#bts-ify <33

[parkjiminxfloorpt2]

get to know me 💫- thank you my bestie @bts-ify C for tagging me!! it really has been very long since i last played a tag game, ily!!

name: jans sign: Cancer (idk all that rising sun and moon things, im bad at zodiacs lmao) time: 7:28 PM IST birthday: July 10 fav band/artist: BTS, Conan Gray, and so many more lol last movie: this is embarrassing but, baby's day out last show- the kdrama called coffee prince, its one of my favs now!! when i created this blog- my first one was in the june of 2021, but this one was i guess november of last year :/ what i post- NOTHING. im not talented enough to create gifs, nor am i creative enough to write, so i do what i can, reblog <3 other blogs- none do i get asks- i used to..omg i remember my sexy whore anon..we used to talk almost every day!! i miss them so much, but rn, i get no asks hehe :) followers- all of them are my moots, my gorgeous pretty moots &lt;33 avg hours of sleep: 7-9 hours Dream job: okay please dont mind it if i get a little passionate here, BUT I LOVE THEATRE!! i love acting and performing on the stage. ive been into it since i was like 8 or smthg lol, uk its just smthg about drama that makes me feel alive.. so an actor it would be dream trip: i really wanna visit Paris atleast once <3 fav songs: counting stars, numb, astronomy, just one day, case 143 and soooo many more lol last song: (C WHAT A COINCIDENCE, MINES FROM INDIGO TOO!) still life, god im obsessed with that song currently reading- a jimin ff called silk sheets, its so well written <33 currently watching- the office :) when was the last time you cried?- hmm i guess last week..do you have kids- nah bro do you use sarcasm: a lot actually, so much to the point even if im saying something with no sarcasm, people think im just kidding, its annoying lol whats the first thing you notice about people: a tricky question, cuz theres a lot i notice..but maybe the way they communicate whats your eye color- black hehe scary movies or happy endings- id legit choose horror on any day. but got a soft spot for happy endings <3 special talents- idk really i guess i can make people comfortable around me.. what are your hobbies- baking!! tho im not good enough to do it by myself :/ where were you born- india do you have any pets- i really wanna adopt that stray ginger cat i see every morning in my apartment..ill just bring her home one day 🤭 what sports do you play- i TRY playing basketball, but i suck so bad fav subject in school- english. one of the easiest subjects 😚

honestly, this was stress-relieving!! really enjoyed writing it, thank you once again, C my beloved <333

tagging anyone who wants to do this!!

#tag game #bts-ify <33 #C my bub <33333

[taegularities]

Like @bts-ify said, i rlly wanna drown u in love bc thats what u deserve nothing less 🥹 i should be kissing the ground u walk on and I WILL (from all the way across the world💋💋) hope ur day has gotten A TINY bit better, my love<33 remember that we love u

-🌙

u and C are so damn sweet. and gosh, no, i'm just another regular person... but ur love still means so damn much to me, moon. and yes, ur messages did give me some strength... so thank u 🤍

[obtusemedia]

Top 25 songs of 2020: Honorable mentions

2020 was not a good year in many respects. But despite the world collapsing around us, there was a shocking amount of great new music.

Some of 2020′s best songs were a good fit for this terrifying year — we’ll get to those ones much, much later in the countdown. But 2020 also gave us gorgeous folk ballads, euphoric dance music and infectiously fun pop and hip-hop that had nothing to do with COVID-19 or any other awful aspects of the year.

Before we get to the proper list, here are 15 nearly-as-good songs that juuuust missed the cut, listed in alphabetical order by the artist’s name.

“Shimmy” by Aminé

Oregon’s most prominent rapper — okay, fine, Oregon’s only prominent rapper — came out of the gates blazing this year with “Shimmy.” 

Aminé may have heavily sampled Ol’ Dirty Bastard’s classic “Shimmy Shimmy Ya” on his second album’s leadoff single, but he replaces ODB’s chaotic vibes with a cold, snarling precision. He almost evokes Pusha T in his gleeful takedown of his rivals over the ice-cold beat. Pair this banger with one of the year’s best music videos, and there’s no doubt it would sneak onto this list.

“Dakiti” by Bad Bunny and Jhay Cortez

I am all about this nocturnal, new wave-y style of reggaeton. The melody is catchy as hell, yet the production has a sinister, chilly vibe that wouldn’t sound out of place on an Italians Do It Better complication. 

Megastar Bad Bunny’s husky vocals and Jhay Cortez’s more nasally voice make for a fun contrast as they trade verses. It’s a winning and charismatic combination!

“Boomer” by Bartees Strange

When you hear the phrase “rap-rock,” you’re likely shuddering at the thought of Limp Bizkit. But that style can work, as promising new artist Bartees Strange — stage name of D.C. alt-rocker Bartees Leon Cox — proves on “Boomer.”

Cox spices up a solid mall-punk banger with some rap verses. And unlike the Fred Dursts of the world, he can actually, you know, rap. 

But it’s the song’s explosive chorus, where Cox unleashes his howling vocals over charging guitars, where “Boomer” goes from an interesting song to a great one. If there’s any justice, he’ll be rising up the indie ranks very soon.

“Kyoto” by Phoebe Bridgers

I think I might be the only music nerd who didn’t adore Phoebe Bridgers’ new album, Punisher. For me, her mix of hushed, mostly-sincere singer-songwriter ballads with snarky lyrics just came off as tonally awkward. Her quips about Scientology and outlet malls in otherwise-sad ballads left a sour note for me.

But Bridgers’ unique songwriting style shines most on the few uptempo songs on Punisher, particularly “Kyoto.” Her goofy non sequiturs fit much better in a driving, anthemic song. And I’m immediately primed to enjoy any tune with a strong resemblance to Sufjan Stevens’ “Chicago.”

“Dynamite” by BTS

I’m not sure what it says about me that I didn’t learn to love BTS, the insanely-beloved South Korean boy band, until they finally recorded a song in English. 

It’s not that I dislike their earlier, Korean-language stuff — “Boy With Luv” in particular is a banger. And BTS’ English-language lyrics on “Dynamite” don’t really have any meaning (they’re basically just a bunch of random catchphrases jammed together ... but they do sound good).

But there’s something immediate and pristine about “Dynamite” that makes it impossible to not adore. It’s a little too cleanly produced to be on the level of the Bruno Mars hits BTS were clearly aping, but the sense of fun is infectious. At the very least, it’s on equal footing with Taio Cruz’s classic of the same name.

“Comeback” by Carly Rae Jepsen feat. Bleachers

Carly Rae Jepsen can knock out wistful synthpop nuggets like this in her sleep. So can Jack Antonoff, who produced the track and provides some backing vocals. 

But just because this isn’t anything new for the duo doesn’t mean the winning formula’s gone stale. “Comeback” is a worthy addition to both of their catalogues.

“Hollywood” by Car Seat Headrest

I can’t, in good conscience, put this song in the top 25. It’s an intentionally abrasive misfire from the Seattle indie rockers, who’ve done much better. Complaining about the vapidness and sleaziness of Hollywood is an overplayed topic, and letting side members of the band rap some of the verses (in goofy voices, no less) was maybe not the best call.

...but at the same time, there’s something to this objectively bad song that I keep returning to. Maybe it’s the embarrassing bluntness of the lyrics. Maybe it’s the forceful guitar riff. Maybe it’s because the aggro, visceral nature of “Hollywood” makes it a perfect workout song. Maybe it’s the goodwill left over from Car Seat Headrest’s last two albums, which were both stone-cold indie rock classics. I’m not sure! 

But even though I know it’s not a good enough song to make the proper list, I can’t lie to myself and leave it out of the honorable mentions. It’s a banger in spite of itself.

“24 Hours” by Georgia

"24 Hours” is the best possible version of a left-of-center synthpop club banger. 

What makes it great — the pulsating energy, Georgia’s yearning vocals, the “whoo!” vocal samples — are obvious on immediate listen. But perhaps what makes “24 Hours” worthy of this list is its replay factor. It came out in January, and it still sounds great 11 months later.

“1985″ by Freddie Gibbs and The Alchemist (song starts at 1:35)

We already knew — thanks to his two collaborative albums with Madlib — that Freddie Gibbs’ gruff flow sounds incredible over dusty samples. So why not team up with another producer who does something similar?

“1985″ is a prime example of knowing one’s strengths. The Alchemist’s production is stunningly gorgeous in his typical style, with a soaring guitar solo and a shuffling, dreamy beat. Gibbs pounces on it with the same ferocious street-life verses he’s been spitting for years. I’m glad to see Gibbs has figured out exactly which production sounds best for him to make Tiger King jokes and tell coke-dealing stories.

“Say Something” by Kylie Minogue

Aussie icon Kylie Minogue has been at it for 33 years at this point, reminding us every decade or so exactly why she’s stuck around.

“Say Something” is one of those reminder tracks — a burbling, irresistible, futuristic-yet-retro disco banger. The production is stellar, from the clanging guitar riff to the bouncy synth bass, and Minogue has a winking confidence on the track like she’s been doing this for decades (which, of course, she has). It’s exactly what you want out of a bubblegum pop jam.

“Right Round The Clock” by Sorry

With their very-British boy-girl dueling vocals, new London indie rock outfit Sorry definitely have more of a whiff of The xx. But instead of hyper-minimalist, whispered tunes, “Right Round The Clock” has a thundering, droll swagger that grabs you by the throat when the chorus comes slamming in.

The thumping, piano-based sound of “Clock” has a bit of a jazzy flair, thanks to the flecks of sax that pop in here and there. And Sorry interpolates Tears For Fears’ classic “Mad World” in a gloriously tongue-in-cheek way on the chorus (at the very least, it’s far superior to that awful gloom-and-doom Donnie Darko cover).

“Brooklyn Bridge To Chorus” by The Strokes

In a year FILLED with improbable comebacks from ‘00s and ‘90s artists (we’ll get some of to them in the top 25!), The Strokes may have been the least likely. The early ‘00s indie rock standard-bearers had been in sharp decline for nearly 15 years before their new album, The New Abnormal, dropped and the group returned to form.

“Brooklyn Bridge To Chorus” is a prime example of The Strokes’ invigorating comeback. It’s a killer new-wave jam that could’ve been been written by The Cars, with its jittery keyboards and impossibly catchy chorus. And of course, The Strokes’ most valuable asset — lead singer Julian Casablancas’ impossibly cool vocals — is here in full force. 

It’s not quite Is This It, but “Brooklyn Bridge To Chorus” is still The Strokes’ best song in 14 years.

“Spotlight” by Jessie Ware

After a career making increasingly dull ballads, “Spotlight,” and Ware’s new What’s Your Pleasure? album, is a refreshing change of pace into sleek dance-pop. 

I don’t know if “classy” has ever been used to describe disco, but that’s the best way to describe “Spotlight.” It’s undoubtably a dancefloor filler, with a funky groove and ‘70s string stabs, but there’s also a stateliness to it. It could fit equally well at Studio 54 as it would at a black-tie affair. I credit Ware with that, using her breathy vocals and charisma to strong effect here.

“Lilacs” by Waxahatchee

Any time you can write a song that sounds like an outtake from Tom Petty’s Wildflowers, I’m on board. 

That’s a bit of a reductive way to describe “Lilacs” — Katie Crutchfield’s vocals are much more fiery, for starters. But there’s something nostalgic and welcoming about this southern-fried folk-rock song with oblique lyrics and catchy hooks for days.

“Mood” by 24kGoldn feat. iann dior

Much of this new wave of emo-influenced rap isn’t really my thing. Maybe I’ve grown out of super-angsty and blunt songs about depression? Although I still love Smashing Pumpkins, so maybe that’s not the case. I can’t really answer why I don’t adore Juice WRLD or Lil Peep like so many others seem to.

But “Mood” — an unabashed sell-out, watered-down version of that sound – immediately clicked for me. I know 24kGoldn is trend-riding here, and that this is essentially a wildly shallow pop song. BUT! It’s a really catchy wildly shallow pop song! With bouncy pop-punk production that sounds like trap-ified Blink-182! (okay, it’s much better than that sounds, but you get the point)

I allow myself a guilty pleasure or two on my lists. “Mood” is one of those guilty pleasures this year. As the kids (presumably still?) say, it’s a vibe.