARCHIVIST: Oh, no, I, uh… I–I know. MELANIE: W–well, I’ve kind of got to… uhm. I’ve got somewhere to be. Do you mind if, if… she hangs around, with… […] [IN THE DISTANCE] Hum, yeah, he’s, he’s fine with it. So… […] DAISY: I didn’t ask her. To do that. ARCHIVIST: I–it–it’s fine.

I’m glad that Melanie makes sure that Daisy doesn’t end up alone, and that… she went to Jon for this ;__; Melanie knew better than everyone how it felt to be not emotionally supported by someone, namely Basira (MAG131: “Basira is… um. Basira deals in ‘intel’ these days, in usable data, assets. Not feelings. Not people.”), so I find this super-sweet that she… is apparently making extra efforts to not replicate the situation with Daisy? Some feeling of community/teamwork has been recreated lately, all around Daisy, and aaaaah… I’m so glad ;; Really sad that Martin isn’t there and that Basira is still closing herself off, but so glad about the faint Melanie-Daisy-Jon dynamic… (And so worried. Because now, I wonder how Jonny is planning to rip it away from us.)

(Though: Melanie didn’t try to set-up for Helen and Daisy to stay together. Is Helen mostly absent/can’t get out of her door much…? Or was it because Melanie didn’t absolutely trust Daisy’s Hunter instincts to not kick back in, if she was too close to a Spook-she-doesn’t-know-yet for long…?)

(I wonder if it’s Helen who suggested therapy to Melanie, or if they talked about it? In any case, having Helen around seemed to have helped Melanie a bit, overall ;__;)

- Though logistically: it’s hilarious that Melanie&Basira probably still live in the Archives, that Daisy is probably doing the same (unclear whether or not Jon Still Has A Home outside)… and that Daisy didn’t even mention that hi, she had signed some paperwork and was now an Official Member of the Institute. It took Jon two weeks to learn about it, and only because he asked about his dreams. (Daisy must have done that quite fast after getting out of the coffin? For someone who “missed dreaming”, she reacted immediately x”))

………………… I’m not sure that Basira will take that the news that Daisy is now tied to the Institute kindly, though, given the current state of things.

- Elephant in the room, Melanie’s ~therapist~ is ringing SO MANY warning bells:

(MAG136) THERAPIST: Right, have a seat. Do you mind if I record our sessions? MELANIE: I do mind. Yes. THERAPIST: Ah? I mean, it’s just for my own notes. MELANIE: I categorically and completely do *not* give consent for you to make any recording of me, ever. Turn it off. Please. [SILENCE] THERAPIST: I… I see. Yes. Of–of course. [CLICK.]

…………………. See, even besides the use of a tape recorder (who would use that in 2018 for very professional, serious and health-related purposes, if they’re not spooky?!), it’s how the therapist handled the act of recording in itself which makes me shiver. During a first session, a first encounter, when you’re supposed to not make the patient uncomfortable, turning it on before asking Melanie if she would be fine with it. Trying to argue with Melanie’s refusal when Melanie explicitly said she would be bothered by it. That small silence before complying – while Melanie was just stating her rights… (Though on that last one, Melanie’s background as a podcaster is showing; she was very efficiently able to state her will without leaving room for any loophole!)

There are many options for What The Deal Is With That Therapist:

1°) A totally normal person who just happens to use tape recorders in 2018 and was startled by Melanie’s professional-sounding declaration.

2°) Someone tied to the Lonely…? It would be a terrifying job for a Lukas, totally twisting the purpose of a therapy by… cutting you off from others? ;; (Peter had mentioned the possibility of therapy to Martin back in MAG120: “Oh! And if you want to talk to a counsellor, the Institute will of course cover any cost.”)

3°) Someone tied to Beholding: Gertrude had the contact information for one (MAG130: “If that’s your primary goal, my dear, I would suggest you speak to a qualified counsellor. We can suggest one, if you like […]. Hang on, let me see if I can find you the number for that counselling service. They’re actually quite good.”), and that last “I see” was quite striking, Avatars tend to make small references to their patrons all the time – though this one could have also been a nod to Melanie’s…

4°) … since the therapist seemed so taken aback by Melanie offering a resistance: … W e b…? Annabelle was even created during, specifically, a psychological experiment (though we don’t know if she was a psychology postgrad herself, or just a random test subject with a different background; the voice sounded maybe a bit too old for someone who still looked like a “student” in 2012, but then Elias is supposed to be middle-aged so, eh). It wouldn’t be the most subtle thing ever but then: given that Jon didn’t give any reason, why did he pick this specific statement this time around? Outside of the statement, who is a “puppeteer” in this episode? Which would raise, once again, the question of What Is Behind tape recorders; and, if Web, what allowed Melanie to not obey: was it because she used to be Slaughter-infused…? (I had wondered, especially after MAG125, about the relationship between the Slaughter and the Spider: the way Elias had specifically mentioned that Melanie had a “visceral hatred of being trapped” in MAG102, was run by “the self-determination you prize so highly” in MAG106, and the fact that Melanie had described him as “pulling all the strings” in return, had left me with the lingering of impression that… potentially, there was more something about Web than Beholding at work here, and that obviously, The Slaughter, being uncontrollable violence and chaos, wouldn’t be the best of pals with the Eight-Legged-Mrs.-Order Fear entity…)

The way Melanie described therapists at the beginning of the episode (“We’ll see. There’s a… a lot of crap therapists out there.” and it’s true, and she’s still trying!!! Good!!) already introduced cautiousness about the whole process; if this one turns out to be Bad, it wouldn’t be representative of every one of them. Still, kinda hoping (for Melanie) that unless this one manages to prove that her first few seconds were absolutely not representative of what she can offer, Melanie will try to find another one elsewhere ;; I’m impressed that she didn’t just go “Nop ahaha bye” when the tape recorder began to get used… without her consent. It wasn’t good when Jon was doing it, but from a therapist, there is something very, verrrry chilling, and this new character absolutely managed to sound as untrustworthy as Peter in just a few seconds ;;

- On the list of worrying things: URKKKKK that… Basira apparently still hasn’t told the others about her visits to Elias. She’s likely doing her own researches, as Elias had suggested, to check if there were some truths amongst what he told her about The Dark’s activities… but URRRKKK that she hasn’t said a word about it yet. Not good, Basira ;; Elias is spilling his poison and she’s drinking it raw – it will most likely mess her up… and mess up the others, too, if they’re not aware that Elias still has, in all likehood, Plans.

… On the other hand, I got the impression that her relationship with Daisy had improved a bit? Daisy sounded less… heartbroken, this time, giving me the impression that, yes, things aren’t perfect, but not excruciating either?

(MAG136) ARCHIVIST: I haven’t seen her much since… Well, she seemed a bit… tense, the last few times we spoke. How are you guys– DAISY: [CLEARS THROAT] ARCHIVIST: –doing? DAISY: N–no, Basira, she’s… She’s been good. We’re… together so it’s good. [SIGH] Wish she wouldn’t keep treating me like a china doll. But it’s alright. ARCHIVIST: That’s understandable, I suppose. DAISY: [BREATHING HARDER, FASTER] Yeah, well… What do you think?

See, I can’t really decide whether Daisy’s awkwardness was because it was a touchy subject and she was aware that no, things aren’t fine… Or if it was a matter of “oh lord, no, I can’t tell Awkward Nerd Guy that YES, things have been super-steamy in the tunnels lately, he would probably faint if he knew we were doing it in his Institute.”

(… reminder that in this episode, Jon had to read “He even kept in contact when I left to have my baby. It wasn’t planned, but while I may not have had much time for make-up and monster suits, the bodies inside of them were, er, a different matter.” with his own tongue.) (That’s not topping Timothy Hodge’s statement and Jon’s annotations from its patreon Deluxe transcript, but eh, it was still a beautiful line <3)

And the parallels between Daisy&Basira and Jon&Martin keep piling up! First Basira and Martin both were “busy”; now, it’s the single-minded longing for the other when they’re separated – Daisy having thought that she would never see Basira again when she was in the coffin, and now… Jon’s first reaction when Daisy taunts him about acting like he’s alone being to say that YES HE IS… because Martin isn’t there.

Holy Arceus on top of Giratina, Jon, what would your season-1 self would say about the Current You. (“Things change. People change.” Helen told him a few episodes ago, AND YEP. Y E P.)

- I’m… a bit worried about how Daisy handled Martin, however. It fits her and the… individualistic? bits of her that we had seen: if she sees a problem, she’ll try to deal with it through her own actions – Jon is sad because Martin isn’t there? Then no, she’s not going to drag Martin kicking and screaming back to Jon if she wants to cheer Jon up; she’ll push him to stand back up on his own.

(MAG136) ARCHIVIST: I’m, I’m not “swanning around”– DAISY: “Boo-hoo, I’m so alone and a monster!” ARCHIVIST: I am alone, Martin is– DAISY: Busy. doing. paperwork. Not like he’s dead. Beside, he’s not the only other person here, you know. There’s me; Melanie; Basira–

1°) She’s partially not wrong? Though I still feel like, without knowing what Martin is doing behind the scenes together with Peter, there would be causes for concern and that Martin… is not in a good place nor there on his own: his lines in MAG124 and MAG129 sounded, more than anything, like he was straightforwardly blackmailed into not talking with the others (we know that, from Martin’s point of view, it’s a bit more complicated and not the end-goal; but still, his insistence to Jon about how he couldn’t hear what he had to say, had to leave, etc…. weren’t reassuring at all). Daisy might be projecting a bit on that one since she has deepened her network since she came back, probably because Basira was astray: she now remembers Melanie’s name, she listed Jon together with Basira as people trapped within the Institute (implying that she would not leave them behind). She might see Jon as hyperfixating on something that can’t be resolved right away, like her situation with Basira…? Unless it’s plainly because “Blackwood” hadn’t impressed her much in season 3 (she doesn’t know him! Even if Jon cares for him, maybe she doesn’t see him as all that valuable), or because… spooks are happening and the Lonely is managing to cut the ties that Martin die have with people, who are now just not finding him relevant anymore…?

2°) So nowadays, people are aware that Martin is doing “paperwork” – are they aware that he’s basically doing Peter’s work as an ~assistant~? Or are they plainly assuming that “Peter Lukas” is his alias…?

3°) ;; I’m super happy about Daisy inviting Jon for drinks, and Basira possibly joining them… but also worried about how Peter might just rub that into Martin’s face? Jon used to not be… social with the assistants. It would be so easy to tell Martin that it’s finally happening because Martin is not there… (And yes, Martin made his choice to protect the others, presumably Melanie&Basira, because Jon was away! And nowadays, it still stands, the fact that it would also protect Jon was only added to the pile! And he was told by Peter in MAG126 that he might “not want” to share what had happened with Jon at the end of it, implying that he would change; Martin knows these aspects of the deal! But Martin is not absolutely selfless either, and there could easily be some envious outbursts at the idea that Jon seems to be… happier, nowadays…?)

(… Martin had been so snappy to Basira in MAG088, and there was the whole talk between Basira&Melanie about how Martin seemed to think they would “steal his precious Archivist” in MAG106; who would have thought that Daisy and Jon would ultimately be the ones to go out for drinks together.)

- ANYWAY, Jon & Daisy & potentially Basira are going out for drinks and I don’t know if it will be an awkward mess or a nice time for all but. The potential for silly Tipsy Activities is strong – trying to make Jon guess ridiculous trivia facts through his Insights? Basira noting that Jon is behaving exactly like Martin presumably did at the end of MAG098 (talking a lot about a certain someone who isn’t really there at the moment)? Daisy sharing cop stories?

(… I also can’t help but think about the whole assistants-and-assimilated gang going for drinks during Jon’s kidnapping between MAG099–MAG102. Worst moment ever until they’re too inebriated to Coherently Think about why their lives suck and… see, that episode from Brooklyn 99? Going out of their way to find the most ridiculous kinda-harmless ways to exact revenge on what’s pissing them off at the moment, ie Elias? … Going to his office to wrap his whole desk in cellophane. While he’s standing there, just unable to do anything (they’re too many and too far gone for his power to work). While Tim is throwing serpentine streamers everywhere, Martin is crying because Elias’s paperweight suddenly reminds him of Jon, Daisy is seductively slurring the worst pick-up lines to Basira, and Melanie had stolen a spoon in the bar and tries to recreate “The Horribly Slow Murderer with the Extremely Inefficient Weapon” on Elias, again and again and AGAIN AND AGAIN– (maybe Basira told the truth in MAG106 and Melanie had indeed managed to make Elias cry, she just can’t remember about it). Basira was absolutely sober through it all, but when Elias tries to get explanations from her passiveness, it’s a mix of Her Iconic “I don’t know.” and the fact that she’s trying to get better at this new job of watching without doing anything. Elias would almost begin to regret Gertrude.)

Title for MAG137 is out and W O W is that an interesting one?! I have no idea if it will deal with one of the current threads or give information about other ones; it’s… a broad title which works for a lot of things. Tied to a very small mention we got in MAG105, so could be dealing with Gertrude’s studies on The Slaughter (and possibly her dealing with that one’s ritual)? If dealing with The Dark again, there are many angles which could work: attack on the Institute (get to meet The Creature, Jon.), Julia in present-time, Robert Montauk in the past, orrrr even something about the Elias-Rayner relationship that we now know was a Thing? (Though I feel that, if we get some information about that last one, it’s likely to be given in Ny-Ålesund.) Could also work for Hill Top Road, specifically Agnes and Ray? Could work for The Corruption (since The Hive had… personal feelings about The Institute) and maybe shed some light on whatever it was trying to achieve in the tunnels with the ring of worms (ritual attempt, or had Gertrude taken care of that one already?), or even something about John Amherst (Melanie… ;;)? Could work with Gertrude’s activities overall – with Elias, with Peter, with Jude… (Would be hilarious if it was about Elias and Peter, what the heck are you to each other, you terrible beings.) Could also work for Annabelle if it’s about balance? Aaaah, so many possibilities!! And it’s probably not even one that I thought of! =D

… and we’ll be getting a mid-season break, after all. Given how the break had been narratively inserted in season 3 (matching Jon’s kidnapping), will it be the case again and, if it is: what could possibly go wrong that we wouldn’t get a recording in-universe for three weeks? Four episodes left, a rushed trip to Ny-Ålesund could still happen before that and… leave them (/the surviving ones) in tatters afterwards, uuuuh…

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