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mmmmalo · 5 years

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Jade & Bec

[This is an experimental post, exploring the threads between Jade & Bec, which will be updated regularly unto some semblance of completion.]

Are you familiar with the concept of trolls as manifestations? Cool, awesome, here’s a strange edge-case:

Tavros informs Jade that he prevented her death by commanding Bec to redirect a bullet into a villain’s heart. Jade informs Tavros that the “villain” was in fact her Grandpa, and Tavros attempts to defend his misguided heroics with the dignity of a wounded puppy dog. The strangeness: if Tavros is manifesting for Jade, why is he explaining Bec’s motivations for killing Grandpa? After all, Tavros directed Bec to do something Bec was already going to do – both of them are concerned with Jade’s safety. One might conclude that Bec (like Tavros) misjudged (not really) the danger presented by Grandpa (Harley). However, the manifestation of Tavros implies that these motivations also apply to Jade, despite her vocal insistence that Tavros is wrong.

What gives? Here’s a possibility broached in the second half of the conversation:

What if Bec is Jade’s imaginary friend? Tavros’s inexplicable manifestation for two parties would then be explained as voicing the thoughts of a mind divided. This would mean Jade shot Grandpa, albeit with several psychic buffers.

I realize that this would contradict the birth of Bec seen in Jade’s dreams, and that’s certainly not something to be ignored -- but then the trolls acting as psychological manifestations would likewise seem to contradict their existence as alien entities. The uncanny dissonance comes with the territory of dream logic, maybe.

Another reason to think Bec may have always already been a part of Jade: in the same way that cherubs seek to rekindle a primordial union, the kids in Homestuck universally aspire to a reunion. When John seeks to reunite with Dad, their separation analogous to the scratch on Dave’s record, an emblem of his fractured sense of self. John’s distance from (his image of) Dad is met with anxiety, and the urge to unite with that image drives much of his behavior throughout the story. Critically, a consequence of conceiving of this union as a re-union is that John fancies himself as having spawned directly from Dad’s image. (x)(x)(x)

As her riveting anthro treatise indicates, Jade similarly wishes to unite with Bec. The creation of Jadesprite corroborates this, as does the eventual realization of dogtier!Jade. But what could it mean for Jade to think of this as a RE-union? There’s certainly the sense in which Jade romanticizes shedding the trappings of civilization and embracing animal instinct, which can be conceived as having preceded humanity as we know it. In that sense, Jade could be said to be “returning” to a state from which humanity ostensibly divorced itself.

Put in familial terms, you might say humans are descended from beasts. Thus phrased, Jade being raised by a dog seems like a very apt metaphor.

Bec being Jade’s creation would admittedly invert this sense of who is parent and who is child, but there’s precedent for that sort of thing. The metaphor rich soils of Alternia has an upper class defined by the lower class trappings of Juggalo culture, after all. At this point I only want to establish a starting point for considering what it would mean for Bec to have already been Jade.

Main topics for future additions:

Why would Jade want to shoot Grandpa?

What are we to make of Bec’s powers if he is an extension of Jade?

(and of course, further justification for either of these questions being asked)

[5/3/2019] Topic: Jade & Lightning

First, a comment:

zenosanalytic

the parent stuff seems pretty easy, considering that it's de riguer in Homestuck for kids to be the parents of their parents

so like: Bec would both be a creation of Jade, and her primary parental figure. The different would be that, whereas with the B1s&2s it's a literal genetic link, with Jade and Bec it'd be more role-based.

...'difference' rather -__-

Thanks -- that’s further reason to regard that twist as a non-issue, except insofar as it may evince confusion on Jade’s part.

To get into the subject of why Jade would want to shoot Grandpa, it would be worth it to review and reevaluate stuff leading up to this. Namely, Jade’s fear of lightning.

When John entered the Medium, he had several near-falls: slipping on a staircase, launching into the air with his new Pogo-Hammer. Each encounter with the possibility of mortal descent was followed by the appearance of large ogres, who begin their assault after John looks down into the abyss. The ogres are physical manifestations of John’s abstract fear of heights, a fear which began with his fall from the slime pogo, and which Sburb stoked by placing his home on top of a huge spire. (Or perhaps it would be better to say that heights are the aspiration, and falling is the fear)

Subsequent encounters between kids and the monsters on their planets can be similarly understood as reactions to fears exemplified in some early trauma. Rose slams an ogre face-first into the oceans of LOLAR, which reminds her of the drowning of Jaspers. Dave gets his neck slit by an agent, which is an echo of the decapitated apartment building suspended over a bloodpool of lava, itself an echo of the fracturing of Dave’s identity from fraternal emasculation. In each case, the challenges posed by the game are directly sourced from some psychological fixation.

In Jade’s case, the appearance of her first imp is triggered by an aurora that bears a striking resemblance to lightning, giving a fairly direct indication of Jade’s fear. What’s more, the form of this manifestation is a callback to Bec’s first appearance! Naturally, this could be explained as simple callback reminding us the imp has inherited Bec’s powers via prototyping. But insofar as the imp is a manifestation induced by the image of a thunderbolt, the sequence suggests that Jade’s fear of lightning is closely associated with Bec.

There are precedents for this connection: one is rooted in the idea that the sylladex is itself a medium for the abstract expression of thought. When Jade attempts to draw her Eclectic Bass back into her Pictionary Modus, she instead captures the ghost image of Johnny 5, a sentient robot. This error is not a random occurrence, but rather a short circuit of mental association. Eclectic is two letters apart from electric, and Johnny 5 emerged as a consciousness due to a lightning strike, like a metallic Frankenstein monster. Immediately following this error, Bec appears and zaps Jade back to her room. – the dog is somehow both the interruption of this line of thought and its culmination.

The invocation of Frankenstein allows us to make some sense of the earliest iteration of this pattern: a pumpkin carved with the visage of Bec nearly awakens Jade when the reader tries to drop it on her head. 4 points:

John covered his walls with clowns and rude epithets; Rose scrawled frantic permutations of MEOW; and Dave drew SBAHJ. Each instance involves the kids expressing some kind of subconscious fixation or fear: John and his social anxiety, Rose and the echoes Jaspers’s swan song, Dave and the fever dreams within his art. There are no comparable drawings on the wall of Jade’s home, nor in her room on Prospit, but rather than concluding that Jade is an outlier to the trend, I would contend that Jade carved the face of Bec onto the pumpkin in her sleep instead. This again indicates a dread for Bec buried in Jade’s mind -- or rather, that Bec is an expression of some unspoken dread?

The pumpkin drop is echoed in drunk!Rose’s account of Newton’s mythic realization of the law of gravity. Rose says the proverbial strike of apple-to-noggin is symbolic of inspiration, the sudden intrusion of an idea. The same can be said of the pumpkin as a symbol: recall that the gift that inspired Jade to begin gardening in the first place was pumpkin seeds. So that which threatens to awaken Jade is the idea of Bec, again situating the scene

That the “reader” executes the drop is not arbitrary. It is crucial to the structure of the scene that the impetus for this attempted inspiration comes from beyond the fourth wall, for reasons I will elaborate upon in due time.

The inhabitants of dream bubbles are at times referred to as the dreaming dead, invoking the age old metaphor of death as a long sleep. The corollary is that awakening is akin to coming alive. As the allusion to Frankenstein via Johnny 5 might suggest, the flash of Bec-associated inspiration from beyond bears the possibility of no only awakening Jade, but of bringing her to life.

More lightning talk tomorrow.

[5/6/2019] Topic: Grandpa Harley

Let's skip to the end (and sort out the messy filler afterward): Jade's fear of lightning seems to be linked to a sexual assault at the hands of her grandfather.

An early hint comes by way of another reference to Johnny 5. Having alchemized the thunderstruck robot, Jade finds herself swarmed with notifications from the manifest Eridan. The Prince impresses upon her Ahab's Crosshairs, a weapon which had been previously established as a phallic lightning bolt (x). Knowing that the weapon will somehow make it to her grandson* Jake, Jade muses on the question of who she might have kids with. Eridan in turn balks at the thought of "pink wwigglers comin out a your owwn personal torso" -- a turn of phrase that obviously alienates us from childbirth, but also presents us with the image of worms or maggots wriggling in Jade's body. Rot blends with an image of fecundity, like the scarabs in the Mummy. We don't have the tools to make sense of this overlay of death and birth quite yet, but we will return to it. For now, consider this scene as a collage whose elements we cannot yet organize.

The more overt indication comes via Clubs Deuce. Recall when dream!Jade beat the snot out of CD for stealing the queen's ring, only to reveal that back in reality, Jade's dreambot was beating the stuffing out of dead!Grandpa? The juxtaposition suggests that Jade's violence towards CD in her dream is a displacement of some latent aggression towards Grandpa. Much later, just before Cascade, there is a payoff of sorts for this linkage: another lightning aurora hovers in the distance as Jade prepares for the scratch, and it triggers the return of CD. He drops in from the sky and kills Jade with an explosion of foam, knocking the Genesis Frog into the Forge in the process. The foam is ejaculatory, and the depositing the frog where it may gestate prior to its final descent/ascent to Skaia is an insemination. We infer that CD is playing the role of Grandpa in this display.

In response, Jack kills the shit out of CD, just as Bec killed Grandpa. The retaliation has echoes elsewhere. Recall the gag in which Hussie riffs on the end of the Neverending Story: he rides a white dog-dragon and avenges himself upon some bullies with a blast of stupid green dog barf. (Aside: it is out of the current scope, but worth noting that Hussie and Falkor respectively bear emblems of influence by Vriska and Lord English) The sequence is a silly mirror of Becsprite's annihilation of Jade's imminent meteor (the seed) with an immense blast of green fire. Entry sequences tend to involve some esoteric depiction of a character's trauma, and in this case, the meteor directly represents the "bully", Grandpa. (And perhaps to a lesser extent, bullies like Karkat, who in their own way posed a violent, intrusive threat to her (emotional) well being)

The entry meteor's threatened impact with the earth is but one example of the colliding celestial spheres that seem to haunt Jade. In Descend, Jade's reverie in the golden city is cut short as Jack severs the umbilical chain connecting the moon and planet (child and parent), sending the moon careening into the Battlefield below, crushing Jade. As with the meteors that swarm Skaia like sperm upon an egg, the child-status of the moon renders its crash akin to a seeding. A subsequent collision is more direct: Jake's Hope field versus Jade's green fireball. The entire grimbark scenario was triggered by Jade catching a glimpse of Jake's banana hammock (though of course, on a plot level the transformation was triggered by HIC's mind control). To drive the point home, Jade bemoans her inability to detach her focus from Jake's undies as they duel. As Jade is overpowered, the collision of Hope and Space comes to resemble the visage of Doc Scratch -- this unsettles due both to Scratch's pedophilia, and the way that the mind/body blocking of the scene reinforces the sense of domination from Jake to Jade. Adding insult to injury, the defeated Jade is crushed to death by a long white tower.

All this would seem to have been foreshadowed by Dave's comment on the earth being under assault by planet fucking Jupiter; the invocation of Zeus connects his comically absurd doomsday scenario to Jade's fear of lightning.

Next topic -- motifs connected to imbuing inert matter with the breath of life, and how they relate to Jade's sense of agency.

#utterly insufficient but that's the point #to be continued #homestuck reread 3 #jade #bec #jake

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